479 résultats
177956131Providence: Southwick and Wheeler 1779. Folio broadsheet approx. 16" x 10" text in triple column beneath the running head; lower outside corners eroded with loss to the beginnings and/or ends of about ten lines about 20-25 words mostly on the recto; all else very good. With the ink signature of Theodore Foster 1752-1828 U.S. Senator from Rhode Island 1790-1803. Solomon Southwick had published the Mercury a newspaper in Newport until that town was occupied by the British in 1778. Southwick then buried his printing press and types and eventually sought safety in Providence. Once in Providence Southwick decided to continue to print however the only way he could supply himself with materials was through John Carter the owner of the Providence Gazette. Apparently there was a dispute between Carter and Southwick as to who would get to purchase the printing press and types left by the recently deceased John Waterman. This was the only printing press and type available because the British had seized all the printing materials that had been previously ordered. Apparently Carter purchased the press and sold it to Southwick on the condition that the press "should not be set up in town or used to oppose a friend in business who had served him in distress." At first Southwick started his business in Rehoboth Massachusetts but secured a one-half interest in printing for the state of Rhode Island. In March of 1779 in company with Bennett Wheeler he began to publish in Providence The American Journal and General Advertiser using the Updike house next to John Carter for their office. There was much bad feeling displayed by Carter at Southwick's alleged treachery and Carter printed a story in the Providence Gazette about the incident and Southwick printed a response to Carter. Carter soon printed his rebuttal to the charges that Southwick made and once again Southwick printed his answer. This rare printing was Southwick's answer to Carter's rebuttal. It takes up the entire front side of this broadsheet and one-and-one-half columns on the back. Also included on this rare broadsheet is a Full Pardon offered by General George Washington to all the deserters in the Army that wanted to come back but feared to do so because they thought that they would be severely punished. There is also news from Charleston about Colonel Campbell's expedition from Savannah to Augusta Georgia. Not found in OCLC; but apparently there are copies at Brown University and the R.I. Historical Society. <br/><br/> Southwick and Wheeler unknown books
199723900New York: Newmarket Press. Near Fine in Near Fine dj. c.1997. First Edition. Hardcover. 1557043124 . bottom corners very slightly bumped otherwise as new; minimal rubbing to jacket. Color photographs Includes forewords by director Sonnenfeld "The Aliens Are Us" and producers Parkes & MacDonald "Filming an Urban Legend" plus a 60-page section on the making of the film and "The Official Agent's Manual for Men in Black." . Newmarket Press hardcover books
16765King James Version Old Testament Bible. London 1613. Old Testament title page for the Song of Solomon. Leaf size Quarto approximately 6 3/4" by 8 3/4". This Leaf contains the Title to The Song the Large engraved 1st Letter T and the verses from Chapter 1:1 through 2:15a. On verso is the end of Ecclesiastes- the last 2 chapters complete. Includes Solomon's conclusion - "Fear God and keep His Commandments" Taken from a King James SHE Bible Published in 1613; Printed just 2 years after the original 1611 King James Version. The Roman font is rare. In good condition. Light trimming to top; some age foxing browning-a small spot or two-slight raveling on inside edge. This leaf was disbound from an incomplete "SHE" King James Bible. dated 1613. This English language version of the Bible was created to encourage ordinary people to discover Jesus Christ. unknown books
1986046496Bexhill-on-Sea England: Silver Thimble Books 1986. Hardcover Original Cloth. Fine Condition. Gordon Murray. Clothbound in slipcase signed by publisher Murray. Hand colored #12 of 50 Size: Miniature. Illustrator: Gordon Murray. Quantity Available: 1. Shipped Weight: Under 1 kilo. Signed by persons connected with book. Inventory No: 046496. Silver Thimble Books hardcover books
