248 résultats
1990103423Tucson AZ: Center For Creative Photography 1990. First edition. Softcover. 104 pages. Essays by Mike Weaver on Strand and Anne Hammond on Adams. Includes numerous photographs as well as letters exchanged by these two master photographers. A close to near fine and tight copy with some small spots to the front panel but internally very clean. Center For Creative Photography unknown books
194523855U.S.A.: International News Photos 1945. Black and white photograph; depicting about 8 casually dressed men playing a hand of cards using a strike sign as a 'table'; another sign states that '50c an hour aint Patriotic.'; photo approx. 6 1/2" x 8" size; trimmed at bottom edge with old crop-marks at borders; top corner edge-clipped in the margin does not affect image; reverse has the International News Photos back-stamp and also Liberty Art Dept. giving subject date of Sep. 15 1945 and a few other markings; some edge-wear and crinkling; in good condition; interesting union workers wage demand & strike visual ephemera from the immediate post World War II period. " The sharp increase in employment during the war caused a dramatic growth in union membership. By 1945 more than fourteen million American workers were enrolled By the end of the war the trade-union movement was big and had established firm collective bargaining bases in most of the important industries of the United States . Wartime controls inevitably built up tensions within the rank and file. With the war's end a wave of nationwide strikes battered the maritime railroad coal oil auto electrical telephone and steel industries; four and a half million workers were on the picket lines " Americans in Depression and War by Irving Bernstein US Dept. of Labor site. Photograph. Not Bound. Good. International News Photos Paperback books
194925006France: Not Published 1949. These very personal letters & ephemeral items were written to friends of the Strands William Golden & Cipe Pineles and after Golden's death to Cipe & her son Tom. The friendship extended back to their mutual participation in the Group Theater in New York in the 1930s. After WWII Strand and his wife Hazel Kingsbury took up residence in Orgeval France and traveled extensively often in relation to their photographic projects. Background: Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Paul Strand 1890 -1976 American photo-artist; Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America" John B. Rohrbach in the ANB Group includes: Aug. 29 1949 autograph letter signed 1 ½ pages condolences addressed to Cipe on hearing the news of the death of her mother: "sad news reached me yesterday evening upon my return to Paris from Switzerland. My heart felt sympathy and understanding of what this loss means to youI remember your mother so well just the few times we met at your house - the kind of wholeness she had of one who quietly does things and always does them beautifully and wellsigned Paul" Approx. 8 ¼" x 10 ½" size; light cream airmail paper old fold lines light wear; in very good condition; with the original post-cancelled mailing envelope return addressed Paul Strand c/o Kleinholz 25 Rue Mademoiselle Paris France; envelope opened roughly corner torn. ALS dated Oct. 28 1959 Orgeval 2 page. "On our return home we find here a telegram from Louise with the terrible news about BillYou know what dear friends Bill and you have been and for many yearssigned Paul" with and additional short note of condolence signed from Hazel these written on the sudden death of Bill Golden Cipe Pineles' husband Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the original postally cancelled mailing envelope return addressed Paul & Hazel Strand Orgeval. ALS dated Nov. 12 1959 Orgegal 1 ½ pages. "It was kind of Bernarda to have written to us and above all we were so glad to know that such good friends were with you as Bernarda and Ben ShahnYou know how close Bill and I always were - how long and splendid the friendship between us - unmarred by even the slightest misunderstanding over the many years. No one could have a more wonderful friend than he was - an artist in his work and in his human relationships - bothsigned Paul" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the cancelled mailing envelope return addressed Paul Strand Orgeval. ALS dated May 12 1962 Orgeval. 