Kantorowicz, N.MareMagnum
6 569 résultats
(FT) Hardcover with dustjacket, 8vo, 353 pages, in Yiddish, title on back cover: Comunidades Judias Desaparecidos, series Dos Poylishe Yidntum Band 170, A survey of Jewish settlement in eastern Europe by region, from the time of the Khazars on (NYBC, 2012) , ending with their destruction in the Holocaust. Dustcover worn but still good, overall very good condition in Good Jacket. (HOLO2-89-76)
Very Good Turkish Original color illustrated cover. Folio. (32 x 24 cm). In Turkish. 17, [1] p., color and b/w ills. An amazing cover illustration Nazi anti-propaganda and USSR (Soviets). It's seen a black Nazi bull angry by the red Soviet flag. "Ispanyada son boga dögüsü!" [i.e. The last bullfighting in Spain!]. This great cover was illustrated by Cemal Nadir [Güler], (1902-1947). He was a Turkish cartoonist. Güler is the surname he assumed after the Surname Law of 1934. Cemal Nadir was born in Bursa, Ottoman Empire on 13 July 1902. His father Sevket was a calligraphist (Turkish: Hattat) employed in courts. After finishing high school, he began working as a sign painter in Bursa. He also created cartoons, and his first cartoon appeared in Diken (literally: "The Thorn") periodical. Although he moved to Istanbul and tried to be a full-time cartoonist, he could not make it and he returned to Bursa. The Alphabet Reform of 1929 gave Cemal Nadir a second chance to show his talent. When Turkey adopted the Latin alphabet replacing the Ottoman Turkish alphabet in Arabic script, all signboards were necessarily changed, and he worked hard to meet the demand. In the same year, he moved once more to Istanbul to work for the daily Aksam. Later, he also drew for the newspaper Son Posta, as well as for the satirical magazines such as Akbaba. During this period, he published the satirical magazine Amcabey. During World war II, he drew anti-Nazism cartoons in the daily Cumhuriyet. In 1946, the Republican People's Party (CHP) invited him to run for a seat in the parliament. However, he refused the invitation, he said that with political affiliation he would not be able to create cartoons. He used his conflicting cartoon characters to criticize the social problems of that time in the country. (Ak'la Kara ("Black and White")., Dede ile Torun ("The Grandpa and the Grandson")., Dalkavuk ("The Sycophant")., Yeni Zengin ("Nouveau riche")., Salamon).
in-8, 299 pp., broche, couverture illustree Dos galbé sinon bel exemplaire. [MA-5]
24mo. 320 pages. Eighteenth impression. Pocket-sized collection of Jewish stories, psalms, and inspirational tidbids originally designed for Jewish soldiers to keep spirits up at the front or at sea. SUBJECT (S) : Quotations, Jewish; Jews civilization; Jewish literature. CONTENTS: I Am a Hebrew -- The People of the Book -- The Testimony of the Nations -- The Voice of Prayer: The Jewish Year -- The Voice of Wisdom. Ex library. Good condition. (Holo2-11-19)
Wrappers; 12mo. 24 pages. Part of the debate about how to punish Germany after the Holocaust and WW II. War -- Religious aspects. Pacifism. Some staining and wear to cover; otherwise, very good condition. (H-32-4)
2014214130Oxford, Bern, Peter Lang, 2014. 278 Seiten. Originalbroschur.
8vo., First Edition, with plates; brown cloth, gilt back, a fine copy in unclipped dustwrapper.
8vo., First Edition, with plates; brown cloth, gilt back, a fine copy in unclipped dustwrapper.
