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# AUTEUR:Livre Rare Book

# TITRE: Abolition de l'esclavage - Procès-verbaux

DURYEA, TownsendBiblio.com

'Duryea's Adelaide Album' cover title

1866141595Adelaide: Townsend Duryea 1866. First Edition. Hardcover. Adelaide Townsend Duryea circa 1866. A photograph album 254 × 340 mm containing a magnificent panorama of Adelaide comprising five roughly uniform albumen paper photographs mounted as issued slightly overlapping to form a continuous image 124 × 880 mm on a linen-backed card mount 244 × 951 mm folded into three plus 12 albumen paper photographs nine of them around 130 × 200 mm or the reverse one 130 × 172 mm and the last two approximately 220 × 285 mm mounted on the rectos of stiff card leaves. Original russet pebble-grain cloth lettered in gilt on the front cover; cloth slightly flecked with minor wear to the extremities; endpapers foxed with slight loss to silverfish and the rear free endpaper is missing; leading edge ribbon ties appear never to have been inserted; mounts lightly cockled and occasionally lightly spotted and foxed; bottom margin of the final mount lightly stained with trifling loss to silverfish; minimal signs of age and use; overall a very pleasing copy with the photographs - and in particular the stunning panorama - in uniformly fine condition. The twelve individual photographs are captioned in pencil on the mounts: 'View in botanical gardens - showing Asylum' 'View in Botanical Gardens' 'View in Gardens' five captioned simply 'Botanical Gardens' 'Bridge between N & S Adelaide' 'near Willunga' and two captioned 'Willunga' both superb large-format prints. New York-born Townsend Duryea 1823-1888 emigrated to Australia Melbourne in 1852 and commenced work as a photographer the following year. In 1855 he relocated his studio to Adelaide. By the early 1870s Duryea's panoramas royal portraits and prizes won in Society of Arts photographic competitions had made him famous 'Australian Dictionary of Biography'. Much more detail on Duryea may be had from the lengthy article in Joan Kerr's 'Dictionary of Australian Artists . to 1870'. However the panorama in this album is not the one described in Kerr 'a fold-out 360-degree panorama of Adelaide taken from the tower of Adelaide Town Hall in 1865 was the album's major feature' nor is it the larger panorama 'taken from the top of the GPO tower soon after it was completed in 1870'. The present panorama is taken from a local rise in North Adelaide and sweeps left to right from the hills towards the sea. All of these panoramas are very rare indeed not least because 'Duryea's studio and enormous collection of glass-plate negatives stated to number 50 000 were destroyed by fire in 1875'. This catastrophe effectively ended Duryea's career as a photographer. It must assuredly account for the genuine scarcity of material by Duryea on the open market other than bread-and-butter carte de visite portraits. This album is very rare in our experience and if the available records are any guide for long before we came on the scene in the mid-1970s. Although this is the fourth example we have handled it is also only the fourth one we have seen on the open market in that time. We have inspected three other examples in institutions; all seven copies are bound similarly and contain the same panorama. However the balance of the contents varies in quantity and image selection in each instance. Duryea began to advertise these albums in Adelaide newspapers in August 1866. One such from the 'South Australian Register' for 28 August 1866 reads: 'DURYEA'S VIEW ALBUMS. These Albums are neatly bound in cloth and form a beautiful acquisition either for the drawing-room table or transmission home. A PANORAMIC VIEW of the CITY of ADELAIDE and the SUBURBS three feet in length has been introduced as a Frontispiece; and as a further advantage purchasers have the privilege of choosing Photographs from a large Album containing 90 of the most interesting and picturesque Views of Adelaide and the Country. The above are open to the inspection of the public at Mr. Duryea's Studio 66 and 68 King William-street. Any of the Views mentioned above can be had separately. Photographs of Gentlemen's Country Seats Business Offices Shops &c. taken at the shortest notice by Ross's Improved Wide Angle Lens'. Provenance: Edwin Ashby 1861-1941 South Australian property developer and naturalist; by descent. While Ashby was obviously not the first owner of this album its numerous images of the Botanical Gardens must have appealed to him. The fine gardens he established at his property 'Wittunga' at Blackwood in the Adelaide hills after the turn of the century were later donated to the State by his heirs and are now the Wittunga Botanic Garden. Townsend Duryea hardcover

Michael Treloar Antiquarian Booksellers · Australie18 000,00 $AU≈ 11 863,80 €

[Indigenous Australian Portraiture]. SCOTT, Charles PBiblio.com

'Jacky - Oodnadatta - Copyright' a charming vintage photograph of a young Indigenous boy wearing a large cloth hat and an even bigger grin

