Anthonie WaterlooBiblio.com
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55392Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55393Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55394Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55443Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55444Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55445Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
55446Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67550Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67552Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67551Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67549Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
157006Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1660. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
157007Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1660. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
157008Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1660. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
157005Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1660. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2026x-1032819480Taylor & Francis Ltd 2026. Paperback. New. 194 pages. 6.14x0.44x9.21 inches. Taylor & Francis Ltd paperback
K80193Two figures stand by a small bridge.Drawing after Waterloo's etching <em>A man and a woman near a small bridge</em> H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
18163220567<p><em>8vo pp. 12 2; key consisting of a wood-engraved circular anamorphic-style image on folding plate measuring 40 × 31 cm; apart from a few light marks a clean fresh copy throughout; in recent marbled wraps.</em></p><p>At the foot of the key Barker 'respectfully informs the Public that in order to give a correct Representation of the Battle of Waterloo he went to Paris and from the Officers at Headquarters procured every possible Information on the Subject. A set of Eight Etchings from his original Sketches of the Field of Battle is published executed by Mr. J. Burnet; and may be had at the Panorama; price One guinea'.</p><p>At the end of the main text are proposals by Messrs Boydell & Co. for a 'national print' of the Battle of Waterloo by John Burnet after Atkinson and Devis.</p> [London, J. Adlard],
187023094Edinburgh and London: William Blackwood and Sons 1870. 2 volumes. RARE FIRST EDITION IN PRESENTATION BINDING. A UNIQUE COPY. A family presentation copy inscribed to George E. Mercer from I. Tod-Mercer and dated 1896. 8vo in a beautiful Zaehnsdorf signed binding dated 1896 thus no doubt custom made for the presentation to George E. Mercer. The binding is of full crushed scarlet morocco richly adorned in fine late-Victorian style. The boards feature a wide frame of gilt vines flowers and thistles which is further ruled in gilt then further surrounded by minutely detailed gilt rolling the upper boards also lettered “Mercer’s Waterloo†in fine gilt stamping the smooth rounded spines with gilt lettering with a gilt oval surrounded by more gilt vines and flowers which then grow both up and below to fully frame the spine panel board edges gilt ruled wide turn-ins gilt tooled in the same motif as the covers silk endpapers with powder blue moire pattern and further gilt tooling complete this beautiful presentation a.e.g. xii 369; viii 347 pp. An extraordinary set the condition remains outstanding. The text-block is essentially pristine the fine bindings show only the most minimal evidence of age. Truly and outstanding and unique copy. A SCARCE AND IMPORTANT FIRST EDITION SCARCE IN ANY STATE AND THIS AN EXTRAORDINARY COPY. Mercer's ‘Journal’ is an important source for historians of the Waterloo campaign as well as a detailed description of the landscape and people of Belgium and France in the early 19th century. It is one of the few accounts of the period written by an artillery officer. Mercer’s journals were kept throughout the campaign of 1815 but were not published until 1870 after his death. The work was compiled and written in its finished form some 30 years earlier from the original notes Mercer wrote contemporaneously with additions and verifications from correspondence and other sources. It covers the period from April 1815 to January 1816. Although he eventually rose to the rank of general his fame is as commander of the British G Troop Royal Horse Artillery in the thick of the fighting at the Battle of Waterloo. It is also notable for its lengthy descriptions of the countryside and its people.<br> In spite of his position with the British Army the work is usually found in 20th Century editions in French. Its historical value in the English-speaking nations was largely overlooked till its rediscovery with a Praeger edition in 1970. William Blackwood and Sons hardcover