19652029New York 1965. Very Good. Stiff decorative wraps slightly scratched on front cover. Intro. by Thomas M. Messer Director. 67 illus. <br/><br/> paperback books
1980183341Buenos Aires: Centro de Arte y Comunicacion 1980. Paperback. VG library stamp from previous owner on ffep. Black paper wraps. 22 pages. Content: Intermedia process to a transculture / by René Berger -- Intermedia and mixed media as sign of crisis or a rebirth of the visual arts / by Gillo Dorfles -- From Leonardo to the intermedia revolution / by Jorge Glusberg -- Intermedia art / by Abraham Moles -- Towards a definition of intermedia / by Udo Kultermann. Centro de Arte y Comunicacion paperback books
1972183259New York: Solomon R. Guggenheim Foundation 1972. Paperback. VG Library stamp and writing from prevous owner on cover. Minor wear and fading on cover. Tan paper wraps. Book 20 pages illustrations. Contents: Romare Bearden -- Robert Beauchamp -- Irving Kriesberg -- Joseph Kurhajec -- Maryan Maryan S. Maryan -- Red Grooms and Archie Peltier -- Lester Johnson -- Mary Frank -- Peter Schumann and Bread and Puppet Theater members -- H.C. Westermann. Solomon R. Guggenheim Foundation paperback books
1972183260New York: Solomon R. Guggenheim Foundation 1972. Paperback. VG Minor wear and fading on cover. Tan paper wraps. Book 20 pages illustrations. Contains exhibition checklist insert. Contents: Romare Bearden -- Robert Beauchamp -- Irving Kriesberg -- Joseph Kurhajec -- Maryan Maryan S. Maryan -- Red Grooms and Archie Peltier -- Lester Johnson -- Mary Frank -- Peter Schumann and Bread and Puppet Theater members -- H.C. Westermann. Solomon R. Guggenheim Foundation paperback books
1965104354New York: Solomon R. Guggenheim Museum 1965. Softbound. Good slight wear to cover slight aging spots to some pages. Color patterned wraps. 119 pp. B/w Illus. 16 color. Exhibition held February-April 1965. Includes bibliographical references. Solomon R. Guggenheim Museum paperback books
1959182831New York NY: The Guggenheim Museum 1959. Softcover. G age-toning on front and back cover minimal wear to spine all pages clear and intact. White stapled wraps with black lettering unnumbered pages bw illustrations. "This first exhibition in the Museum's new Frank Lloyd Wright building follows in the tradition of its former more limited Selections. Its aim is now to provide a representation of the Collection as a whole. And in offering it the Museum is particularly grateful to be able to thank those friends of the Collection who in recent years through their gifts have added to its breadth and quality. In addition to this general selection of paintings and sculptures the Museum is also inaugurating its permanent Kandinsky galleries with a first group of that artist's work from the one hundred and eighty examples in its Collection." - James Johnson Sweeney Director. The Guggenheim Museum unknown books
1987184111New York: Solomon R. Guggenheim Museum / Yale University Press 1987. Hardcover. VG-/VG- ex-library with stamps and labels on dj spine end papers and block. Light shelfwear to block boards and dj. Pages are otherwise clean and clear. Black cloth boards with bronze lettering; color illustrated dust jacket mylar cover; 269 pp; profusely illustrated in color and bw. "This book emphasizes Miro's lifelong exploration of innovative media and methods as well as his interest in the relationship of primitivism to modernism and of Surrealism to abstraction. Works representing all stages of Miro's long career are reproduced and discussed ranging from realistic early paintings and drawings depicting his native Spain through later examples revealing the development of his imaginative and highly personal imagery"--Jacket. Contents include: Table of contents -- Miro before The farm: a cultural perspective / Robert S. Lubar -- Memories of the Rue Blomet / Joan Miro -- The birth of signs / Jacques Dupin -- Miro's Woman in revolt 1938 / Jacques Dupin -- Drawings of the late years / Werner Schmalenbach -- Works in the exhibition -- Miro's Alicia mural at the Guggenheim / Thomas M. Messer. Solomon R. Guggenheim Museum / Yale University Press hardcover books
