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19425627et qui paraitra sous le titre définitif "Le Charcutier de Machonville", par Marcel-E. Grancher, auteur lyonnais, journaliste, écrivain, un des principaux chefs de la Résistance à Lyon pendant l'Occupation allemande. In-4 ; demi-maroquin bordeaux, dos à nerfs, titre doré, non rogné ; (3) ff., 230 feuillets recto, à l'écriture bien lisible.Il s'agit du manuscrit brut, rempli de ratures, rajouts, modifications diverses y compris de bandes collées, du plus célèbre roman de Grancher, Grand Prix littéraire de Lyon en 1936 et Prix Courteline en 1938 ; il est daté de "Reyrieux, janvier 1942" et est émaillé d'indications typographiques. Comme il ne s'agit pas de la "mise au propre", il serait intéressant de comparer précisément ce texte avec celui finalement publié.Mention manuscrite sur la page de garde : "J'ai relié ce livre pendant la guerre de 40, le client ne m'a pas donné son nom ni adresse, je le tiens donc à sa disposition. Signé H. Jacquet, relieur 7, rue des Marronniers. Lyon".Document en très bel état.
192921587Lyon, (Aux dépens du Cercle Gryphe, Marius Audin imprimeur), 1929. In-quarto, demi-basane à coins fauve, dos décoré de 20 nerfs épais, titre doré à la japonaise, couverture illustrée du logo du Cercle Gryphe gravé sur bois par Philippe Burnot et tiré en rouge (Missol relieur-Lyon) ; [38] ff., le premier blanc; illustré de 73 compositions géométriques de Claudius Linossier gravées sur bois par Philippe Burnot et tirées en rouge, noir, gris, beige et argent (palladium).
196543698N.p.: S.i. 1965. Original silver gelatin photograph measuring 6" x 8.75" 15.25cm x 22.5cm; mounted to off-white mat board to a total size of 11" x 14" 28cm x 35.5cm. Photographer has titled dated and signed on verso of matting: "McHenry Illinois. Oct.1965. Danny Lyon." Photograph shows some trivial wear to extremities a diagonal crease to upper right corner and faint spidering across center; Very Good. Mild toning to mat board with some scattered foxing and a few faint stains. An outtake from Lyon's 1968 debut The Bikeriders his attempt at recording and glorifying American motorcycle culture. "McHenry Illinois" depicts a member of the Chicago Outlaws motorcycle club of Cicero Illinois mounting his girlfriend in a field of grass and wildflowers. Lyon lived and traveled with the Outlaws between 1963-1967 becoming a member of the club and immersing himself in all aspects of their activities. Provenance: From the collection of Steve Dalber Lyon's roommate at the University of Chicago. S.i. unknown
193320863S.d. (circa 1933-1934); in-folio en feuilles, couverture rempliée gris clair illustrée, chemise demi velin et pièce de titre en cuir, titre doré, papier à la cuve multicolore et doré en forme de feuillage, étui de même ; 86 feuillets non chiffrés, le dernier blanc ; couverture et 50 aquarelles originales de Barta, dont 3 hors-texte.
1906018645New York: Frank S. Holby. Complete in 12 Volumes. Chawton Edition No. 629 of 1250 numbered and registered copies. Original brown cloth with spine slips. Top edges gilt fore-edges untrimmed. Slight normal edge wear small edge bumps on three volumes faint spots on spine slips of two volumes small corner chips of spine slips of two volumes no text affected tissue covering an illustration in one volume mostly missing Very Good. Color illustrations. A nice set. . Very Good. Hard Bound. First Edition Thus. 1906. Frank S. Holby unknown
19325101Lyon, Imprimerie Vaucanson et chez le graveur Philippe Burnot, 1932 ; in-folio ; plein maroquin écorce de chêne (marron), dos lisse, titre en long composé de barettes chêne clair mosaïquées et lettres dorées, plats incrustés de quatre feuilles de placage acajou au centre, doublés de même sur une large bande entourant le papier de garde à la main, deux coins sont soulignés de trois filets dorés gras successifs, couverture et dos conservés, étui bordé (Germaine Cart) ; (80) pp. en tout dont 15 grands bois gravés en couleurs hors-texte et 5 bois in-texte.
