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192823830Berlin 1928. Späterer HLn.-Einband. Über 300 S. Mit sehr zahlreichen Abbildungenvon Möbeln bzw. Inneneinrichtungen
195922063Heidelberg, Lambert Schneider, 1959. 118 S., 1 Bl. Mit montiertem Porträt. 8° (19 x 11,5 cm). Original-Leinwand mit Schutzumschlag.
198430124Lpz., Offizin Andersen Nexö, 1984. 5,5 cm x 5,5 cm. Goldgepr. OGanzlederbd. in OPp.-Schuber. 335 SS., 3 Bll. mit Frontispiz und 16 Tafeln im Anhang.
198429721ALeipzig, Offizin Andersen Nexö, 1984. Ca. 5,5 x 5,5 cm. 335 (35) Seiten, mit zahlreichen Illustrationen. Brauner Original-Lederband im Schuber.
1984122245ABLeipzig, Offizin Andersen Nexö, 1984. 5,3 x 5,3 cm. 335 und [35] S. mit s/w Abb. Brauner Original-Lederband mit goldgeprägtem Rückentitel in OSchuber.
17872948München [d.i. Frankfurt a. M., Esslinger], 1787. 8°. Gest. Frontispiz, 116 S. Kartonage d. Zt., Rücken überklebt.
193587071Göttingen: Vandenhoeck & Ruprecht 1935. 116 Seiten. Frakturdruck. 8° (17,5-22,5 cm). Orig.-Broschuren. [Softcover / Paperback].
1996V29950Berlin (Rowohlt Berlin) 1996 (= Erste Ausgabe). 8°, Originalkarton mit illustriertem Originalumschlag (Hardcover) 430 S., Abbildungen, ISBN 3 87134 273 4 1
178945724Breslau, Gottl. Löwe, 1789, 8vo. Very beautiful contemporary red full calf binding with five raised bands and gilt green leather title-label to richly gilt spine. elaborate gilt borders to boards, inside which a ""frame"" made up of gilt dots, with giltcorner-ornamentations. Edges of boards gilt and inner gilt dentelles. All edges gilt. Minor light brownspotting. Marginal staining to the last leaves. Engraved frontispiece-portrait of Spinoza, engraved title-vignette (double-portrait, of Lessing and Mendelssohn), engraved end-vignette (portrait of Jacobi). Frontispiece, title-page, LI, (1, -errata), 440 pp. Magnificent copy.
26668Disque Musidisc-Europe PP 72 / Collection enfantine " Le Petit Poucet " sans date. 33 tours au format 30 cm avec superbe couverture illustrée par Denise Chabot. Adaptation d'après Madame D'Aulnoy, racontée par Claire Maurier avec le concours de Michèle Caplin, Michel Provence, Berthe d'Yd et Michel Brothier. Musique de Mendelssohn. Pochette et disque en état magnifique, proche du neuf. Disque en état parfait, jamais écouté. Rare premier pressage.
Four volume set is in excellent condition, about 145 pages per book in slipcase. Bindings are solid and square, covers have sharp corners, exteriors show no blemishes, text/interior are clean and free of marking of any kind. Book one features Pachelbel, Purcell, Scalratti, Telemann, Bach, Haendel - Book two contains scores from: Haydn, Clementi, Mozart, Weber, Kuhlau, Czerny, Beethoven - Book three includes: Schubert, Liszt, Wagner, Mendelssohn, Chopin, Gounod, Gurlitt, Franck, Saint-Saens, Iljitsch, Brahms - Book four: Robert Schuhmann--Authentic Masterpieces "Album for the Young" & "Scenes from Childhood". Slipcase is banged up some at corners and edges, taped, still sturdy.
187026858Berlin: N. Simrock, o. J. (ca. 1870). Format: 19 x 27,5 cm. (Reihe: Mendelssohns Werke für Pianoforte allein. In sechs Bänden. Erster Band). 65 Seiten. Fest gebunden in roten, stark skulpierten, üpppig ziergeprägten Orig. Leinen mit goldgepr. Deckeltitel und flächigem goldenem Deckelporträt. Getönte, gelackte (leicht altersspurige) Vorsätze. Kleiner Tuschefleck am fl. Vorsatz. Durchaus vom Alter gestreiftes, insg. jedoch gutes Exemplar.
