MERY, JOSEPH (1798-1865)Livre Rare Book
350 résultats
1854225211854 Paris : Michel Levy 1854.in-12 relié percaline marron,dos lisse insolé,texte trés frais, 341 pages. 1st Edition. Description: xii. 341p. 18cm. Subjects: Orient -- Asia -- the East -- History -- Essays. Preface dated March. 1853. Language: French. Very good copy rare edition originale
18283787Paris: Delongchamps 1828. Hardcover. Very Good. Three volumes. 19th century cloth bindings red leather spine labels. A nice serviceable set. <br/><br/> Delongchamps hardcover
18283787Paris: Delongchamps 1828. Hardcover. Very Good. Three volumes. 19th century cloth bindings red leather spine labels. A nice serviceable set. <br/><br/> Delongchamps hardcover books
1882116071882 Paris, Librairie Patriotique, & Librairie de la Petite République Française, 1882 ; 39 livraisons en 1 volume petit in-4 de XIV - (II) - 311pp. Illustré de vignettes dans le texte et hors texte par Alfred Le Petit ( les hors texte compris dans la pagination). Reliure de demi-basane vert foncé de l'époque, dos lisse orné de petite palettes dorées cernées de filets à froid, titre doré.
18303011In-8 (208x134 mm). Exemplaire relié Demi-Cartonnage vert Dos lisse. - Waterloo. Au Général Bourmont par Méry et Barthélemy. Or 1830 71 pages in-8. 1830. relié. 71 pages. 71 pages. - La Bacriade ou la guerre d'Alger. Poème héroi-comique en cinq chants par Barthélemy et Méry. 3ème édition. Paris chez Ambroise Dupont et Cie 1827. 96 pages. -
1844ZNF-856Deux tomes reliés ensemble : Tome 1 Alph. Lebègue et Sacré Fils, imprimeurs-éditeurs, Bruxelles 1844 / Tome 2 Méline, Cans et Compagnie 1844. 159 et 290 pages.
1835445681 vol. in-8 reliure demi-chagrin bleu, dos à 4 faux nerfs ornés, Perrotin, Paris, 1835, 374 pp. et 1 f., avec 10 planches hors texte par Raffet [Suivi de : ] A. Gardembas, 240 pp. avec 3 planches hors texte. Titre complet : Napoléon en Egypte. Waterloo et le Fils de l'Homme. [ Avec : ] Napoléon. Poème historique en dix chants par Joseph Bonaparte, Frère Ainé de l'Empereur ; précédé d'une Notice sur l'Enfance & la Jeunesse du Héros ; suivi des Cendres de Napoléon, Et de quelques autres Poésies sur son exil et sur sa mort, par Th. Villenave Fils
1861675431 vol. in-12 reliure demi-basane rouge, Michel Lévy Frères, Paris, 1861, 339 pp. et 1 f.
1854R300322051Michel Lévy Frères. 1854. In-12. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Quelques rousseurs. XII +341 pages. Signet conservé. Plats et contreplats jaspés. Dos cuir, pièce de titre, titre, auteur et filets dorés.. . . . Classification Dewey : 840.08-XIX ème siècle
185534338Paris: Belin-Leprieur et Morizot Editeurs 1855. Text in French. With 21 plates some of which are hand coloured. All with tissue guards. xi; 495pp. Green cloth with ornate coloured and gilt decoration on front and spine and a smaller decoration on the back cover. Gilt lettering on front and spine. Spine is faded and very frayed at both ends. Front edge of spine is very worn. Corners worn. All edges gilt. Previous owner`s name in ink on front pastedown. Considerable foxing. First. Cloth. Good. Illus. by MM. Rouargue Freres. Quarto. Belin-Leprieur et Morizot, Editeurs Hardcover
183098910Paris, A.-J. Dénain [suivi de :] S.l, s.n, 1830 [suivi de :] [vers 1831], in-8, 11-55-3 pp, Demi-toile violette à la bradel, dos lisse, tranches mouchetées, Édition originale et unique de ce long poème dédié aux Parisiens suite aux fameuses Trois Glorieuses, trois journées d'insurrection qui ont eu lieu les 27, 28 et 29 juillet 1830. [suivi de :] Édition probablement originale et unique de ce poème à la gloire du roi Louis-Philippe composée par Nicolas Halma et dont il ne nous a pas été possible de trouver trace en bibliothèque ni sur le marché. Ex-libris de Gaston Prinet. Légère insolation, quelques minuscules frottements et rousseurs. Couverture rigide
185866439Paris Hachette 1858 1 vol. relié in-12, demi-chagrin vert, dos à nerfs avec petits points dorés, caissons ornés de fleurons et doubles filets en encadrements, chiffre doré frappé sur le premier plat, tranches dorées, 269 pp. Edition originale. Bon exemplaire relié au chiffre de la Baronne de Saint-Priest avec cette énigmatique dédicace de Méry en trois parties. D'abord : "hommage d'un simple voyageur (c'est de l'orgueil Madame de Saint-Priest*)" puis cet addenda reprenant l'astérisque : "ce n'est pas cette phrase que Madame de Saint-Priest a prononcée, après une minute de reflexion il a été décidé que le texte devait être rétabli ainsi c'est un raffinement d'orgueil". Une citation est ensuite portée sur la page de titre : "En français, n'étant pas novice / je ne me tiens pas pour battu / jadis l'orgueil était un vice / mon siècle en fait une vertu. Méry". Quelques rousseurs et petit accroc à la coiffe supérieure, sinon reliure d'époque bien conservée avec deux ex-libris gravés.
