368 résultats
1784262347London: John Adamson 1784. hardcover. very good. 36 volumes. 12mo attractively bound in 3/4 tan calf with green and tan leather spine labels speckled boards. London: John Adamson 1784. A lovely set in very good condition.<br/> <br/> Anonymous. By Louis Petit de Bachaumont; continued by M.F. Pidansat de Mairobert and others. -- Barbier 3-253; Cioranescu XVIII 8979.<br/> <br/> John Adamson unknown
1784262347London: John Adamson 1784. hardcover. very good. 36 volumes. 12mo attractively bound in 3/4 tan calf with green and tan leather spine labels speckled boards. London: John Adamson 1784. A lovely set in very good condition.<br/><br/> Anonymous. By Louis Petit de Bachaumont; continued by M.F. Pidansat de Mairobert and others. -- Barbier 3-253; Cioranescu XVIII 8979.<br/><br/> John Adamson unknown books
228681Londres, John Adamson, 1784-1789 36 tomes in-12 + 1 vol. de tables, demi-veau caramel, dos lisse orné (reliure du XIXe). Mors souvent frottés ou abîmés.
229389Londres, John Adamson, 1784-1789 36 tomes 19 vol. in-12 + 1 vol. de tables, cartonnage papier marbré à la Bradel (reliure du XXe siècle).
1777143332Paris: alondres chez JOHN ADAMSOHN. Very Good. 1777. Original ed first ed. Hardcover. 4x6" thick. VERY GOOD CONDITION clean solid bright clean white pages. Opens to title page. ends at last page text. Red & colors marbled endpapers. GOLD SPINE TITLES & "tome III" to spine on Yellow & green boxs between 5 raised cords.with remnants of gold as well.All on original gold leather spine & hard leather covers.Text is red tinted all around. ; 384384pg pages . alondres chez JOHN ADAMSOHN hardcover
189774009Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 22.50 x 34.50 cm une feuille et une serpente Rare original lithograph in sanguine manner executed by Lucien Lévy-Dhurmer for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on Japan paper with large margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe edition on the reverse; engraving preceded by a tissue guard inscribed with the artist's name title and text trace of an angular fold; blank tissue guard. Lithograph inspired by an extract from Bachaumont which is reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were specially created by each artist for the periodical. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with large margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
178461153à Londres London: Chez John Adamson 1784. Fine. Chez John Adamson à Londres London 1784 9.50 x 16 cm 34 volumes reliés New edition. It is known that the first volumes 1 to 8 appeared in 1777 then the rest staggered until 1789. This edition does not contain Bachaumont's name on the title page unlike the original. It is not known whether the address is fictitious or real but the typographical material appears to be Dutch. Bachaumont wrote the first volumes but they were edited by Pidansat de Mairobert who continued writing the volumes until his death in 1779 then it was Moufle d'Angersville's turn. The complete collection contains 36 volumes. Bindings in half chocolate sheep with corners. Spine with raised bands decorated with 3 fleurons. Title and volume numbering gilt. Boards rubbed. 19th-century armorial bookplate of F. de Lagotellerie. Retrospective chronicle of the life of belles lettres and fine arts including reviews of theatrical pieces spectacles and opera literary releases anecdotes literary and painting salons and numerous unpublished pieces in verse which make it a sought-after collection. The secret memoirs contain more than 10000 extensive notices over 14 years; through their abundance they form one of the most copious and precious sources for 18th-century history. This is one of the periodicals with the greatest longevity and success thanks to adequate advertising policy. Before being collected in journal form these were notes taken in salons by Bachaumont. Pidansat de Mairobert with his real journalistic talent made it into a varied and abundant collection reflecting the secular reading of the 18th century. Chez John Adamson hardcover
227967London: Gregg International Publishers Limited 1970. Facsimile reprint. Hardcover. Finely bound in modern gilt-blocked red cloth. Remains quite well-preserved overall; tight bright clean and strong. Physical description; 36 v. & the table volume v. 19; 17 cm. Notes; Facsimile reprint of Mémoires secrets pour servir à l'histoire de la république des lettres en France depuis MDCCLXII jusqu'à nos jours Londres John Adamson 1780-1789. Vol.1-4 and pt. of v.5 by Louis Petit de Bachaumont; continued by others. Subjects; French literature - 18th century - History and criticism. French drama - 18th century - History and criticism. Publishers and publishing. Theater - France - History. French literature - History and criticism. France - Social life and customs. Genre; text. London: Gregg International Publishers Limited hardcover
178461153Chez John Adamson | à Londres 1784 | 9.50 x 16 cm | 34 volumes reliés
5520Engraved allegorical frontis. 1 p.l. vi 93 pp. 8vo attractive antique calf-backed marbled boards spine gilt red morocco lettering piece on spine. N.p.: 1751. First edition. Bachaumont 1690-1771 was an influential noble who grew up at the court of Versailles during the height of its significance as the political and cultural nucleus of France. He frequented the salons of Paris and was entangled in several controversies one in particular regarding a journal filled with gossip ascertained at the salon of Madame Doublet de Persan for which he may have been partially responsible. By the end of his life he was known as a cultural authority whose opinion was sought after by artists and collectors alike. In the present work his most important Bachaumont espouses his beliefs on the aesthetics of art. Its publication was met with an enthusiastic reception. Fine copy. Name of author inscribed on title in a contemporary hand. ❧ Dictionnaire des Journalistes 1600-1789 "Louis Petit de Bachaumont" online resource. N.B.G. Vol. IV cols. 55-56. hardcover books
18252481825 Paris, Delangle, 1825-1826 ; 9 vol. in-18, demi-chagrin vert bouteille à coins, filets dorés, dos à 4 nerfs ornés de filets dorés et à froid, non rognés (R. P. Ginain).