1879126381Leipzig & Berlin: C.F. Peters 1879. Hardcover. Very Good. Sheet music. Four volumes bound together each volume with its own front cover and pagination. Quarto. 54; 50; 60; 62pp. Half black calf black cloth boards with gilt trim along the calf gilt bands along the spine creating six compartments with "piano" stamped in gilt in the second compartment from the top. Boards and spine worn the front cover of the first volume is detached and laid in each volume with a music shop stamp on the front cover very good with the music clean. Instrumental pieces for piano.<br /> <br /> 1 Liszt: Chapelle Sixtine; Bülow: Op. 19 – Tarantella; Tausig: Transcription von Rich. Wagner’s Kaisermarsch; Rubinstein: Op. 23 No. 2 Concert-Etude<br /> <br /> 2 Raff Op. 93 – Dans la nacelle; Raff Op. 105 No. 3 – Troisieme Eglogue; Raff Op. 105 No. 4. - Quatrieme Eglogue; Raff Op. 105 No. 5 – Cinquieme Eglogue; Raff Op. 92 – Capriccio; Raff Op. 79 – Cachoucha Caprice<br /> <br /> 3 Transcriptionen von Alfred Jaell: No. 1: Nicolai – Lustigen Weiber von Windsor; No. 2: Mendelssohn – Hochzeitsmarsch; No. 3: Wagner – Lohengrin und Tannhäuser; No. 4: Bellini - Norma<br /> <br /> 4 Transcriptionen von Alfred Jaell: No. 1: Gounod – Faust-Walzer; No. 2: Meyerbeer – Afrikanerin Romance der Ines; No. 3: Meyerbeer – Afrikanerin Chor der Bischöfe; No. 4: Meyerbeer – Afrikanerin Arie des Nelusko; No. 5 Gounod – Romeo und Julie. C.F. Peters hardcover
elala2765Frankfurt & Leipzig: 1791. 8vo. pp. xii 371. woodcut tailpiece & title vignette. contemporary quarter calf spine richly gilt covers rubbed flyleaves wanting inkstain on title some foxing throughout Frankfurt & Leipzig: 1791 unknown
1818278783Wien: Schmid 1818. Boards. Good. 435 pp. frontispeice portrait of Mendelssohn tipped in and illustration on title page new blue boards and new endpapers and hinges some dog eared pages Sepher Nethivoth Hashalom more commonly known as the Bi'ur is Moses Mendelssohn's revolutionary translation of the Pentateuch. Mendelsson translated the Pentateuch into German using Hebrew characters while the commentary was composed in Hebrew. The commentary aimed to explain the translation choices made by Mendelssohn and drew heavily on traditional medieval Jewish Bible commentators.Kestenbaum entry Was originally published in 1783 OCLC Number: 937074293 Schmid hardcover
1980205716Zürich: Atlantis 1980. First German edition. Ownership inscription; letter taped to front pastedown; very good in a rubbed dust jacket with a couple of small chips. 8vo 635pp; blue cloth. The author's own copy of his definitive work on the great composer originally published in a shorter English language version in 1963. Inscribed on the first leaf: "Nr. 1 Eric Werner Zürich 1. July 1980." In addition Werner has taped to the front pastedown a 1949 typed letter he received from the great musicologist Alfred Einstein referring to Franz Schubert and his treatment of a psalm text. Atlantis unknown
Period boards. 8vo, xxxiv, 462 pages, 26 cm. Title translates into English as "Hymns of Israel: including the book of pslams with Rashi Translation." SUBJECTS: Hebrew literature -- History and criticism. Hebrew literature. Judentum. 5 pts. In 2 volumes. Less than 30 copies listed on OCLC. Ex-library with usual markings. Pages are warped with some water stainsing. Repair done to spine, otherwise Good Condition. (MUSIC-1-2A)
177243257Paris et Bayeux chez Saillant et Lepelley 1772. 1st French-language edition. Period full leather binding with gilt spine and red edges with original marbled endpapers 8vo. Includes frontis copperplate etching. XXIV 342 1 pages. “Traduit de l’Allemand par M. Junker de l’Académie des Belles-Lettres de Goettingen.â€<br> This first French edition appeared 5 years after the first German edition of 1767<br> <br> "Phaedon or On the Immortality of the Soul" Phaedon Oder Ueber Die Unsterblichkeit Der Seele In Drey Gespraechen is one of Mendelssohn's 1729-1786 most famous publications establishing his reputation as the "German Socrates of Berlin." It is a philosophical interpretation of the Platonic dialogue "Phaedo" and is preceded by a biography on "The Life and Character of Socrates." The important German-Jewish philosopher was one of the most important representatives of the Enlightenment in Prussia and throughout Germany.<br> <br> Mendelssohn's Phaedon is a “classic of rational psychology on the immortality of the human soul a defining work by this leading enlightenment philosopher who launched the Jewish thinking of the modern age" with his tribute to Socrates modeled on Plato's dialogue the Phaedo.