3 handwritten sides thanking Cipe for the book regarding Bill Golden a posthumous tribute to his work and discussing her participation in the Strand Scotland book and Morocco work: "I am happy to be part of it with the photograph made just before coming to France - which Bill used so beautifullyplus the remarkably clear statements he made about design and designers - These complimenting each other & reveal both the man and his workHazel and I are reasonably well. We spent two months in Morocco working almost every day - and driving over almost all of this remarkably beautiful country some 6000 klms. I am in the middle of developing the negativescan expect to receive a copy of Tir a'mhurain in the next months. It is a good job that however could have been better. I never had the opportunity of checking the cover at all which is printed on paper much too thin for a jacket and very much different in color from what we had discussed and chosen. If one is not right there to control every part anything can happen. In fact it does happen. Nevertheless your design stands up. Hope you will not feel badly about the inadequacy of its carrying outAffectionately signed Paul & Hazel" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. Miscellaneous: French Postes et Telecommunications printed 'Telegramme' form; not dated. Address: Hoffman Aperture New York. "Thanks Million Cipe Will and You All Suggestions received fully accepted stop footnote different titles Mexican Film necessary sure Cipe can solve Love Paul Paul Strand Orgeval Yvelines" approx. 5 ¼" x 8 ¼" size; old fold line; light wear very good condition. Postcard dated March 1966 Mexico. "Had sun & rain and all the diseases going - Better now - see you soon H. & P." Light wear post-cancelled; in very good condition. Postcard not dated postal cancellations obscure and circa 1959 Dakar Afrique Occidentale Francaise. To Cipe & son Tom probably just after Bill Golden's death "Sent you a painting from Caracas which we hope you like - a night watchman has been painting some pretty exciting things with crayons - We have two ourselves. The trip has been fineP. made some photos but he said 'not seriously.' Hope the heat and humidity have not ruined themlove H & P" Light wear in very good condition. Postcard May 5 1958 Orgeval. "Started my semi-annual postcard correspondence on a trip to the film festival and only managed to address the things! We visited with many friends Paul swam a few timessaw a couple of films and travelled a few different roadslove from us both Hazel & Paul" Light wear post-cancelled; in very good condition. Autograph note signed July 8 1975. A condolence letter to Cipe: "Paul is always so much better than I am at expressing himself but can't write at all. We both send our deepest lovesigned Hazel" Approx. 6" x 7 ½" size light gray notepaper; with the original postally cancelled mailing envelope return addressed Strand 244 E. 5th St. New York; light wear; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
195424812Orgeval France: Not Published 1954. The letters give much background to the creative process of Strand and were written to the designer-artist couple William Golden & Cipe Pineles here addressed as 'Bill & Cipe' who were friends and professional colleagues extending back to their collaborations as participants in the Group Theater in New York in the 1930s. Paul Strand 1890 -1976 American photo-artist Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America after publishing La France de Profil 1952 a portrait of postwar small-town French lifeStrand would spend the rest of his life assembling and completing similar book portraits celebrating primarily rural cultures" as Un Paese & others "Many established photographers from Walker Evans to Eliot Porter have admitted to having been strongly influenced by Strand's impeccably rich and detailed prints concern for formal relationships respect for his subjects and ability to distill the essence of his subjects. However through much of the 1950s and 1960s his reputation fell into eclipse. His dedication to view cameras and fine printing his largely frontal compositions and his devotion to creating politically motivated celebrations of traditional largely rural cultures did not fit an artistic world fascinated with the hand camera and the constant change of contemporary life. By the late 1960s however Strand received renewed acclaim first through European exhibitions and then by means of a retrospective exhibition sponsored by the Philadelphia Museum of Art 1971." John B. Rohrbach in the ANB Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director associated with Conde Nast Vogue & others; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Letter 1: Four handwritten pages with very good content throughout; dated May 10 1954 just prior to the publishing of "Un Paese" the Italian-produced photograph & text collaboration between photographer Paul Strand and neo-realist screenwriter Cesare Zavattini. Written in blue ink on airmail paper: "just back from Milan with very good news. The book is finished and accepted by Einaudi one of the best and biggest publishers in Italy. Zavattini has written a fine and moving text very direct very simplethis outcome after months of nothing happening made us both feel