1968140948680New York: The Macmillan Company 1968. First Edition. Very Good/Very Good. First edition first printing. Signed by Danny Lyon on the half title inscribed to Earl Belofsky and dated '75. ix 1 94 pp. Bound in publisher's black cloth with spine lettered in silver. Very Good with slight lean to binding light wear to spine ends with rubbing and fraying to bottom edge of boards; light smudge to fore edge of p. 64. In a Very Good unclipped dust jacket with fading to spine shallow loss at spine ends with 1" tear to front joint and slight rubbing to covers. <p>Lyon's photographic examination of motorcycle club subculture. Lauded for its influential approach to documentary photography Lyon didn't just observe; he embedded himself with the Chicago Outlaws club for four years participating in rides and gatherings to photograph them from within. A pioneering photobook that combines candid photography and forthright quotes from the bikers themselves. The monograph helped to shape the outlaw biker image in American pop culture and almost certainly inspired a young Dennis Hopper in directing the road drama film Easy Rider that was released a year after publication; signed copies are uncommon. Roth 101 pp. 190-191. The Macmillan Company unknown
1906220647Washington: Men of Mark Publishing 1906. First. hardcover. very good. Many fine photo-steel engraved portraits. 5 volumes. 8vo 3/4 contemporary maroon morocco spines with elaborate gilt decoration margins uncut. Washington: Men of Mark Publishing 1906-1909. First Edition. Very good<br/><br/> Each biography is several pages. Many of the biographies contain genealogical information on the ancestors of each man profiled. The editor Lyon Gardiner Tyler was President of the College of William and Mary and son of United States President John Tyler.<br/><br/> Men of Mark Publishing unknown books
1906220647Washington: Men of Mark Publishing 1906. First. hardcover. very good. Many fine photo-steel engraved portraits. 5 volumes. 8vo 3/4 contemporary maroon morocco spines with elaborate gilt decoration margins uncut. Washington: Men of Mark Publishing 1906-1909. First Edition. Very good<br/> <br/> Each biography is several pages. Many of the biographies contain genealogical information on the ancestors of each man profiled. The editor Lyon Gardiner Tyler was President of the College of William and Mary and son of United States President John Tyler.<br/> <br/> Men of Mark Publishing unknown
190622-106This Five Volume Set contains hundreds of Biographies of prominent Men of Virginia along with many Full Page Photo-Steel Engravings in each volume. This set will require additional shipping charges based on destination and speed. MEN OF MARK PUBLISHING COMPANY hardcover
1915001517New York: The Masses Publishing Company 1915. 1st Edition 1st Printing. Soft cover. Very Good. Folio - over 12 - 15" tall. Frank Walts John Sloan Art Young Glenn O. Coleman Stuart Davis Cornelia Barns Randall Davey George Bellows Maurice Becker A. Londoner Elias Goldberg Eugene Higgins . New York: The Masses Publishing Company 1915. The June 1915 issue Volume VI Number 9 whole number 49. Large Folio illustrated stapled wraps 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was this example is certainly better than very good by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years The Masses was a collection of ideological art opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values but in a larger sense was representative of labor women's rights and radical left issues in general as those were at that time. Famous names of the era often contributed work but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations after two intense and ideologically-charged trials. Eastman and his sister Crystal then started The Liberator to carry on; after The Liberator closed its doors in 1926 The New Masses under the primary leadership of Mike Gold carried the radical flag. The Masses as the first is also the rarest. Text contributors to this issue of June 1915 included Eastman Carl Sandburg Howard Brubaker Harris Merton Lyon Louis Untermeyer Edmond McKenna Elsie Clews Parsons Frank Tanenbaum Robert Carlton Brown W.J. Robinson Charles Grey and Florence Kiper Frank. Art was contributed by Frank Walts John Sloan Art Young Glenn O. Coleman Stuart Davis Cornelia Barns Randall Davey George Bellows Maurice Becker A. Londoner Elias Goldberg and Eugene Higgins with Walts executing the front cover and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2 <br/> <br/> The Masses Publishing Company paperback
