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1845125224Paris Hetzel 1845-1846 2 vol. Relié 2 vol. gr. in-8, demi-chagrin rouge, dos à nerfs ornés de caissons, guirlandes et filets dorés, tranches mouchetées, XXXII + 380 et LXXX + 364 pp. Édition originale de ce bel illustré romantique comprenant plus de 800 gravures in-texte et 209 (sur 212) planches hors-texte sur bois par Gavarni et Bertall. Le plan dépliant de Paris, réservé aux souscripteurs, manque, comme dans "la plupart des exemplaires" [Vicaire, III, 243]. Textes de Sand, Balzac, Gozlan, Soulié, Nodier, Karr, Méry, Nerval, Houssaye, Gautier, Stendhal, Feuillet, Musset, Stahl, Janin, etc. Les deux frontispices manquent, ainsi que la planche "En carnaval 2" du premier volume, le volume de table du premier volume a été relié par erreur après la page 192. Jolie reliure de l'époque malgré d'infimes épidermures au dos. Ex-dono manuscrit de 1886 en tête de chaque volume. A l'exception de petites taches à 5 feuillets, l'intérieur est très propre et sans rousseurs.
1845125224Paris Hetzel 1845-1846 2 vol. Relié 2 vol. gr. in-8, demi-chagrin rouge, dos à nerfs ornés de caissons, guirlandes et filets dorés, tranches mouchetées, XXXII + 380 et LXXX + 364 pp. Édition originale de ce bel illustré romantique comprenant plus de 800 gravures in-texte et 209 (sur 212) planches hors-texte sur bois par Gavarni et Bertall. Le plan dépliant de Paris, réservé aux souscripteurs, manque, comme dans "la plupart des exemplaires" [Vicaire, III, 243]. Textes de Sand, Balzac, Gozlan, Soulié, Nodier, Karr, Méry, Nerval, Houssaye, Gautier, Stendhal, Feuillet, Musset, Stahl, Janin, etc. Les deux frontispices manquent, ainsi que la planche "En carnaval 2" du premier volume, le volume de table du premier volume a été relié par erreur après la page 192. Jolie reliure de l'époque malgré d'infimes épidermures au dos. Ex-dono manuscrit de 1886 en tête de chaque volume. A l'exception de petites taches à 5 feuillets, l'intérieur est très propre et sans rousseurs.
208268Paris, Ambroise Dupont, 1827 in-8, VIII-144 pp., avec des vignettes dans le texte, demi-veau cerise, dos lisse orné de guirlandes et filets dorés, pièce de titre verte (reliure de l'époque).
196254770Monte-Carlo Editions du Livre 1962 In-4, broch, couverture illustre.Premier tirage des 62 illustrations de Dubout, dont une en couleurs reproduite sur la couverture, 21 hors-texte en noir et en spia ainsi que 40 in-texte en spia. Tirage non numrot sur vlin.
18192515<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
2515Paris, Jean Montaudon (Imprimerie Ferdinand Champenois), sans date (circa 1918-1923). Dimensions : 105 x 152,5 cm.
201403652Monte carlo, Editions du livre , 1962 ; grand in-8, br. Bon état general illustrations de dubout.
18559641855 Paris Belin-Leprieur et Morizot éditeurs 1855 Un volume in°4 Demi-chagrin vert bouteille dos avec décors et titres dans caissons dorés, tranches dorées. XI pp + 494 pages Avec 21 gravures dont 6 en couleurs sous serpentes
45827/11/1854 Mry exprime son amertume aprs larrt dun ouvrage qui visiblement avait du succs. Peut-tre sagit-il de Matre Wolfram, opra-comique en un acte cr le 20 mai 1854, et compos par Ernest Reyer, sur un livret de Mry et Thophile Gautier....Aprs huit jours complets de silence et dinaction, il mest permis de vous dire que, Perrin [Pierre Perrin, directeur de lOpra-Comique et du Thtre Lyrique] & moi, nous avons pris au srieux la longue audition du dimanche 19 novembre [...]. Quelle cause secrte arrte une chose qui marche si bien, qui prenait avec un Directeur comme Perrin, un si bel avenir [...]. On ne se paye pas de la raison dun tnor insuffisant, car le directeur a promis de faire tout ce quil faudra faire pour vous & le triomphe. Vous ne mavez donn moi aucun signe de vie, & je suis trs tourment, trs harcel. On me disait hier que lorsque Meyerbeer garde la partition du Prophte ou de lAfricaine dix ans ou toute sa vie en portefeuille, cest que, grce une immense richesse que vous mritez & que vous navez pas, il a davance largement ddommag les librettistes. Certainement, Mr Scribe malgr sa grande fortune qui lui permettrait dattendre, nattendrait pas dix ans, ni dix jours, voil... Il ne peut nier que la musique ait t faite pour une scne de thtre lyrique moins grande que celle de lOpra-Comique, cependant, il semble prt surmonter son ...aversion pour le grand-opra de Garnier, un thtre encombr de partitions, dpourvu dartistes, denthousiasme et dlectricit...Polmiste, pote, romancier et dramaturge, Joseph Mry fut un crivain clbre en son temps. Ami de Balzac, Nerval, Gautier et Dumas, il laisse derrire lui une ?uvre importante. Reconnu de son temps pour son esprit et ses capacits dimprovisation, il produisit plusieurs pices de thtre Paris et collabora avec Grard de Nerval des adaptations de pices dont quelques-unes de Shakespeare. l'opra, il signe notamment le livret de Smiramis (1860), opra en 4 actes de Rossini et, en collaboration avec Camille Du Locle, Don Carlos (1867), opra en cinq actes de Verdi.
