Fürbringer, WernerAntiquariat.de
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1933261657Berlin, Verlag Ullstein, 1933.
Eb5-1050 Album In4 oblong ( 27 x 19 cm ) - Pleine percaline bordeaux - 95 photographies 14 x 8,5 cm en bon état - 20 photographies représentent des villes et villages Bretons ( Bénodet , Ploumanach , Fouesmont ... ) , 22 photographies représentent des villes et villages Alsaciens après l'armistice ( Strasbourg , Colmar , Turckeim , Bensheim , ... ) - Les autres photographies présentent le 10e Génie à son départ d'Angers ( 5 ) ainsi que sur le front de Meuse ( Charny , Germonville , Chattoncourt ) , dans le Nord ( Caestre , Mont des Cars ) ainsi que dans la Marne - Quelques photographies montrent des soldats du Génie Anglais et du Génie Australien au travail - Photographies légendées - Beau document .
Eb5-1050 Album In4 oblong ( 27 x 19 cm ) - Pleine percaline bordeaux - 95 photographies 14 x 8,5 cm en bon état - 20 photographies représentent des villes et villages Bretons ( Bénodet , Ploumanach , Fouesmont ... ) , 22 photographies représentent des villes et villages Alsaciens après l'armistice ( Strasbourg , Colmar , Turckeim , Bensheim , ... ) - Les autres photographies présentent le 10e Génie à son départ d'Angers ( 5 ) ainsi que sur le front de Meuse ( Charny , Germonville , Chattoncourt ) , dans le Nord ( Caestre , Mont des Cars ) ainsi que dans la Marne - Quelques photographies montrent des soldats du Génie Anglais et du Génie Australien au travail - Photographies légendées - Beau document .
200196352Gallimard, 2001, in-12, 322 pp, 508 illustrations, index, reliure plein cuir éditeur, jaquette, rhodoïd, bien complet de son emboitage cartonné, parfait état (Coll. Bibliothèque de la Pléiade). Edition originale hors commerce. Riche iconographie
191421430Août-Septembre 1914 : de la frontière alsacienne au Pas-de-calais en passant par la Marne [c. 1914-1917]. 38 pl. contenant chacune quatre photographies + 1 carte postale, sous passe-partout carton. Demi-maroquin marine, dos lisse, titre doré. Importante réunion de photographies prises sur le front ou «à l'arrière» pendant la Grande Guerre. Chaque photo est montée sous passe-partout de canson. Les quatre derniers feuillets sont restés vierges.
198931097Balland, 1989, gr. in-8°, 504 pp, 16 pl. de photos hors texte, sources, index, broché, couv. illustrée, bon état
1948105777P., Editions Le Bon Plaisir, Librairie Plon, 1948, pt in-8°, 233 pp, avec citations musicales dans le texte, catalogue des oeuvres, biblio, reliure toile bleu-nuit à la bradel, titres dorés au dos, couv. conservée (rel. de l'époque), bas du dos décoloré, sinon bon état (Coll. Amour de la musique)
1969004119Paris Maeght éditeur 1969 In-4 Cartonnage toilé, jaquette illustrée Edition originale
1994112858Montreuil, Edition de la Fédération des Postes et Télécommunications, 1994, in-8°, 341 pp, 2e édition revue et corrigée, 50 gravures et fac-similés, biblio, index, broché, couv. illustrée à rabats, état correct
1878117560P., Typographie de A. H. Bécus, 1878, in-12, 221 pp, reliure demi-percaline bleue, dos lisse avec pièce de titre basane vermillon et double filet doré en queue, couv. conservées (rel. de l'époque), dos uniformément passé, bon état. MANQUE le portrait à l'eau-forte annoncé
1902106585P., Boivin et Cie, s.d. (v. 1902), in-4°, 288 pp, texte sur 2 colonnes, 394 gravures sur bois (scènes et portraits) d'après les dessins de E. Bayard, Yan Dargent, Férat, Ferdinandus, Guiguet, Lix, Parent, Philippoteaux, H. Rousseau, Roux, Thorigny, Valnay, reliure demi-percaline vermillon à coins, dos lisse avec titres dorés et caissons à froid, tranches dorées (rel. de l'époque), bon état
2010105118Fayard, 2010, gr. in-8°, 383 pp, biblio, index, broché, bon état
1970260088Kookaburra Technical Publications, 1970.