190217504(190 x de 286 à 296 mm), contrecollées sur du carton légendé, montrant l'exploit de l'aviateur Louis Plantier qui a réussi à poser son appareil le 5 février 1914 sur les bas-ports du Rhône, en plein centre ville de Lyon. Sur la première photographie, Plantier descend de l'appareil ; la deuxième, avec le pont de la Guillotière au second plan et l'Hôtel-Dieu en arrière plan, montre une foule déjà dense, vite accourue, autour du biplan ; enfin la troisième est légendée «Plantier repart pour Bron» ; c'est la plus belle car l'avion se trouve en perspective sous l'arche du pont, le parapet est noir de monde et un wagon de tramway semble lui-même assister au spectacle, on y voit très distinctement le pilote assis entre les deux ailes, prêt à redécoller aux commandes de son frêle appareil. Les trois photographies sont en tirage d'époque.
1964140941020New York: Simon & Schuster 1964. First Edition. Fine/Very Good. First edition cloth issue. 123 pp. Publisher's black boards with white cloth backstrip lettered in black. Fine a little age-toned in the fragile Very Good unclipped dust jacket with much less chipping than is common but a few small ones nonetheless; split between spine and front panels mended with archival tissue on verso crease to top of back panel. Jacket presents well.<br /> <br /> A photographic chronicle of the civil rights movement with many photographic contributions from Danny Lyon as well as Robert Frank David Heath and Jill Kremenetz. The text was written by Raisin in the Sun playwright Lorraine Hansberry who was to pass away at a mere 34 the year after publication. Simon & Schuster unknown books
1964140941020New York: Simon & Schuster 1964. First Edition. Fine/Very Good. First edition cloth issue. 123 pp. Publisher's black boards with white cloth backstrip lettered in black. Fine a little age-toned in the fragile Very Good unclipped dust jacket with much less chipping than is common but a few small ones nonetheless; split between spine and front panels mended with archival tissue on verso crease to top of back panel. Jacket presents well.<br /> <br /> <p>A photographic chronicle of the civil rights movement with many photographic contributions from Danny Lyon as well as Robert Frank David Heath and Jill Kremenetz. The text was written by Raisin in the Sun playwright Lorraine Hansberry who was to pass away at a mere 34 the year after publication. Simon & Schuster unknown
1981PB44153Aperture Millerton 1981. First Edition Limited edition: No. 397 of 400 copies signed by Lyon in felt pen on limitation page. This edition contains a silver gelatin photograph titled "Gloria and Rosario Santa Maria" 1972 measuring 7 1/2 x 11 inches dry mounted to rag board measuring 13 1/2 x 17 inches signed by the photographer in pencil on the mount below image housed in separate carboard portfolio case. According to the limitation page this photograph was intended to accompany Nos. 1-200 of the edition and "Ellis Unit" 1968 Nos. 201-400. 9 x 11 1/2 inches 142 pages cloth with cloth slipcase. Aperture, Millerton hardcover books
1981PB44153Aperture Millerton 1981. First Edition Limited edition: No. 397 of 400 copies signed by Lyon in felt pen on limitation page. This edition contains a silver gelatin photograph titled "Gloria and Rosario Santa Maria" 1972 measuring 7 1/2 x 11 inches dry mounted to rag board measuring 13 1/2 x 17 inches signed by the photographer in pencil on the mount below image housed in separate carboard portfolio case. According to the limitation page this photograph was intended to accompany Nos. 1-200 of the edition and "Ellis Unit" 1968 Nos. 201-400. 9 x 11 1/2 inches 142 pages cloth with cloth slipcase. Aperture, Millerton hardcover
