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199844940HEYNE WILHELM 1998. 1. hardcover. Deutsche Erstausgabe! HEYNE, WILHELM hardcover
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197438729HEYNE WILHELM 1974. 1. softcover. WESTERN CLASSICS HEYNE, WILHELM paperback
52583ASS. 1. Kv. Bambi ASS unknown
1940576WEIß GEBRÜDER 1940. 1.ND. hardcover. Farbiges Titelbild! WEIß, GEBRÜDER hardcover
19392439GROTE 1939. 8.-14. Tsd. hardcover. Sirmkovrilo! GROTE hardcover
199844940HEYNE WILHELM 1998. 1. hardcover. Deutsche Erstausgabe! HEYNE, WILHELM hardcover
199844981HEYNE WILHELM 06/1998. 1. softcover. Deutsche Erstausgabe! HEYNE, WILHELM paperback
19372109SCHERL 1937. 61.-70. Tsd. hardcover. SCHERL hardcover
1619AWA. 1. hardcover. AWA hardcover
BN66498KunstFotografie: Katalog der Fotografien von 1839 bis 1945 aus der Sammlung des Dresdner Kupferstich-Kabinetts Franziska Brons; Katja Hofmann; Fabian Knierim; Christian Krause; Hans-Ulrich Lehmann; Katja Schumann and Sandra Starke <br/><br/> unknown
197640679HEYNE WILHELM 1976. 2. softcover. HEYNE, WILHELM paperback
197740413HEYNE WILHELM 1977. 4. softcover. SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
197640622HEYNE WILHELM 1976. 2. softcover. SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
193932602Chicago: Sun Publications 1939. Mild tanning to text paper small clear tape to base of spine with a small closed tear a fine copy. 32602. Octavo single issue cover by Harold Delay pictorial wrappers. Pulp magazine. Features "Gates of Empire" by Robert E. Howard. Fiction by Ralph Milne Farley L. Sprague DeCamp Phyllis Moore Gallagher and others. Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 319-320. Sun Publications unknown
1976403899New York: MIT Press for the Museum of Modern Art 1976. 4to. 110 pp. 48 color photographs and one black-and-white portrait of Eggleston. Original black bonded leather with gilt-stamped spine and cover onlay. A fine copy. FIRST EDITION no date on the title-page; copyright page dated only 1976. Issued as the companion to Eggleston’s seminal 1976 exhibition at MoMA a landmark in the history of photography. <br /> <br /> “I once heard William Eggleston say that the nominal subjects of his pictures were no more than a pretext for the making of color photographs–the Degas position. I did not believe him although I can believe that it might be an advantage to think so or to pretend to think so. To me it seems that the pictures reproduced here are about the photographer’s home about his place in both important meanings of that word. One might say about his identity†John Szarkowski pp. 5-6. <br /> <br /> “As pictures . these seem to me perfect: irreducible surrogates for the experience they pretend to record visual analogues for the quality of one life collectively a paradigm of a private view a view one would have thought ineffable described here with clarity fulness and elegance†ibid. p. 14. Auer 598; Open Book 308-309; Parr and Badger I:265; Roth 238-239. . MIT Press for the Museum of Modern Art unknown
193930828Wilmington DE: Culture Publications Inc. 1939. Text paper supple ragged loss at upper right corner and edge edge trimmed a very good copy. 30828. Octavo single issue pictorial wrappers. Pulp magazine. Reference: Cook Mystery Detective and Espionage Magazines pp. 515-518. Culture Publications, Inc. unknown
193934784Chicago: Popular Publications Inc. 1939. Mild tanning to text paper mild edge wear several tiny tears to upper edge with small chip to right corner several light creases a nearly fine copy. 34784. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. "The Corpse Broker" with Wayne Rogers writing as "Grant Stockbridge." The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