1987148686New York: Solomon R. Guggenheim Museum / Yale University Press 1987. Softcover. G- Well worn on surface and edges of covers; must have once gotten wet with some pages a bit wrinkled; not a beauty on the outside but the text and illus. are clear. Color pictorial wraps 270 pp. color & BW illus. Issued in conjunction with an exhibition of varied artwork rendered by Spanish artist Joan Miro 1893-1983. With essays by Robert S. Lubar Jacques Dupin Werner Schmalenbach and Thomas M. Messer as well asthe artist himself. The illustrated catalogue presents 150 items. With a chronology a selected bibliography an exhibition history and vibrant illustrations. One of 6500 softcover copies. Solomon R. Guggenheim Museum / Yale University Press unknown books
1992184214New York: Guggenheim Museum / State Tretiakove Gallery / State Russian Museum / Schirn Kunsthalle Frankfurt 1992. Hardcover. VG- ex-library w/ stamps to textlbock edges & usual markings etc. edge-wear to covers. textblock rattled & front cover slightly askew; textblock & pgs firm. dustjacket taped to cover edges; ID to lower spine edge; sunning to back edge; scuffs to plastic cover. black boards. book xv 732 pages w/ 733 color & bw illustrations. white illustrated dustjacket w/ protective plastic. From a college library; removal card has only one stamp date. Interior bright; appears clean. A mammoth lavishly illustrated edition. Guggenheim Museum / State Tretiakove Gallery / State Russian Museum / Schirn Kunsthalle Frankfurt hardcover books
1962273875New York: Solomon R. Guggenheim Museum 1962. paperback. near fine. KandinskyVasily. Many Illus. including several color plates. 126pp. Thin 4to stiff printed wrs. New York: Solomon R. Guggenheim Museum 1962. Near Fine<br/><br/> Exhibition held in collaboration with the Musee National d'Art Moderne Paris; Gemeente Museum The Hague; Kunsthalle Basel.<br/><br/> Solomon R. Guggenheim Museum unknown books
1978167237New York: Solomon R. Guggenheim Museum 1978. First edition. Softcover. 72 pages. Exhibition catalog for a group show. Preface and acknowledgements by Thomas M. Messer. Introduction by Linda Shearer. Includes information about illustrations of works by along with the text of interviews by Shearer of these artists: Siah Armajani Scott Burton John Egner Denise Green Bryan Hunt Marilyn Lenkowsky Robert Lawrance Lobe Nachume Miller Gordon Newton Martin Puryear Jenny Snider Danny Williams and Scott Wixon. A near fine copy in wrappers. Solomon R. Guggenheim Museum unknown books
199838185NY: Guggenheim Museum 1998. 4to pp. 709. Biographies index. 345 colour plates. Articles by Jean-Louis Cohen Yve-Alain Bois Mark C. Taylor Stanley Cavell Bernard Blistene and Lisa Dennison. Paper wraps. Near fine. Very heavy. Guggenheim Museum unknown books
19617525NY: Solomon R. Guggenheim Foundation 1961. Softcover. VG- some wear and rubbing to cover. Blue wraps. 131 pp. 10 color 54 bw plates. Extensive bibliography both a general one and an artist-specific one. 64 works by 64 artists included in this exhibition. Nine-page introductory essay by H.H. Aronson. An exceptional and scarce catalogue. Biography of each artist provided. Solomon R. Guggenheim Foundation unknown books
196738140Solomon R. Guggenheim Foundation 1967. 4to pp. 126. Published to accompany an exhibition. Includes short articles by Felix Klee and Will Grohmann. Black and white reproductions plus several in color. Paper wraps. VG. Solomon R. Guggenheim Foundation unknown books
2013189255Barnes & Noble Signature Editions 2013-01-01. Hardcover. Very Good/Very Good. Dust jacket and book are clean has a good binding no marks or notations. Only minor wear. Barnes & Noble Signature Editions hardcover books
18531403999Derby and Miller 1853. 1st Edition. Hardcover. Good/No Jacket. Derby And Miller Auburn 1853. Hardcover. The scarce true first edition.No mention of thousand on top of title page later printings have Fifth Thousand Eighth Thousand Tenth thousand or Seventeenth thousand indicating later printings Also 1853 on both title and copyright pages and no mention of London on either title or copyright pages.4 page catalog inserted between inside cover and F.E.P. The seven illustrations are all there.The book shows much wear on the edges and the back of the spine is going. Furthermore there is foxing throughout the book. Also there is a name stamped in front cover. Housed in a custom-made slipcase. Basis for the award-winning movie of the same title. Derby and Miller hardcover books