Softbound. 8vo. XXV, 276 pages. 23 cm. First edition. Azrieli series of Holocaust survivor memoirs; Series II. Fred Manns compelling story is at once a nerve-wracking account of his familys efforts to stay one step ahead of the Nazi death machinery and the captivating story of a boys rapid entry into manhood. His account is rooted in rich details of daily life in Leipzig and Berlin under the Third Reich. With the rise of the Nazis, Fred recalls in the most personal of terms the tightening net of persecution that gradually made life in Germany intolerable for its Jews and forced his family to flee. Using the biblical theme of Exodus to give shape to his story, he traces his familys exile through Belgium, France, Spain, Portugal, Jamaica and finally to a new home in Canada. A tale of truly epic proportions, at once tragic and hopeful, it is also a story of the profound resilience of youth, of a boy who found himself taking on adult responsibilities while at the same time wrestling with his newfound attraction to girls. Though he is proud of his maverick spirit and his ability to aid his family in a time of desperate need, Fred Manns story is also a lament for a lost childhood, a lament for having to grow up too fast. (Publishers description) Subjects: Holocaust, Jewish (1939-1945) - Germany. Jewish children in the Holocaust - Germany - Biography. Jewish refugees - Biography. Holocaust survivors - Canada - Biography. Holocauste, 1939-1945 - Allemagne. Enfants juifs pendant l'Holocauste - Allemagne - Biographies. Réfugiés juifs - Biographies. Survivants de l'Holocauste - Canada - Biographies. Mann, Fred, 1926-2008. Great condition. (HOLO2-103-33)
8vo., Third Edition; maroon cloth, upper board and backstrip blocked and lettered in gilt, a very good, bright, crisp copy.
Original Wraps. 8vo. X, [1], 36 pages. 23 cm. First edition. "This guide emphasizes free and inexpensive materials. " Prepared by Fanne Aronoff, Gilbert Convers and Nora Hodges. Foreword by Caroline A. Whipple, introduction by Nora Hodges. Contains a massive selection of materials, most of which were available for free or at very low cost, to assist in covering a broad array of subjects while teaching English to refugees. The bibliograph is annotated, and covers all areas of social life, work, geography, food, health, transportation, grammar, reading, etc. The introduction by Nora Hodges contains very sincere positions on how to assist refugees in a conscientious manner, demands that volunteers be able to address controversial issues, etc. Subjects: English language - Textbooks for foreign speakers - Bibliography. Teaching - Aids and devices - Bibliography. Political refugees. English language - Study and teaching - Foreign speakers. English language - Textbooks for foreign speakers. Political refugees. Teaching - Aids and devices. OCLC lists 22 copies. Contains name stamp of Miriam L. Schorr on cover and front page, light wear and soiling to edges, otherwise clean and fresh. Very good condition. (HOLO2-121-5)
1996R240131421GODEFROY DE BOUILLON. 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 264 pages.. . . . Classification Dewey : 943.086-IIIe Riech. Hitler, 1933-1845
75422Paris, éd. Le Livre de Poche n° 5023, in-12, cartonnage souple, couv. ill. en rouge et noir sur fond noir éd., 512 pp.,table des matières, L'histoire de la recherches des criminels nazis, dont Martin Bormann, en Amérique du Sud. Très bon état
P., Fasquelle, 1931. In-12 broché, 217 pp. Quelques rousseurs.
Portfolio with Paper Dustjacket. 20 black and white sketches and 10 watercolors. With accompanying text by Esther Lurie; introd. Moshe Sharett ; foreword Eugene Kolb, Esther Lurie [1913-1998] was born in Liepaja, Latvia, to a religious Jewish family. From 1931-1934 she learned theatrical set design at the Institut des Arts Décoratifs in Brussels, and afterwards studied drawing at the Académie Royal des Beaux-Arts in Antwerp. In 1934 Lurie migrated to Palestine with most of her family and worked at various artistic activities. In 1939 she travelled to Europe to further her studies. World War II had begun while she was in Lithuania and during the Nazi occupation (1941-44) she was imprisoned in the Kovno ghetto along with the other Jews. As soon as she entered the ghetto, in mid-1941, Lurie began to sketch views of her new world. She has left behind a detailed written testimony of her life and work during World War II. This combination of literary and visual testimony make up a "living witness". Lurie drew everywhere in the ghetto, including the various workshops. Including a pottery workshop. During her visits there, Lurie got the idea of asking theJewish potters to prepare a number of jars for her. She would use these to conceal her art works if the situation worsened. After the deportation of 26 October 1943, in which 3,000 ghetto inmates were removed to forced