Woodward, David R (1939-)Biblio.com
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2014473127Cambridge : Cambridge University Press 2014. 1st edition. Hardcover. Fine copy in the original colour-printed boards. Remains particularly well-preserved overall; tight bright clean and strong. Literally as new. Physical description: xviii 465 pages. Series: Armies of the Great War. Contents: Birth of a modern army -- World War and American preparedness -- Coercive power and Wilsonian diplomacy -- You're in the army now -- U.S. Army doctrine and industrialized trench warfare -- Over where -- AEF organization overseas training and deployment -- Will the Americans arrive in time -- Failed expectations: ""military establishment of the U.S. has fallen down"" -- Atlantic ferry -- Neck of the bottle -- Uncertain times -- Cantigny -- Into the breach -- American soldiers in north Russia and Siberia -- The beginning of the end -- Establishment of the American First Army and St. Mihiel -- Meuse-Argonne: September 26-October 31 -- Breakout November 1-11 -- Epilogue. Subjects: United States. Army. American Expeditionary Forces. World War 1914-1918 United States. Cambridge : Cambridge University Press hardcover
0365886777.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1527955699.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976239268Vancouver: The Satellite Video Exchange Society 1976. Rilegato ad anelli ring-bound wrappers. Molto buono Very Good. Progetto in collaborazione con The Educational Research Institute of B.C. The Canadian Radio-Television &";" Telecommunications Commission and The Samuel and Saidye Bronfman Family Foundation. Con illustrazioni disegni e fotografie in bianco e nero. Allegato anche il foglio di "Errata&";"Addenda". Cm 29x19. pp. 140. Molto buono Very Good. . <em>Michael Goldberg è"; stato un pioniere del <strong>video </strong>e una figura fondamentale nella sua diffusione iniziale a Vancouver e in Giappone. Amico di Fujiko Nakaya attraverso l'organizzazione E.A.T. Experiments in Art & Technology è arrivato in Giappone per la prima volta nel 1971 grazie a una borsa di studio del Canada Council e nel 1972 insieme a Nakaya e Katsuhiro Yamaguchi ha organizzato la <strong>prima mostra di videoarte in Giappone</strong>. Tenutasi presso l'edificio Sony a Ginza Tokyo la mostra-workshop era intitolata Video Communication: Do It Yourself Kit e sarebbe diventata il catalizzatore per la formazione del collettivo video Video Hiroba. Goldberg ha anche insegnato come docente ospite all'Università di Tsukuba nel 1980. Oggi è ancora attivo come produttore e regista di documentari e altre forme video attraverso la sua società" International Videoworks Inc.</em> <em>"Grazie al suo costo relativamente basso il <strong>video in formato ridotto</strong> si è"; diffuso rapidamente nei paesi industrializzati occidentali. Versatile e facile da imparare il portapack ha alimentato il concetto di disponibilità e condivisione di questa risorsa da parte di molte persone con punti di vista e interessi diversi. Ciò cambia radicalmente il processo televisivo sottraendo il mezzo dalle mani dei professionisti e creando un nuovo specchio della società . La <strong>tecnologia video</strong> è ancora in rapida evoluzione e sono consapevole che alcuni dei contenuti di questo manuale diventeranno obsoleti entro il 1984. Vi invito a trarre il massimo da questo libro. Penso che possa essere utile in due modi: come “lettura da bagno”" prendetelo e leggetene un po' quando ne avete voglia e come manuale di riferimento". dall'introduzione di Michael Goldberg.</em> <em>"Vivevo a Montré";"al e alla fine degli anni '60 andavo a New York ogni tanto per visitare le gallerie. Andai alla "prima mostra di videoarte" a cui partecipava <strong>Nam June Paik</strong>. Paik aveva una sedia da giardino in ferro battuto con un fondo rotondo in vetro e una piccola TV in bianco e nero rivolta verso l'alto che trasmetteva il telegiornale. Conoscete questa storia Dovevi sederti sulla sedia a cavalcioni e guardare in basso il volto del telegiornale. Ti sentivi come se stessi cagando sulla TV. Mi è"; piaciuto tantissimo! Chiesi alla Galleria se potevano presentarmi a Paik. Mi chiamarono e lui mi invitò". Da allora lo incontro a intermittenza anche se non posso dire che fossimo amici." <strong>Michael Goldberg</strong>.</em> The Satellite Video Exchange Society, unknown
