Lot of 13 rare early Soviet classical music sheet music editions Moscow Leningrad Kyiv 1923–1935. Features works by Prokofiev Scarlatti Liszt and Borodin. In Russian.
192343963097284650<p>Лот из 13 редких ранних ÑоветÑких нотных изданий клаÑÑичеÑкой музыки. МоÑква Ленинград Киев: Музгиз / ГоÑиздат / Укрмузгиз 1923–1935. 1. Бородин Ð. П. ÐœÐ°Ð»ÐµÐ½ÑŒÐºÐ°Ñ Ñюита: â„– 1. "Ð’ монаÑтыре". — МоÑква: МузÑектор ГоÑиздата 1926. 2. ГлиÑÑ€ Ð . Ðœ. 12 детÑких Ð¿ÑŒÐµÑ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ñоч. 31 â„– 6. — МоÑква: Музгиз 1925. 3. Прокофьев С. С. Соната â„– 2 ре минор Ñоч. 14. — МоÑква-Ленинград: МузÑектор ГоÑиздата 1929. 4. ПахульÑкий Г. Ð. Два концертных Ñтюда Ñоч. 7 â„– 1. — МоÑква: Музгиз 1928. 5. ИноÑтранные фортепианные пьеÑÑ‹ ÑÐµÑ€Ð¸Ñ IV. Бруно Вандельт Ñоч. 12 â„– 1. — МоÑква-Ленинград: МузÑектор ГоÑиздата 1929. 6. ЛиÑÑ‚ Ф. Похоронное шеÑтвие Marche funèbre из цикла "ПоÑтичеÑкие и религиозные гармонии". — МоÑква: Музгиз 1935. 7. ЛиÑÑ‚ Ф. Тарантелла из цикла "Годы ÑтранÑтвий" Ð’ÐµÐ½ÐµÑ†Ð¸Ñ Ð¸ Ðеаполь. — МоÑква: Музгиз 1931. 8. ЛиÑÑ‚ Ф. Грёзы любви Liebestraum. Три ноктюрна. — МоÑква: Музгиз 1932. 9. Скарлатти Д. 60 Ñонат Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Под ред. Ð. Б. Гольденвейзера. Т. I â„–â„– 1–15. — МоÑква: Музгиз 1934. 10. Скарлатти Д. 60 Ñонат Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Под ред. Ð. Б. Гольденвейзера. Т. II â„–â„– 16–30. — МоÑква: Музгиз 1934. 11. Шуман Ð . КрейÑлериана Ñоч. 16. — МоÑква-Петроград: МузÑектор ГоÑиздата 1923. 12. ПедагогичеÑкий Ñборник фортепианных произведений. Вольф Ñоч. 44 â„– 2. "Короткий раÑÑказ". — МоÑква: Музгиз 1930. 13. Моцарт Ð’. Ð. Фортепианные произведениÑ. Соната â„– 1. — Киев: Укрмузгиз 1932.</p><p></p><p>Collection of 13 rare early Soviet classical music sheet music editions. Moscow Leningrad Kyiv: 1923–1935. 1. Alexander Borodin — Petite Suite: No. 1. "In a Monastery". — Moscow: Gosizdat 1926. 2. Reinhold Glière — 12 Children's Pieces Op. 31 No. 6. — Moscow: Muzgiz 1925. 3. Sergei Prokofiev — Sonata No. 2 in D minor Op. 14. — Moscow–Leningrad: Gosizdat 1929. 4. Henryk Pachulski — Two Concert Études Op. 7 No. 1. — Moscow: Muzgiz 1928. 5. Foreign Piano Pieces Series IV. Bruno Wandelt Op. 12 No. 1. — Moscow–Leningrad: Gosizdat 1929. 6. Franz Liszt — Funeral Procession Marche funèbre. — Moscow: Muzgiz 1935. 7. Franz Liszt — Tarantella Venice and Naples. — Moscow: Muzgiz 1931. 8. Franz Liszt — Three Nocturnes "Liebestraum". — Moscow: Muzgiz 1932. 9. Domenico Scarlatti — 60 Sonatas. Edited by A. Goldenweiser. Vol. I Nos. 1–15. — Moscow: Muzgiz 1934. 10. Domenico Scarlatti — 60 Sonatas. Edited by A. Goldenweiser. Vol. II Nos. 16–30. — Moscow: Muzgiz 1934. 11. Robert Schumann — Kreisleriana Op. 16. — Moscow–Petrograd: Gosizdat 1923. 12. Wolf — "Short Story" Op. 44 No. 2. — Moscow: Muzgiz 1930. 13. W. A. Mozart — Piano Sonata No. 1. — Kyiv: Ukrmuzgiz 1932. This extensive collection of thirteen scores represents a pivotal decade in Soviet music publishing documenting the transition from the experimental aesthetic of the 1920s to the monumentalism of the 1930s. The text provides a deep dive into the internal logic of Soviet piano pedagogy and performance including the arrangement of Sergei Prokofiev's modernist Sonata No. 2 1929 and the scholarly restoration of Scarlatti's sonatas under the editorship of the legendary Alexander Goldenweiser. These editions illustrate the state's massive effort to modernize the classical repertoire while preserving the heritage of the "Mighty Handful" as seen in Borodin's Petite Suite. The collection spans the vast geography of the early USSR featuring a rare 1932 Mozart edition from the Ukrainian State Music Publishing House in Kyiv and an early 1923 Schumann imprint from the Moscow-Petrograd period of Gosizdat. From the virtuosic Liszt transcriptions of the early 30s to the pedagogical works of Reinhold Glière these volumes reflect the evolution of book design from avant-garde linearity to a more sober classical Socialist Realist style. For bibliophiles musicologists and performers these thirteen imprints are vital primary sources that capture the intellectual and artistic spirit of the Soviet conservatory tradition during its most formative years.</p> Muzgiz, Gosizdat, and the Ukrainian State Music Publishing House paperback