labor camps in Estonia, Lurie hid her artcollection, approximately 200 drawings and watercolors, in the large jars she had prepared in advance. In July 1944, as the Red Army approached Lithuania, the ghetto was liquidated and those remaining were transferred to concentration camps and forced labor camps in Germany. The ghetto was set on fire and the buildings were blown up and burnt to prevent those hiding from escaping. Esther Lurie was sentto Stutthof concentration camp, leaving her hidden works behind. After the war some of her drawings were recovered, surviving with the Ältestenrat's archive. Avraham Tory succeeded in rescuing 11 sketches and watercolors and 20 of the photographs of her works. During the Eichmann trial, which took place in Jerusalem in 1961, Lurie's SecondWorld War works were exhibited as part of the testimony - giving an "official authorization" from Israel's Supreme Court to the rich documentary value of her sketches and watercolors. This is in addition to their aesthetic value as objects of art. SUBJECT(S): World War, 1939-1945 -- Pictorial works. Jews -- Lithuania -- Kaunas -- Holocaust, Jewish (1939-1945) -- Guerre mondiale, 1939-1945 -- Ouvrages illustre´s. Juifs -- Lituanie -- Kaunas -- Holocauste, 1939-1945 -- Ethnic relations. OCLC: 848164. Light edgewear & stain to portfolio & dustjacket, text and plates remain very clean and dramatic. Overall very good condition. (HOLO2-98-15C)
Portfolio with Paper Dustjacket. 20 black and white sketches and 10 watercolors. With accompanying text by Esther Lurie; introd. Moshe Sharett ; foreword Eugene Kolb, Esther Lurie [1913-1998] was born in Liepaja, Latvia, to a religious Jewish family. From 1931-1934 she learned theatrical set design at the Institut des Arts Décoratifs in Brussels, and afterwards studied drawing at the Académie Royal des Beaux-Arts in Antwerp. In 1934 Lurie migrated to Palestine with most of her family and worked at various artistic activities. In 1939 she travelled to Europe to further her studies. World War II had begun while she was in Lithuania and during the Nazi occupation (1941-44) she was imprisoned in the Kovno ghetto along with the other Jews. As soon as she entered the ghetto, in mid-1941, Lurie began to sketch views of her new world. She has left behind a detailed written testimony of her life and work during World War II. This combination of literary and visual testimony make up a "living witness". Lurie drew everywhere in the ghetto, including the various workshops. Including a pottery workshop. During her visits there, Lurie got the idea of asking theJewish potters to prepare a number of jars for her. She would use these to conceal her art works if the situation worsened. After the deportation of 26 October 1943, in which 3,000 ghetto inmates were removed to forced labor camps in Estonia, Lurie hid her artcollection, approximately 200 drawings and watercolors, in the large jars she had prepared in advance. In July 1944, as the Red Army approached Lithuania, the ghetto was liquidated and those remaining were transferred to concentration camps and forced labor camps in Germany. The ghetto was set on fire and the buildings were blown up and burnt to prevent those hiding from escaping. Esther Lurie was sentto Stutthof concentration camp, leaving her hidden works behind. After the war some of her drawings were recovered, surviving with the Ältestenrat's archive. Avraham Tory succeeded in rescuing 11 sketches and watercolors and 20 of the photographs of her works. During the Eichmann trial, which took place in Jerusalem in 1961, Lurie's SecondWorld War works were exhibited as part of the testimony - giving an "official authorization" from Israel's Supreme Court to the rich documentary value of her sketches and watercolors. This is in addition to their aesthetic value as objects of art. SUBJECT(S): World War, 1939-1945 -- Pictorial works. Jews -- Lithuania -- Kaunas -- Holocaust, Jewish (1939-1945) -- Guerre mondiale, 1939-1945 -- Ouvrages illustre´s. Juifs -- Lituanie -- Kaunas -- Holocauste, 1939-1945 -- Ethnic relations. OCLC: 848164. Wear and stains to portfolio & dustjacket, lacks rear panel of dustjacket, text and plates remain very clean and dramatic. Good condition thus. (HOLO2-98-15D)
123 pages. Black and white photographic frontisplate of author. First published in German in the same year. Noteworthy for its call for a resurrection of the same two-front military alliance which was marshalled against Germany in the Great War. The following year 'Foreign Affairs Quarterly' published a review of this book, endorsing this policy. - Mike King. "In July, 1914, Dr. Ludwig expounded the causes and misunderstandings which led up to the Great War. The purpose of the present work is to provide a remedy for the present perilous impasse before it is too late to avert disaster." - from dust jacket. In preparing this work, Ludwig confidentially sent the first 83 pages of his manuscript to Edward VIII for his corrections, which were later provided by letter. (Source available upon request). Bold dust jacket art depicts British/French/US spear piercing a Nazi swastika. Unmarked. Binding tight. Moderate wear to book. Somewhat above-average wear to dust jacket which is now preserved in mylar. Moderate age-toning near endpapers. Moderate foxing to edges and back half of dust jacket. A sound copy of this significant work. Book
