350 résultats
184212407Bourdin, s.d. 1842 Grand in-8 demi-chagrin rouge à coins, dos à nerfs, caissons ornés, filets et dentelles, IX- 331 pp. 15 planches hors-texte, très nombreuses gravures dans le texte. Quelques rousseurs. Coiffe sup. et un coin lég. émoussés.
182935572Huitième édition, 1 vol. in-8 reliure de l'époque demi-basane prune, dos à 4 nerfs dorés, Ambroise Dupont et Cie, Libraires, Paris, 1829, 303 pp.
182838936ème édition. Paris, Ambroise Dupont 1828. 303 pages.Reliure demi basane verte de l'époque. Dos lisse à faux nerfs filetés dorés. Rousseurs. Format in-8° (21x13).
1828104821828 demi-veau olive, dos à n. (rousseurs) in-8, XVI-287pp., P. Ambroise Dupont, 1828,
182814541828 Paris, Dupont-Marchands de nouveautés, 1828-1826, 2 tomes en 1volume in-8 relié demi basane beige de l'époque, 8 (notice par P.F. Tissot)-287, 83 pages, dos lisse à 5 faux nerfs dorés, titre doré, très bon état
183845041Deux-Ponts : G. Ritter 1838. 165x110mm. reliure demi-basane. PiÂce de titre au dos partiellement dÂŽchirÂŽe. Plats papier marbrÂŽ. Noms de possesseur.Traces dÕhumiditÂŽ marginales. LÕensemble reste parfaitement correct. 205 G. Ritter unknown
1828RO20191693DUPONT AMBROISE ET CIE. 1828. In-8. Relié demi-cuir. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. XV + 268 pages - plats et contre-plats jaspés - plats et coins frottés - interieur correct - auteur, filet, titre, roulette et fleurons dorés au dos.. . . . Classification Dewey : 782.42-Chanson
1835R150176497PERROTIN.. 1835. In-8. Cartonné. A restaurer, Plats abîmés, Dos abîmé, Quelques rousseurs. 396 pages. Nombreuses illustrations en noir et blanc hors texte avec serpente. Dos absent.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
187323580Typ. & Lith. Cayer & Cie | Marseille 1873 | 11.50 x 18.50 cm | broché
187323580Marseille: Typ. & Lith. Cayer & Cie 1873. Fine. Typ. & Lith. Cayer & Cie Marseille 1873 11.50 x 18.50 cm broché First edition. Spine cracked two small corner lacks to boards handsome interior condition. Typ. & Lith. Cayer & Cie hardcover
186982548Paris Librairie des Contemporains, coll. "Les Contemporains" 1869 1 vol. broché in-24, broché, 71 pp. portrait-frontispice. Troisième édition. Petit accroc au dos en tête, sinon bon état intérieur.
186982548Paris Librairie des Contemporains, coll. "Les Contemporains" 1869 1 vol. broché in-24, broché, 71 pp. portrait-frontispice. Troisième édition. Petit accroc au dos en tête, sinon bon état intérieur.
185423868P., Roret et Cie, 1854. Petit in-12 demi veau rouge, dos lisse, triple filet doré en place des nerfs, plats de papier marbré, couverture et dos conservés. 94 pp. (Relié vers 1900).
186882573Paris Bachelin-Deflorenne, "Collection du Bibliophile français" 1868 1 vol. broché in-24, broché, 111 pp. Edition originale ornée en frontispice d'une gravure à l'eau-forte par G. Staal. Infirmes petites piqûres à quelques feuillets, sinon exemplaire très frais.
186882573Paris Bachelin-Deflorenne, "Collection du Bibliophile français" 1868 1 vol. broché in-24, broché, 111 pp. Edition originale ornée en frontispice d'une gravure à l'eau-forte par G. Staal. Infirmes petites piqûres à quelques feuillets, sinon exemplaire très frais.
18192515<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
1875R150202068MICHEL LEVY FRERES. 1875. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 302 pages- dos et 2nd plat de substitution- pages partiellement désolidarisées- 1 étiquette orange collée en pied du 1er plat. . . . Classification Dewey : 840.08-XIX ème siècle
1860259501860 Paris, Librairie Nouvelle, A. Bourdilliat et Ce, 1860, in-12 de (4)-III-(1)-308-(1) pp. ; demi-basane usée de l'époque, dos orné. Edition originale .Pp. 93 à 124 : Le chasseur marseillais.Thiebaud, Biblio. sur la chasse, col. 660.,traces de mouillures (plats et pages)
187423875P., Michel Lévy, 1874. In-12 demi chagrin noir, dos à nerfs, filets dorés. III-308 pp. (Reliure de l'époque. Rousseurs sur les tranches).
187422991/2 basane bleu, dos long orné, couvertures conservées. Rel. Seigneur. Paris Lévy 1874 1 volume in-12
1899869351899 Paris, Librairie Antisémite, 1899-1900, 2 volumes in 12 brochés, 112 et 90 pages.
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
1864R240089150MICHEL LEVY FRERES. 1864. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 347 pages - quelques rousseurs sans réelle conséquence sur la lecutre.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
188137369Librairie anticléricale, coll. « Léo Taxil » 1881 Collection Léo Taxil. Petit in-8, demi-basane bleue nuit, dos lisse, filets et fleurons dorés, 249 pp. Non rogné. Frontispice. Dos passé, petits frottements. Rares rousseurs.
188120086Paris, Librairie anticléricale, 1881. In-12°, front.-252 pp., intérieur frais (rares petits défauts). Reliure demi-percaline bleu nuit, plats de papier marbré, dos lisse titré doré (reliure frottée, coins émoussés).
