SEX PISTOLS - REID, JamieBiblio.com
148 résultats
1976170465London: Glitterbest Ltd. December 1976. First edition first impression of the only issue of this Sex Pistols fanzine produced in conjunction with the "Anarchy" tour in December 1976. The fanzine was designed by Jamie Reid with Sophie Richmond Ray Stevenson Vivienne Westwood and Malcolm McLaren. Provenance: from the collection of Hilary Gerrard Ringo Starr's business manager from the early 1970s and a director of the Beatles Apple Corps Limited. Folio. Full page photomontages by Ray Stevenson. Unstitched sheets lettering to front cover in red with photograph of Susan Lucas better known as Soo Catwoman. Small split to centre of spine horizontal fold as issued otherwise in very good condition much better than usually found. unknown
161259London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single "Holidays in the Sun" the B side was "Satellite". Reid liberated the images from a Belgium tourist brochure and added speech bubbles with lyrics from the song. The tourist company sued and the record sleeve and related promotional material had to be withdrawn. Offset lithograph in two colours on white matt art paper. Sheet size: 100.5 x 70 cm Light creasing otherwise in excellent condition. unknown
160718London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single Holidays in the Sun the B side was Satellite. The beach image was taken from a previously published translation of a Situationist International book Reid had worked on Leaving the 20th Century with added speech bubbles featuring lyrics from the song. Offset lithograph in two colours on white matt art paper. Sheet size: 70 x 100.5 cm. Framed size: 73 x 103.5 Light creasing otherwise in excellent condition. Presented in a black frame. unknown
161256London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single "Holidays in the Sun" the B side was "Satellite". The beach image was taken from a previously published translation of a Situationist International book Reid had worked on "Leaving the 20th Century" with added speech bubbles featuring lyrics from the song. Offset lithograph in two colours on white matt art paper. Sheet size: 100.5 x 70 cm Light creasing otherwise in excellent condition. unknown
1996192540London: Stolper-Wilson 1996. First edition limited issue of 500 copies published to coincide with the exhibition of the same name held at the Eagle Gallery in December 1996 acknowledged as one of the first exhibitions of "punk art". Square octavo. Photographic illustrations throughout one loose print of cover image. Original illustrated wrappers. Fine. unknown
0571537138.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004192635London: Paul Stolper and Andrew Wilson in association with The Hospital 2004. First edition published to coincide with the exhibition of Sex Pistols ephemera Punk: A True and Dirty Tale at The Hospital in London. Square octavo. Full-page photographic illustrations throughout. Original illustrated wrappers. A fine copy. unknown
169338London: Virgin Records 1977. Original poster for the Sex Pistols third single An original Virgin Records promotional poster for the Sex Pistols' third single "Pretty Vacant" signed and inscribed by the artist lower right "Jamie Reid Demand the impossible". This example is from the collection of Hilary Gerrard Ringo Starr's business manager from the early 1970s and director of the Beatles Apple Corps Ltd. The B side was a cover of "No Fun" by the Stooges released in July 1977. Reid liberated the idea of the two buses from Point-Blank an American Situationist pamphlet from 1973. Offset lithograph on white matt art paper. Sheet size: 72 x 100.7 cm. Framed size: 74.5 x 102.7 cm. Tape residue to extreme corners otherwise in excellent condition. Presented in a black frame with conservation acrylic glazing. unknown
199415792JNew York: St. Martin’s Press 1994. First Edition First Printing. Signed by Johnny Rotten John Lydon. Additionally laid in is a color polaroid photograph of Johnny Rotten signing copies of this book which is also handsigned by Johnny Rotten. Hardbound. Fine in a fine dust jacket. 329 pages. Illustrated. St. Martin’s Press hardcover
1976175821London: Glitterbest Ltd November 1976. First edition of this 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. This example as originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto 20 pages including the covers unbound on coloured paper. With numerous images throughout the text. All in fine condition. unknown
1976175825London: Glitterbest Ltd November 1976. First edition. An original 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 24 including the covers unbound on various colours of paper. With numerous images throughout the text. Small stain to lower edge causing minor loss to a couple of pages otherwise in good condition. unknown
1976175828London: Glitterbest Ltd May 1976. Sex Pistols self promotional catalogue First edition of this original 1977 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with the aim of promoting their forthcoming single "God Save the Queen". The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 12. With numerous images throughout the text. Original card covers unbound lettering and illustrations to covers in black. All in fine condition. unknown
