Anthonie WaterlooBiblio.com
822 résultats
67575Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
16501684Amsterdam 1650. Etching on cream laid paper 5 1/8 x 5 3/4 inches 130 x 147 mm trimmed at the platemark thread margins. Adhered at the left top and bottom corners to a laid paper matrix. A 1/4-inch vertical edge tear at the lower-center sheet unobtrusive. Printed 17th century. <br /> <br /> Bartsch 19. Early states of this plate were drafted by Jan Ruijscher a pupil of Rembrandt. Waterloo later acquired the plate heavily reworked it with his characteristic dense foliage and darker shadows and published it as his own. unknown
18061547621806-45. They "succeeded to the utmost & overthrew every thing" - Uxbridge and the "heavies" at Waterloo In two vivid deeply detailed letters Lord Uxbridge - later Marquess of Anglesey and commander of allied cavalry at Waterloo - recounts the withdrawal from Quatre Bras and the battle of Waterloo. Written within six months of the engagement they are almost certainly among his earliest surviving narratives. Autograph correspondence from any senior Allied commander is exceptionally rare. Uxbridge 1768-1854 had been Wellington's brilliant and inspirational cavalry commander in the Peninsula. At Waterloo he reached his zenith at a critical juncture when Picton's infantry was under overwhelming pressure. He personally led the British heavy cavalry in a sweeping charge that routed vastly superior French numbers destroyed batteries and took prisoners and eagles though at severe cost in men and horses. Throughout the day he moved ceaselessly between units - losing eight or nine horses - until his right knee was shattered by grapeshot in the battle's final moments. His supposed exchange with Wellington - "By God sir I've lost my leg!" / "By God sir so you have!" - became the most famous anecdote of the field. John Morewood quoted both letters in Waterloo General 2016 and Edward Owen cited them in The Waterloo Papers 1997. Owen identifies the recipient as Colonel James Allan of the 57th Foot formerly Fitzroy Somerset's successor as Wellington's military secretary a veteran of the Cape 1795 Seringapatam 1799 and the Peninsular War. Written from Beaudesert Staffordshire in December 1815 and addressed to "My dear Sir" and earlier "My dear Colonel" the first letter 10 pages 9 December describes Uxbridge's management of the Allied withdrawal from Quatre Bras. After a quiet morning a substantial force of French cavalry and artillery appeared on the left of Quatre Bras advancing from the pursuit of the defeated Prussians. As the Anglo-allied light battalions withdrew Uxbridge organized the cavalry retreat over the Genappe. He gives a sharply observed account of the fighting there where French harassment became so severe that he ordered a spirited attack by the Hussars followed by a decisive charge of the Life Guards which checked the French advance. The second letter 9 pages 18 December covers the day of Waterloo. Uxbridge begins by admitting that to answer Allan fully "wd be writing a history of my own exploits" before setting out the celebrated charge of the heavy cavalry: their simultaneous assault under Sir William Ponsonby and Lord Edward Somerset the overthrow of infantry and cavalry the seizure of two eagles and some 2500 prisoners and the deep penetration into French squares. He notes their over-extension and heavy losses from French artillery then comments on the actions of Dörnberg Colquhoun Grant Arentsschildt Vandeleur who took over after Uxbridge fell and Hussey Vivian. He ends by directing Allan to his aide-de-camp Captain Thomas Wildman of the 7th Hussars at Stevens's Hotel Bond Street for further detail. The collection includes a note of 17 January 1816 from FitzRoy Somerset - Wellington's military secretary at Waterloo and later Lord Raglan - giving allied numbers engaged and remarking "I hope it will be as useful to you as you are welcome to it". Written shortly after Somerset himself lost an arm at Waterloo it is reproduced in Owen's Waterloo Papers. Three letters from Wellington to his former India colleague Sir Alexander Allan first baronet date from 1806 1814 and 1820 and address James Paull's actions against Richard Wellesley Allan's candidacy for an East India Company directorship