1846009697Hingham and Quincy Massachusetts to Bedford New Hampshire 1846. Envelope or Cover. Very good. This broadside which advertises an estate sale to be held on 26 August 1846 measures approximately 13" square has been folded to facilitate mailing. It was printed in Quincy Massachusetts by the auctioneer on 21 August 1846 and sent the following day probably for approval to the family patriarch in Bedford New Hampshire by the guardian of the deceased's children in Hingham Massachusetts. The broadside bears a circular Hingham postmark in red and a black manuscript "2" postal rate the correct cost to send printed matter by mail. It is in nice shape with light toning and wear. <br /> <br /> <p>The broadside announces two simultaneous auctions to dispose of the estate. <br /> <br /> <p style="margin-left:5%; margin-right:5%;">"Sale of Real Estate at Bent's Point in Quincy . . . being the property of Mary E. Riddle Charles L. Riddle and Adeline L. Riddle minor children of David Riddle deceased. . . "One undivided fifth part of a certain piece of Land with a Dwelling house and other Buildings . . . containing two acres more or less . . . being formerly the property of Isaac Riddle Esquire deceased being his Mansion House and Land. . . "At the same time and place . . . four-fifths of the above estate will be sold under the direction of Gen. Wm. P. Riddle in behalf of the remaining heirs. . . ."</p> . The Riddles were a prominent and prosperous New England family. Isaac the original owner of this property had also owned property in Bedford as well as the first mill to be built at Merrimack New Hampshire. <br /> <br /> <p>He and his brother or possibly cousin William P. Riddle formed a militia company of exempts i.e. self-armed and equipped volunteers over 40 years of age who although exempt for military duty chose to organize as a militia unit. The company drilled daily in expectation that as a result of heightened Anglo-American tension over the Oregon-Canada borderit would be called on to fight the British at Portsmouth. But that never happened the unit remained active and grew following the war. <br /> <br /> <p>Although Isaac apparently lost interest William continued his service and rose to the rank of Major General in the New Hampshire militia before resigning in 1835. <br /> <br /> <p>For more information about the Riddle Family see Ridlon's History of the Ancient Ryedales and their Descendants. . . Conover's History of Bedford New Hampshire and Websters "Pagent" narrative for "The Two Hundredth Anniversary of the Town of Merrimack NH" all available online. unknown books
199036981New York: Holly Solomon Gallery 1990. Softbound. VG. Purple wraps with stamped lettering. 8 color plates about 16 pp. A small exhibition catalogue with some text. Holly Solomon Gallery unknown books
1991343871991. Softcover. VG-sticker to rear cover. Blue stapled wraps. Unpaginated. Numerous color plates. unknown books
199713372NY: Thames and Hudson. Fine in Near Fine dust jacket. 1997. Hardcover. 0500017654 . With 119 illustrations 8 in color. First American editon. Fine in a near fine one short closed edge tear at the crown and another at the base of the spine dust jacket. . Thames and Hudson hardcover books
1997118224New York: Thames & Hudson 1997. Hardbound. NF/VG. Blue cloth with gold lettering and T&H insignia; color-pictorial dj; 264 pp. with 119 illustrations 8 in color. The author shows that the masculine ideal raises important questions about the fashioning of masculinity itself and proposes a radical revision of Neoclassical visual culture as it relates to the emerging bourgeois order all based upon the male nude as an object of spectacle and erotic display in French art of the late 18th and early 19th centuries. Thames & Hudson unknown books