2005110036München: Bertelsmann Verlag, 2005. 23,5 cm ; Pp.
Broch?. 231 pages.
189029191Chicago 1890. Oblong folio. 10 3/4 x 13 inches. 152 albumen photographs most 7 x 9 inches mounted recto and verso of each leaf within the album. Images captioned in manuscript on the mount below the image many signed in white ink or in the negative by Taylor. Expertly bound to style in half dark purple morocco over period cloth covered boards spine lettered in gilt marbled endpapers<br/> <br/>A remarkable album of early Chicago photography by John W. Taylor: a significant photographic record of Chicago in the late 19th century.<br/> <br/>A major photographic record of the city of Chicago and its architecture in the late 19th century almost entirely the work of the significant photographer John W. Taylor with his imprint in the negative. Taylor was a bookseller and stationer before advertising himself as a commercial photographer in the late 1880s. He concentrated his work on Chicago-area architecture and city infrastructure. Today he is recognized as a pioneering photographer of architecture working in Chicago at the very beginning of the skyscraper era. This superb photograph album presents a fairly comprehensive view of Chicago's architecture and life during one of the city's most interesting and vibrant periods from the highest of the skyscrapers to the interiors of pig pens in the stockyards with numerous residences parks lush interiors the 1893 World's Fair and more in-between. Taylor's importance as one of the earliest significant architectural photographers is addressed in Peter Bacon Hales' Silver Cities: Photographing American Urbanization 1839-1939: "Photographers of the older generation managed to retain their identities even as they adjusted to their more prosaic role as visual adjuncts to the architects who designed the buildings they photographed. J.W. Taylor of Chicago for example made an extensive survey of the "modern" buildings of Chicago and its environs many of which traveled throughout the globe as architects and engineers converged on the city in the later 1800s and beyond to see the miracle of the Chicago style of building. Taylor's pictures went as far as Melbourne Australia in the collection of Australian architect E.G. Kilburn who made his pilgrimage to the architects' mecca in 1889. Kilburn stared sketched and took notes; then he brought back photographs by Taylor of everything from the Pullman company town to the Palmer House." Chicago has been an especially important architectural center since the period represented in this collection. After the Great Chicago Fire of 1871 destroyed most of the buildings in the downtown area a special class of architects and engineers flocked to the city resulting in an architectural boom unequaled in the history of 19th century urban development. Hallowed names such as Louis Sullivan Dankmar Adler John M. Van Osdel Daniel Burnham William W. Boyington William LeBaron Jenney John Wellborn Root William Holabird Martin Roche Edward Baumann Harris W. Huel Solon Spencer Beman and Clinton J. Warren stamped their unique architectural character on the Chicago landscape. Each of these architects is amply represented in the photographs contained herein. There is even one photograph of the magnificent lobby of the Rookery Building considered the grandest lobby in Chicago at the time. This view is especially interesting to architectural historians because this interior was remodeled a short time later in 1905 by Adler & Sullivan's former head draftsman Frank Lloyd Wright. The late 19th century was also a transitional time in building construction when architects were beginning to leave behind cast iron frames and experiment with steel-frame construction and large areas of plate glass especially in the "Commercial Style" made famous by Sullivan and others in the Chicago School. As a result some of the earliest modern skyscrapers are found in Chicago. A general summary of the photographs in the album is as follows: forty-two buildings including the Masonic Temple the tallest skyscraper in the world at the time the Woman's Temple the Rookery Building the Chamber of Commerce the Monadnock Building the Northern Hotel the Home Insurance Building the Tacoma Building the Caxton Building the Pullman Building the Oakland Hotel the Grand Pacific Hotel Palmer House the Auditorium Building Marshall Field's the Lester Building the Hotel Metropole Libby Prison the New Regiment Armory depots and churches; seven downtown street scenes; seventeen residential streets including Lake Shore Dr. and Michigan Ave. and residences of prominent citizens including