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1840130746Bruxelles [Brüssel], chez Gerard, lithograph, éditeur, o.J. (um 1840). 1 w. Bl., 12 lithogr. Tafeln mit Ansichten von der Umgebung Waterloos und 1 gefalt. lithogr. Plan: Plan de la Bataille de Waterloo, 18 Juin 1815, dressé par le Général Baron de Jomini. Quer-4°, 22,5 x 30 cm, OBrosch. mit Deckeltitel.
Raro numero del 5 luglio 1815 della rivista Il Cracas diario di Roma rivista dedicata alla cronaca ed avvenimenti di Roma. La rivista fino al 1894 pubblicò in breve o per esteso gli avvenimenti religiosi, politici e militari della città e le notizie che ad essa pervenivano dall'Italia o dall'estero, diventando una ricchissima ed importante fonte di notizie. La rivista è contenuta all'interno di una custodia cartonata con un appunto del vecchio proprietario "Rarità. Diario di Roma del 5 luglio 1815 in cui viene annunciata la sconfitta napoleonica a Waterloo". Numero di interesse storico. Oltre a questa notizia di rilievo anche le battaglie della Francia in Valle D'Aosta. In buone condizioni. Copertina morbida coeva in discrete condizioni generali con usure ai margini e dorso. Legatura in buone condizioni ma corpo del libro in parte staccato. All'interno le pagine si presentano in buone condizioni con fioriture. In 24.13,5x6,5 cm. Pp. 24.Scarce number of 5th of july 1815 of the magazine Il Cracas diario di Roma magazine dedicated to the chronicle and happenings of Rome. The magazine of the 1894 published in brief or for long the religious, political and military happenings of the city and the information from Italy or foreign countries, becoming an important source of information. The magazine is contained inside a carton case with an handwritten note of the former owner "Very scarce. There is the indication of defeat of Napoleon in Waterloo". Number of hystorical interest. In good conditions. Soft coeval cover in fair conditions lightly worn in the extremities. Binding in good conditions but the body of the book partially detached. Inside pages are in good conditions with occasional foxing. In 24.13,5x6,5 cm. Pp. 24.
In-8 (cm. 21), brossura editoriale illustrata, pp. 178, (6), con illustrazioni in bianco e nero nel testo. Numero monografico di Renzo Casali - Favola spettacolo sulla pigrizia per gente matura o le avventure del Filiberto Rag. Rossi, factotum del gruppo LA BANDA DEI SOGNI, ensemble di riconosciuta fame internazionale. In buono stato di conservazione (good copy).
In 8? (cm 25), Brossura, pagg.90-(8) con numerose ill. b.n.e a colori n.t., cop. ill. a colori, segni del tempo alla cop., buon es. Dal Sommario: "Erode il Grande: l'uomo dalla vita sfarzosa e dall'anima percossa" di Gian Paolo Punia; "Pizarro l'atroce ?conquistador? del Per?" di Aldo Montoli; "Varsavia: calvario e morte (agosto 1944)" di Bor-Komorowski; "Somalia italiana, addio!" di Piero ombardo; "Waterloo: La ?vecchia guardia? non attacca!" di Robert Merget; "Diecimila uomini, diecimila eroi" di Angelo Romani;m "Mi hanno sganciato da una superfortezza" di W. Bridgeman e J. Hazard; "Garibaldi: Mito e letteratura" di Luigi Russo; "L'agitata vita di Roberto Schumann" di Bernard Gavoty; "la misteriosa tragedia di itonto" di Guido Petriccione; "Ivan il terribile" di Romain d'Ange. Tra le rubriche: "Giochi e giocatori: Storia della bambola"; "Storia minore: Ettore Petrolini"; "Donne alla ribalta della storia: Clara Maffei"
185323327Berlin, Kortmann, (ca. 1853). Ca. 15,5 cm x 17 cm (Platte).
London, Longmans, 1964, in-8, tela con sovracc., pp. 95. Con 3 illustrazioni nel t., 19 f.t. e 4 cartine.
n.p. (18 leaves). Illustrated with three maps. Lithograph throughout. Stamped ownership of M. F. Lobo on title page with his comments on first fly leaf "Creasy's name omitted from scroll". 170mm. Original decorated printed wraps. Moses Finzi Lobo was born in Bridgetown, Barbados, West Indies (1834). He came to Philadelphia about 1845, and lived there until his death (1904). He was a respected journalist, scholar, author, and leader in community affairs. His skill and knowledge of shorthand was exceptional, and he was frequently called upon to record scientific addresses, and other important events. He served as private secretary to the Superintendent of the Mint, before resigning that post to engage in literary work. We feel fortunate to be able to present Short-Hand books owned by him. SHORTHAND
18101706180387xbvkSans place, L'Imprimerie de Brasseur Aine, sans date (ca. 1800-1810). 4 pages; reliées en demi maroquin brun avec des bords très décoratif et titre d'oré sur dos (peu frotté); 8vo.(ca. 21 x 15,5 cm).