39203Paris Aux Editions Raymond Shall 1944 in 4 (27x21,5) 1 volume reliure cartonnée illustré de l'éditeur, non paginé, avec de nombreuses photographies en noir et blanc. Imprimé sur les presses de Draeger Frères à Montrouge. Première édition (first edition). Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
057396Paris Aux Editions Raymond Shall 1944-1946 1944 in 4 (27x22) 3 volumes reliures cartonnées illustrées de l'éditeur, non paginé, avec de nombreuses photographies en noir et blanc. Ouvrages illustrés de gravures d'Elie Bertillot, de photographies de Roger Schall, Maurice Jarnoux, Raymond Mejat, De Morgoli, et les reporters d'agence. Imprimés sur les presses de Draeger Frères à Montrouge. Premier volume: A Paris sous la botte des nazis (1944) - Second volume: Un an (1946) - Troisième volume: Victoires des français en Italie. Huit mois de campagne vus par les correspondants de guerre (1946). Première édition (first edition). Ensemble complet des 3 volumes ans son étui d'origine, et chemises (complete, in original editor slipcase). Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
8vo., First Edition, with numerous plates; black cloth, gilt back, a fine copy in unclipped dustwrapper.
231, [1] pages. 9.2" x 6.3". Waton (1871-1959) was a Jewish philosopher keenly interested in the works of Marx and Spinoza. In the Foreword, dated 1939, he states "I convinced myself that human society is irresistibly and inevitably moving towards state capitalism and fascism. Further reflection also convinced me that this social transformation would inevitably bring upon the Jews great suffering. How could the Jews face this world situation? This question occupied my mind for the last twelve years. At last I reached the conclusion which I embodied in a program for the Jews. When the Jews declared war against Nazi Germany and fascism (in 1933), I saw that as a suicidal policy. Thus passed more than five years of ever-increasing suffering for the Jews. When the situation became so grave that the Jews themselves began to realize the gravity of the situation, the Spinoza Institute of America asked me to formulate my program." On page 199 he adds "We have to face the fact that the Leader of the German people has no doubt in his mind that the Jewish problem is the centre of all problems, not merely in Germany, but in the world. It is useless to dismiss this as an illusion, because if it is, it demands explanation. But it is no illusion." Brilliant gilt lettering upon front board. Light external wear. Binding tight. Faint patches of soiling to boards. Occasional light pencil marginalia and underlining until page 21. Moderate age-toning to contents. It is left to readers to ponder the impact Waton's program could have had upon twentieth-century history. Book
1st edition. Original Cloth in Dust Jacket. 8vo. 416 pages. Illustrated with historic photos and documents. SUBJECT (S) : Jews -- Lithuania -- Vilnius. World War, 1939-1945 -- Jewish resistance. World War, 1939-1945 -- Underground literature. Very good condition in Very Good Jacket (HOLO2-8-2)
1st edition. Original Cloth. 8vo. 416 pages. Illustrated with historic SUBJECT (S) : Jews -- Lithuania -- Vilnius. World War, 1939-1945 -- Jewish resistance. World War, 1939-1945 -- Underground literature. No dust jacket. Very good condition. (HOLO2-8-2A)
Paper Wrap. 8vo. 64 pages. 22 cm. Includes preface by Elie Wiesel. A selected bibliography of works pertaining to the holocaust, with a brief description. SUBJECT (S) : Holocaust, Jewish (1939-1945) -- Bibliography. Holocaust, Jewish (1939-1945) , in literature -- Bibliography. Includes indexes. Nice, clean copy with tight binding. Very good condition. (HOLO 2-31-5).
Publishers Cloth. 4to.120 pages. 31 cm. First U. S. Edition. Translation of Weerklank van Anne Frank; edited by Anna G. Steenmeijer, in collaboration with Otto Frank (Anne Franks Father) and Henri van Praag. A compilation of poems, art work, and articles regarding the importance of Anne Franks experience to a contemporary understanding of the Holocaust. Includes readers responses to the diary and some previously unpublished writings by Anne Frank. Examines the place of the diary in education and the impact of various dramatic and film adaptations of Annes story. Subjects: Frank, Anne, 1929-1945. VG+ condition in good jacket. Nice copy. (HOLO2-97-6)
