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189058342Waterloo Falls OR: n.p. June 8 1890. Oblong 8vo. 1 boudoir sized albumen photo sized 8 x 4.5 in. mounted on studio board 8.5 x 5 in. w/ pencil annotations indicating location date and very faintly a few of the participants although without last names indicated minor toning shelfwear still VG bright image. At the time this photo was shot there was a concerted push by business leaders and local citizenry pushing for an electric excursion train to the Waterloo Falls 1889-1890 along the South Santiam River as seen by articles published periodically in the Lebanon Express newspaper. The image is a striking shot with the band members and family members strewn about seated on the rocks next to the river during late Spring runoff and the Falls. Contemporary images of Waterloo Falls and the South Santiam River area are fairly uncommon and the caption refers to Andrew John S.B. Walter and George standing near “me.†n.p., unknown
1970LFA-126738437N° 2 - 1970 : 176 pages, format 160 x 240 mm, illustrée, brochée, bon état
2005LFA-126742130Revue de 28 pages, format 205 x 300 mm, illustrée, brochée, bon état
1998LFA-126741140Une revue de 16 pages, format 220 x 285 mm, illustrée, brochée couverture couleurs, Editions Atlas, bon état
1999LFA-126741166Une revue de 16 pages, format 220 x 285 mm, illustrée, brochée couverture couleurs, Editions Atlas, bon état
1973LFA-126746530Revue de 32 pages, format 210 x 270 mm, illustrée, brochée couverture couleurs, Souvenir Napoléonien, bon état
2004LFA017f2Revue mensuelle concernant la philatélie : environ 110 pages en couleurs, format 300 x 210 mm, illustrée, brochée couverture couleurs + fiches détachables
2011LFA-126744251Revue de 98 pages, format 165 x 240 mm, illustrée, brochée couverture couleurs, bon état
1688Rare explanatory guide to Jan Willem Pienemans celebrated painting of the Battle of Waterloo published shortly after the Napoleonic Wars for visitors viewing the monumental canvas. The work is an important document of early nineteenth-century historical memory and Dutch national identity surrounding the victory over Napoleon and the role of the Prince of Orange at Waterloo.Original blue paper binding with smudges octavo edition 18 x 11 cm. NL Zeldzame beschrijvende uitgave bij het beroemde panoramische schilderij van de Slag bij Waterloo door Jan Willem Pieneman uitgegeven te Amsterdam omstreeks 1825 door C.A. Spin. Het werk diende als gids of toelichting voor bezoekers van het monumentale historiestuk dat kort na de Napoleontische oorlogen grote publieke belangstelling trok. Het schilderij was langere tijd een van de belangrijkste werken van het Museum van Levende Nederlandsche Meesters in Haarlem. In 1885 werd het overgebracht naar het indertijd nieuw opgerichte Rijksmuseum in Amsterdam. Daar is het met zijn afmetingen van ruim vijf bij acht meter het grootste schilderij van de collectie. Het schilderij hangt permanent opgesteld in de Waterloozaal op de eerste verdieping.Jan Willem Pieneman 17791853 behoort tot de belangrijkste Nederlandse historieschilders van de negentiende eeuw. Zijn enorme doek De Slag bij Waterloo voltooid in de jaren 1820 verbeeldt het beslissende moment waarop de Prins van Oranje gewond raakt tijdens de slag van 18 juni 1815. Het schilderij groeide uit tot een nationaal icoon van de Nederlandse bijdrage aan de nederlaag van Napoleon.Dergelijke beschrijvingen werden verkocht aan bezoekers van tentoonstellingen en bevatten doorgaans een uitleg van de afgebeelde figuren militaire posities en historische gebeurtenissen op het doek. Ze vormen interessante voorbeelden van vroege negentiende-eeuwse kunst- en tentoonstellingscultuur in Nederland. Napoleon Bonaparte. unknown
22915Paris: Maurice Dreyfous, 1879. In-32 de 46 pages. Exemplaire sur vergé teinté. Ex-libris Am. Berton. Demi-maroquin bleu, dos à nerfs orné, tête dorée, couvertures conservées, reliure de A. Petit (signature en pied de dos).