<br> Mendelssohn used Plato's famous dialogue the Phaedo as a model to publish Phädon oder über die Unsterblichkeit der Seele. With this seminal work "he reached the heights of fame" Wigoder Dictionary of Jewish Biography 342. <br> The work unites Mendelssohn's "paean to Socrates with an elaboration of the dreadful personal moral and political implications if a person's life is her 'highest good'… <br> This 'classic of rational psychology' as Dilthey put it also contains an argument for the simplicity and immortality of the human soul explicitly singled out for criticism by Kant in the 2nd edition of the Critique of Pure Reason. Mendelssohn supports the notion that the soul is simple and thus indestructible by noting that certain features of the soul namely the unifying character of consciousness and the identity of self-consciousness cannot be derived from anything composite whether those composite parts be capable or not of thinking… <br> As for the human soul's fate after death Mendelssohn appeals to divine goodness and providence which perhaps explains why following the publication of the Phaedo he finds himself needing to revisit the proofs for God's existence" Stanford Encyclopedia.<br> According to Mendelssohn’s modern biographer Alexander Altmann “The work that would establish Mendelssohn's world-wide renown and win him the title 'the German Socrates' was the dialogue Phaedon which was published in 1767. In this work he presented Socratic wisdom from the mouth of the ancient philosopher but in the language of the Enlightenment that is in his own words as a modern philosopher. <br> The work drew both praise and criticism but was on the whole popular in intellectual circles. It demonstrates Mendelssohn's unique ability as a Jew to be comfortable in the realm of both classical and enlightened philosophy not to mention languages. David Sorkin remarks ‘What is ironic is that Mendelssohn was known and revered as much for the quality of his prose as for his thought.†<br> Mendelssohn was himself often referred to as the German Plato or the German Socrates. <br> And “As a Jew living in Germany Moses Mendelssohn 1729-1786 stands at a pivotal point in the history of Jewish emancipation in Europe. There were Jews before him who had access to the corridors of power in Germany and elsewhere in Europe but Mendelssohn represents the first to be socially accepted to a significant extent within enlightened German culture without converting. <br> He not only conformed to the culture of the German Enlightenment in many ways but also helped shape the culture through his philosophical contributions. At the same time Mendelssohn refused to turn away from traditional Judaism. He attempted to become a full- fledged member of society during the emergence of modern Europe while remaining a proponent of Judaism as a revealed religion. Moreover he sought to use his place of influence to encourage Jewish acculturation in Germany and to speak on behalf of the emancipation of Jewish people…. <br> The traditional mentality of the European Jews prior to Mendelssohn's time included a kind of resignation to the incompatibility of Jewish learning and 'worldly' philosophy. This resignation contributed to Jewish cultural isolation. Alfred Jospe describes the conundrum in which a Jew found himself if he wished to enter the culture of the non-Jewish world: The Jew could gain access to the culture of the world only by rebelling against the traditional repudiation of all mundane wisdom. <br> It is just at this point that Mendelssohn broke the mold. He not only acquired modern German culture but did so by means of his understanding of and contributions to the philosophy that shaped that culture. In his monumental biographical study Alexander Altmann focuses as much on Mendelssohn's philosophy and his answers to contemporary critics as he does on the details of the events and influences of his life. Altmann states with appropriate admiration that “Considering the state of degradation in which the Jewish population lived in eighteenth-century Germany. Mendelssohn's rise to fame and his acceptance into the republic of letters was an amazing feat of personal achievement.