185866439Paris Hachette 1858 1 vol. relié in-12, demi-chagrin vert, dos à nerfs avec petits points dorés, caissons ornés de fleurons et doubles filets en encadrements, chiffre doré frappé sur le premier plat, tranches dorées, 269 pp. Edition originale. Bon exemplaire relié au chiffre de la Baronne de Saint-Priest avec cette énigmatique dédicace de Méry en trois parties. D'abord : "hommage d'un simple voyageur (c'est de l'orgueil Madame de Saint-Priest*)" puis cet addenda reprenant l'astérisque : "ce n'est pas cette phrase que Madame de Saint-Priest a prononcée, après une minute de reflexion il a été décidé que le texte devait être rétabli ainsi c'est un raffinement d'orgueil". Une citation est ensuite portée sur la page de titre : "En français, n'étant pas novice / je ne me tiens pas pour battu / jadis l'orgueil était un vice / mon siècle en fait une vertu. Méry". Quelques rousseurs et petit accroc à la coiffe supérieure, sinon reliure d'époque bien conservée avec deux ex-libris gravés.
183011869Marseille-Paris imp basile leconte 1830-1837 4 vol. in-8 br., dos cassé pour le premier vol.
184212407Bourdin, s.d. 1842 Grand in-8 demi-chagrin rouge à coins, dos à nerfs, caissons ornés, filets et dentelles, IX- 331 pp. 15 planches hors-texte, très nombreuses gravures dans le texte. Quelques rousseurs. Coiffe sup. et un coin lég. émoussés.
1851108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
1855LIQ-7029P. Belin-Leprieur et Morizot 1855. In-4° plein chagrin "vert bouteille", dos à nerfs orné d'encadrements et de compositions dorées, tranches dorées, 495 pages (rousseurs, manque une gravure en noir).
18559641855 Paris Belin-Leprieur et Morizot éditeurs 1855 Un volume in°4 Demi-chagrin vert bouteille dos avec décors et titres dans caissons dorés, tranches dorées. XI pp + 494 pages Avec 21 gravures dont 6 en couleurs sous serpentes
18192515<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
18472912Paris, Rio-Janeiro, Garnier Frères, 1847 ; in-4, demi-chagrin chocolat, dos à quatre nerfs entre deux doubles filets dorés, titre doré ; (3) ff. (bl., faux-titre , titre), 583 pp. (1) f. (bl.) ; 10 planches hors-texte d'illustrations en noir dont une en frontispice.
18192499<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
1854193936Paris : Michel Levy 1854. First Edition. Hardback. Very good copy in the original gilt-blocked leather-backed marbled boards. Raised bands and gilt tooling to spine. Spine bands and panel edges slightly dust-toned and rubbed as with age. Marbled endpapers. Minor scattered marginal foxing. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 341 pages; Description: xii 341p. 18cm. Subjects: Orient -- Asia -- the East -- History -- Essays. Preface dated March 1853. Language: French. Paris : Michel Levy hardcover
1881126183Bruxelles Sous le manteau [Kistemaeckers] 1881 3 vol. reliés 3 tomes en 1 vol. in-8, bradel demi-percaline aubergine avec pièce de titre de cuire rouge et fleuron doré au dos, non rogné, 231 + 226 + 284 pp. Nouvelle édition, imprimée à l'initiative de l'éditeur Kistemaeckers et illustrée de 2 frontispices sur Chine par Félicien Rops (Dutel, 606 et 657). Ce classique de la littérature galante, établi par Poulet-Malassis en 1864-1866, contient des textes de Béranger, Emile Deschamps, Auguste Barbier, George Sand, Victor Hugo, Alfred de Musset, Charles Baudelaire, Charles Monselet, Auguste Vacquerie, Théodore de Banville, Stéphane Mallarmé, etc. Rare exemplaire sur Chine, tirage inconnu de Dutel, avec un double état des frontispices en sanguine. On joint une gravure licencieuse de l'époque divisée en 4 vignettes représentant un homme monté à cheval sur un phallus aux quatre âges de la vie : 20 ans, 40 ans, 60 ans, 80 ans...
