Strand, RichardBiblio.com
605 résultats
2001Q-155783461XApplause Books 2001-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Applause Books paperback
201510195Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 5 copies. hardcover
201610198Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
201610503Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
2006Q-0785288287Thomas Nelson Inc 2006-09-12. Paperback. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc paperback
2005Q-097473084XReal Life Press 2005-01-25. Paperback. New. In shrink wrap. Looks like an interesting title! Real Life Press paperback
2006Q-0974730874Real Life Press 2006-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Real Life Press hardcover
201911102Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
201911103Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 1 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
2003Q-0966407563Health Concepts 2003-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Health Concepts paperback
2002Q-0785213058Nelson Books 2002-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Nelson Books paperback
2003Q-0785264868Thomas Nelson Inc 2003-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc hardcover
2013Q-0849921961Thomas Nelson 2013-05-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! Thomas Nelson paperback
2006Q-1401303005Hyperion 2006-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hyperion hardcover
20063094VB2006. Dordrecht Springer Netherland 2006. 16 x 23 cm. XVI 312 S. XVI 312 p. Softcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Nato Security through Science Series B:. paperback
200610ZB2006. 2006. Dordrecht Springer Netherland 2006. 16 x 24 cm. XVI 312 S. XVI 312 p. HC Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Nato Security through Science Series B:. hardcover
2006SONG1402046472Springer 2006-03-02. 2006. hardcover. Used: Good. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2006DADAX1402046472Springer 2006-03-02. 2006. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2001654132Aperture 2001. Second Edition. Hardcover. Near Fine/Near Fine. Copper Canyon reference copy with a printed email from publisher Amy Schaus of Copper Canyon Press laid in loose sent to designer Valerie Brewster concerning the cover art for the book Transparence of the World by Jean Follain and translated by W. S. Merwin. Merwin recommended various heliogravure plates from La France de Profil of which Countryside on page 38 was ultimately chosen. Brewster’s business card is also laid in loose. A stated Second Edition. Small Folio - between 12 in. - 15 in. Illustrated with heliogravure plates. A Near Fine copy in a Near Fine dust jacket with slight edgewear. Aperture hardcover
2001Q-0893818747Aperture 2001-06-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Aperture hardcover
2001SONG0893818747Aperture 2001-06-15. 2. hardcover. Used: Good. 9.75x0.75x12.50. Buy with confidence. Excellent Customer Service & Return policy. Aperture hardcover
20081554755053Fundación Barrié 2008. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Disc included. No marks to text. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Fundación Barrié hardcover
2014204630Philadelphia PA: Philadelphia Museum of Art 2014. First edition and first printing. Hardcover. 373 pages. Published in conjunction a traveling exhibition. Edited and with essays by Peter Barberie and Amanda N. Bock. Features the text of a roundtable discussion with Barbarie Bock and Martin Barnes Karen Beckman Tsitsi Jaji and Maria Antonella Pelizzari and a chronology by Samantha Gainsburg. Includes hundreds of images by Strand. A clean very near fine copy in gray cloth boards and in a near fine dust jacket with some very minor wear. A very nicely printed and designed book that includes many of Strand's most important images. Please note that this is a heavy and oversized book and will require extra shipping. Philadelphia Museum of Art unknown
2010206196New York and Mexico: Aperture and Fundacion Televisa 2010. First edition and first printing. Hardcover. 359 pages. Monograph on the photographs in Mexico of American photographer Paul Strand. Features text by James Krippner an historical essay by Alfonso Morales Carrillo and additional contributions by Katherine Ware Leo Hurwitz David Alfaro Siquerios as well as process notes by Anthony Montoya. Includes 100 color 240 black and white and 89 tritone illustrations. A fine copy in photo-illustrated front board with cloth spine and rear board and a fine dvd. No dust jacket as issued. This is a heavy and oversized book and will require extra shipping. Aperture and Fundacion Televisa unknown
2010ANAIS-1597111376Aperture 2010-11-15. hardcover. Good. 13.2X11.7X1.6. Buy with confidence. Excellent Customer Service & Return policy. Aperture hardcover