pretty good. Printing is going to be done by Pizzi in Milanone of the best around for gravure. We had one conference and find that the nephew of the boss speaks English and seems both intelligent and cooperative. Won't be any problem of putting my finger in the pie I think. We have to be back in Milan on the 20th with the negatives and Pizzi offered to make a few quick tests for us to see. Einaudi is being very flexible as to size and format cover etc. They seem to want to do a good job and one that doesn't look like the present rash of photo book. I mentioned that my good friend Golden might take a crack at the cover and they were only too pleased. We decided on a slightly larger page size than La France de Profil both to get away from the standard thinking and also to give more space for text. Size we chose was 23 x 29 cms. Naturally the cover will be a little larger. I would say add about 3mm for the cover size length & width. The title so far chosen is "Un Paese." In Italian this has the double meaning of a village and the whole country. This is Zavattini's title and we think it is good - Simple and excites curiosity by not being too explicit. As for other printing on the cover - Cesare Zavattini and Paul Strand. He is a big name in Italy and I have the feeling that both names can be larger and more effective than in "La France de Profil." Lastly this publisher usually puts his own name Einaudi on the cover not too conspicuously. Now as to the photographs for the cover. The publishers are favorable to one of people and there are two which attracts them. One you have. It is the photograph of a family the mother in the doorway and five sons. For me it is one of the most important photographs and one that many people respond to. That is a horizontal. The other is a vertical portrait of a little girl which I will print this week and mail to you before we go back to Milan. I have the feeling that the impact of the cover should not rely entirely on the photograph itself but rather on a total layout in which the whole page is eye compelling. In short not like the French book. What do you think Last of all we thought the photograph of the white wall with all the iron things- sides etc. might do well for the back cover - no type. The photograph you mentioned of the people in front of the café is good but perhaps too sad - for most of those folks are from the old people's home across the street. Einaudi are not interested in bleed pages. If I wanted some they would agree. If you were around maybe there would be some. On my own I think to have none at least at this stage. But that doesn't mean I guess that the cover photos can't be bled if you see it that way on one or more sides. Guess that about covers the news. I think we will go to Scotland in June at least to have a look around and perhaps work if it looks good. It's awfully damn kind of you think about the cover of the new book and to let us have your ideas.As always signed Paul." The cover photograph discussed was used as planned on the finished "Un Paese" photo-volume; the Scotland trip mentioned eventually led to the publication of Strand's "Tir a'mhurain Outer Hebrides." Letter 2: Dated June 13 1955; three pages handwritten and also sent to Cipe Bill and Tom their son Golden. Strand inquires as to Bill Golden's opinion on the final version of 'Un Paese': "for I just received the first letters from America from very enthusiastic people. Everyone comments on the beauty of the cover such words as 'superb.' We think it is swell and a real 'Golden' job. The general feeling is that although the Swiss printing is a bit better that as a whole this is a better book more warm and human. I think that is so because it was much more planned and concentratedhoping there may be an edition in French and one American publisher has expressed interest. If this develops I may have to call on you Bill again for we must keep the cover intact" Also about half the letter is concerned with the purchase redesign and descriptions of the property & gardens of their home in Orgeval France which was eventually a subject of another Strand photo-book and was the haven from which much work originated. The letter signed by Paul and Hazel. The letter-sheets approx. 8 1/4" x 10 1/4" size; old fold lines little bit of edge-wrinkling; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
190317337Washington D.C.: Government Printing Office 1903. First Edition. Octavo 22cm. Blue ribbed cloth titled in gilt on spine; 257pp; frontispiece map. Slight external wear and soil; front endpaper chipped and tape-repaired; Very Good. Official report of Theodore Roosevelt's independent Commission appointed "at the request of both the operators and of the miners" in October 1902 to investigate the causes of the Great Anthracite Strike of that year. The Commission's report marked an important mileston in the history of American labor negotiations as this was the first instance of the Federal government acting as an independent arbitrator in a labor dispute. The results were varied but generally were considered favorable to the United Mine Workers whose members received a 10% pay increase and a reduction in working hours. Government Printing Office unknown books