which Wellington strongly endorsed and Wellington's request for Allan's influence at India House during the 1820 general election. Two revealing letters from Catherine Duchess of Wellington express her lifelong devotion to her husband ask to keep a portrait lent by Allan and describe her efforts to canvass support for Allan's directorship bid. A brief account of Allan notes his service in the Mysore Wars his published aquatints his parliamentary career and his later role as an East India Company director trusted by Richard Wellesley. The remaining correspondence includes Allan's three political letters of July 1813 advocating Lord Wellesley's alignment with Sidmouth Buckinghamshire and John Sullivan; an 1809 letter from the Marquis de Montalembert describing winter campaigning in the Peninsula; an 1816 note from Sir William Knighton apparently on Allan's mother's death; a friendly letter from "von Kuefstein" in Vienna referring to dispatches to Genoa and to Captain Cotton; a Stuttgart letter of February 1820 on affairs in Württemberg; and two mid-19th-century letters involving John Palfrey Burrell and William Boone seeking access to Waterloo documentation likely addressed to Major Edward Thomas Fitzgerald a wounded Waterloo veteran. Folio 300 x 245 mm contains an archive of 17 letters 55 pp. various sizes letters gummed direct to the leaf or with paper tape. Black half morocco-grain skiver album green pebble-grain cloth boards linen hinged mounting leaves;. Bookplate of Otto Orren Fisher 1881-1961 who after studying medicine at Johns Hopkins became an industrial surgeon for the Hudson Motor Company in Detroit establishing one of the first modern industrial first aid units there. Expected folds and minor toning to most letters generally very good the volume presenting handsomely. The Marquess of Anglesey One-Leg: The Life and Letters of Henry William Paget First Marquess of Anglesey 1768-1854 1991; David Howarth Waterloo: A Near Run Thing 1974. hardcover
1711585Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711586Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711584Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711587Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
0483234540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781164574606New. unknown
1164574604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1436775728.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331756501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
K80193Two figures stand by a small bridge.Drawing after Waterloo's etching <em>A man and a woman near a small bridge</em> H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
K80030On either side of a forest path are large trees behind a wooden fence. From a set of 'Large Landscapes'.Signed on the bottom right: Antoni Waterlo fe. Numbered on the bottom left corner: 2NL Grote landschappen serie A. De getrimde bossen. Aan weerszijden van een bospad staan grote bomen achter een houten afrastering. Gemaakt door Anthonie Waterloo. Etching on laid paper with small margin; total: 236 x 297 mm; state VI/6; some reparations on verso on the top corners especially traces of handling otherwise in good condition. Mounted on cardboard passepartout. Hollstein 108. unknown
K80019The duck hunt; wooded landscape with a hunter taking aim as he kneels in left foreground his hound by his side a pond at right; from a series of six landscapes.NL De eendenjacht in een bos. Links knielt een jager met een geweer naast zijn hond. Rechts is een waterpartij met riet. Etching on laid paper cut close to plate mark; total: 142 x 177 mm; state II/2; some soiling and traces of handling otherwise in good condition. Mounted on paper mat in cardboard passepartout. Hollstein 84. unknown
K80023At the edge of a forest two figures rest along a path. In front of them a dog drinks from the stream. From a set of 'Standing Landscapes'.Signed on the top left corner: A.W. in. et f.NL Aan de rand van een bos rusten twee figuren langs een pad. Voor hen drinkt een hond uit de beek. Gemaat door Anthonie Waterloo. Etching on laid paper within plate mark; total: 288 x 235 mm; state II/2; some soiling and traces of handling otherwise in good condition. Mounted on cardboard passepartout. Hollstein 120. unknown