1881126183Bruxelles Sous le manteau [Kistemaeckers] 1881 3 vol. reliés 3 tomes en 1 vol. in-8, bradel demi-percaline aubergine avec pièce de titre de cuire rouge et fleuron doré au dos, non rogné, 231 + 226 + 284 pp. Nouvelle édition, imprimée à l'initiative de l'éditeur Kistemaeckers et illustrée de 2 frontispices sur Chine par Félicien Rops (Dutel, 606 et 657). Ce classique de la littérature galante, établi par Poulet-Malassis en 1864-1866, contient des textes de Béranger, Emile Deschamps, Auguste Barbier, George Sand, Victor Hugo, Alfred de Musset, Charles Baudelaire, Charles Monselet, Auguste Vacquerie, Théodore de Banville, Stéphane Mallarmé, etc. Rare exemplaire sur Chine, tirage inconnu de Dutel, avec un double état des frontispices en sanguine. On joint une gravure licencieuse de l'époque divisée en 4 vignettes représentant un homme monté à cheval sur un phallus aux quatre âges de la vie : 20 ans, 40 ans, 60 ans, 80 ans...
1855137131855. Paris Belin-Leprieur et Morizot 1855. Un fort vol. au format pt in-4 273 x 177 mm de 1 f. bl. 1 frontispice gravÂŽ n.fol. xi - 495 pp. 2 ff. n.fol. et 1 f. bl. Plein cartonnage marine d'ÂŽdition filets gras et maigre ˆ froid encadrant les plats le premier s'orne en outre d'un riche tout autant que superbe dÂŽcor arabisant dorÂŽ titre dorÂŽ dos lisse ˆ l'identique toutes tranches dorÂŽes. LenÂgre. Edition originale. Exemplaire revÂtu d'un superbe cartonnage signÂŽ au premier plat de LenÂgre. Des bibliothÂques d'Henri d'Artois Comte de Chambord dit Henri V puis de Jaime Jacques de Bourbon duc de Madrid. L'ouvrage recÂle et est complet de ses 21 planches gravÂŽes dont couleurs par les FrÂres Rouargue ici en premier tirage. ''FrÂre cadet d'Emile Rouargue Adolphe dessinateur et graveur au burin ÂŽtudia d'abord chez David d'Angers puis auprÂs d'Alexandre Colin. Il figura aux Salons de 1831 ˆ 1870 avec des marines des paysages mais surtout des aquarelles. Pour l'ÂŽditeur Morizot il fit les dessins et gravures d'une sÂŽrie d'ouvrages de ''Voyages pittoresques''. in Osterwalder. ''Emile Rouargue fut pour sa part l'ÂŽlÂve de Delaunay et de Mariage. Vignettiste trÂs fÂŽcond il convient de citer l'ensemble de ses illustrations pour une sÂŽrie de ''Voyages pittoresques''. in BÂŽnÂŽzit. ''La premiÂre partie de cet ouvrage renferme l'histoire complÂte de Constantinople. Dans la seconde partie nous avons abandonnÂŽ la gravitÂŽ de l'historien pour raconter des lÂŽgendes peindre des moeurs locales ou dÂŽcrire des sites et monuments. Le c™tÂŽ pittoresque tient donc ici une large part''. Vicaire V Manuel du libraire et de l'amateur de livres col. 773 - Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 404 - Osterwalder I Dictionnaire des illustrateurs p. 923 - BÂŽnÂŽzit IX Dictionnaire des peintres p. 124. Dos et marge des plats insolÂŽs. LÂŽger dÂŽfaut affectant le mors infÂŽrieur du premier plat. InÂŽgales rousseurs dans le texte. Du reste belle condition. b42961 unknown
