Hjemmet 1945Biblio.com
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2385501945. Liten folio 365 x 265 cm. Rikt illustr. i farger og s/h. Bundet i ett samtidig litt plettet rødt sjirtingryggb. med de originale for- og bakomslagene medbundet. Bindets ytterkanter litt oppskrapet. Kapitéler og hjørner med små sår. Nedre del av ytre fremre fals med noen små ormhull. Forsatsene litt brunplettet og bakre flybl. med et par bretter. Enkelte bretter i forbindelse med papirfeil enkelte små rifter og enkelte fingermerker. Nr. 5/6 med et blads nedre del side 13-14 med en avrevet bit og med litt tap av tekst. Nr. 39/40 med et blads øvre del side 19-20 med en liten brett og et par små rifter i forbindelse med en papirfeil. Nr. 21/22 - 27/28 som B-nummer. Helsides tegneseriestriper i farger med Knoll & Tott Fiinbeck og Fia Barna på Sydhavsøya i hvert nummer samt Tarzan fra og med nr. 37/38. . unknown
2329001939. Liten 4to. Rikt illustr. 52 hefter i originale omslag som utgitt bundet i fire originale forlagsbind med sjirtingrygg. Første binds ytterkanter oppskrapet ytre bakre fals med brist øvre kapitél med et par små rifter og hjørnene med sår indre falser delvis sprukket og noe løs noen fingermerker noen små bretter og enkelte små rifter et blad side 63-64 i siste nummer løst og frynsete samt Nils Johan Ruuds navnetrekk 1939 øverst på forsats. De øvrige bindenes ytterkanter svakt oppskrapet og ellers riktig fine. . unknown
1208481945. Stor 4to. Rikt illustr. Orig. litt oppskrapet mørkeblått pappryggb. med de originale for- og bakomslagene medbundet. Øvre kapitél med et par små rifter og nedre litt støtt. Flybl. med en svak diagonal brett. . unknown
1970233011Verona: Galleria Ferrari 1970. Foglio singolo loose page. Molto buono Very Good. <em>Notiziario quindicinale Galleria Ferrari Verona - N. 138</em>. Manifesto invito della mostra di Novello Finotti 15 maggio 1970. Al recto una fotografia in bianco e nero di Walter Campara particolare di un viso maschile ripetuto 40 volte su 5 file verticali. Cm 68x48. . Molto buono Very Good. . <em><strong>Novello Finotti</strong> frequenta l'Accademia Cignaroli e la sua attività"; espositiva prende avvio nel 1958 con la rassegna di arte sacra ad Assisi. Sul finire degli anni '50 partecipa a Padova al III concorso internazionale del bronzetto. La sua prima personale si tiene nel 1961 presso la Permanente di Milano. Nel 1964 espone a New York e due anni più tardi è invitato con un gruppo di opere alla <strong>Biennale di Venezia</strong> dove nel 1984 è presente con una sala personale. Tra il 1998 e il 2001 tra vecchio e nuovo millennio esegue le tre grandi porte di bronzo per la basilica patavina di Santa Giustina per cui realizza anche diciotto ritratti e quattro simboli in marmo degli evangelisti inseriti nelle nicchie delle facciate. Nel 1977 espone alla <strong>Jackson Iolas Gallery di New York</strong> e l'anno successivo nell'ambito del Festival dei due Mondi di Spoleto a Charleston negli USA. Del 1989 è" la personale al Centro de Arte Euroamericano a Caracas. Nel 1997 riceve il Premio Internazionale Pietrasanta e la Versilia nel mondo. </em> Galleria Ferrari, unknown
2091502135500812Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1983474536London : Collins 1983. First Edition. Hardcover. Fine cloth copy in a near-fine very slightly edge- and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. SIGNED with additional lengthy inscription by both Beckwith and van Offelen with additional drawing by Beckwith on free front end paper. Physical description; 224 pages : illustrations some colour ; 34 cm. Notes; Includes bibliographical references page 224. Subjects; Bororo African people ; Pictorial works. London : Collins hardcover
73-4652Vienna and Leipzig: Avalun-Verlag 1921. 6.8 x 11.4 cm. plate size Etching on deckled wove. Very Good. [Vienna and Leipzig: Avalun-Verlag, 1921.] unknown
2012930656<p>New Haven London: Yale University Press Sterling Francis Clark Institute 2012. AS NEW Two Volume Set in Dust Jackets Enclosed in Blue Cloth Slipcase with Blue Satin Book Pull. First Edition First Printing. Cloth Sewn Binding. As New In Slipcase/As New DJ. Folio - over 12" - 15" tall. Oversized Extremely Heavy Set Safely Securely Packed.</p> Yale University Press, Sterling Francis Clark Institute hardcover