†<br> The amazing feature of Mendelssohn's achievement is that he accomplished it as an avowedly traditional Jew. Mendelssohn has been rightly described as a rabbinic scholar but he made his reputation in non-Jewish intellectual circles as a literary critic and philosopher….with the help of both Gotthold Lessing and the Berlin publisher Friedrich Nicolai he was accepted into the inner circle of the Berlin Aufklärung. <br> His essays reviews and translations earned him tremendous status among German intellectuals. <br> The favorable comparison made by Lessing between the quintessential German poet Goethe and Mendelssohn is a mark of the esteem in which he was held. ‘Lessing told Friedrich Heinrich Jacobi that once Goethe regained his reason he would be hardly more than an ordinary man. At the very same time he said of Mendelssohn that he was the most lucid thinker the most excellent philosopher and the best literary critic of the century’" Clark 2005. P. 57-58. <br> OCLC: 19939219. <br> Very light edgewear to front endpapers touch of spotting a gorgeous copy in the original leather binding with tooled gilt spine with raised bands and leather label. Beautiful and scarce. B KH-10-30-RLB-’e. Paris et Bayeux, chez Saillant et Lepelley unknown
178043258Carlsruhe: im Verlag der Schmiederischen Buchhandlung 1780. No Date 1780s. Period laquered boards with leather spine label. 12mo. XXIV 278; 283 pages. In German. Title translates as “Writings.†Includes 2 different title vignettes 1 on each title page.<br> <br> Goedeke IV 1 488 6. Meyer 108; Dorn 105-107; Holzmann/Bohatta Deutsches Anomymen-Lexikon IV no. 1559. <br> <br> Early printing of Mendelssohn’s second work in which he "began his formulation of a new psychological theory that stressed the autonomy of aesthetics logic and ethics relative to each other." Merriam-Webster's Encyclopedia of World Religions p. 710. <br> <br> Contents:<br> <br> Vol. 1. Vorrede. <br> I. Ueber die Empfindungen.<br> II. Gespräche; <br> <br> Vol. 2. I. Rhapsodie oder Zusätze zu den Briefen über die Empfindungen. <br> II. Ueber die Hauptgrundsätze der schönen Künste und Wissenschaften. <br> III. Ueber das Erhabene und Naive in den schönen Wissenschaften. <br> IV. Ueber die Wahrscheinlichkeit. <br> <br> Also includes bibliographical references.<br> <br> Included within these is a series of writings on aesthetics which influenced Lessing and Schiller with Lessing noting“We have to thank him Mendelssohn for the true theory of mixed sensations.â€<br> <br> Moses Mendelssohn Moses of Dessau; 1729–1786 was a philosopher of the German Enlightenment in the pre-Kantian period early Maskil and a renowned Jewish figure in the 18th century. Mendelssohn was fluent in German and Hebrew and learned Latin Greek English French and Italian. His early teachers were young broadly educated Jews and he met the writer and dramatist G.E. Lessing 1754 and a deep and lifelong friendship developed between them. Throughout his life he worked as a merchant while carrying out his literary activities and widespread correspondence in his free time. In 1754 Mendelssohn began to publish – at first with the assistance of Lessing – philosophical writings and later also literary reviews. <br> He also started a few literary projects for example the short-lived periodical Kohelet Musar in order to enrich and change Jewish culture and took part in the early Haskalah. In 1763 he was awarded the first prize of the Prussian Royal Academy of Sciences for his work Abhandlung über die Evidenz in metaphysischen Wissenschaften "Treatise on Evidence in Metaphysical Knowledge". However when the academy elected him as a member in 1771 King Frederick II refused to ratify its decision. <br> <br> In 1769 he became embroiled in a dispute on the Jewish religion and from then on he confined most of his literary activity to the sphere of Judaism. His most notable and enduring works in this area included the translation into German and commentary on the Pentateuch Sefer Netivot ha-Shalom "Book of the Paths of Peace" 1780–83 and his Jerusalem: oder Ueber religiöse Macht und Judenthum "Jerusalem or On Religious Power and Judaism" 1783 this work the first polemical defense of Judaism in the German language and one of the pioneering works of modern Jewish philosophy. <br> <br> An active intermediary on behalf of his own people in difficult times and a participant in their struggle for equal rights he was at the same time a forceful defender of the Enlightenment against the opposition to it which gained strength toward the end of his life. In the midst of a literary battle against one of the leading figures of the counter-Enlightenment he died in 1786 EJ. <br> <br> SUBJECTS: Philosophy -- Early works to 1800. Philosophie -- Ouvrages avant 1800. Philosophy. OCLC: 1352546328. <br> <br> Light wear to original boards more so at spine but solid and attractive light spotting as expected About Very Good- Condition an attractive 18th Century copy. B KH-10-31. Carlsruhe: im Verlag der Schmiederischen Buchhandlung unknown
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