1956162874Waterloo IA: Downtown Waterloo Inc 1956. Vintage seven-page promotional investment prospectus from Downtown Waterloo Inc. a local non-profit consortium of local Iowa business owners seeking investors for a campaign to modernize the city's downtown business district during the automobile boom of the 1950s circa 1956.<br /> <br /> The seven pages of the prospectus includes: <br /> <br /> An introduction promoting "Centrally located and easily accessible" "Down Town Parking."<br /> <br /> A Downtown Waterloo Inc. common stock offering $100 a share listing all of the non-profit's officers and directors.<br /> <br /> A page listing downtown businesses above a page of a map of the area with the locations of the aforementioned businesses labeled numerically.<br /> <br /> Three two-page spreads illustrating the "Before ." and "After ." of proposed remodeling to include overhead parking with photographs of the area on the top pages and illustrated architectural proposals on the following pages. The areas illustrated include two opposing views of the intersection of West Fourth Street and Jefferson Street and one of the intersection of Commercial Street and West Fifth Street.<br /> <br /> A reprint of "Let's Keep Business in Downtown Waterloo" a two page ad from the Sunday January 29 1956 Waterloo Sunday Courier proposing overhead parking public restrooms public lockers and a bridge connecting the east and west sides of Commercial Street between West Fourth Street and West Park Ave with a large diagram of the proposed parking in the area.<br /> <br /> And a page illustrating and describing a double-spiral "Parkit" overhead parking design by Moline Architect M. R. Beckstrom.<br /> <br /> 9.5 x 14 inches side-stapled with card wrappers. Very Good plus with faint toning to the wrappers. Downtown Waterloo, Inc unknown
1688Rare explanatory guide to Jan Willem Pienemans celebrated painting of the Battle of Waterloo published shortly after the Napoleonic Wars for visitors viewing the monumental canvas. The work is an important document of early nineteenth-century historical memory and Dutch national identity surrounding the victory over Napoleon and the role of the Prince of Orange at Waterloo.Original blue paper binding with smudges octavo edition 18 x 11 cm. NL Zeldzame beschrijvende uitgave bij het beroemde panoramische schilderij van de Slag bij Waterloo door Jan Willem Pieneman uitgegeven te Amsterdam omstreeks 1825 door C.A. Spin. Het werk diende als gids of toelichting voor bezoekers van het monumentale historiestuk dat kort na de Napoleontische oorlogen grote publieke belangstelling trok. Het schilderij was langere tijd een van de belangrijkste werken van het Museum van Levende Nederlandsche Meesters in Haarlem. In 1885 werd het overgebracht naar het indertijd nieuw opgerichte Rijksmuseum in Amsterdam. Daar is het met zijn afmetingen van ruim vijf bij acht meter het grootste schilderij van de collectie. Het schilderij hangt permanent opgesteld in de Waterloozaal op de eerste verdieping.Jan Willem Pieneman 17791853 behoort tot de belangrijkste Nederlandse historieschilders van de negentiende eeuw. Zijn enorme doek De Slag bij Waterloo voltooid in de jaren 1820 verbeeldt het beslissende moment waarop de Prins van Oranje gewond raakt tijdens de slag van 18 juni 1815. Het schilderij groeide uit tot een nationaal icoon van de Nederlandse bijdrage aan de nederlaag van Napoleon.Dergelijke beschrijvingen werden verkocht aan bezoekers van tentoonstellingen en bevatten doorgaans een uitleg van de afgebeelde figuren militaire posities en historische gebeurtenissen op het doek. Ze vormen interessante voorbeelden van vroege negentiende-eeuwse kunst- en tentoonstellingscultuur in Nederland. Napoleon Bonaparte. unknown
189058342Waterloo Falls OR: n.p. June 8 1890. Oblong 8vo. 1 boudoir sized albumen photo sized 8 x 4.5 in. mounted on studio board 8.5 x 5 in. w/ pencil annotations indicating location date and very faintly a few of the participants although without last names indicated minor toning shelfwear still VG bright image. At the time this photo was shot there was a concerted push by business leaders and local citizenry pushing for an electric excursion train to the Waterloo Falls 1889-1890 along the South Santiam River as seen by articles published periodically in the Lebanon Express newspaper. The image is a striking shot with the band members and family members strewn about seated on the rocks next to the river during late Spring runoff and the Falls. Contemporary images of Waterloo Falls and the South Santiam River area are fairly uncommon and the caption refers to Andrew John S.B. Walter and George standing near “me.†n.p., unknown
