1 872 résultats
1972058596Samuel Weiser Inc. 1972. Book. Near Fine. Hardcover. 1st Edition. Tight copy in mylar-protected dust jacket. 127pp. Samuel Weiser Inc. Hardcover
1978056046Parker Pub. Co 1978. Book. Good. Hardcover. 1st Edition. 218pp. Age toning to pages. Dust jacket in protective mylar. Parker Pub. Co Hardcover
1976063092Parker Pub. Co 1976. Book. Very Good. Hardcover. 1st Edition. Hardcover in mylar-protected dust jacket. Age yellowing to pages otherwise VG. 220pp. Parker Pub. Co Hardcover
1987058757Blandford Pr 1987. Book. Very Good. Hardcover. Uniform age toning to pages owner blindseal to acknowledgement page. Tight copy in mylar-protected dust jacket. 210pp. Blandford Pr Hardcover
192859856London. The Covenant Publishing Co. with Diagrams. 1928. XVI, 271, (4) pages. With illustrations and some plates. Original-cloth (Partially used) 22x14 cm
1992062057Abaco Pub 1992. Book. Fine. Paperback. 2nd printing. Clean tight copy. 151pp. Abaco Pub Paperback
2015058909Runestone Press 2015. Book. Very Good. Paperback. 1st Edition. 212pp. . Runestone Press Paperback
1926412658Leipzig, Selbstvlg. (1926). OU.
B., Noguer, 1976, 26'5 x 16,5 cm., cartoné original, ilustraciones en negro y color, 144 págs.
1973OKKU1168Bern, Mchn, Wien, Scherz(1973). 368 S., OPp. m. OU. Die wissenschaftliche Erforschungt und praktische Anwendung medialer Kräfte.
1980730173New York: The Anthroposophic Press 1980. First Edition. hardcover. Good/Good. 6x1x9. Light rubbing to jacket. Small closed tear and some rubbing to edges of jacket. The Anthroposophic Press hardcover
1975730420London: Rudolf Steiner Press 1975-02-27. First Edition. paperback. Good. 6x0x9. Fading to spine. Light rubbing to extremities. Slight darkening to pages. Rudolf Steiner Press paperback
19700013964Harper & Row 1970. dark cover with white ltrs. 1st Printing. Trade Paperback. Very Good. Harper & Row Paperback
1973728885London: Rudolf Steiner Press 1973. First Edition. hardcover. Very Good/Very Good. 6x1x9. First English Edition. Light rubbing to extremities a little heavier to edges of D/J. Rudolf Steiner Press hardcover
1961GS056<p>Englewood NJ: Rudolf Steiner Publications Inc 1961. 1st edition. Hardcover. Very Good/Very Good. VG in Near VG dw. 8vo 264pp plus plates blue cloth stamped in gold printed dustwrapper. Unmarked copy from the collection of Intermedia Systems Corporation co-founder Gerd Stern of the first printing of this nicely produced Steiner volume. An index card showing this copy as having been in the Intermedia library is laid in to front free endpaper now loose with a little shadowing from tape. Sound overall; unmarked copy with a little spotting to the top edge and some wear and soil to the price-clipped dustwrapper which is chipped at base of spine.</p> Englewood, NJ: Rudolf Steiner Publications, Inc hardcover
1979602008USA: Anthroposophic Press 1979. Hardcover. Very Good/No D/J. 7x4x0. Fdaing to spine. No D/J. Anthroposophic Press hardcover
1930193381Halle/S. Marhold, (1930). M. 23 Bildtaf., 3 Tab. u. 1 Textabb. VIII, 100 S. OHeft u. Taf. in karton. Mappe. Diese bestoßen u. leicht eingerissen. Heft m. leichten Gebrauchsspuren. Taf. in tadellosem Zustand.