192626London: Ray Stevenson 1977. The Censored Sex Pistols Scrap Book First edition. This is the first publication of the Sex Pistols Scrapbook self-published by the photographer Ray Stevenson and withdrawn from sale when Malcolm McLaren threatened to take legal action over the cover design which he claimed ripped off Jamie Reid's album art for Never Mind the Bollocks. A revised edition was published the following year with a different cover design titled The Sex Pistols File. Quarto. Photographic illustrations throughout. Original wrappers lettering to front cover in yellow red and black. Contents clean and bright; some marks and scuffs to covers: a very good copy indeed. unknown
2111902158904160Omnibus Press N.A. Soft Cover. Fine. Volume: 1 Omnibus Press paperback
1979160737London: Virgin Records 1979. An original Virgin Records promotional poster for the second Sex Pistols album which was the soundtrack of the film with the same name. The actress in the centre Helen Wellington-Jones was a punk who starred in the film. The double album was first released on 26 February 1979 15 months before the movie's premiere. Offset lithograph in colours on white matt art paper. Sheet size: 99.5 x 70 cm. Creasing to edges with loss to ink otherwise a bright copy. unknown
161262London: Virgin Records 1980. An original promotional poster for the Sex Pistols film directed by Julien Temple. The film starred amongst others; the Sex Pistols Malcolm McLaren Helen Wellington-Jones Mary Millington Liz Fraser and Irene Handl. This poster was also issued folded with the single album soundtrack released 6 June 1980 to coincide with the movie premier. The double album soundtrack was first released on 26 February 1979 15 months before the film release. Offset lithograph in colours on white matt art paper. Sheet size: 69 x 93 cm. Creasing mainly to edges otherwise very good unfolded. unknown
176255London: Jamie Reid 1977. She aint no human being These cards were intended to be used as bunting flags for the Sex Pistols's river boat promotional stunt on the River Thames outside the Houses of Parliament for their God Save the Queen single. On 7 June Virgin Records hired a boat named the Queen Elizabeth from Westminster to Tower Bridge on which the Sex Pistols could play live. The party ended when the boat returned and was raided by the police. While none of the band was arrested police detained the Pistols manger Malcolm McLaren and ten others. Triangular bunting was used on the day and these prints were kept aside. Two commercially printed Union Jacks on card overprinted in black with the official portrait of Queen Elizabeth II taken by Peter Grugeon for her Silver Jubilee each doctored by Jamie Reid. The first shows the Queen with a safety pin in her mouth with swastika eyes and the Sex Pistols ransom logo lower left; this was the original idea for the cover of the Sex Pistols single God Save the Queen. The second shows her with a safety pin in her mouth the Sex Pistols ransom logo lower left and the words "God Save The Queen She Aint No Human Being" circled around her head taken from the lyrics of the single. Hole punches to upper corners as issued. Presented float mounted in a lime waxed frame. Each sheet 20 x 29 cm. Framed size: 51 x 65.1 cm. unknown
19704FnParis Balland 1970 In8 227 pages - cartonnage editeur avec jaquette - trés nombreuses photographies - bon etat
19704FnParis Balland 1970 In8 227 pages - cartonnage editeur avec jaquette - trés nombreuses photographies - bon etat
1877124881877 P., Tanera, 1877, 1 vol. in-4° (250 x190) relié 1/2 chagrin bordeaux, dos à 5 nerfs avec auteur et titre dorés, plats de papier marbré noir et rose, de (3) ff. (faux-titre, titre et préface) - 195 pp. (errata au verso de la p. 195) - 8 pp. (titre de l'atlas et table des planches) - 58 planches.Papier jauni, très rares rousseurs, très bel exemplaire.
74137Paris, éd. Allia, octobre 2011, Première Edition en français, très fort in-8, cartonnage souple à rabats, couv. texte en noir et jaune sur fond rose éditeur, très nb. photoss en noir, index, table des matières, en français, in french, Au départ une biographie des Sex Pistols, ensuite une histoire des Punk, et ensuite une histoire des groupes rock des années 80 ! Une REFERENCE ! RARE en français. Très bon état, comme neuf
17849364A Paris, Chez Belin, 1784. Petit in-12 de [8]-XXXVI-230-[2] pages, plein veau brun, dos lisse orné de filets et fleurons dorés, pièce de titre rouge et verte, roulette dorée sur les coupes, tranches rouges.
338831 vol in-4 broché - N° 13 de mai 1979 - illustrations noir et blanc et couleurs en et hors texte
197612928London: np 1976. First Edition. Very Good. Handbill. 8 1/4" x 11 3/4". Printed recto only. Very good with some flattened creases and a 1/3” edge tear on the bottom. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. <br/><br/>Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first “real” show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. See Reid & Savage UP THEY RISE p. 49 and Burgess and Parker SATELLITE p. 79. Source: Wood SEX PISTOLS DAY BY DAY. np unknown books
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: One-page photo of Philadelphia Chippendale Armchair, c. 1760, attributed to Benjamin Randolph; The American Scene in Lithograph - The Album; James Monroe's French Furniture; Plantation Houses of Virginia; Westarberg, Yesterday and Today; For the Casual Collector - Who's Who in American Glass; Ezra Ames - Ornamental Painter; The Buttolph-Williams House - In Wethersfield, Connecticut; Highland Pistols; Rewards of Merit (passed out by school teachers to deserving pupils); and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 145-224. Printed upon glossy stock. Unmarked with average wear. Binding intact. A sound copy of this informative issue. Book