1959103317New York: Hill and Wang 1959. First edition. Hardcover. Translated from the Spanish by Joseph M. Bernstein. A fine copy in a close to near fine dust jacket that has some minor rumpling to the top of the front panel. On the back flap there is a terrific picture of the Arenal with Fidel Castro and Castro is holding a Spanish edition of the book. Hill and Wang unknown books
1970237024New York: August 26 Strike Committee 1970. Leaflet text & graphs on one side only browned in one margin done using a copier at the time and done off center ink residue from the copier on the verso minor creasing 8.5x11 inches. Illustrated with graphs showing pay inequality between men and women. Leaflet for the demonstration that was the public debut of second wave feminism. The demonstration was on the date of the fiftieth anniversary of the ratification of woman's right to vote. Demands included: Equal opportunities in jobs and education free abortion on demand -- no forced sterilization free 24-hour childcard centers -- community controlled. August 26 Strike Committee unknown books
19702178New York: August 26 Strike Committee 1970. Loose_leaf. White paper black printing. Very good. 27.5 x 21 cm. Leaflet printed for the New York demonstration marking the 50th anniversary of the passage of woman suffrage - the Women's Strike for Equality March led by the National Organization for Women NOW calling for new rights: free childcare equal opportunities in education and employment no forced sterilization and a right to free abortion. The strike was called for by Betty Friedan the Queens-based author of The Feminine Mystique and the first president of NOW. Friedan urged work stoppages for "everyone who is doing a job for which a man would be paid more" as well as women whose labor at home was unpaid. Sponsors included Rep. Shirley Chisholm Robin Morgan Kate Millett Helen Southard YWCA Beulah Sanders National Welfare Rights Organization New York Radical Feminists National Organization for Women and Columbia Women's Liberation. Lower portion designed to be removed - for contribution and support. Printed on one side only creased else good condition. <br/><br/> August 26 Strike Committee unknown books
1992182604Boston: David R. Godine 1992. Paperback. 112p. 9.5x8.5 inches landscape layout profusely illustrated with b&w photographs very good first edition stated trade paperback in glossy wraps. Photographers include Yul Brynner Dora Maar Beaton Lee Miller just about everybody; subjects include Picasso Colette Lartigue and just about everybody in company with JC of course. A stimulating collection well-reproduced. David R. Godine paperback books
199246890Boston: David R. Godine 1992. Hardcover. 112p. 9.5x8.5 inches landscape layout profusely illustrated with b&w photographs very good first edition stated in black cloth boards titled in silver foil and guarded in unclipped dj. Photographers include Yul Brynner Dora Maar Beaton Lee Miller just about everybody; subjects include Picasso Colette Lartigue and just about everybody in company with JC of course. A fine collection well-reproduced. David R. Godine hardcover books
198919685No Place: Privately Printed 1989. First edition. Paperback. Near Fine. 8vo. Fine press publication in sewn wrappers. A book of poems written in tribute to poet John Hollander on his sixtieth birthday. One of only forty copies available for sale. Covers ever so slightly darkened else a fine example in decorated sewn wrappers with printed paper label on the front panel. Includes wotk by W. S. Merwin Richard Wilbur James Merrill and others. <br/><br/> Privately Printed paperback books
195944784New York: Hill and Wang 1959. First American Edition. Octavo 21cm; light gray cloth with titles stamped in red on spine; dustjacket; 89-96pp. Hint of foxing to upper board edges else Fine in a Near Fine dustjacket unclipped priced $2.50 with mild wear to extremities. Novella of the Cuban Revolution by Arenal 1926-2012 who was exiled to the United States during the Batista regime and invited back to Cuba by Castro himself. "Based on an actual incident The Sun Beats Down tells how a group of young revolutionists kidnaps a famous Mexican prize fighters from the lobby of Havana's busiest hotel" from rear panel. Hill and Wang unknown books
196639899NY: National Advisory Committee on Farm Labor 1966. First edition. 35 pp. Near fine in stapled wrappers. Illustrated with photographs by George Ballis and others. NY: National Advisory Committee on Farm Labor unknown books