2066Petit in 8 broché,carré couverture imprimée,126 pages,A la librairie théâtrale 1851 avec mention de nouvelle édition. (la date de 1851 est au bas de la page de titre,et la couverture est à la date de 1852)
50743Monte-Carlo Editions du Livre 15 fvrier 1964 In-4, broch, couverture illustre.Premier tirage des 68 illustrations par Dubout, dont 30 en couleurs (une sur la couverture, une sur double page, 13 hors-texte et 15 in-texte) et 38 en noir (une sur double page, 14 hors-texte et 23 in-texte). Tirage unique limit 1.500 exemplaires non numrots.
1962LIQ-6025Monte-Carlo, Editions du Livre 1962. In-4° couverture illustrée en couleurs rempliée.
196254399Monte-Carlo Editions du Livre 1962 In-4, broch, couverture illustre.Premier tirage des 62 illustrations de Dubout, dont une en couleurs reproduite sur la couverture, 21 hors-texte en noir et en spia ainsi que 40 in-texte en spia. Tirage non numrot sur vlin.
1855LIQ-7029P. Belin-Leprieur et Morizot 1855. In-4° plein chagrin "vert bouteille", dos à nerfs orné d'encadrements et de compositions dorées, tranches dorées, 495 pages (rousseurs, manque une gravure en noir).
7023Paris, Belin-Leprieur et Morizot, 1855. Fort in-4, XII-495-(5) p., cartonnage éditeur percaline ornée, nombreuses planches hors-texte par les frères Rouargue (fortes rousseurs).
200465Paris Belin-Leprieur & Morizot, éditeur. sd 4 Xip+495p 1 volume fort IN8. Reliure d'époque en demi-chagrin tabac. Dos à nerfs titré orné de fleurons dorés. Mors en parti fendu. Tranches dorées.Ouvrage orné de 20 gravures h.t dont 6 en couleurs sous serpente et d'un frontispice. ,
2019x-0231184786Columbia Univ Pr 2019. Hardcover. New. 369 pages. 9.50x6.50x1.25 inches. Columbia Univ Pr hardcover
2019BN118433Trampolin Verlag 2019. 2019. Hardcover. Leo und Rosa reisen nach Italien <br/><br/>Leo und Rosa reisen nach Italien Trampolin Verlag hardcover
1851108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
BN259472Wieland Verlag. Softcover. Deutsche Kampfmesser 1914-1918 Grabendolche und zivile Messer im Ersten Weltkrieg <br/><br/>Deutsche Kampfmesser 1914-1918 Grabendolche und zivile Messer im Ersten Weltkrieg Christian Méry Wieland Verlag paperback
2012x-9401072116Kluwer Academic Publishers 2012. Paperback. New. reprint edition. 400 pages. 9.45x6.30x0.91 inches. Kluwer Academic Publishers paperback
SONG3319207466Springer 0000-00-00. 2015. hardcover. Used: Good. 6.13x0.94x9.50. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
60660. Contemporary quarter sheepskin and marbled boards a little wear to the edges of the spine scattered foxing the odd marginal tear without loss a few leaves faintly browned else a very good copy. From Wikipedia the free encyclopedia : Auguste-Marseille Barthélemy 1796 23 August 1867 born at Marseilles was a French satirical poet. His name can hardly be separated from that of his friend and compatriot Joseph Méry 17981866 with whom he carried on so intimate a collaboration that it is not possible to distinguish their personalities in their joint works. Jean-Pons-Guillaume Viennet 18 November 1777 Béziers - 10 July 1868 Le Val-Saint-Germain was a French politician playwright and poet. He was also a member of the Académie française and a prominent Freemason. His long career as a soldier then a politician playwright and poet lasted through political revolutions and literary wars and is full of incident and travels. He had a talent for self-promotion within many regimes and got to know all political and literary dignitaries all the while verging on unpopularity - he said "I have counted up to 500 epigrams a year against me; anyone who escapes college to join a soap-opera thinks I should have his first kick". His name was like a red rag to a bull to Republicans and Romantics but he avenged himself on his worst enemies by fables or epithets against them. hardcover
199239290Ed. Revista Literaria 1992. unbound. Bueno. Ed. Revista Literaria. Madrid 1929. Carton lomo piel. 29x21. 828 pp. Del Nº 27 al nº 52. 45 titulos. Cubiertas y lomo algo deslucidos. Pequeñas faltas que afectan al texto en pags. 171-172 ; 763-764 ; 787-788. Ed. Revista Literaria unknown
1990Paris, G. De Gonet; Martinon; A. Leipsick, sans date. 1 vol. in-4 de XXIV-292 pages, pleine percaline bleue, dos lisse orné. Mors et coiffes frottés, quelques rousseurs.