35 résultats
1879126381Leipzig & Berlin: C.F. Peters 1879. Hardcover. Very Good. Sheet music. Four volumes bound together each volume with its own front cover and pagination. Quarto. 54; 50; 60; 62pp. Half black calf black cloth boards with gilt trim along the calf gilt bands along the spine creating six compartments with "piano" stamped in gilt in the second compartment from the top. Boards and spine worn the front cover of the first volume is detached and laid in each volume with a music shop stamp on the front cover very good with the music clean. Instrumental pieces for piano.<br /> <br /> 1 Liszt: Chapelle Sixtine; Bülow: Op. 19 – Tarantella; Tausig: Transcription von Rich. Wagner’s Kaisermarsch; Rubinstein: Op. 23 No. 2 Concert-Etude<br /> <br /> 2 Raff Op. 93 – Dans la nacelle; Raff Op. 105 No. 3 – Troisieme Eglogue; Raff Op. 105 No. 4. - Quatrieme Eglogue; Raff Op. 105 No. 5 – Cinquieme Eglogue; Raff Op. 92 – Capriccio; Raff Op. 79 – Cachoucha Caprice<br /> <br /> 3 Transcriptionen von Alfred Jaell: No. 1: Nicolai – Lustigen Weiber von Windsor; No. 2: Mendelssohn – Hochzeitsmarsch; No. 3: Wagner – Lohengrin und Tannhäuser; No. 4: Bellini - Norma<br /> <br /> 4 Transcriptionen von Alfred Jaell: No. 1: Gounod – Faust-Walzer; No. 2: Meyerbeer – Afrikanerin Romance der Ines; No. 3: Meyerbeer – Afrikanerin Chor der Bischöfe; No. 4: Meyerbeer – Afrikanerin Arie des Nelusko; No. 5 Gounod – Romeo und Julie. C.F. Peters hardcover
1882Liszt1<p><strong>LISZT Franz 1811-1886</strong></p><p>Original photograph by Julien Ganz Period albumen print 1882 cabinet format 145 x 105 cm Mounted on thick cardboard in the photographer's credit 165 x 108 cm Dark red edge all around "Liszt" annotation on back side from an unknown hand</p><p><strong>Striking and unpublished portrait of the musician</strong></p><p>Several variants taken on the same day are known. However none of them show Liszt staring at the lens. His portrait is all the more intense here.</p><p>Some traces of an old assembly mounting on margins small scratches and small accidents at the lower corners of the cardboard see scans otherwise good condition.</p>
190043963097219114St. Petersburg Moscow Paris Berlin Leipzig: P. Jurgenson A. Gutheil V. Bessel 1900. Paperback. Good. Collection of 14 rare pre-revolutionary and early Soviet sheet music editions. St. Petersburg Moscow Paris Berlin Leipzig: 1880s–1919. 1. Henryk Pachulski — Two Concert Études Op. 7 No. 2. Phantom. — Moscow–Leipzig: P. Jurgenson. 2. Leopold Godowsky — Renaissance. Vol. II Book 7 — Menuet by C. P. E. Schobert. — Berlin: Schlesinger 1906. 3. Camille Saint-Saëns — Bacchanale from "Samson et Dalila". — Paris: Durand & Fils. 4. Carl Lütschg — School of Études. Book 7. — St. Petersburg: V. Bessel & Co. ca. 1900–1910s. 5. Franz Liszt — Valse-Caprice after Schubert. — Moscow: A. Gutheil ca. 1900–1910s. 6. Franz Liszt — Grand Galop Chromatique Op. 12. — Moscow: A. Gutheil ca. 1900–1910s. 7. Franz Liszt — Valse-Impromptu. — St. Petersburg: A. Johansen ca. 1890–1910. 8. Camille Saint-Saëns — Romance sans paroles. — Moscow: A. Gutheil ca. 1900–1910. 9. Robert Schumann — Novelette in D major Op. 99 No. 9. / Ed. by Rubinstein & Balakireff. — Moscow: P. Jurgenson. 10. Robert Schumann — Aufschwung Op. 12 No. 2. / Ed. by Rubinstein & Balakireff. — Moscow: P. Jurgenson. 11. Frédéric Chopin — Two Nocturnes Op. 48. / Klindworth edition. — Moscow 1919. 12. V. Selivanov — A Little Joke Op. 3 No. 3. / Ed. by M. Pressman. — Moscow: P. Jurgenson ca. 1910–1920. 13. Frédéric Chopin — Polonaise in C minor Op. 40. — St. Petersburg: T. Stellowsky ca. 1880–1890s. 14. Frédéric Chopin — Polonaise Op. 71 No. 2. / Klindworth edition. — Moscow: P. Jurgenson ca. 1900–1915. This extensive collection of fourteen large folio editions represents the cosmopolitan heart of the European and Russian musical worlds at the turn of the century. The text provides a deep dive into the internal logic of the piano virtuoso tradition including the arrangement of Leopold Godowsky’s complex "Renaissance" transcriptions and Franz Liszt’s dazzling Grand Galop Chromatique. These scores document the high editorial standards of pre-revolutionary giants like P. Jurgenson and A. Gutheil as well as international prestige imprints like Durand Paris and Schlesinger Berlin. Notable highlights include scholarly editions of Schumann edited by the pillars of Russian music Anton Rubinstein and Mily Balakirev and an exceptionally rare 1919 Soviet-era Chopin printing from the very early nationalization period. The physical identity of these scores is marked by their large folio