1956162874Waterloo IA: Downtown Waterloo Inc 1956. Vintage seven-page promotional investment prospectus from Downtown Waterloo Inc. a local non-profit consortium of local Iowa business owners seeking investors for a campaign to modernize the city's downtown business district during the automobile boom of the 1950s circa 1956.<br /> <br /> The seven pages of the prospectus includes: <br /> <br /> An introduction promoting "Centrally located and easily accessible" "Down Town Parking."<br /> <br /> A Downtown Waterloo Inc. common stock offering $100 a share listing all of the non-profit's officers and directors.<br /> <br /> A page listing downtown businesses above a page of a map of the area with the locations of the aforementioned businesses labeled numerically.<br /> <br /> Three two-page spreads illustrating the "Before ." and "After ." of proposed remodeling to include overhead parking with photographs of the area on the top pages and illustrated architectural proposals on the following pages. The areas illustrated include two opposing views of the intersection of West Fourth Street and Jefferson Street and one of the intersection of Commercial Street and West Fifth Street.<br /> <br /> A reprint of "Let's Keep Business in Downtown Waterloo" a two page ad from the Sunday January 29 1956 Waterloo Sunday Courier proposing overhead parking public restrooms public lockers and a bridge connecting the east and west sides of Commercial Street between West Fourth Street and West Park Ave with a large diagram of the proposed parking in the area.<br /> <br /> And a page illustrating and describing a double-spiral "Parkit" overhead parking design by Moline Architect M. R. Beckstrom.<br /> <br /> 9.5 x 14 inches side-stapled with card wrappers. Very Good plus with faint toning to the wrappers. Downtown Waterloo, Inc unknown
187023094Edinburgh and London: William Blackwood and Sons 1870. 2 volumes. RARE FIRST EDITION IN PRESENTATION BINDING. A UNIQUE COPY. A family presentation copy inscribed to George E. Mercer from I. Tod-Mercer and dated 1896. 8vo in a beautiful Zaehnsdorf signed binding dated 1896 thus no doubt custom made for the presentation to George E. Mercer. The binding is of full crushed scarlet morocco richly adorned in fine late-Victorian style. The boards feature a wide frame of gilt vines flowers and thistles which is further ruled in gilt then further surrounded by minutely detailed gilt rolling the upper boards also lettered “Mercer’s Waterloo†in fine gilt stamping the smooth rounded spines with gilt lettering with a gilt oval surrounded by more gilt vines and flowers which then grow both up and below to fully frame the spine panel board edges gilt ruled wide turn-ins gilt tooled in the same motif as the covers silk endpapers with powder blue moire pattern and further gilt tooling complete this beautiful presentation a.e.g. xii 369; viii 347 pp. An extraordinary set the condition remains outstanding. The text-block is essentially pristine the fine bindings show only the most minimal evidence of age. Truly and outstanding and unique copy. A SCARCE AND IMPORTANT FIRST EDITION SCARCE IN ANY STATE AND THIS AN EXTRAORDINARY COPY. Mercer's ‘Journal’ is an important source for historians of the Waterloo campaign as well as a detailed description of the landscape and people of Belgium and France in the early 19th century. It is one of the few accounts of the period written by an artillery officer. Mercer’s journals were kept throughout the campaign of 1815 but were not published until 1870 after his death. The work was compiled and written in its finished form some 30 years earlier from the original notes Mercer wrote contemporaneously with additions and verifications from correspondence and other sources. It covers the period from April 1815 to January 1816. Although he eventually rose to the rank of general his fame is as commander of the British G Troop Royal Horse Artillery in the thick of the fighting at the Battle of Waterloo. It is also notable for its lengthy descriptions of the countryside and its people.<br> In spite of his position with the British Army the work is usually found in 20th Century editions in French. Its historical value in the English-speaking nations was largely overlooked till its rediscovery with a Praeger edition in 1970. William Blackwood and Sons hardcover
18163220567<p><em>8vo pp. 12 2; key consisting of a wood-engraved circular anamorphic-style image on folding plate measuring 40 × 31 cm; apart from a few light marks a clean fresh copy throughout; in recent marbled wraps.</em></p><p>At the foot of the key Barker 'respectfully informs the Public that in order to give a correct Representation of the Battle of Waterloo he went to Paris and from the Officers at Headquarters procured every possible Information on the Subject. A set of Eight Etchings from his original Sketches of the Field of Battle is published executed by Mr. J. Burnet; and may be had at the Panorama; price One guinea'.</p><p>At the end of the main text are proposals by Messrs Boydell & Co. for a 'national print' of the Battle of Waterloo by John Burnet after Atkinson and Devis.</p> [London, J. Adlard],
231154(Début du XIXème siècle.) 25 x 38.5 cm, dessin à la plume. Légères pliures et petites rousseurs.