197144931<p>London : Secker & Warburg 1971. First edition. Signed by multiple award-winning John Banville on the title-page - loosely inserted is a 2008 ticket for "An Evening with John Banville" the occasion at which the book was signed. Night Spawn Night's Pawn Knight's Pawn - his sometimes disavowed first novel a fantasy political thriller of sorts set on a Greek island and then in Athens - "crotchety posturing absurdly pretentious" in his own words but for at least one online commentator "I am left stunned. I think I have been bludgeoned by beauty". Post 8vo 21cm. 224pp. Original maroon boards lettered in gilt; just a hint of bruising but a very good clean and bright copy in the Mike Dempsey dust-jacket equally very good.</p> London : Secker & Warburg, (1971). hardcover
0364302585.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198421236New York: Skyline Press Walker 1984. First Edition First Printing. Hardcover with Dust Jacket. Fine/Near Fine. <br /> <br /> This is the first and only edition of this collaborative work notable for pairing Walker's vivid color-saturated street photography with Burroughs's reflections on perception and modern urban experience.<br /> <br /> Walker b. 1945 was a key figure in the 1970s-80s color documentary photography movement associated with William Eggleston and Stephen Shore. His photographs celebrate the chromatic chaos and surreal juxtapositions of city life-especially New York's visual excess.<br /> <br /> This copy is inscribed by Roger Boulton publisher at Skyline Press to Ben Raeburn legendary publisher of Horizon Press:<br /> 'With kindest regards to Ben Raeburn who has been an inspiration to so many authors artists and fellow-publishers.<br /> Roger Boulton<br /> 11 September '84'.<br /> This makes it an association copy of the highest order directly linking two influential independent publishers active in the modern art and literary press scene.<br /> <br /> Collector Note:<br /> Burroughs's participation-providing the introduction-adds substantial literary value and cross-collectibility. His text connects Walker's urban imagery to the same consciousness-expanding aesthetic found in his own fiction Naked Lunch The Soft Machine situating the book within the Beat Generation's visual legacy.<br /> <br /> Condition: Blue cloth photographic dust jacket. Fine in a Near Fine jacket. The bindings are tight and square. Text and photographs are clean bright and unmarked. The jacket shows a short closed tear at the upper front edge and mild handling to the rear panel. No additional chips or fading. An exceptionally well-preserved copy. Inscribed by publisher Roger Boulton to Ben Raeburn founder of Horizon Press noted publisher of American modernist writers. Oblong 10.5 inches by 8.75 inches. 88 pages of color photography with the introduction and title pages unnumbered. HISTORICAL SIGNIFICANCE -<br /> Robert Walker's saturated street imagery captured the theatricality of New York's public life during the postmodern photography era. His work often compared to Eggleston and Shore has been exhibited internationally. William S. Burroughs's introduction frames Walker's visual chaos as a metaphor for human consciousness-a notable convergence of photography and Beat sensibility.<br /> <br /> The personal inscription from publisher Roger Boulton to Ben Raeburn establishes a significant connection between two important figures in late-20th-century art publishing.<br /> From the estate of Horizon Books publisher Ben Raeburn that passed to his partner Patricia.<br /> <br /> Subjects: Robert Walker William S. Burroughs New York City Color Photography Beat Generation Independent Publishing Association Copy Ben Raeburn Horizon Press Photography Art Beat Literature Urban Studies. Skyline Press Walker hardcover
197238490HEYNE WILHELM 1972. 1. softcover. WESTERN CLASSICS HEYNE, WILHELM paperback
198040969HEYNE WILHELM 1980. 3. softcover. SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
197740968HEYNE WILHELM 1977. 1. softcover. SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
199054111CARLSEN 09/1990. 1. softcover. Shadow The CARLSEN paperback
2080202105600954Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
8a103911935-1945. Maße ca.: 27 x 33 cm. unknown
196537874HEYNE WILHELM 1965. 1. softcover. WESTERN HEYNE, WILHELM paperback
197538834HEYNE WILHELM 1975. 1. softcover. Maloftege! WESTERN CLASSICS HEYNE, WILHELM paperback
197828059KNAUR THEODOR 1978. 1. softcover. KNAUR, THEODOR paperback
197928055KNAUR THEODOR 07/1979. 2. softcover. KNAUR, THEODOR paperback