1980169605Tucson AZ: Center For Creative Photography University of Arizona 1980. First edition. Softcover. 25 pages. Guide Series Number Two. Preface by Terence R. Pitts. Includes the text of a lecture by Paul Strand delivered at The Museum of Modern Art in 1945. A very near fine copy in stapled wrappers. Center For Creative Photography, University of Arizona unknown books
1938260513San Francisco: Department Store Strike Committee 1938. Nine handbills all 5.5x8.5 inches printed on one side only mostly text one with a small illustration they are browned and fragile but intact. The Committee was formed by Department Store Employees Union Local 1100 Janitors no. 87 Elevator Operators no. 117 and Joint Board of Culinary Workers - all AFL unions. Local 1100 was a majority female union with a large number of women present on their militant picket lines. The fight was for better wages and a union shop these handbills were appeals to the public to respect the picket line and informational in nature. Department Store Strike Committee unknown books
1938260516San Francisco: Department Store Strike Committee 1938. Handbill 5.5x8.5 inches printed on one side only with a small illustration toned with minor chipping on the edges. The Committee was formed by Department Store Employees Union Local 1100 Janitors no. 87 Elevator Operators no. 117 and Joint Board of Culinary Workers - all AFL unions. Local 1100 was a majority female union with a large number of women present on their militant picket lines. The fight was for better wages and a union shop. Department Store Strike Committee unknown books
1994122685New York: Aperture Foundation Inc 1994. First edition. Softcover. An intimate portrait by Catherine Duncan. Includes over 120 black and white photographs from Strand's travels throughout the world. A very near fine copy in wrappers. Aperture Foundation, Inc unknown books
198036864New York: Inkwell Press 1980. 8vo 24 cm 9.5". Frontis. 153 3 pp.; illus. <br><br>Eleven essays on the innovative typographer/artist/author plus a letter from him to Alfred A. Knopf regarding colors for book cloth. Featuring numerous examples of Dwiggins's designs lettering and illustration work this volume was privately printed for friends of Hermann Püterschein "Püterschein" being Dwiggins's sarcastic self-mocking alter ego.<br>Â Â Â Â The volume was designed by Vincent Torre; this is => one of 500 copies printed. Publisher's gray-green cloth front cover with black-stamped vignette spine with black-stamped title. Minimal wear to lower outer cover corners otherwise a crisp lovely copy. Inkwell Press hardcover books
2013019488Philadelphia PA: Coachbuilt Press. Fine. 2013. First Edition; First Printing. Hardcover. 0988273314 . Black boards with gilt embossing. Dust jacket with title on front and spine. In fine condition. This collection of photographs by various photographers showcases the details of automotive jewelry found in the front or rear of exquisite vehicles. ; B&W & Color Photographs; 4to 11" - 13" tall; 287 pp . Coachbuilt Press hardcover books
2013009854rosPhiladelphia: Coachbuilt Press. Fine with no dust jacket. 2013. First Edition. Hardcover. Black cloth boards with silver imprint. Extra shipping required due to the large size. A striking collection of color photographs of ornaments and emblems from the 1937 Cadillac V-16 Aero-Coupe to a 1955 Porsche 550 Spyder. ; Color Photographs; 12 1/4" x 9 3/4"; 287 pp . Coachbuilt Press hardcover books
2003153972New York: Umbrage Editions 2003. First edition. Hardcover. Foreword by Mark Strand and Afterword by Nan Richardson. A nicely printed collection of black and white images taken in a four year period in Mexcio Belize Southeast Asia the U.S. and Europe. A very near fine copy in a very near fine dust jacket. Signed and inscribed by Gall on the title page in the year of publication. Umbrage Editions unknown books
2003265119Baltimore: The Johns Hopkins University Press 2003. Hardcover. xxiv 173p. illustrated by Rembrandt van Rijn hardbound in 9.5x6 inch brown cloth boards gilt and enclosed in the excellent dust jacket graced with Mr van Rijn's Man in Oriental Costume. An as-new copy: entirely sound clean unmarked. The Johns Hopkins University Press hardcover books