1900128025Unley: Chas P. Scott 1900. Very Good. Unley Chas P. Scott circa 1900s. A sepia-toned postcard-format gelatin silver photograph 138 × 87 mm blind-stamped with the photographer's details 'Chas P. Scott Unley S.A.'; the caption is inkstamped at the head of the recto and the verso is printed for use as a postcard. Tiny surface chip and crease to the top right-hand corner-tip; in excellent condition. Charles Scott 1878-1928 is 'Listed as photographer at 21A Waymouth Street Adelaide in directories from 1909 to 1915 his "private residence" being given as 10 Grace Street Goodwood Park' Photohistory SA website. The Art Gallery of SA gives the date '1903-04' for this image in its collection; this example with the address in Unley an Adelaide suburb near Goodwood Park would appear to have been produced prior to Scott's relocation to Waymouth Street. The Adelaide 'Chronicle' for 8 September 1932 quotes a letter from F.W. Marsh formerly of Oodnadatta reminiscing about this portrait a copy of which hung 'in the strangers' room at Tattersalls Club. Well Jacky Rags when about three years old came with two other black boys early one morning to my place in Oodnadatta. When I asked what they wanted I was told that his father Charlie had killed his mother that night with a boomerang and that Jacky had come to me for protection. I kept him for a long time but when he was about 15 years old he was persuaded to ask me to allow him to go for a spell meaning he wanted to go to the camp in the bush. I let him go and later found that the older blacks had performed certain ceremonies on him from which he never recovered. He developed consumption and died a year or so later. I think living on the whites' food for so many years and then going to the bush where those to be initiated are starved until they are very weak so that the ceremony can be performed easily led to his early death. The name Jacky Rags was given him because whatever clothes he received in a day or two they would be in rags. He was a good lad'. Chas P. Scott unknown

Michael Treloar Antiquarian Booksellers · Australie250,00 $AU≈ 164,78 €

[South Australian Legislative Council]. [DURYEA, Townsend]Biblio.com

'S.A. Legislative Council 1868'. An album of impressive large-format portrait photographs of all eighteen sitting members of the South Australian upper house in the year 1868

1868142860Adelaide: Townsend Duryea 1868. First Edition. Hardcover. Very Good. Adelaide Townsend Duryea 1868. A large quarto album approximately 415 × 365 mm containing 18 albumen paper portraits each approximately 280 × 210 mm mounted on the rectos of cloth-hinged thick card leaves interleaved with guards plus one leaf of letterpress see below. Contemporary half roan and cloth lettered and tooled in gilt with a binder's ticket on the front pastedown 'Bound at the "Register" Office Grenfell Street Adelaide'; covers slightly worn; leaves slightly cockled; one guard missing; most photographs lightly discoloured near the right-hand edge; a few light spots of foxing mainly to the guards and the versos of the mounts and some minor signs of age and handling but overall in excellent condition. The subjects include some of the most prominent figures in early colonial South Australia. In order of appearance the portraits depict John Morphett President Henry Ayers Charles Hervey Bagot John Henry Barrow Charles George Everard John Baker William Wedd Tuxford Thomas Elder William Peacock William Morgan Thomas Hogarth John Tuthill Bagot Thomas English Henry Mildred John Crozier William Parkin John Hodgkiss and Emanuel Solomon. The 'South Australian Advertiser' for 20 August 1868 records that: 'Mr. Duryea is preparing a parliamentary group containing the members of both Houses of the Legislature which promises to be an effective affair. The members of the Council have already given him sittings and a fine series of portraits is the result'. In the subsequent months Duryea exhibited the photographs at his King William Street studio but most accounts refer to them assembled as a group around Morphett. This photo-collage with the portraits all heavily cropped is almost certainly the basis for a contemporary carte de visite published by Duryea see SLSA B 9258. However most of the images in this album appear to be rare or even unrecorded in their uncropped form; indeed the only other examples we located were of Henry Ayers and Charles Hervey Bagot. It is also rare to find photographs of early colonists at all let alone of this size quality and quantity. The guard leaves for the portraits of Morphett Hogarth J.T. Bagot and Mildred contain manuscript biographical details in a single hand. Although we have not identified the writer it is likely to be one of the eighteen MLCs as he refers to 'our chamber' in the entry for Morphett. The portrait of C.H. Bagot is accompanied by a similar short biography but this time in letterpress and misspelling his middle name as 'Harvey'. C.H. Bagot English Mildred Crozier Parkin and Solomon are identified in another hand on the mounts beneath the image. Townsend Duryea] hardcover