1960126994S.l. [Bruxelles].n.n. [Imprimerie d'Hondt et de Grave], s.d. (v. 1960), in-8°, 43-(2) pp, une carte, broché, couv. illustrée, bon état
1982126995Sint-Niklaas, Geocart, s.d. (1982), pt in-8° étroit, 36 pp, texte en 4 langues (français, anglais, hollandais et allemand) et une grande carte dépliante en couleurs (49x69 cm), broché, couv. illustrée, bon état. On joint 2 cartes postales en couleurs, reproductions de tableaux contemporains sur la bataille de Waterloo (cartes des années 1980)
14536S.l. (Paris), s.n. (Plon et Lemercier), s.d. ; in-folio oblong (29 x 43 cm) ; cartonnage de percaline noire, grand décor à froid à la plaque sur les deux plats, grand titre doré sur le premier plat ; recueil de 20 planches gravées sur acier par Rouargue, Laloisse et Duron, d'après Th. Yung. Exemplaire finement aquarellé. Les batailles représentées sont celles de : Siège de Toulon (1793), Ste Euphémie (1806), Prise de Gaëte (1806), Combat de Somo-Sierra (1808), La Corogne (1809), Prise d'Oporto (1809), Siège de Saragosse (1809), Talavera (1809), Ocaña (1809), Passage de la Sierra-Morena (1810), Fuentes d'Oroño (1811), Affaire de Brienne (1814), Combat de Champaubert (1814), Montmirail (1814), Montereau (1814), Craonne (1814), Arcis-sur-Aube (1814), Paris (1814), Ligny (1815)- et Waterloo (1815).
Mm 170x240 Forum Marengo 2000 - (Cittadella di Alessandria, 12-17 giugno2000). Volume nella sua brossura originale, 356 pagine di testo con alcune figure in nero. Interventi in ligua italiana, francese ed inglese. Copia in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine.
Un volume di 422 pagine, brossura editoriale. Dimensioni: 17,5x24,5 cm. Minime tracce d'uso alla brossura, per il resto ottime condizioni. Illustrazioni in b/n nel testo, alcune carte in fascicolo slegato fuori testo. Contiene: Vincenzo Gallinari, Le riforme militari di Cesare Ricotti; Salvatore Loi, Gli ideali del Risorgimento italiano nella indipendenza latino-americana; Massimo Mazzetti, L'armistizio con l'ITalia in base alle relazioni ufficiali anglo-americane; Mario Montanari, Sul campo di battaglia di Waterloo; Oreste Bovio, Il Principe Eugenio; Gabrio Lombardi, Il Generale Umberto Utili nella Guerra di Liberazione; Dal fondo "Umberto Salvatores": Un ciclo operativo coloniale; ANtonello F.M. Biagini, La questione d'Oriente del 1875-1878 nei documenti dell'Ufficio Storico dello Stato Maggiore dell'Esercito; Oreste Bovio, Note di araldica e di vessillologia militari; Patrizio Flavio Guinzio - Roberto Pertici, La biblioteca di Artiglieria e Genio.
K80193Two figures stand by a small bridge.Drawing after Waterloo's etching <em>A man and a woman near a small bridge</em> H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
2026x-1032819480Taylor & Francis Ltd 2026. Paperback. New. 194 pages. 6.14x0.44x9.21 inches. Taylor & Francis Ltd paperback
2006LFA-126726715Un ouvrage de 120 pages, format 250 x 190 mm, environ 60 illustrations, Collection "Les Batailles Oubliées", publié en 2006, bon état
21091Nicholson et Watson, 1948. 16 x 25, 380 pp., 1 illustration, cartonnage d'édition + jaquette, bon état (sauf jaquette réparée : plusieurs petites déchirure sans manque).
25361Nicholson et Watson, 1948. 16 x 25, 380 pp., 1 illustration, cartonnage d'édition + jaquette, bon état (sauf jaquette réparée : plusieurs petites déchirure sans manque).