14260London: J.M. Dent & Sons Ltd. 1923. First edition in two volumes. Octavo maroon cloth pp. xi 400; viii 452; illustrations including a plate reproducing a relief of William Morris by J. Pittendreigh MacGillivray. Includes a chapter on William Morris 10pp. and a chapter entitled "Ruskin and the Political Economy of Art" 8pp. James Mavor exchanged a considerable amount of correspondence with William Morris. Endpapers darkened gilt lettering on spine dull but ledgible else a very good set. No dust jackets. May require additional postage. London: J.M. Dent & Sons Ltd., 1923. First edition, in two volumes. hardcover
18-8003Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier ca 1927. Large format facsimile of the original drawing 23¾ x 17¾ inches. Very Good. Protected by transparent sheet and mat board. A study for the 1919 etching and aquatint “Mutterâ€As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz née Schmidt German pronunciation: kÉ›ËtÉ™ kÉ”lvɪtÍ¡s 8 July 1867 – 22 April 1945 was a German artist who worked with painting printmaking including etching lithography and woodcuts and sculpture. Her most famous art cycles including The Weavers and The Peasant War depict the effects of poverty hunger and war on the working class. Despite the realism of her early works her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status. Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]. unknown
18-8002Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier ca 1927. Large format facsimile of the original drawing 23 x 16¾ inches. Very Good. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz née Schmidt German pronunciation: kÉ›ËtÉ™ kÉ”lvɪtÍ¡s 8 July 1867 – 22 April 1945 was a German artist who worked with painting printmaking including etching lithography and woodcuts and sculpture. Her most famous art cycles including The Weavers and The Peasant War depict the effects of poverty hunger and war on the working class. Despite the realism of her early works her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status. Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927]. unknown
2007398734Rochester : University of Rochester Press 2007. 1st edition. Hardcover. Very good cloth copy in an equally good if slightly edge-nicked and dust-dulled dust-wrapper now mylar-sleeved. Remains quite well-preserved overall. Physical description; x 317 p. ill. music. Notes; Har bibliografi innholdsfortegnelse noter register. Includes bibliographical references and index. Contents; Romeo and Juliet. Introduction to part 1 ; The Veronese social code ; The code of love ; Love against language ; The afterlife of Romeo and Juliet ; La lance branlée : French opinions of Shakespeare ; Berlioz in the plural ; Roméo et Juliette : introduction ; Roméo et Juliette : the symphony ; Roméo et Juliette : the opera resumes -- Macbeth. Shakespeare's random ; Magic as theft ; Prophesying ; Squinting at consequences ; Macbeth's children ; Macbeth as an actor ; Two theatres ; Witches amok ; Sortileges of speech ; Lady Macbeth as witch ; Time slips ; La sonnambula -- A midsummer night's dream. Cosmicomedy ; The picture of cupid ; Depictorializing cupid ; Cupid's wax ; The tedious brief scene ; Other dreams in other summers : the aesthetic of the masque ; Purcell's The fairy queen ; Lampe's Pyramus and Thisbe ; Experimenters : Mendelssohn and Korngold ; Britten's A midsummer night's dream. Subjects; Shakespeare William forfattar 1564-1616. Shakespeare William 1564-1616 Adaptations History and criticism. Berlioz Hector 1803-1869. Roméo et Juliette. Verdi Giuseppe 1813-1901. Macbeth. Britten Benjamin 1913-1976. Midsummer night's dream. Shakespeare William 1564-1616 ; Adaptations Histoire et critique. Shakespeare William 1564-1616 adaptions History and criticism. Purcell Henry 1659-1695. Fairy queen. Shakespeare William 1564-1616. Berlioz Hector 1803-1869. Romeo et Juliette. Britten Benjamin 1913. 1976 - Operas. Midsummer night's dream. Lampe John Frederick 1703-1751. Pyramus and Thisbe. Purcell Henry 1659-1695 - Operas. Fairy Queen. Verdi Giuseppe 1813-1901 - Operas. Macbeth. Shakespeare William 1564-1616 ; Adaptations Histoire et critique. Macbeth Schottland König 1005-1057. Shakespeare William 1564-1616 Adaptations musicales. Verdi Giuseppe. Shakespeare William. Purcell Henry. Britten Benjamin. Berlioz Hector. Shakespeare William 1564-1616. Verdi Giuseppe 1813-1901. Macbeth. Britten Benjamin 1913-1976. Midsummer night's dream. Music and literature. Opera. MUSIC Genres & Styles Opera. Music and theatre. Opera - Production and direction. Shakespeare and music. Rochester : University of Rochester Press hardcover