K80032A river flows on the right. On the left a steep country road leads between some trees. A hiker and a peddler are shown in the distance.Unsigned plate.NL Grote landschappen serie A. Rechts stroomt een rivier. Links voert een steile landweg tussen enkele bomen door. In de verte zijn een wandelaar en een marskramer weergegeven. Gemaakt door Anthonie Waterloo. Etching on laid paper trimmed on or within plate mark; total: 155 x 206 mm; state II/2; nicely contrasted state. Mounted on cardboard passepartout. Hollstein 99. unknown
K80104The wooded island; at left; in right foreground a dead tree; a church in right background; from a series of six landscapes.Signed at bottom left: Antoni Waterlo in. et fe.NL Bebost eiland. Links is een bebost eiland te zien en rechts in de verte is een kerk weergegeven. Antieke prent gemaakt door Anthonie Waterloo. Etching on paper trimmed within plate mark; total: 128 x 138 mm state IV/4; very thin paper but in great condition; mounted on fine cardboard passepartout. Hollstein 57. unknown
64964River landscape with fishermen vissers engaged in different activities. On the right sailing boats towards the distance. The letter on top left has been removed scratched from the plate.The top corner has been repaired afterward.set: twelve lettered plates.NL Het wachthuis op een muur. Etching on laid paper trimmed within plate; total: 91 x 138 mm; state I/2; in some parts the paper is thinner; Hollstein 31. unknown
64973A man and a woman crossing a water stream on the right; on the left woods.Numbered and signed on bottom left: '3 / Antoni Waterlo. f.'.On verso collector's mark of J. Shook not in Lugt.set: Six Landscapes.NL Man en vrouw steken het water over. Etching on paper with some margins; plate mark: 222 x 290 mm total: 239 x 308 mm; state IV/4; some staining along the margins not affecting the plate. Hollstein 109. unknown
64966River landscape with high rocks on the right a tree on the left.Signed on top right: 'Antoni Waterlo in. et ex.'.set: six numbered landscapes.NL Rivier met rotsige kant. Etching on laid paper; total: 128 x 146 mm; state IV/4; re-margined on the left; top right corner rather thin possibly restored; slightly cooked paper; Hollstein 50. unknown
64969View on a wood landscape with a stream of water on the left. On the right among trees two figures walking towards the background.Signed on top left: 'Antoni Waterlo fe.' and lettered on the top right corner: 'd'.set: Landscapes.NL Het bospad. Etching on laid paper trimmed to plate total: 123 x 142 mm; state I/2; in outstanding condition despite a small stain on top margin; scribbling in pen and ink and pencil on verso and traces of previous mountings; Hollstein 62; Bartsch 62 Dutuit 62 Wess. 62. unknown
64967River landscape with house on the right. This plate has been heavily reworked throughout the various states. This impression is from the third state.Signed on bottom left: 'AW. F.' AW monogrammed.set: six landscapes.NL Huis met struikgewas aan de oever van een rivier. Etching on laid paper trimmed within plate; total: 126 x 139 mm; state III/4; top left corner slightly damaged; traces of previous mountings on verso; Hollstein 54. unknown
64959Bartsch described this plate as: 'Les planches de bois attachées aux quatre arbres';signed on top right: 'Antoni Waterlo fe. et ex.' lettered on top left corner: 'A'.On verso various collectors' marks like J. M. F. Geissler 1779-1853 L.1072 and three further K.S. J. Schook and M. not in Lugt.Also on verso: 'B.artsch N: 21. Premiére épreuve magnifique'.set: twelve lettered plates.NL Een hek naast een brug. Etching on paper trimmed close to plate; total: 103 x 149 mm; state I/5; small pin hole slightly visible large watermark not identifiable. Some light foxing and traces of previous mounting on verso. Beautiful and extremely rare impression; Hollstein 21. unknown
64962River landscape with two cows being transported aboard a boat. A herdsman rowing. On the background on the other bankside is a fortified construction.Lettered on top left corner: 'f'.set: twelve lettered plates.NL Twee koeien op een pont. Etching on laid paper trimmed to plate total: 98 x 146 mm; state II/2; nice impression yellowing paper upper margin reinforced; partially visible watermark with grapes; Hollstein 26. unknown