In 8, pp. 415. Lievissime mancanze al d. Gora al margine int. delle prime 60 e delle ultime 71 cc. Br. ed. Traduzione francese di un'opera militare pubblicata anonima in Germania nel 1843. Le lettere sono indirizzatea a Carl von Clausewitz (1780-1831), generale prussiano che contribui' alla sconfitta di Napoleone a Waterloo.
189058342Waterloo Falls OR: n.p. June 8 1890. Oblong 8vo. 1 boudoir sized albumen photo sized 8 x 4.5 in. mounted on studio board 8.5 x 5 in. w/ pencil annotations indicating location date and very faintly a few of the participants although without last names indicated minor toning shelfwear still VG bright image. At the time this photo was shot there was a concerted push by business leaders and local citizenry pushing for an electric excursion train to the Waterloo Falls 1889-1890 along the South Santiam River as seen by articles published periodically in the Lebanon Express newspaper. The image is a striking shot with the band members and family members strewn about seated on the rocks next to the river during late Spring runoff and the Falls. Contemporary images of Waterloo Falls and the South Santiam River area are fairly uncommon and the caption refers to Andrew John S.B. Walter and George standing near “me.†n.p., unknown
1688Rare explanatory guide to Jan Willem Pienemans celebrated painting of the Battle of Waterloo published shortly after the Napoleonic Wars for visitors viewing the monumental canvas. The work is an important document of early nineteenth-century historical memory and Dutch national identity surrounding the victory over Napoleon and the role of the Prince of Orange at Waterloo.Original blue paper binding with smudges octavo edition 18 x 11 cm. NL Zeldzame beschrijvende uitgave bij het beroemde panoramische schilderij van de Slag bij Waterloo door Jan Willem Pieneman uitgegeven te Amsterdam omstreeks 1825 door C.A. Spin. Het werk diende als gids of toelichting voor bezoekers van het monumentale historiestuk dat kort na de Napoleontische oorlogen grote publieke belangstelling trok. Het schilderij was langere tijd een van de belangrijkste werken van het Museum van Levende Nederlandsche Meesters in Haarlem. In 1885 werd het overgebracht naar het indertijd nieuw opgerichte Rijksmuseum in Amsterdam. Daar is het met zijn afmetingen van ruim vijf bij acht meter het grootste schilderij van de collectie. Het schilderij hangt permanent opgesteld in de Waterloozaal op de eerste verdieping.Jan Willem Pieneman 17791853 behoort tot de belangrijkste Nederlandse historieschilders van de negentiende eeuw. Zijn enorme doek De Slag bij Waterloo voltooid in de jaren 1820 verbeeldt het beslissende moment waarop de Prins van Oranje gewond raakt tijdens de slag van 18 juni 1815. Het schilderij groeide uit tot een nationaal icoon van de Nederlandse bijdrage aan de nederlaag van Napoleon.Dergelijke beschrijvingen werden verkocht aan bezoekers van tentoonstellingen en bevatten doorgaans een uitleg van de afgebeelde figuren militaire posities en historische gebeurtenissen op het doek. Ze vormen interessante voorbeelden van vroege negentiende-eeuwse kunst- en tentoonstellingscultuur in Nederland. Napoleon Bonaparte. unknown
1956162874Waterloo IA: Downtown Waterloo Inc 1956. Vintage seven-page promotional investment prospectus from Downtown Waterloo Inc. a local non-profit consortium of local Iowa business owners seeking investors for a campaign to modernize the city's downtown business district during the automobile boom of the 1950s circa 1956.<br /> <br /> The seven pages of the prospectus includes: <br /> <br /> An introduction promoting "Centrally located and easily accessible" "Down Town Parking."<br /> <br /> A Downtown Waterloo Inc. common stock offering $100 a share listing all of the non-profit's officers and directors.<br /> <br /> A page listing downtown businesses above a page of a map of the area with the locations of the aforementioned businesses labeled numerically.<br /> <br /> Three two-page spreads illustrating the "Before ." and "After ." of proposed remodeling to include overhead parking with photographs of the area on the top pages and illustrated architectural proposals on the following pages. The areas illustrated include two opposing views of the intersection of West Fourth Street and Jefferson Street and one of the intersection of Commercial Street and West Fifth Street.