88203Londres John Adamsohn 1777 Auflage: 1. Ganzleder gebunden; marmorierte Einbände Rückengoldprägung rote goldgeprägte Rückenschilder Rotschnitt marmoriertes Vorsatzpapier / 8 Bände / Anz. Seiten: ca. 3000 / 105 x 168 cm / Zustand: gut leichte Alters-/ Gebrauchsspuren; Einbände leicht berieben die Bandziffern an den Rücken teils abgeblättert der 4. Band am oberen Kapital beschädigt das hintere Aussengelenk angeplatzt Bibliotheksstempel auf Titelseiten handschriftliche Nummerierung auf Innendeckeln handbeschriftete Papieretiketten an Rücken Londres, John Adamsohn, 1777, Auflage: 1. unknown
18740030651874 Paris, Librairie des Bibliophiles, 1874. In-12 (110 X 175 mm) maroquin olive, dos cinq nerfs ornés d'un filet perlé, caissons dorés, titre, lieu d'édition et date dorés, encadrement de triple filet doré sur les plats orné au centre d'un médaillon ovale à décor d'entrelacs, double filet doré sur les coupes, large dentelle intérieure, tranches dorées (CHAMBOLLE-DURU) ; (2) ff. de faux-titre et titre imprimé en rouge et noir, XII-71 pages, (1) f. d'achevé d'imprimer. Infime tache sombre en partie inférieure du second plat de la reliure.
170817632Amsterdam, Pierre de Coup, 1708. Petit in-8 de [2]-XIV-478-[2] pages, plein veau havane moucheté, dos à nerfs orné de fleurons et petits fers dorés, filet estampé à froid en encadrement des plats frappés aux armes de la famille Thellusson, roulette dorée aux coupes.
16991733Autrecht Utrecht i.e. Caen: Antoine Schouten i.e. Cavelier 1699. Two volumes in one complete. First edition of this rare and important collection not to be confused with another book of the same title published in 1663. Barbier IV 88 offers a long citation from Nodier Catalogue Guilbert de Pixerecourt no. 1639: "Ce petit recueil est tres-connu mais il merite de l'etre car il se distingue de toutes les collections du meme genre par le choix des pieces et aucune autre n'en peut tenir lieu." Nodier goes on to explain with convincing argumentation that this is in fact a personal choice printed by a collector with good taste and not by a professional publisher. Nicely printed on fine laid paper. 12mo. Beautifully bound in contemporary calf spine gilt with Padget Paget coat of arms motto: "Per il suo contrario" embossed on both boards. Light wear to extremities but structurally sound and still very attractive. Internally bright and fine. An excellent copy. Brunet IV 1156: "Rare et assez curieux." <br/><br/> Antoine Schouten [i.e., Cavelier?] hardcover
1714203741714 La Haye, Van-Lom, Pierre Gosse & Albers, 1714, 2 tomes en 2 volumes, de (2)-415 pp. ; (2)-478 pp., reliure d'époque de plein veau brun, dos à nerfs orné de fers dorés, pièces de titre de maroquin rouge, légères variante aux fers des deux volumes, mais très proches, réparations aux coiffes, bon exemplaire.
