Yvonne MeryBiblio.com
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ria9780810891111_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; As online instruction becomes more popular librarians will want to develop the knowledge and skills needed to create an effective online information literacy course. Online by Design: The Essentials of Creating Information Literacy Cou paperback
B9780810891111Paperback / softback. New. paperback
A9780838939529Paperback / softback. New. This anthology provides a toolkit for critical library pedagogy that recognizes how knowledge is created within historical and deeply politicized contexts. Contributors explore intersections between information literacy and critical pedagogy and provide current thinking assessment and reflection. paperback
46210416-nnew. unknown
46210416like new. unknown
1019832061.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
DADAX841658897XNube de Tinta 2019-03-14. 001. hardcover. New. 6.97x0.79x8.54. Buy with confidence. Excellent Customer Service & Return policy. Nube de Tinta hardcover
SONG841658897XNube de Tinta 2019-03-14. 001. hardcover. Used: Good. 6.97x0.79x8.54. Buy with confidence. Excellent Customer Service & Return policy. Nube de Tinta hardcover
199239290Ed. Revista Literaria 1992. unbound. Bueno. Ed. Revista Literaria. Madrid 1929. Carton lomo piel. 29x21. 828 pp. Del Nº 27 al nº 52. 45 titulos. Cubiertas y lomo algo deslucidos. Pequeñas faltas que afectan al texto en pags. 171-172 ; 763-764 ; 787-788. Ed. Revista Literaria unknown
2024H-225-097Spinelle Editions 2024. Paperback. Very Good. Ammareal gives back up to 15% of this item's net price to charity organizations. Spinelle Editions paperback
20082-2296046320L'Harmattan 2008. Paperback. New. 432 pages. French language. 9.45x5.83x0.87 inches. L'Harmattan paperback
51530714-nnew. unknown
51530714like new. unknown
A9781805831259Hardback. New. This book explores Neolithic life at UAQ2 in Umm al-Quwain UAE revealing coastal adaptation burial practices and ancient pearling. It links the site to Mesopotamia and Oman showing regional exchange. Environmental shifts and rich stratigraphy deepen insights into Eastern Arabia’s prehistoric past. hardcover
2008x-354076724XSpringer-Verlag New York Inc 2008. Paperback. New. 1st edition. 969 pages. 9.75x6.25x1.50 inches. Springer-Verlag New York Inc paperback
19464269Montevideo: La Bolsa de los Libros 1946. First Edition — Primera edición. Softcover — Tapa blanda. 235x165mm. 9¼x6½". Montevideo La Bolsa de los Libros 1946. En 4º 235 x 165mm. 818 pp. 10 h. Rústica. Primera edición. La Bolsa de los Libros paperback
2021x-3030775429Springer Nature 2021. Paperback. New. 177 pages. 9.25x6.10x0.38 inches. Springer Nature paperback
2020x-3030480763Springer Nature 2020. Paperback. New. 440 pages. 9.25x6.10x1.06 inches. Springer Nature paperback
BIB-16977233Trade Paperback. Publisher: Lunds universitet Media-Tryck Utg. 2022 Trade Paperback 318 p. This book is brand new. Language: Svenska --- Information regarding the book: Medverkande: Pinto Andrès Brink ; Karlsson Mikael Mery ; Schmitt Irina ; Rydström Helle ; Edelberg Peter ; Svensson Chowdhury Matilda ; Gustafsson Tommy ; Rosenberg Tiina ; Fundberg Jesper ; Liinason Mia ; Dahl Ulrika ; Lehtonen Jukka ; Lennerhed Lena ; Löfgren Lotta ; Kulick Don ; Appelmo Elisabet ; Lundberg Urban ; Tydén Mattias ; Anving Terese ; Selberg Rebecca ; Mulinari Diana We have this book in our store house - please allow for a couple of extra days for delivery. paperback
18192515<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
18192499<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
185091065Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm ENGLISH DESCRIPTION ON DEMAND Edition originale exemplaire du tirage de luxe illustré d'un frontispice et de 16 planches rehaussées finement à l'aquarelle de Gavarni gravées sur acier par Geoffroy dans d'élégants encadrements découpés en dentelles et montés sur papier rose. Impression sur beau velin. Reliure en plein cartonnage historié de l'éditeur gardes et contreplats de papier jaune d'origine un peu salis en marge coins inférieurs émoussés coiffes frottées avec d'infimes manques à la percaline. Rousseurs. Bel exemplaire. Les textes de Méry sont des nouvelles autour d'une pierre précieuse ou d'un bijou. Les gravures illustrent divers parements féminins dans le premier volume autour des joyaux perle reliquaire pendentif rosaire saphir bracelet. dans le second volume le châle le manchon la mantille le turban le bouquet la couronne. G. de Gonet unknown
185077587Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 19 x 28.50 cm relié First edition illustrated with a repeated frontispiece and 30 steel-engraved plates by Gavarni engraved by Geoffroy on China paper laid down. Printed on fine white wove paper. Blue or neutral tissue guards. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lavender morocco binding with corners and long grain signed Mercier 1920 at the top of the first endpaper in Romantic style. Spine with false raised bands richly decorated with two complex mirrored tools in each compartment blind fillets and rolls on the bands. Separation fillets on the boards. Uncut copy full-margined. Perfect paper freshness. Light rubbing traces impact at foot of the Parures volume with a dent of 0.8cm. Very handsome copy rare in this condition. Blue leather bookplate P. Villeboeuf with his gilt monogram also at top of pastedowns. Méry's texts are short stories centered around a precious stone or jewel. G. de Gonet hardcover
185079613Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm 2 volumes reliés First edition illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lemon yellow morocco binding with corners late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of the upper cover. Uncut copy shorter titles in margins. Some occasional foxing. Handsome copy. Méry's texts are short stories centered around a precious stone or jewel. The engravings illustrate various feminine adornments in the first volume around jewels pearl reliquary pendant rosary sapphire bracelet. in the second volume shawl muff mantilla turban bouquet crown. G. de Gonet hardcover
6209450369.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