<br /> <br /> A reprint of "Let's Keep Business in Downtown Waterloo" a two page ad from the Sunday January 29 1956 Waterloo Sunday Courier proposing overhead parking public restrooms public lockers and a bridge connecting the east and west sides of Commercial Street between West Fourth Street and West Park Ave with a large diagram of the proposed parking in the area.<br /> <br /> And a page illustrating and describing a double-spiral "Parkit" overhead parking design by Moline Architect M. R. Beckstrom.<br /> <br /> 9.5 x 14 inches side-stapled with card wrappers. Very Good plus with faint toning to the wrappers. Downtown Waterloo, Inc unknown
187023094Edinburgh and London: William Blackwood and Sons 1870. 2 volumes. RARE FIRST EDITION IN PRESENTATION BINDING. A UNIQUE COPY. A family presentation copy inscribed to George E. Mercer from I. Tod-Mercer and dated 1896. 8vo in a beautiful Zaehnsdorf signed binding dated 1896 thus no doubt custom made for the presentation to George E. Mercer. The binding is of full crushed scarlet morocco richly adorned in fine late-Victorian style. The boards feature a wide frame of gilt vines flowers and thistles which is further ruled in gilt then further surrounded by minutely detailed gilt rolling the upper boards also lettered “Mercer’s Waterloo†in fine gilt stamping the smooth rounded spines with gilt lettering with a gilt oval surrounded by more gilt vines and flowers which then grow both up and below to fully frame the spine panel board edges gilt ruled wide turn-ins gilt tooled in the same motif as the covers silk endpapers with powder blue moire pattern and further gilt tooling complete this beautiful presentation a.e.g. xii 369; viii 347 pp. An extraordinary set the condition remains outstanding. The text-block is essentially pristine the fine bindings show only the most minimal evidence of age. Truly and outstanding and unique copy. A SCARCE AND IMPORTANT FIRST EDITION SCARCE IN ANY STATE AND THIS AN EXTRAORDINARY COPY. Mercer's ‘Journal’ is an important source for historians of the Waterloo campaign as well as a detailed description of the landscape and people of Belgium and France in the early 19th century. It is one of the few accounts of the period written by an artillery officer. Mercer’s journals were kept throughout the campaign of 1815 but were not published until 1870 after his death. The work was compiled and written in its finished form some 30 years earlier from the original notes Mercer wrote contemporaneously with additions and verifications from correspondence and other sources. It covers the period from April 1815 to January 1816. Although he eventually rose to the rank of general his fame is as commander of the British G Troop Royal Horse Artillery in the thick of the fighting at the Battle of Waterloo. It is also notable for its lengthy descriptions of the countryside and its people.<br> In spite of his position with the British Army the work is usually found in 20th Century editions in French. Its historical value in the English-speaking nations was largely overlooked till its rediscovery with a Praeger edition in 1970. William Blackwood and Sons hardcover
18163220567<p><em>8vo pp. 12 2; key consisting of a wood-engraved circular anamorphic-style image on folding plate measuring 40 × 31 cm; apart from a few light marks a clean fresh copy throughout; in recent marbled wraps.</em></p><p>At the foot of the key Barker 'respectfully informs the Public that in order to give a correct Representation of the Battle of Waterloo he went to Paris and from the Officers at Headquarters procured every possible Information on the Subject. A set of Eight Etchings from his original Sketches of the Field of Battle is published executed by Mr. J. Burnet; and may be had at the Panorama; price One guinea'.</p><p>At the end of the main text are proposals by Messrs Boydell & Co. for a 'national print' of the Battle of Waterloo by John Burnet after Atkinson and Devis.</p> [London, J. Adlard],
Mm 170x240 Forum Marengo 2000 - (Cittadella di Alessandria, 12-17 giugno2000). Volume nella sua brossura originale, 356 pagine di testo con alcune figure in nero. Interventi in ligua italiana, francese ed inglese. Copia in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine.
