605 résultats
20162-1910164550Mack 2016. Hardcover. New. 128 pages. 8.50x6.54x0.63 inches. Mack hardcover
20091-0767920694Doubleday 2009. Hardcover. New. 272 pages. 9.50x6.50x1.00 inches. Doubleday hardcover
2012Q-3791371002Prestel Publishing 2012-04-16. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Prestel Publishing hardcover
2003Q-1893361934SkyLight Paths 2003-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! SkyLight Paths paperback
20151-0812997727Spiegel & Grau 2015. Hardcover. New. 112 pages. 8.50x6.00x1.00 inches. Spiegel & Grau hardcover
20161233559PN. New. 2016. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
20091-0984108106Rood Scholar Pr 2009. Hardcover. New. 2368 pages. 10.20x7.30x2.40 inches. Rood Scholar Pr hardcover
20040117282004. Hardcover. Very Good. Publisher: Nordic Ware 2004 V.Good Spiral Bound HB ISBN: 0-9744605-2-4 hardcover
2012x-0415541611Routledge 2012. Paperback. New. 1st edition. 262 pages. 5.98x9.02x0.75 inches. Routledge paperback
2008x-0415991935Routledge 2008. Hardcover. New. 1st edition. 261 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2012DADAX0415541611Routledge 2012-02-27. 1. paperback. New. 8.27x0.62x11.69. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
2008DADAX0415991935Routledge 2008-09-17. 1. hardcover. New. 6.10x0.80x9.10. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2024x-1032675578Routledge 2024. Hardcover. New. 256 pages. 9.00x6.00x9.00 inches. Routledge hardcover
2026x-1032675640Taylor & Francis Ltd 2026. Paperback. New. 242 pages. 6.00x0.51x9.00 inches. Taylor & Francis Ltd paperback
2010p1031osSalem MA: Higginson Book Company 2010. Facsimile reprint of this three-volume set undated but modern; first published in 1910. Hardcovers full blue buckram. Light wear near fine. Text clean; 2 xviii 366; 4 367-764; 6 767-1147 pages portraits. Reprint. Hard Cover. Very Good/No Jacket. Quarto. Set. Higginson Book Company Hardcover
2007Q-0966407504Real Life Press 2007-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Real Life Press paperback
20071-1566892074Coffee House Pr 2007. Hardcover. New. 224 pages. 12.50x9.50x1.00 inches. Coffee House Pr hardcover
2007075422Coffee House Press. Hardcover with dust jacket in Fine condition there are no stamps writing or marks a little scuffing on the glossy jacket no tears book itself looks like new glossy colorful pages with photos on almost every one . Fine. Hardcover. 2007. Coffee House Press hardcover
2007Q-1566892074Coffee House Press 2007-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Coffee House Press hardcover
2005Q-0873515269Minnesota Historical Society Press 2005-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Minnesota Historical Society Press hardcover
2003Q-0873514521Minnesota Historical Society Press 2003-09-04. hardcover. New. In shrink wrap. Looks like an interesting title! Minnesota Historical Society Press hardcover
2007DADAX1566892074Coffee House Press 2007-09-01. hardcover. New. 9.40x0.80x12.40. Buy with confidence. Excellent Customer Service & Return policy. Coffee House Press hardcover
2006Q-073854003XArcadia Publishing 2006-02-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Arcadia Publishing paperback
201510194Norway 2015. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
201610196Norway 2016. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 5 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