Michael Treloar Antiquarian Booksellers · Australie25 000,00 $AU≈ 16 477,50 €

['The Pioneer']Biblio.com

'The Pioneer'. Land and Labor Library of Australasia. Volume I Number 1 1 November 1890 to Volume I Number 13 18 April 1891

1890109514Adelaide: Printed for the Proprietor and Publisher A. Timmann at the 'Pioneer' Office 1890. First Edition. Hardcover. Very Good. Adelaide Printed for the Proprietor and Publisher A. Timmann at the 'Pioneer' Office 1890 and 1891. Octavo 13 issues bound in one volume 148 pages continuous pagination plus the large folding supplement to Number 10 March 7 1891 a broadside 455 × 335 mm with illustrations. Contemporary flush-cut quarter leather and stippled cloth lettered in gilt on the front cover; neat repairs to the leather at the head and foot of the spine; acidic newsprint used for the last two numbers uniformly tanned; overall in excellent condition. The recto of the large folding supplement to Number 10 contains the text with three line illustrations of an article that 'appeared originally in the "SA Register" in six short letters': 'Protection or Freedom Our Manufactories Our People and Our Land Values'. The verso of the broadside is devoted entirely to advertisements some illustrated with large engravings. The final issue of the journal was Volume 5 Number 5 24 December 1892. Although the Single Tax League of South Australia figures prominently throughout a notice printed at the foot of the last page of the first issue suggests the journal had a broader platform. 'The publication of "The Pioneer" is undertaken solely with a view to stimulate thought and promote discussion and if approved of it is hoped will find the ready support of all Friends of Reform. The labor involved is given voluntarily and gratuitously; any profits made will go entirely towards extending its range of operations.' The journal ran for 57 issues ceasing publication with Volume V Number 5 24 December 1892. Provenance: Arthur W. Piper 1865-1936 a South Australian Supreme Court judge with his small name-stamp and personal library number 677 on the front pastedown. Printed for the Proprietor and Publisher, A. Timmann, at the 'Pioneer' Office hardcover

Michael Treloar Antiquarian Booksellers · Australie350,00 $AU≈ 230,69 €

HAMILTON, GeorgeBiblio.com

'Treatment of the Horse in Australia by Geo Hamilton 1864' a complete suite of 11 photographs mounted on captioned cards

1864142931Adelaide: The Author 1864. Fine. Adelaide The Author 1864. Eleven albumen paper photographs approximately 88 × 134 mm mounted on the recto of individual cards approximately 165 × 240 mm neatly captioned below the plate with the title at the head of the first one with all captions by George Hamilton himself. A few light spots and marks to some of the cards; essentially in fine condition with the photographs uniformly rich in colour. The Art Gallery of South Australia has all 11 original artwork - pen and ink with wash - in its collection. The 'Adelaide Observer' on Saturday 27 August 1864 contains a review of Hamilton's recently self-published book 'a well-conceived well-written neatly-printed and elegantly-illustrated brochure under the above title'. It describes at length the illustrations '11 in number photographed from the author's drawings by Colonel Biggs Mr. Baines and Professor Hall and they bear ample evidence of the artistic taste as well as the correct judgment displayed in the spirited originals'. Robert Holden 'Photography in Colonial Australia. The Mechanical Eye and the Illustrated Book' 1988 describes this book and one other Molesworth Jeffrey's 'Various Exercises and Fragments in Metre by Divers Authors' Hobart 1864 as being the 'first recorded use of original photographs as illustrations in commercially produced and dated books' in Australia. His descriptive bibliography records that the published work indeed contains 'Photographs of eleven drawings . by Colonel Briggs sic from rough sketches by the author. It would appear that these images were printed eleven to a sheet and then arranged in random order throughout the text'. His collation of the three copies in the State Library of South Australia indicates the individual print sizes range from 20 × 35 mm to a maximum of 40 × 60 mm. The present offering clearly predates the published use of these images and its presentation is much to be preferred. The first and most obvious difference is the superior size and quality of the prints. However the captions greatly enhance the images; when they are read and viewed in the intended order numbers 1-11 are lightly pencilled in the top right-hand corner of the cards this becomes a proto-photobook of the highest order . and far from being a prosaic account of how to look after a horse as the title might suggest it is a searing indictment of the widespread ill-treatment of horses. 'Mr. Hamilton proceeds with pen and pencil to describe and portray some of the trials a horse has to undergo from the time his liberty is first invaded in the bush until in the last scene of all that ends this painful history he is reduced to the drudgery of a hackney car'. See Ferguson 10180b and 10181a; Holden 50 and 51 plus pages 13-21. Both bibliographies contain errors. 11 items. The Author] unknown

Michael Treloar Antiquarian Booksellers · Australie15 000,00 $AU≈ 9 886,50 €

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