19611904New York: New York Committee for the General Strike for Peace 1961-1963. <br /><br />A collection of nine rare leaflets and letters concerning the General Strike for Peace which in the early 1960s sought a ban on the testing of nuclear weapons as well as global disarmament. This material belonged to Jackson Mac Low 1922-2004 poet performance artist and peace activist.<br /><br />Eight of these items were issued by the New York Committee for the General Strike for Peace for which Mac Low was one of the organizers. Julian Beck and Judith Malina of the Living Theatre were also organizers. The collection also includes a letter from the Committee for Nonviolent Action. <br /><br />The General Strike for Peace consisted of three different phases the first of which took place in early 1962 followed by additional calls to strike in November 1962 and then again in May 1963. <br /><br />On January 29 1962 more than 300 people marched down Fifth Avenue in New York calling for a worldwide general strike for peace. The New York Times was there: "The demonstrators' appearance ranged from button-down to beatnik with the latter somewhat more conspicuous in the heart of the fashionable shopping district. Pete Seeger and Gil Turner folk singers strummed songs against war and against civil defense." The New York Times January 30 1962 page 3.<br /><br />This collection includes material from each of the three phases of the General Strike for Peace. All appear to be photomechanically reproduced including the letters:<br /><br />--Three leaflets calling for a general strike from January 29 to February 4 1962. Two of these leaflets are identical titled general strike while a third titled general strike for peace appears to be an updated version with a fuller list of members on the Action Committee as well as the addition of International Sponsors. Each is a single sheet folded to create 4 pages measuring 8 1/2 x 5 1/2 inches when folded.<br /><br />--A Dear friend letter from the Committee for Nonviolent Action expressing sympathy for the General Strike but saying that the Committee could not undertake organizationally to work on this project. Single sheet measuring 11 x 8 1/2 inches.<br /><br />--A leaflet This is the SECOND CALL for a WORLD WIDE GENERAL STRIKE FOR PEACE set for November 5 to November 11 1962. Single sheet folded to create 4 pages measuring 8 1/2 x 5 1/2 inches when folded.<br /><br />--A Dear Friend letter from the New York Committee explaining the second call. The letter is signed by Donn Reed who was an antiwar activist. Stapled to the letter is a leaflet with the same text as the example listed immediately above although in a different color. Letter: Single sheet measuring 11 x 8 1/2 inches. Leaflet: Single sheet folded to create 4 pages measuring 8 1/2 x 5 1/2 inches when folded.<br /><br />--A leaflet general strike announcing a worldwide general strike for peace for May 8 1963. Single sheet folded to create 4 pages measuring 8 1/2 x 5 1/2 inches when folded.<br /><br />--A leaflet crisis strike seeking support for an emergency general strike for peace in times of crisis. Undated. Printed recto only. Single sheet measuring 8 1/2 x 5 1/2 inches.<br /><br />Provenance: From the collection of poet composer and performance artist Jackson Mac Low one of the organizers of the New York Committee. <br /><br />This material is rare. OCLC shows only one institutional holding at Northwestern for "This is the SECOND CALL." of 1962. The University of Kansas holds a copy of "general strike" of 1963. We assume there are other examples held by institutions probably in ephemera collections that have not been fully catalogued.<br /><br />A rare collection of General Strike material formerly owned by one of the organizers of the New York Committee the poet and performance artist Jackson Mac Low. <br /><br />CONDITION: Some modest creasing and soiling. Overall Very Good or better copies. New York Committee for the General Strike for Peace books
1990151929New York & Washington D.C.: National Gallery of Art in association with Aperture 1990. First edition. Softcover. 171 pages. Published in conjunction with a traveling exhibition that ran December 2 1990 through February 3 1991 in Washington D.C. and then wne on to 6 other locations for additional dates. Text by Greenough. Includes over 140 black and white images many of which are some Strand's best known works. A tight and clean very near fine copy in very good dust jacket that has a number of small edge tears and minor wear. Still one of the best monographs on Strand. National Gallery of Art in association with Aperture unknown books
1990177643Washington D.C.: National Gallery of Art 1990. Hardcover. VG/VG- some tears/rubbing on dust jacket some imperfections on edges of text block text and illustrations clean scuffing to front cover. Black cloth cover with blind debossing and red text on spine. 171 pp. Illustrated dust jacket with pink text. Profusely illustrated in black and white. Photographs by Paul Strand gathered from public and private collections with an introduction to his growth as artist and personal forces that combined to influence his art. Number 49 of 75 editions printed. Signed by Michael E. Hoffman executive director of the Gallery. National Gallery of Art hardcover books