dimensions and original covers many featuring the elegant Art Nouveau and late-Victorian graphic design of the 1890s–1910s. The lot includes vital pedagogical materials used in the St. Petersburg Conservatory such as Carl Lütschg’s School of Études and virtuosic concert repertoire that once filled the imperial concert halls. From Stellowsky’s mid-Victorian Chopin imprint to the modern "Phantom" étude by Henryk Pachulski these volumes are essential primary sources for musicologists pianists and collectors. They preserve the exact musical texts and tactile presence of a lost era where Moscow and St. Petersburg stood as equal capitals alongside Paris and Berlin in the global dissemination of classical art. P. Jurgenson, A. Gutheil, V. Bessel paperback
1881106040Leipzig : Breitkopf et Haertel 1881. 250x170mm. reliure demi-toile coins avec dos muet. Plats papier marbr. Bel exemplaire. 1233 Breitkopf et Haertel unknown
188128117AB1881. Nouvelle édition. Leipzig Breitkopf & Haertel 1881. Gross-8°. 1 Bl. 4 538 S. 1 Bl. Illustr. silbergeprägter Orig.-Leinenband Um 200 S. erweitere Neuauflage über die von Liszt beschriebene Volksmusik der Roma und der Juden in Ungarn und Russland. - Mit getilgtem Namenszug auf dem Halbtitelblatt. Einband berieben und bestossen. unknown
1882074912Leipzig: Breitkopf & Härtel 1882. Franz Liszt's Gesammelte Schriften Bd. 4; VIII 273 S.; mit Register; übertragen von E. Ramann; fliegender Vorsatz mit Besitzerstempel Titelblatt mit Besitzervermerk Kanten berieben Ecken leicht gestaucht Rücken professionell erneuert. Erste Auflage. Leinen. Befriedigend. 244 cm. Breitkopf & Härtel Hardcover
183840939Vienne: Tob. Haslinger PN T. H. 7573 1838. Folio. Disbound. i title 2-23 i blank pp. Engraved. With secondary pagination to rectos in manuscript.<br /> <br /> Small oval handstamp of P.K. Weizel Brooklyn NY to lower margin of title. <br /> <br /> Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages.<br /> <br /> Very slightly worn soiled and foxed; outer bifolium separated at spine; small blank piece of ivory paper laid down to final blank page. First Edition. Searle 419. Raabe 230. Tob. Haslinger [PN T. H. 7573] unknown
183940937Berlin: Ad. Mr. Schlesinger PN S. 2224 1839. Folio. Disbound. 1f. recto title verso blank i blank 4-13 i blank pp. Engraved. With secondary pagination to rectos in manuscript.<br /> <br /> Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages.<br /> <br /> Slightly worn and browned; outer leaf separated at spine; narrow strip of early paper tape to inner margin of title. First Edition later issue. Searle 470. Raabe 134. Ad. Mr. Schlesinger [PN S. 2224] unknown
1880066737Leipzig: Breitkopf & Härtel 1880. 215 S.; aus dem Französischen von La Mara d. i. Ida Marie Lipsius; Privateinband etwas späterer Zeit; Titelblatt mit Besitzerstempel stellenweise mässig stockfleckig Kanten teils etwas berieben u. bestossen stabiles Expl. Erste deutsche Ausgabe. Halbleinen. Gut. 249 cm. Privateinband. Breitkopf & Härtel Hardcover
18822020187Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 234 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Goethe Weimar music. etc. Breitkopf und Hartel hardcover
18802020161Leipzig: Breitkopf und Hartel 1880. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn top joint splitting. <br/><br/>Edited by La Mara. Breitkopf und Hartel hardcover
18822020185Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 273 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Robert Schumann Berlioz Clara Schumann Robert Franz John Field. Breitkopf und Hartel hardcover
18812020184Leipzig: Breitkopf und Hartel 1881. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn <br/><br/>Edited by Lina Ramann. Essays on Church Music George Sand Thalberg Robert Schumann Louis de Rouchand La Scala Heinrich Heine Berlioz Italian music Breitkopf und Hartel hardcover
188022872Leipzig: Breitkopf Und Hartel. Very Good. 1880. First German Edition. Hardcover. Bound in three-quarter leather with paper covered boards. Text is in Old German. I believe this is the first German edition. ; Small 4to 9" - 11" tall; 215 pages . Breitkopf Und Hartel hardcover
185040941Leipzig: Breitkopf & Härtel PN 8090 1850. Folio. Unbound as issued. 1f. recto title verso blank 3-29 i blank pp. Engraved.<br /> <br /> Small oval handstamp to blank lower margin of title.<br /> <br /> Slightly worn browned and foxed. First Edition. Searle 414:3. Raab 223.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le Diable. Breitkopf & Härtel [PN 8090] unknown
