Anthonie Waterloo (1609-1690)Biblio.com
822 résultats
64979Pan son of Hermes and Penelope chasing nymph Syrinx in the woods running through a stream of water.Inscribed on top left: '4 A.W. in et f.' and on bottom right: 'A.W.f.'. On verso collector's marks: Kunsthalle Hamburg L.686 and other two not in Lugt: J. Schook and M.The story is that Syrinx wanted to stay a virgin and prayed to the gods that she would escape from Pan. Her prayers were answered just in time she was transformed into cane. The cane that Pan made his flute Panfluit of.set: Landscape with Ovid's Metamorphoses.NL Pan en Syrinx. Etching on paper with broad margins; plate mark: 297 x 243 mm total: 360 x 292 mm; state II/3; some light foxing. Traces of previous mountings on the verso. Hollstein 128. unknown
64968Three boys and their dogs on bottom right. A path in the woods on the left.Signed on bottom right: 'AW.' Lettered above on the right: 'c'.set: six lettered landscapes.NL Drie jongens met hun honden. Etching on laid paper with some margins; total: 131 x 144 mm; state II/2; some dirt on left and top margins; traces of previous mounting on verso; Hollstein 61. unknown
64970Large tree in the middle with a milkmaid walking down the path towards the foreground.Numbered on top right corner: '6'.set: Six Landscapes.NL Het melkmeisje. Etching on laid paper with some margins; plate mark: 131 x 145 mm total: 144 x 157 mm; state III/3; in outstanding condition despite a small stain on top margin; top margin reinforced on the back; Hollstein 70. unknown
64977A wooded landscape with a path in the middle. Two wanderers in the center of the plate.Signed at bottom right: 'Antoni Waterloo fe.'.Numbered on bottom left: '6'.On verso collector's mark of J. Shook not in Lugt.set: Six numbered plates.NLTwee mannen in een bos. Etching on paper with some margins; plate mark: 227 x 293 mm total: 244 x 309 mm; state II/2; very bright impression. Hollstein 112. unknown
K80121Plate 3: A flock of sheep crossing a river; accompanied by a shepherd at left; at centre and right a country road lined by trees; and fields in left background; from a series of six plates representing landscapes.Numbered at top right: 3.Signed atop: AW ex. / I.E. fe.Only very few impressions by Esselens are known.<span style=""font-size: 14.4px"">NL Rechts een bospad door een glooiend landschap. Links in de verte waadt een herder met zijn kudde schapen door een rivier.</span><span style=""font-size: 14.4px""> Toegeschreven aan Jacob Esselens.</span> Etching on paper with some margin; total: 132 x 154 mm; state II/2 or 3; Despite some wear of the plate on the bottom left corner in very good condition. Mounted on paper passepartout. Hollstein 35 Waterloo Hollstein 2 Esselens Le Blanc Esselens 1. unknown
K80238View of Rhenen on the Rhine with neat fields receding to the horizon the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on hand laid paper with wide margins; total: 194 x 280 mm; state III/3; some staining on the margins otherwise in very good condition; nicely preserved paper. Hollstein 90. unknown
K80390View of Rhenen on the Rhine with neat fields receding to the horizon the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on hand laid paper with narrow margins; nice contrast. total: 121 x 208 mm; state III/3; In very good condition; some light smudges in the top. Hollstein 90. In a paper passepartout total 320 x 350 mm. unknown
K80389Village on a river with a fisherman in the front and three people on the dyke. In the back the river and the fields with mills and church towers.e right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Antieke prent door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Gezicht op een landschap met bebouwing in vogelperspectief. Vooraan ligt een dorp met een kleine kerk aan een rivier. Op de voorgrond zijn enkele figuren weergegeven. Zelfde prent aanwezig in Rijksmuseum onder nummer RP-P-OB-61.421. Plaat bewerkt door Anthonie Waterloo 1609-1690 met adres linksboven <em>AW ex</em>. .Hollstein L.196.91 IIJan Ruyscher Ruischer Ruijscher Anthonie Waterloo Etching and dry needle on laid paper pasted on some some thicker paper weakness in the paper on the top middle not visible narrow margins; total: 123 x 213 mm; state 91/II; In good condition; Hollstein 91. unknown
K80391Antique etching known as Hamlet in a valley. View from the Cunera tower at Rhenen the Rhine fields in the front and a wooden gate. Eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching.NL De Cuneratoren werd in de periode 1492 1531 gebouwd. De pelgrims kwamen op de relieken van de Heilige <em>Cunera</em> af die vanaf de achtste eeuw werden vereerd. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on aid paper with no margins; total: 122 x 212 mm; state III/3; In good condition; some light smudges in the top some defects in the right and left top. Hollstein Waterloo 93. In a paper passepartout total 320 x 350 mm. unknown
K80193Two figures stand by a small bridge.Drawing after Waterloo's etching <em>A man and a woman near a small bridge</em> H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
0331756501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483234540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781164574606New. unknown
