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New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 176 p., musical scores. Compositions for baglama: In baglama Bozuk, Misket and Müstezat tunings.= Baglama için besteler: Baglama, Bozuk, Misket ve Müstezat düzenlerinde. The instrument of Baglama, which has been shaped within many years in the rural areas and has a rich and profound history, began to create its tradition in the urban areas after the establishment of the Turkish Republic. In the past, this instrument mostly passed down the vocal melodies; however, now it is agreed by many music authorities that it is about time it must be a part of instrumental music on its own as well. The primary purpose of this book is to contribute to Baglama new tradition without ignoring its richness dating back to old times. This book involves twenty works composed in the tunings of baglama, of bozuk, of misket and of müstezat. Those compositions, prepared to be played in both picked and pickless (selpe) styles, are thought to be beneficial for baglama education as well, and thus it is agreed that methodical symbols should be used in the notation.
47080Lausanne, Foetische Frères sans date, vers 1888, 205x135mm, XV - 346pages, broché. Déchirures au haut du dos, autrement bon état.
124356aafExemplaire de Kloepfer & Rediger, Sanitätsgschäft Bern, s.d. début XXè, gr. in-4to, (sans page de titre) feuille III/IV: ‘Notice - Recommendations pour la stérilisation des instruments - V/VII conditions: table des matières - XIII/XXII table alph. + 783 p. remplis d’illustrations d’instruments de la marque ‘Esculape’ + XXIII /XXXII (table d. matières), cachet au début ‘Kloepfer & Rediger, Sanitätsgeschäft Bern’ , reliure en demi-toile (simple). Pages de garde d’origines. Tranches rouges.
19922261Aux amateurs de livres 1992 In-4 reliure éditeur sous jaquette, 221 pp. Illustrations en noir
0282407790.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192 pages including index. Black and white illustrations. Attempts to provide insights into a few fundamentals of the subject and an understanding of some of their applications. Specifically designed to cover the needs of Alberta schools in introductory physics, the text includes supplementary material which makes provision for the above average student. Chapter titles include: Measurement; Density and specific gravity; Buoyancy; Force, Work and Power; Experiments on Mechanics; Nature and propagation of light; Photometry; Reflection of light - mirrors; Refraction of light - lenses; Colour; Optical instruments; Experiments on light; Modern developments. Includes answers to chapter questions. Book
Approx 1.25" thick. Covers: chassis, cooling system, fuel system, engine, driveline, front axle, rear axle, tires, parking brake, air system, electrical system, cab, switches and instruments, steering system, hydraulic system, body, traction system, hydraulic brake system, miscellaneous (lube chart). Average wear and soiling. Occasional marks. Binding intact. Book
32857Paris Edouard Rouveyre 0 in-12° publication vers 1900, petit accroc en coiffe
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 164 p. For over three decades I had the opportunity to research on Ottoman musical writings in the Turkish libraries and to consult private collections. Concurrently, I was able to study Ottoman musical manuscripts kept in libraries outside Turkey. Along those years of research I carried out persistent investigations that gave me access to a large number of Ottoman materials ranging from the fifteenth century to the end of the nineteenth century. As a result of examining numerous musical manuscripts in Ottoman Turkish literature I discerned the commonplace of themes in the majority of writings and evaluated their structure at formal and generative level. Moreover, I was able to ascertain the significant purport of certain sources over others and to compare several versions of the texts. The idea of this catalogue evolved gradually in my mind from the perception that an explicit presentation of the makams would constitute a valuable reference both for evaluating the historical process of creating and performing music, as well as for establishing the inventory of modal categories and their taxonomic relations. As time passed, I was able to determine the development of a genuine Turkish concept in works that provided descriptive and analytical matter, and to detect through manuscript lines the significance of the process involving the semantics of the practice of music at different periods. The present book is mainly focused upon the practical theory of the makams reflected in the production and performance of the melodic scales the way they are described in Ottoman manuscripts.
New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English. 200 p., b/w and color ills. "Prince Dimitrie Cantemir (1673-1723) combined a multitude of talents in a complex personality of spiritual enlightenment and intellectual curiosity. His works form a reservoir of facts and histories that reveal surprising angles to many philosophical and cultural questions through a maze of revolving evasions in search for the deep meaning. Cantemir never ceased to amaze European and Turkish intellectuals with the wealth of his analyses and observations across interrelated areas of knowledge. The humanistic curiosity of Cantemir has no limits as he continues to move around the multifaceted points of his attention in search of the ultimate perspective to his subjects. The Turks, their actions and customs aggressive and kindly, genuine and symbolic, ordinary and majestic, stand in overwhelming light on the center stage of Cantemir's world of configurations.".