193915875Philadelphia: Class of 1939 1939. Two pages at the end of organization stuck together. Wear. Otherwise Very Good. Extra post because of size and weight. Cloth. Good/No Dust Jacket. 4to - over 9¾" - 12" tall. School Yearbook. Class of 1939 Hardcover
2005402906Horning : Lambs' Meadow Publications 2005. 1st edition. Hardcover. Near fine copy in the original colour-printed boards. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 345 pp. : ill. ports. ; 26 cm. Subjects; Freemasons Great Britain ; Biography. Chelsea Middlesex. Musicians. Entertainers. Horning : Lambs' Meadow Publications hardcover
1895AWA. 1. hardcover. AWA hardcover
193932648Holyoke MA: Winford Publications Inc. 1939. Mild tanning to text paper covers have slight edge wear and two creases a nearly fine to fine copy. Uncommon. 32648. Octavo single issue pictorial wrappers. Pulp magazine. Stories by Frank Belknap Long Paul Selonke Bruce Bryan Albert Sundell with two using the pseudonyms "Undercover" Dix and Charles Cotten Herbert E. Smith and others. Reference: Cook Mystery Detective and Espionage Magazines pp. 560-561. Winford Publications, Inc. unknown
19392111902160201288Teikoku Artificial Silk Co. Ltd. 1939. Soft Cover. Fine. Number of books: 9 Teikoku Artificial Silk Co., Ltd. paperback
0282346325.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18-7998Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier ca 1927. Large format facsimile of the original drawing 22 x 16¾ inches. Very Good. Protected by transparent sheet and mat board. The subject of this drawing is based on a scene from “A Tale of Two Cities†by Charles Dickens.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz née Schmidt German pronunciation: kÉ›ËtÉ™ kÉ”lvɪtÍ¡s 8 July 1867 – 22 April 1945 was a German artist who worked with painting printmaking including etching lithography and woodcuts and sculpture. Her most famous art cycles including The Weavers and The Peasant War depict the effects of poverty hunger and war on the working class. Despite the realism of her early works her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status. Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]. unknown
193927915Kingswood Surrey: The World's Work 1913 Ltd. 1939. Text paper tanned but supple paper loss to lower spine slight loss upper spine. left rear edge trimmed a very good copy. 27915. Octavo single issue cover art by W. J. Roberts pictorial wrappers. Pulp magazine. Britain's first adult oriented science fiction magazine at first publishing solely original material from British authors and reprints from U.S. magazines and later adding new material from American authors. "Tales of Wonder was a lively entertaining and enjoyable magazine." Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazine pp. 652-654. The magazine had to cease publication due to wartime paper restrictions after sixteen issues. Includes Murray Leinster Stanton Coblentz A. Hyatt Verrill and others. The World's Work (1913) Ltd. unknown
193927916Kingswood Surrey: The World's Work 1913 Ltd. 1939. Text paper tanned but supple with some foxing edge rubs small loss at base of spine some small loss to edges of rear cover a very good copy. 27916. Octavo single issue pictorial wrappers. Pulp magazine. Britain's first adult oriented science fiction magazine at first publishing solely original material from British authors and reprints from U.S. magazines and later adding new material from American authors. "Tales of Wonder was a lively entertaining and enjoyable magazine." Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazine pp. 652-654. The magazine had to cease publication due to wartime paper restrictions after sixteen issues. Includes David H. Keller John Beynon George C. Wallis and others. Also includes a science article by Arthur C. Clarke "We Can Rocket To the Moon-Now!" his second professional appearance. The World's Work (1913) Ltd. unknown
193920561Kingswood Surrey: The World's Work 1913 Ltd. 1939. Price lightly penciled on front cover a touch of edge rubbing a nearly fine copy. 20561. Octavo single issue pictorial wrappers. Pulp magazine. Britain's first adult oriented science fiction magazine at first publishing solely original material from British authors and reprints from U.S. magazines and later adding new material from American authors. "Tales of Wonder was a lively entertaining and enjoyable magazine." Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazine pp. 652-654. The magazine had to cease publication due to wartime paper restrictions after sixteen issues. The World's Work (1913) Ltd. unknown