1164574604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1436775728.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1711585Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711586Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711584Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1711587Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18061547621806-45. They "succeeded to the utmost & overthrew every thing" - Uxbridge and the "heavies" at Waterloo In two vivid deeply detailed letters Lord Uxbridge - later Marquess of Anglesey and commander of allied cavalry at Waterloo - recounts the withdrawal from Quatre Bras and the battle of Waterloo. Written within six months of the engagement they are almost certainly among his earliest surviving narratives. Autograph correspondence from any senior Allied commander is exceptionally rare. Uxbridge 1768-1854 had been Wellington's brilliant and inspirational cavalry commander in the Peninsula. At Waterloo he reached his zenith at a critical juncture when Picton's infantry was under overwhelming pressure. He personally led the British heavy cavalry in a sweeping charge that routed vastly superior French numbers destroyed batteries and took prisoners and eagles though at severe cost in men and horses. Throughout the day he moved ceaselessly between units - losing eight or nine horses - until his right knee was shattered by grapeshot in the battle's final moments. His supposed exchange with Wellington - "By God sir I've lost my leg!" / "By God sir so you have!" - became the most famous anecdote of the field. John Morewood quoted both letters in Waterloo General 2016 and Edward Owen cited them in The Waterloo Papers 1997. Owen identifies the recipient as Colonel James Allan of the 57th Foot formerly Fitzroy Somerset's successor as Wellington's military secretary a veteran of the Cape 1795 Seringapatam 1799 and the Peninsular War. Written from Beaudesert Staffordshire in December 1815 and addressed to "My dear Sir" and earlier "My dear Colonel" the first letter 10 pages 9 December describes Uxbridge's management of the Allied withdrawal from Quatre Bras. After a quiet morning a substantial force of French cavalry and artillery appeared on the left of Quatre Bras advancing from the pursuit of the defeated Prussians. As the Anglo-allied light battalions withdrew Uxbridge organized the cavalry retreat over the Genappe. He gives a sharply observed account of the fighting there where French harassment became so severe that he ordered a spirited attack by the Hussars followed by a decisive charge of the Life Guards which checked the French advance. The second letter 9 pages 18 December covers the day of Waterloo. Uxbridge begins by admitting that to answer Allan fully "wd be writing a history of my own exploits" before setting out the celebrated charge of the heavy cavalry: their simultaneous assault under Sir William Ponsonby and Lord Edward Somerset the overthrow of infantry and cavalry the seizure of two eagles and some 2500 prisoners and the deep penetration into French squares. He notes their over-extension and heavy losses from French artillery then comments on the actions of Dörnberg Colquhoun Grant Arentsschildt Vandeleur who took over after Uxbridge fell and Hussey Vivian. He ends by directing Allan to his aide-de-camp Captain Thomas Wildman of the 7th Hussars at Stevens's Hotel Bond Street for further detail. The collection includes a note of 17 January 1816 from FitzRoy Somerset - Wellington's military secretary at Waterloo and later Lord Raglan - giving allied numbers engaged and remarking "I hope it will be as useful to you as you are welcome to it". Written shortly after Somerset himself lost an arm at Waterloo it is reproduced in Owen's Waterloo Papers. Three letters from Wellington to his former India colleague Sir Alexander Allan first baronet date from 1806 1814 and 1820 and address James Paull's actions against Richard Wellesley Allan's candidacy for an East India Company directorship which Wellington strongly endorsed and Wellington's request for Allan's influence at India House during the 1820 general election. Two revealing letters from Catherine Duchess of Wellington express her lifelong devotion to her husband ask to keep a portrait lent by Allan and describe her efforts to canvass support for Allan's directorship bid. A brief account of Allan notes his service in the Mysore Wars his published aquatints his parliamentary career and his later role as an East India Company director trusted by Richard Wellesley. The remaining correspondence includes Allan's three political letters of July 1813 advocating Lord Wellesley's alignment with Sidmouth Buckinghamshire and John Sullivan; an 1809 letter from the Marquis de Montalembert describing winter campaigning in the Peninsula; an 1816 note from Sir William Knighton apparently on Allan's mother's death; a friendly letter from "von Kuefstein" in Vienna referring to dispatches to Genoa and to Captain Cotton; a Stuttgart letter of February 1820 on affairs in Württemberg; and two mid-19th-century letters involving John Palfrey Burrell and William Boone seeking access to Waterloo documentation likely addressed to Major Edward Thomas Fitzgerald a wounded Waterloo veteran. Folio 300 x 245 mm contains an archive of 17 letters 55 pp. various sizes letters gummed direct to the leaf or with paper tape. Black half morocco-grain skiver album green pebble-grain cloth boards linen hinged mounting leaves;. Bookplate of Otto Orren Fisher 1881-1961 who after studying medicine at Johns Hopkins became an industrial surgeon for the Hudson Motor Company in Detroit establishing one of the first modern industrial first aid units there. Expected folds and minor toning to most letters generally very good the volume presenting handsomely. The Marquess of Anglesey One-Leg: The Life and Letters of Henry William Paget First Marquess of Anglesey 1768-1854 1991; David Howarth Waterloo: A Near Run Thing 1974. hardcover
16501684Amsterdam 1650. Etching on cream laid paper 5 1/8 x 5 3/4 inches 130 x 147 mm trimmed at the platemark thread margins. Adhered at the left top and bottom corners to a laid paper matrix. A 1/4-inch vertical edge tear at the lower-center sheet unobtrusive. Printed 17th century. <br /> <br /> Bartsch 19. Early states of this plate were drafted by Jan Ruijscher a pupil of Rembrandt. Waterloo later acquired the plate heavily reworked it with his characteristic dense foliage and darker shadows and published it as his own. unknown
67577Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67578Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67576Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
67575Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