19843309031984. framed. very good. Typed signed letter from American playwright August Wilson in 1984. Great content as the letter reads more like a poem. Begins "Dear Friend." and goes on to mention "Geogorio who is first mate" which refers to G.L Fuentes a fisherman and the first mate of the Pilar the boat belonging to the American writer Ernest Hemingway. Fuentes is credited by some as a model for Hemingway's protagonist Santiago in The Old Man and the Sea. Wilson goes on to say "The search has led to you.Speaking for myself and the other New Dramatists your contribution is much appreciated." Framed along with a black and white portrait photograph of Wilson. Please inquire for more information.<br/> <br/> August Wilson Frederick August Kittel Jr. was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of 10 plays collectively called The Pittsburgh Cycle or The Century Cycle which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences 1987 and The Piano Lesson 1990 each of which won Wilson the Pulitzer Prize for Drama as well as Ma Rainey's Black Bottom 1984 and Joe Turner's Come and Gone 1988. In 2006 Wilson was inducted into the American Theater Hall of Fame. New Dramatists is an organization of playwrights founded in 1949 and located at 424 West 44th Street between Ninth and Tenth Avenues in the Hell's Kitchen Clinton neighborhood of Manhattan New York City.<br/> <br/> unknown
19382338SCHERL 1938. 1. hardcover. SCHERL hardcover
1989015904Los Angeles 1989. Original Artwork . Framed. Fine. Monotype By May Sun. A Fine Work Including One Section With Similarities To The Poster For Brian De Palma's Movie "Casualties Of War" And Possibly Being Originally A Formal Study For A Poster For The Movie. "May Sun Was Born In Shanghai And Raised In Hong Kong And San Diego. She Received A Bachelor Of Fine Arts From Ucla And A Master Of Fine Arts From Otis Art Institute. Her Work Ranges From Theater-Based Performances To Multi-Media Installations. Her Public Art Projects Include The Gateway Transit Center Culver City's City Hall Boston'S Central Artery And A Commemorative Fence For Chinatown. Sun Has Taught At Calarts In Los Angeles And Been An Artist-In-Residence At Monet'S Gardens In Giverny France And At Artpace In San Antonio Tx." From The Los Angeles MetropOlitan Transit Authority Website. May Sun Was The Artist For The Extensive Work On The Hollywood/Western Station In Hollywood. "The Artist/Architect Team Design For The Hollywood/Western Station Attempts To Reclaim The Past For The Future. The Design Pays Homage To The Native Mestizo Heritage And Original European Settlement As Well As To The Panethnic Backgrounds Of More Recent Immigrants Who Constitute A Large Portion Of Metro Rail Users. Artist May Sun Created Copper Granite And Porcelain Enamel Panels With Text And Photographs Set In A Field Of Randomly-Colored Wall Tiles. The Panels Depict Bones Of Early Camel Horse And Bison From Excavations At The Site Statements About Gabrielino Life In The Area Images Of Workers Building The Station And Their Counterparts On The Old Red Car System And Images Of The Adjacent Neighborhood. As A Tribute To The Red Car System That Ended Its Service To Hollywood In The Early 1940S Two Replicas Of The Old Pacific Electric Red Cars Protrude From The Mezzanine Wall Allowing Passengers To Reminisce About The Past While Contemplating What The Future May Hold. Passengers Will Also Find A Station Floor Enhanced With Bright Granite Pavers Some With Small Mayan Chinese And Armenian Symbols And Others Formed Into Pictograms Of The Four Natural Elements Fire Earth Air And Water. "We Hope This Station Will Become A Generating Impetus For The Establishment Of A Greater Sense Of Place And Appreciation For The Unique Identity Of The Surrounding Community And Provide The City With A Revitalized Eastern Gateway For Hollywood." May Sun & Paul Diez. "The Boldness And Brightness Of The Tiles Stand In Welcome Relief To The Surrounding Muted Tones Of This Dusty Corner." From The Los Angeles Metropolitan Transit Authority Website. <br/> <br/> unknown
19531892WEIß GEBRÜDER 1953. 1. hardcover. WEIß, GEBRÜDER hardcover
199143347HEYNE WILHELM 1991. 1. softcover. Deutsche Erstausgabe! »Ein mutiges Buch. Bishop zeigt sich hier in Höchstform.« Greg Bear HEYNE, WILHELM paperback
1925440SCHERL 1925. 66.-70. Tsd. hardcover. SCHERL hardcover
197724695NEUE BERLIN DAS 1977. 1. hardcover. NEUE BERLIN, DAS hardcover
1961772KOEHLER & AMELANG 1961. 142.-146. Tsd. hardcover. Professor Eggerth KOEHLER & AMELANG hardcover
BN66399Geopolitik - Grenzgänge im Zeitgeist: Band 1.1: 1890 bis 1945. Band 1.2: 1945 bis zur Gegenwart Diekmann Irene; Krüger Peter and Schoeps Julius H <br/><br/> unknown