198429610Ministere De La Culture Editions De La Reunion Des Musees Nationaux. As New. 1984. Paperback. 2711802787 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. -- with a bonus offer-- . Ministere De La Culture, Editions De La Reunion Des Musees Nationaux paperback
192457815Commissaires-Priseurs De Lyon. As New. 1924. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 203 lots catalogued; 26 pages of b/w illustrations following text. Among the artists represented: Vollon; Pillement; Zuloaga; Carrand; Ravier; and others. -- with a bonus offer-- . Commissaires-Priseurs De Lyon paperback
199628035Lyon France: Mes. Chenu Et Benoit Scrive C. -P. A. New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Mes. Chenu Et Benoit Scrive, C. -P. A paperback
195658787Lyon France: Musee De Lyon. As New. 1956. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 418 pp. With 344 ills. 8 col. . 25 x 17 cm. -- with a bonus offer-- . Musee De Lyon paperback
198338115Lyon France: Musee Des Beaux-Arts De Lyon. As New. 1983. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - Text in French; 23 works catalogued and illustrated in black and white -- with a bonus offer-- . Musee Des Beaux-Arts De Lyon paperback
197932413New Hope Kentucky U.S.A.: Libreria Editrice Vaticana. As New. 1979. Hardcover Monograph. 8820900149 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in English with 21 plates and many additional illustrations. Inscribed and signed by John McCann & Victoria Rudzic. Mint condition. -- with a bonus offer-- . Libreria Editrice Vaticana hardcover
1937062350London: Faber 1937. Book. Fair. Soft cover. Proof Copy. A set of publisher's galley proofs with manuscript corrections typed and manuscript corrections by the author and Henry Williamson in his familiar hand including red ink. Myfanwy Ann Thomas 1910-2005 writing under the pseudonym of Julia Hart Lyon gives a fictionalised account of her long affair with Henry Williamson from her early days as his secretary and giving birth to his child. This is the only novel written by Myfanwy her other work being memoirs of her childhood and her parents Edward and Helen Thomas. 11-348pp. ALSO a proof copy of the book "Women Must Love" again amended and corrected. Pasted in presumably by Williamson is a newspaper photograph of TE Lawrence with beneath the words "ill-fated". All contained in a large solander drop=front box. The proofs originally from the library of Williamson. Faber Paperback
1958159831London: Merton Park Studios 1958. Draft script for the 1959 British horror film. Annotations in manuscript pencil on seven pages. <br /> <br /> A low-budget production made to accompany producer and co-screenwriter Herman Cohen's 1958 horror film "Horrors of the Black Museum"-the first of the Anglo-Amalgated's "Sadian trilogy" as coined by film critic David Pirie-as a double bill for the US release. <br /> <br /> While hiding in an English castle to see if ghosts are real three college students encounter and attempt to help a ghost cursed to wander the castle without his head. Written in two weeks and filmed in three the film used many of the same sets and locations as "Horrors of the Black Museum." <br /> <br /> Set in the fictitiously titled Ambrose Castle England. <br /> <br /> Red untitled wrappers with a die-cut window in the British style. Title page present dated 3rd November 1958 with credits for screenwriters Kenneth Langtry and Herman Cohen. 62 leaves with last page of text numbered 61. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Merton Park Studios unknown
1964140942043New York: Simon & Schuster 1964. First Edition. Fine/Very Good. First edition cloth issue. 123 pp. Publisher's black boards with white cloth backstrip lettered in black. Near Fine with slightly bumped bottom corners publisher's "H" stamp on paste down and tiny bookstore label in a Very Good dust jacket chipped at head and bottom corner of back panel wear along top edge a little toned unclipped.<br /> <br /> <p>A photographic chronicle of the civil rights movement with many photographic contributions from Danny Lyon as well as Robert Frank David Heath and Jill Kremenetz. The text was written by Raisin in the Sun playwright Lorraine Hansberry who was to pass away at a mere 34 the year after publication. Simon & Schuster unknown