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 180 p. This book scrutinizes three different theoretical aspects of Ottoman sources. The first essay discusses the principles of makam classification proposed by diverse Ottoman writers and compares their ideas within socio-cultural setting. The resulting analogies and polarities are outlined in order to emphasize the essential ideas in the perspective of musical creativity. The second essay explores Dimitrie Cantemir's compositions and establishes the authenticity of the pieces that have circulated in the general repertory of Turkish classical music under his signature. The provenance of the compositions evidences the way written and oral sources crossed borders and combined as to further generate new materials out of a commixture of original and derivative elements. In essence, oral tradition has interacted and interfered in forming Cantemirian repertory adding versions and variants that were transmitted independently and were accepted as authoritative creations by the community of musicians and the public of music lovers. The third essay evokes the personality of Hasan Talat Bey of Bebek, a remarkable patron of musicians and collector of music, who sponsored weekly musical gatherings in his mansion. There gathered frequently the music makers, creators and performers of songs and instrumental pieces. The happening of music gatherings was memorialized in the tablets with written music and decorative embellishments the host used to offer the guests as souvenirs. In addition, the discussion includes the survey of the song collection owned by Hasan Talat with title entries.
New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 85 p., musical scores. XVIII. yüzyil musiki yazmalarindan Kevserî mecmuasi üstüne karsilastirmali bir inceleme. Translated and prep. by Bülent Aksoy. First Edition.
187832645Paris, Germer Baillière, 1878. In-8 relié (24 x 15,3 cm), reliure demi-chagrin marron, couverture conservée. Traduit de l'anglais par E. Barbier, revu et corrigé par l'auteur, 694 pp., 476 figures dans le texte, descriptions des gravures contenues dans la planche, table des matières. Bien complet de la grande planche dépliante in fine. Très bon état.
1376564Paris: Eve, Euvrard & Fabre, 1919 gr. in-4, 127 pages, illustrations, lots 1206 à 2476. Broché, bon état. Inclut la collection d'instruments scientifiques et la bibliothèque de Jean-Pierre Legrand.
194716618Paris Eyrolles 1947 In-8 436 pp. couverture déchirée sans manque Sur 4 cm, nombreux scémas et illustrations
1973R160111491EDITIONS TECHNIQUES ET SCIENTIFIQUES FRANCAISES. 1973. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 135 pages.. . . . Classification Dewey : 784-Les instruments et leur musique
1995R240112551EDITIONS DU LAQUET. 1995. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages - nombreuses photos noir et blanc dans et hors texte. . . . Classification Dewey : 784-Les instruments et leur musique
52427Paris Imprimerie des Etablissements H. Morin in 8 (26x17,5) 1 volume reliure cartonnée illustrée de l'éditeur, dos muet de percaline verte, 176 pages, avec de nombreuses illustrations dans le texte. Catalogue illustré des instruments de précision de marine et de dessin fabriqués par la Maison H. Morin. 30e édition. Bon exemplaire
195455383Mulhouse. XLVII. Mars 1954. 20 Seiten. Mit 7 teils ganzseitigen Abbildungen. Originalbroschur (Umschlag an den Rändern mit geringeren Gebrauchsspuren) 26x20 cm
1989R240094682PAUL BEUSCHER. 1989. In-4. Broché. Etat d'usage, Couv. convenable, Agraffes rouillées, Intérieur frais. 33 pages agrafées augmentées de nombreuses phrases musicales - petite annotation au stylo bleu sur la page 3 sans conséquence sur la lecture .. . . . Classification Dewey : 784-Les instruments et leur musique
(xvi +) 465pp.+ 46pp. ills. + 1 uitvouwbare kaart, 23cm., geïllustreerde omslag, goede staat, M26716
38195Paris Le Livre de Paris - Hachette 1992 in 4 (30x23) 3 volumes reliures skivertex vert de l'éditeur, dos et plats supérieurs titrés. Volumes illustrés de nombreuses photographies en noir et blanc et en couleurs. Encyclopédie des grands maitres la musique. Volume 1: La musique baroque et préromantique (313 pages). Volume 2: La musique romantique (316 pages). Volume 3: L'opéra et le romantisme (318 pages). Volume 4: Les musiques nationales (319 pages). Volume 5: La musique du XIXe siècle ( 318 pages). Volume 6: Instruments, interprètes et orchestres (187 pages). Volumes de texte seuls (sans les 50 disques compacts). Ensemble en très bel état ( Photographies sur demande / We can send pictures of this book on simple request )
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 464 p. Islam medeniyetinde musiki. Music in Islamic civilization. MUSIC Islamic world Ottoman Empire Umayyad Abbasids Mamluks Andalusia Arab culture.
cm. 17 x 24, xii-262 pp. con molti es. mus. n.t. e 1 tav. f.t. Historiae Musicae Cultores - Biblioteca Compilata tra il 1637 e il 1640, questa fonte in 16 volumi contiene una mole considerevole di musica per tastiera di provenienza eterogenea, anche se prevalgono le opere di autori italiani e della Germania meridionale. Aspetti importanti del manoscritto: la trasmissione di varianti rispetto alle fonti a stampa; la tipologia dell?ornamentazione inserita dal copista; le modalit? di compilazione del manoscritto; l?importanza rivestita in particolare dalla musica della scuola veneziana, di cui il manoscritto ci trasmette moltissimi ?unica? These sixteen manuscript volumes, compiled from 1637 to 1640, contain a vast amount of keyboard music of different origins but chiefly by Italian and South-German authors. Important aspects are the identification of variants with respect to printed versions, the typology of ornamentation introduced by copyists (strongly influenced by the Venetian school), the layout of the compilation, the importance of Italian music, particularly the Venetian school, represented here by many unique examples. 508 gr. xii-262 p.
19492383Partitions sur les Instruments de musique Arpège 1949