Un volume di 422 pagine, brossura editoriale. Dimensioni: 17,5x24,5 cm. Minime tracce d'uso alla brossura, per il resto ottime condizioni. Illustrazioni in b/n nel testo, alcune carte in fascicolo slegato fuori testo. Contiene: Vincenzo Gallinari, Le riforme militari di Cesare Ricotti; Salvatore Loi, Gli ideali del Risorgimento italiano nella indipendenza latino-americana; Massimo Mazzetti, L'armistizio con l'ITalia in base alle relazioni ufficiali anglo-americane; Mario Montanari, Sul campo di battaglia di Waterloo; Oreste Bovio, Il Principe Eugenio; Gabrio Lombardi, Il Generale Umberto Utili nella Guerra di Liberazione; Dal fondo "Umberto Salvatores": Un ciclo operativo coloniale; ANtonello F.M. Biagini, La questione d'Oriente del 1875-1878 nei documenti dell'Ufficio Storico dello Stato Maggiore dell'Esercito; Oreste Bovio, Note di araldica e di vessillologia militari; Patrizio Flavio Guinzio - Roberto Pertici, La biblioteca di Artiglieria e Genio.
K80193Two figures stand by a small bridge.Drawing after Waterloo's etching <em>A man and a woman near a small bridge</em> H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
2026x-1032819480Taylor & Francis Ltd 2026. Paperback. New. 194 pages. 6.14x0.44x9.21 inches. Taylor & Francis Ltd paperback
18982202210070xbvkParis, Armand Magnier - Éditeur, 1898. I. Foretitlepage with justification on the verso, 1 sheet with xylographic frontispice-portrait, dedication-page to 'Laurette La Veillée de Vincennes Livre d'amateur' opposite on the next sheet, engraved frontispice-sheet signé ''chez Prouté'', illustrated (engraving) titlesheet printed in red and black; 170 pages, 3 specimen-sheets advertising the 2nd volume / II. Foretitlepage with justification on the verso, 1 sheet with xylographic frontispice-illustration, dedication-page to 'la Canne de Jonc Livre d'amateur' opposite on the next sheet, engraved frontispice-portrait 'A. de Vigny' signé 'Ed. Hédoin', illustrated (engraving) titlesheet printed in red and black; 144 (1) pages, 2 specimen-sheets. - Both volumes printed on strong 'Papier Vélin de cuve', with many engraved illustrations in the text and 12 intercalated engraved plates on varying large-papers. --- Publisher's illustrated softcovers, bound in strong red 3/4-morocco bindings with large leather-corners, colour-marbled endpapers and 2 blank flyleaves each at front and end of both volumes; large-8vo.(ca. 26 x 18 x 4 cm; ca. 2 kg.).
8vo., First Edition thus, with endpaper maps; cloth, gilt back, a near fine copy in price-clipped dustwrapper. This anonymous journal was compiled as early as 1818 whilst the events were still relatively fresh in the writer's mind. It was first published in Edinburgh in 1819.
Sm. oblong booklet containing 10 monochrome postcards perforated at inner margin (all with original tissue guards), captioned in French; original wrappers printed in red, yapped edges, covers very lightly age-soiled else a near fine copy. The photographs include Panorama of the battlefield, Mont-St-Jean, Ferme du Caillou, Ferme de Hougoumont, la Belle Alliance, Hanoverian Memorial, Gordon Monument, Ferme de la Haie-Sant, the Lion and the French Memorial. Nice example.
Sm. oblong booklet containing two pages of introductory English text, and 12 monochrome postcards perforated at inner margin (all with original tissue guards), captioned in English; original wrappers printed in blue, yapped edges, covers very lightly dust-soiled else a very good, clean copy. The front wrapper carries the well-known circular ink stamp of 'Panorama de la Bataille de Waterloo', enclosing the lion memorial. The photographs show details from the Dumoulin panorama erected in 1912 at the foot of Lion's Hill. Nice example.
Sm. 8vo., First [and Sole?] Edition, with a coloured frontispiece, numerous engraved head- and tail-pieces (several neatly coloured by hand), neat contemporary signature on front free endpaper, ornate presentation inscription in red and black on front free endpaper verso; original decorative cloth blocked in black, coloured illustration mounted in arches frame on upper board, gilt back, green endpapers, a remarkably bright, well-preserved copy. Extremely scarce, and a rare survival in this condition.
Roy. 8vo., First Edition, text in French, with 24 fine photographic plates; original coloured pictorial wrappers, a near fine copy. The catalogues lists 158 notable items, with bibliography, and indexes by subject and artist.