196839301HEYNE WILHELM 1968. 1. softcover. WESTERN CLASSICS HEYNE, WILHELM paperback
198239181HEYNE WILHELM 1982. 1. softcover. WESTERN CLASSICS HEYNE, WILHELM paperback
62013London: Hodder and Stoughton 1993. Hostage Autobiography SIGNED FIRST EDITION. Octavo 24 x 16cm pp.xiv; 370. With two suites of four double-sided black and white photographic plates. SIGNED by the author in black marker to title page. Publisher's green cloth with gilt titles to spine and cream endpapers. With the photographic dust-jacket priced at £14.99. A crisp clean copy. Fine. London: Hodder and Stoughton, 1993 unknown
63328London: Hodder & Stoughton 1993. Hostage Autobiography SIGNED FIRST EDITION. Octavo 24 x 16cm pp.xiv; 370. With two suites of four double-sided black and white photographic plates. SIGNED by the author in black marker to title page. Publisher's green cloth with gilt titles to spine and cream endpapers. With the photographic dust-jacket priced at £14.99. A little spotting to edges trivial sunning to spine. Very good indeed. London: Hodder & Stoughton, 1993 unknown
195516229FISCHER 03/1955. 1. softcover. FISCHER paperback
18-8005Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier ca 1927. Large format facsimile of the original drawing 11 x 16 inches. Very Good. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz née Schmidt German pronunciation: kÉ›ËtÉ™ kÉ”lvɪtÍ¡s 8 July 1867 – 22 April 1945 was a German artist who worked with painting printmaking including etching lithography and woodcuts and sculpture. Her most famous art cycles including The Weavers and The Peasant War depict the effects of poverty hunger and war on the working class. Despite the realism of her early works her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status. Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]. unknown
2057aaum 1995. Plattenmaß: ca. 137 x 217 cm unten links numeriert '22/100' unten rechts im Motiv monogrammiert unten rechts signiert. - Dietrich Schuchardt ist ein moderner Maler der dem Surrealismus zugerechnet wird - unknown
1972120137Paris: Editions du Chene 1972. Rilegato ad anelli ring-bound wrappers. Molto buono Very Good. Introduzione di Sergio Leone. 90 fotografie in bianco e nero organizzate in 22 sequenze in tavole ripiegate. Cm 26x205. pp. 126. Molto buono Very Good. Prima edizione First edition. <em>Negli anni Settanta la casa editrice francese É";ditions du Chêne pubblicò" molti libri che presentavano il lavoro di fotografi che sarebbero poi diventati famosi. La copertina utilizza la tipografia per imitare una delle sequenze fotografiche interne del volume - "how do you do" - in cui il soggetto si avvicina all'obiettivo e viene tagliato fuori dall'inquadratura.</em> <em>"Nelle fotografie di Plossu i dettagli sono minuziosi apparentemente &ldquo";troppo”: è la realtà quotidiana che tutti noi riconosciamo ma tutte queste particolarità" danno corpo alla storia: prima ci fanno ridere o sorridere poi a poco a poco una vaga angoscia si deposita su di noi" dal testo di Leone.</em> Editions du Chene, unknown
19882090502113716106Not Available 1988. Soft Cover. Fine. The book is in fine condition. Not Available paperback
196818942Venezia: Edizioni del Cavallino Cahiers de poche 1968. Rilegato a soffietto leporello format. Ottimo Fine. Libro d'artista rilegato a soffietto ogni foglio misura cm 15x10. Cm 105x155. pp. 22 non numerate. Ottimo Fine. Edizione originale di 200 esemplari numerati e firmati Original edition of 200 numbered and signed copies. <em><strong>Giorgio Azzaroni</strong> ha partecipato a numerose collettive e personali: nel 1956-58-60 ha esposto alle Biennali d'Arte Sacra di Bologna nel 1957 presso la Sala degli Specchi di Ca' Giustinian di Venezia nel 1960 a Milano presentato da Virgilio Guidi nel 1963 ha tenuto una personale alla Galleria del Naviglio presentato da Carlo Cardazzo. E' stato invitato nel 1965 alla IX Quadriennale di Roma.</em> Edizioni del Cavallino, Cahiers de poche unknown
199143281991. Etching with aquatint. 245mm by 195mm platemark 435mm by 380mm sheet. Limited edition etching with aquatint editioned 3/60 and signed and dated by the artist in pencil below the image. CONDITION : A couple of faint marks in the margins. unknown