Potter Palmer and Lambert Tree; twenty parks pavilions and recreation scenes; three of Grant Monument and its unveiling; ten Lincoln Park scenes some with animals; three of Garfield Park; ten featuring World's Fair building construction; nine views of the October 1892 World's Fair dedication showing ceremonies and a large parade; two scenes of boating; twelve views of stockyards and meat processing six exterior and interior views of an auditorium; eight interiors including Palmer House and a bank; and three scenes of horse racing at Washington Park. Taylor's photographs reside in the collections of the Art Institute of Chicago fifty-six images and the Chicago History Museum 150 images. The subject matter of those collections and the present work overlap significantly testament to the prodigious nature of Taylor's output. For example this collection has a significant number of images related to the World's Columbian Exposition a.k.a. the Chicago World's Fair of 1893; the Chicago History Museum collection contains no images from this monumental event in Chicago's history. A truly remarkable record of Chicago architecture by a significant photographer. unknown books
5i20571914-1918. 50 illustrierte S. mit vorgestanzten Einsteckschlitzen farbig illustrierter Leineneinband mit goldgeprägtem Deckeltitel folio. - Zahlreiche Aufnahmen sind als Feldpost gelaufen. Oft erwähnter Absender oder Empfänger ist der Pionier Albert Meyne aus Bodenstedt/Vechelde Kreis Braunschweig / Enthalten: Porträtaufnahmen Gruppenfoto / Immelmann der Adler von Lille Haubitze Bedienung mit Gasmasken im Schützengraben / Einsatzhund 1. Ersatz-Bataillon 74 Braunschweig Flandern For Arras Hindenburg 2 Fotografien vom 3. und 4. 9. 1933 in Nürnberg. Aufmarsch SA und NSKK darunter Albert Meyne - unknown
1924SBS220-001San Francisco CA: The Book Club of California 1924. First Edition. Hardcover. Very Good. Series: Book Club of California Publication No. 22. 4to. 12 x 8 1/4 inches. Unpaginated. 32 plus the original leaf bound in between pages 6 and 7 pp. Title page printed within an elaborate architectural border 2 headpieces decorative initial and 2 illustrations reproduced without redrawing from originals in the Hypnerotomachia Poliphili printer's device on the colophon; text clean unmarked. Black cloth spine titled in gilt brown paper over boards illustrated paper label on front cover; binding square and tight rubbed with some insect freckling to cloth spine. SBS220-001. Very Good. LIMITED EDITION of 250 copies this is number 154 printed at the Grabhorn Press in handset Poliphilus types on handmade Kelmscott watermarked paper. Only 192 copies with original leaves were distributed in 1924. This is the second use of Poliphilus type a Monotype Studio design by the Grabhorns who were the first in the United States to use it in another book they published earlier in 1924. The first leaf book produced by the Book Club of California. Theodore Low De Vinne was an American printer and author on typography whose scholarship did much to improve the art of printing in the United States. Perhaps the text here is an excerpt from his volume Notable Printers of Italy during the Fifteenth Century 1910. See: Wikipedia. This book was originally issued at 3 or more price points depending on whether the original leaf had ornamentation or woodcuts; this copy contains a leaf with only type foliated 92 in pencil on the upper right corner. One of the Fifty Books of the Year. REFERENCES: De Hamel and Silver Disbound and Dispersed No. 8 checklist No. 22; Heller and Magee Bibliography of the Grabhorn Press 1915-1940 No. 67; Mcgee The Hundredth Book No. 22. The Book Club of California hardcover books
1900115904Armand Colin, Calmann-Lévy, 1900, in-12, xxxiii-382 pp, introduction par Hippolyte Parigot, reliure demi-chagrin vert, dos à 4 nerfs soulignés à froid, titres et fleurons dorés, encadrements à froid sur les plats, fer de prix doré du lycée Condorcet au 1er plat (rel. de l'époque), dos uniformément passé, bon état (Coll. Pages choisies des Grands Ecrivains)
16307Devambez. 45 X 65 cm.
2008105063Fayard, 2008, in-8°, 522 pp, 4 pl. de photos hors texte, 4 cartes, biblio, chronologie, un tableau généalogique, index, reliure souple illustrée de l'éditeur, bon état
1969101651Fayard, 1969, in-8°, 208 pp, traduit de l’américain, préface du colonel Charles A. Lindbergh, annexes, broché, couv. illustrée, bon état
1953106918Calmann-Lévy, 1953, pt in-8°, 289 pp, un dessin de Jean Cocteau en frontispice, broché, bon état
198118137Perrin, 1981, in-8°, ix-374 pp, 16 pl. de gravures hors texte, biblio, reliure skivertex éditeur, rhodoïd, bon état