5520Engraved allegorical frontis. 1 p.l. vi 93 pp. 8vo attractive antique calf-backed marbled boards spine gilt red morocco lettering piece on spine. N.p.: 1751.<br/> <br/> First edition. Bachaumont 1690-1771 was an influential noble who grew up at the court of Versailles during the height of its significance as the political and cultural nucleus of France. He frequented the salons of Paris and was entangled in several controversies one in particular regarding a journal filled with gossip ascertained at the salon of Madame Doublet de Persan for which he may have been partially responsible. By the end of his life he was known as a cultural authority whose opinion was sought after by artists and collectors alike.<br/> <br/> In the present work his most important Bachaumont espouses his beliefs on the aesthetics of art. Its publication was met with an enthusiastic reception. <br/> <br/> Fine copy. Name of author inscribed on title in a contemporary hand. <br/> <br/> ⧠Dictionnaire des Journalistes 1600-1789 “Louis Petit de Bachaumont†online resource. N.B.G. Vol. IV cols. 55-56. unknown
170848899Amsterdam: Chez Pierre de Coup 1708. Fine. Chez Pierre de Coup Amsterdam 1708 9.50 x 16 cm relié New edition after the 1696 first edition. Contemporary binding in full speckled brown calf. Spine with five raised bands decorated with gilt compartments and fleurons and a red morocco title label. Boards stamped with armorial device. Edges and headcaps decorated with gilt roulettes. All edges gilt. Worming to spine tail headcap largely damaged with loss three wormholes on lower board one corner bumped. Some manuscript brackets in margins and a contemporary pen gift inscription at end of volume. Two library stamps on title page and first endpaper. This gallant and playful travel narrative immortalized the two companions as multiple editions were published over two centuries. This journey is written in charming prose interspersed with light and fairly simple poetry that takes the opposite approach to classical travel narratives. It was profoundly successful. Chez Pierre de Coup hardcover
1933128518Des Bibliophiles de Provence, à Marseille en l’an de grâce MCMXXXIII, n° 6 1933 In-12 19 x 11 cm. Reliure plein maroquin vert, dos à nerfs, tête dorée, couvertures rempliés et dos conservés, VIII-132 pp., illustré de 28 bois de Sylvain Sauvage, coloriés par Vairel. Ouvrage tiré à 150 exemplaires sur Hollande Pannekoek, dont 100 numérotés réservés de I à C réservés aux membres titulaires de la société. Celui-ci, N XCVI imprimé spécialement pour Henry Harrel. Dos insolé, sinon très bon exemplaire.
170848899Chez Pierre de Coup | Amsterdam 1708 | 9.50 x 16 cm | relié
44650Paris Chez Lelong, Libraire 1824 in 12 (15x9,5) 5 volumes reliures pleine basane foncée de l'époque, dos lisses ornés, pièces de titre et de tomaison de cuir rouge, guirlande dorée d'encadrement sur les plats, des rousseurs éparses. Tome 1: 225 pages, avec 10 gravures hors texte, dont un portrait et un frontispice gravés. Tome 2: 234 pages [1], avec 11 gravures hors texte, dont un portrait en frontispice. Tome 3: 205 pages [1], avec 5 gravures hors texte, dont un portrait en frontispice. Tome 4: 218 pages [1], avec 7 gravures hors texte. Tome 5: 252 pages, avec 3 gravures hors texte. Complet des 36 planches gravées. Anthologie de voyages finement illustrée par Monnet, Duplessix-Bertaux, Lebrun, Fragonard fils, Lemire et Marillier. Quatrième édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1751449351751 1751. 1 volume in-8, plein veau moucheté, dos à nerfs orné, pièce de titre brune. Frontispice. ; (1) f. ; 93 pp. ; (1) p.bl.
43731Paris Chez Jos. Chaumerot 1808 in 12 (15x9,5) 5 volumes reliures cartonnées de l'époque, dos lisses ornés de filets dorés, filet doré d'encadrement sur les plats. Tome 1: II + 202 pages, avec un frontispice gravé et 8 gravures hors texte. Tome 2: 223 pages, avec 10 gravures hors texte. Tome 3: 237 pages, avec 4 gravures hors texte. Tome 4: 218 pages, avec 7 gravures hors texte. Tome 5: 300 pages, avec 4 gravures hors texte. 34 planches en noir (36 annoncées par l'éditeur, 2 figures des Priapes et du port de Marseille ont été retirées de tous les exemplaires de l édition originale). Anthologie de voyages finement illustrée par Monnet, Duplessix-Bertaux, Lebrun, Fragonard fils, Lemire et Marillier. Première édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
182682217Paris: Constant Letellier et fils 1826. Fine. Constant Letellier et fils Paris 1826 13.50 x 22.50 cm relié New edition illustrated with an engraved portrait frontispiece. Half brown glazed calf binding with corners spine with four raised bands decorated with gilt garlands and black fleurons a small scratch at foot of spine gilt friezes at head and foot of spine gilt fillets framing the marbled paper boards marbled endpapers and pastedowns contemporary Romantic binding. a small tear to the upper corner of the first board light surface wear to margins of boards. Handsome copy attractively bound in contemporary Romantic binding. Constant Letellier et fils hardcover
1708302108Amsterdam 1708. Second edition. xiv 478 ads pp. 12mo. Contemporary red french morocco spine gilt a.e.g. Fine. Second edition. xiv 478 ads pp. 12mo. A charming copy of Chapelle's best known work. He recounts a voyage through Provence and Languedoc in both poetry and prose. The work also includes poems by the Kight of Cailly and accounts of campaigns against the Spanist at Rocroi. unknown