1859008609Paris: Librairie Nouvelle / A. Bourdilliat et C. 1859. Book. Near Fine. Hardcover. First Edition. 12mo - over 6¾" - 7¾" tall. SCARCE in First Edition and RARE in a punched gilt leather binding the punched gilt leather panels applied over the original leather binding to the front and rear boards leaving the original leather spine uncovered and with newer end papers. The panels are remnants of a much larger gilt leather wall hanging likely Dutch or Flemish in origin. Stamped at front end page and title page "Mária Dorothea Egyesület" a Hungarian institution in Budapest that houses retired teachers. Near Fine some pencil notations at end pages and title page. Hungarian composer Franz Liszt's " Des Bohemiens et De Leur Musique En Hongrie" was a pioneering work in creating a national music for Hungary which he believed to be the folk music of the Roma Gypsies. The book sparked much debate and controversy throughout 19th century Hungary and the world of music and remains controversial today. An essential Classical music study in an exceedingly uncommon and virtuosic binding. . Librairie Nouvelle / A. Bourdilliat et C. Hardcover
189455718Berlin - Paris : Otto Liebmann - Pedone-Lauriel 1894. 265x175mm. XXVI- demi-basane dos ˆ nerfs piÂce de titres rouge et verte cuir par endroit frottÂŽ cachet de bibliothÂque sur la page de titre cuir tachÂŽ sur un bord. 1821 Otto Liebmann - Pedone-Lauriel unknown
1877mon0000210225William Reeves 1877-01-01. Hardcover. Acceptable. in x in x in. Ex-library book usual markings. Hardback with dust cover. Well read copy with some spine wear. Pages are rough cut and have coloured edges due to age. The bottom corner of the back cover board has been torn off. William Reeves hardcover
1851578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br /> <br /> Plate numbers and imprint of Brandus from their first edition of 1850.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br /> <br /> Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown
186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title.<br /> <br /> Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152.<br /> <br /> Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. <br /> <br /> "A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br /> <br /> Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br /> <br /> Musicseller's handstamp to foot of title.<br /> <br /> Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br /> <br /> Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown
184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved.<br /> <br /> Contents: <br /> - Erlkönig D 328<br /> - Sei mir gegrüsst D 741<br /> - Du bist die Ruh D 776<br /> - Auf dem Wasser zu singen D 774<br /> <br /> Musicseller's handstamp to foot of title.<br /> <br /> Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. <br /> <br /> Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br /> <br /> "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown
184040936Vienne: A. Diabelli & Comp. PN D et C No. 6959 1840. Folio. Unbound. 1f. recto title with vignette of dancing couple and group of musicians 3-1. i blank pp. Engraved<br /> <br /> Some wear and minor foxing; outer bifolium separated at spine' 6" in contemporary manuscript to upper outer corner of title.<br /> <br /> Indecipherable signature in pencil to lower outer corner of title with several annotations in purple ink. First Edition. Searle 425. Raab 250. Auman and White 124a. A. Diabelli & Comp. [PN D et C No. 6959] unknown
185340935Lipsiae: Breitkopfii et Härtelii PN 8636 1853. Folio. Dark yellow cloth-backed light gray boards. 1f. recto title verso blank 1f. recto dedication to "Patri Venerabili Albach" verso blank 3-35 i blank pp. Engraved.<br /> <br /> Scored for Tenors I and II Basses I and II and Organ.<br /> <br /> Handstamps of the Music Institute of the University of Vienna to title and dedication; deaccession note and stamp to verso of title.<br /> <br /> Binding somewhat worn rubbed and bumped with remnants of label to inner corner of upper board. Minor internal wear; lower outer corners bumped. First Edition of the first version. Searle 8a. Raab 485a. <br /> <br /> The Mass for four male voices and organ was composed in 1846-47 and was first performed in 1852 in Weimar "to celebrate the birthday of the President of the French Republic - later the Emperor Napoleon III. This is an unusual and austere work in which singers effectively declaim not sing parts of the Credo. The melodic line of the Gloria reveals the influence of plainchant." Collet: Franz Liszt. The Man & His Music Alan Walker ed. p. 340. Breitkopfii et Härtelii [PN 8636] unknown