1939012398Dornach: Verlag fur schone wissenschaften 1939 first English edition stated on DW flap only date present to copyright information is 1939. blue cloth gilt titled spine and cover fep has a stamp from a private Anthroposophical library. rear paste down has a card in an affixed pocket . DW is complete and unclipped tiny tear at head of cover. Scarce play by the later head of the Anthroposophical Society this has direct references to the Titanic tragedy. 122 4 pp adverts "At first glance this may seem one of the more peculiar entries in the Titanic fiction canon particularly as the opening scene takes place in an Egyptian tomb. However Steffen was a leading anthroposophist an exponent of 'spiritual science' so it's no surprise that he was drawn to Titanic as a case study for his faith and philosophy. His concerns regarding man's technological achievements flying in the face of God are perfectly illustrated by through the story of 'the ship that God himself could not sink'. The play uses a heavily mythologised Titanic combined with the often repeated Titanic myth of the 'mummy's curse' as a vehicle for expounding anthroposophy. The play starts in the tomb of Princess Amen Ra and continues with constant allusions to Egyptian mythology with some characters see their lives paralleling incidents from the mythos of Horus and Isis. There's no representation of historical Titanic for Titanic's importance in this work is a metaphor and recognisable symbol of hubris. The mostly unnamed dramatis personae represent archetypes rather than historical figures: Navigation Officer First Stoker The Millionaire The Line Owner etc. From Titanic's true story only Captain Smith is named but Steffen's Captain Smith is not the Captain EJ Smith of history. Presiding over deep spiritual and philosophical discussions in the stokehold is the curiously Luddite engineer ironically named Ohm who was with the party in Egypt and resurfaces as one of Titanic's principal engineers/electricians. There's also a simplistic representation of the class struggle through use of the archetype of deserving poor against the idle rich highlighted by the death of valiant immigrant/stoker Wronski trying to get his wife and child onto a lifeboat that is dedicated to saving the millionaires' gold. Steffen's philosophy religion and politics are in no doubt throughout the play.themes include the idea of journey as an awakening with the Egyptologist's son and daughter-in-law who lost their own child in Egypt rediscovering a purpose to life in rearing the orphaned Wronski baby and the Director of the shipping line declaring he will now build 'spiritual lifeboats'. Then there's resurrection as illustrated in the use of Princess Amen Ra's casket as a 'lifeboat' that saves the Wronski baby with some help from Engineer Ohm swimming behind. The play ends on Carpathia with the surviving cast proclaiming their sea change their 'voyage to the other land' ". First Edition. Hard Cover. Very Good/Very Good. 8vo - over 7 - 9 tall. Verlag fur schone wissenschaften hardcover
1939012397Dornach: Verlag fur schone wissenschaften 1939 first English edition stated on DW flap only date present to copyright information is 1939. blue cloth gilt titled spine and cover some foxing spots to the cloth fep has pen name and address as well as stamp from a private Anthroposophical library. rear paste down has a card in an affixed pocket . DW is complete and unclipped short tear at head of cover down to just above the first text small two line rubber stamp at top corner. two small and short edge tears to blank lower panel of DW spine a little browned. Scarce play by the later head of the Anthroposophical Society this has direct references to the Titanic tragedy. 122 4 pp adverts "At first glance this may seem one of the more peculiar entries in the Titanic fiction canon particularly as the opening scene takes place in an Egyptian tomb. However Steffen was a leading anthroposophist an exponent of 'spiritual science' so it's no surprise that he was drawn to Titanic as a case study for his faith and philosophy. His concerns regarding man's technological achievements flying in the face of God are perfectly illustrated by through the story of 'the ship that God himself could not sink'. The play uses a heavily mythologised Titanic combined with the often repeated Titanic myth of the 'mummy's curse' as a vehicle for expounding anthroposophy. The play starts in the tomb of Princess Amen Ra and continues with constant allusions to Egyptian mythology with some characters see their lives paralleling incidents from the mythos of Horus and Isis. There's no representation of historical Titanic for Titanic's importance in this work is a metaphor and recognisable symbol of hubris. The mostly unnamed dramatis personae represent archetypes rather than historical figures: Navigation Officer First Stoker The Millionaire The Line Owner etc. From Titanic's true story only Captain Smith is named but Steffen's Captain Smith is not the Captain EJ Smith of history. Presiding over deep spiritual and philosophical discussions in the stokehold is the curiously Luddite engineer ironically named Ohm who was with the party in Egypt and resurfaces as one of Titanic's principal engineers/electricians. There's also a simplistic representation of the class struggle through use of the archetype of deserving poor against the idle rich highlighted by the death of valiant immigrant/stoker Wronski trying to get his wife and child onto a lifeboat that is dedicated to saving the millionaires' gold. Steffen's philosophy religion and politics are in no doubt throughout the play.themes include the idea of journey as an awakening with the Egyptologist's son and daughter-in-law who lost their own child in Egypt rediscovering a purpose to life in rearing the orphaned Wronski baby and the Director of the shipping line declaring he will now build 'spiritual lifeboats'. Then there's resurrection as illustrated in the use of Princess Amen Ra's casket as a 'lifeboat' that saves the Wronski baby with some help from Engineer Ohm swimming behind. The play ends on Carpathia with the surviving cast proclaiming their sea change their 'voyage to the other land' ". First Edition. Hard Cover. Very Good/Very Good. 8vo - over 7 - 9 tall. Verlag fur schone wissenschaften hardcover
2019052350Ordo Astri 2019. Book. Fine. Hardcover. 1st Edition. Clean tight copy in mylar-protected dust jacket. 270pp. Ordo Astri Hardcover
2015052239Ordo Astri 2015. Book. Fine. Hardcover. 1st Edition. Clean tight copy in mylar-protected dust jacket. 178pp. Ordo Astri Hardcover
2019052469Ordo Astri 2019. Book. Fine. Hardcover. 3rd Edition. 181pp. Tight copy in mylar-protected dust jacket. Ordo Astri Hardcover
2021058958Ordo Astri 2021. Book. Very Good. Hardcover. 1st Edition. Three droplet stains to front endpapers and faint staining to dust jacket which is now in protective mylar otherwise clean 217pp. Ordo Astri Hardcover
2016062284Ordo Astri 2016. Book. Fine. Hardcover. 1st Edition. 24mo - over 5 - 5¾" tall. 205pp. Tight copy in dust jacket. . Ordo Astri Hardcover
1934010998London: E & F N Spon Ltd. 1934 "Being A Practical Work Of Reference For All Who Wish To Understand The Meaning Of The Features Of The Face And The Significance Of The Hand And Fingers." black leatherette with gilt titling viii 304pp jacket split along spine folds archival tape repairs spine of dustjacket worn. First Edition. leatherette. Very Good/Good. 16mo - over 5 - 6 tall. E & F N Spon Ltd. hardcover
