1 040 résultats
1976752118PN. New. 1976. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1977755555PN. New. 1977. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
196389275New York: Brooklyn College 1963. Presentation copy from one of America's most influential photographers First edition presentation copy inscribed by Paul Strand on the rear wrapper "To Cipe and Will with affection Paul" - a superb association linking one of the great photographers of the 20th century with two of the most influential figures in American graphic design. Cipe Pineles long associated with Condé Nast and later the first woman to serve as autonomous art director of a mass-market magazine transformed editorial visual culture in the 1930s and 40s championing the use of fine artists in commercial illustration and breaking multiple professional barriers. Her husband William "Bill" Golden rose to become the seminal art director of CBS before his early death in 1958. Accompanying the book is a group of three intimate ingeniously handmade cards sent by Paul Strand and his third wife the photographer Hazel Kingsbury Strand spanning more than two decades of friendship. Each combines personal news with visual elements assembled for the recipients - small affectionate constructions that verge on artists' books and speak directly to the Strands' shared creative life and to their long professional connection with CBS. One 1951 celebrates Pineles and Golden's adoption of their son with Hazel noting Strand's ongoing work; another 1958 sent from their home at La Briardière and decorated with Hazel's sampler discusses Strand's "Scotch book" project later published as Tir a'Mhurain 1962; and the last 1974 illustrated with a winter photograph of their house reflects on advancing age work in progress and mutual friends in London and New York. WorldCat lists copies of 16 Gravures at only four institutions Yale Currier Museum of Art New Hampshire Institute of Art Library and the Harry Ransom Center. Small quarto pp. 16. 16 black and white illustrations on 8 plates. Original moderate orange printed wrappers. Edges lightly rubbed couple of nicks to head of front wrapper. An excellent copy. unknown
197185392Cambridge: Halty Ferguson 1971. Inscribed and signed by the author. First edition. Very Good condition. Halty Ferguson unknown
1971103126Halty Ferguson 1971. First edition. hardcover. Very GOOD/NONE. 0x0x0. Published 1971 dated on title page. Sea-blue endpapers. Cream cloth boards with gilt stamp title in rectangle on front cover with no dust jacket. 7.75 x 5.25 x .25. Six ounces. Pages are clean and unmarked. Cloth boards are lightly soiled from handling with a few very small stains. Halty Ferguson hardcover
197166513Cambridge: Halty Ferguson 1971. First edition. White cloth lettered in gilt. One of 1000 copies. 29 pp. Compliments of the publisher card laid in. Translations from the Quechua descendants of the Incas. A short book nicely printed at the Ferguson Press; issued without a dust jacket. Cloth lightly soiled otherwise fine. Halty Ferguson unknown
197181293Cambridge: Halty Ferguson 1971. First edition. First printing; edition of 1000 copies. 12mo 20cm; cream cloth gilt; 29 pp. A tight clean copy about Fine. Eighteen short lyrics more aptly described as adaptations than translations from indigenous Quechua sources. Halty Ferguson unknown
197112193Cambridge: Halty Ferguson 1971. Limited Edition. Hardcover. Very good. 12mo 29pp. A very good copy in the publisher's cream cloth. Faintly offset on the front board inner hinges a touch shaken but a sound example. A magnificent presentation copy SIGNED by Strand on the half-title page with a full page whimsical drawing and inscribed to the translator and fellow poet Willis Barnstone and his wife Helle: "For Willis and Helle with love from your old friend--Mark Strand." The drawing is a profile of a man with an arrow pointing to his face with clouds above his head. One of 1000 copies printed; the edition was not signed. Halty Ferguson hardcover
1971003421H. Ferguson 1971. 1st Edition. Hardcover. Fine. A fine and tight hardcover copy issued without a dustjacket. Limited to 1000 copies. This copy is signed by Mark Strand. This is a very nice clean and bright copy showing only very very minor marks due to the cream color cloth. A very nice copy. = We ship all books with Delivery Confirmation. = We have been selling Used Books for over 29 years. H. Ferguson hardcover
1971597481Cambridge: Halty Ferguson 1971. Hardcover. Near Fine. First edition. Octavo. 31pp. Cream cloth stamped in gilt. Cloth modestly soiled near fine. One of 1000 copies. Laid in is a small card "Compliments of the Publishers" with the handwritten Inscription "Merry Christmas"; additionally laid in is a short handwritten note by the proprietor of Ferguson Press Inscribed and Signed by "Bill Young." A nice association copy. Halty Ferguson hardcover
19711393736Cambridge MA: Halty Ferguson 1971. First Limited Edition First Printing. Hardcover. Small Octavo 29 2 pages. In Very Good condition. Bound in light cream cloth with gilt lettering along the front board. Boards have mild shelving wear and small stains on the front and rear boards. Textblock has mild wear along the edges. Signed flat by Mark Strand on the title page. Limited edition one of 1000. Shelved Room C. 1393736. Special Collections. Halty Ferguson hardcover
19711409940Cambridge Massachusetts: Halty Ferguson Camridge 1971. First Edition. Hardcover. Octavo 29 pages. In Very Good minus Condition. Spine tan colored with no lettering. Foxing to top edge of textblock and front free endpaper gutter. Mild general shelf wear otherwise. Signed flat by Strand on the title page. Shelved in Case 0. 1409940. Shelved Dupont Bookstore. Halty Ferguson Camridge hardcover
1971030294Cambridge: H. Ferguson 1971. Book. Near Fine. Hardcover. First Edition. 29 pp. Tan boards with gold embossed title on the front show minimal signs of previous use there are a couple stains/lines on the front covern and very minor chipping to the bottom of the spine. This is one of 1000 copies printed and bound like this. Size: Quarto. H. Ferguson Hardcover
19712107270006H. Ferguson 1971-01-01. Hardcover. Very Good. 0x0x0. Signed. Association Copy inscribed by Mark Strand on title page. Limited edition of 1000 printed. Bound in publisher's cloth. Hardcover. No dust jacket as issued. Good binding and cover. Shelf wear. Boards slightly soiled. Pages unmarked. 29 p. 20 cm. Autographed by author. <br> Mark Strand 1934-2014 was a Canadian poet writer of short fiction and translator whose poetry noted for its surreal quality explores the boundaries of the self and the external world. Strand was influenced stylistically by Latin American surrealism and such European writers as Franz Kafka and his poetry especially his earliest works is replete with symbolic imagery and minimalist sensibility. Volumes of Strand's poetry include Sleeping with One Eye Open 1964 Reasons for Moving 1968 Darker 1970 The Story of Our Lives 1973 The Late Hour 1978 Selected Poems 1980 The Continuous Life 1990 Dark Harbor 1993 and Man and Camel 2006. A collection of prose pieces Mr. and Mrs. Baby and Other Stories was published in 1985. H. Ferguson hardcover
197161658Cambridge: Halty Ferguson 1971. First edition limited to 1000 copies12mo pp. 29 5; original cream cloth stamped in gilt on the upper cover; near fine. From the library of Kim Merker. Halty Ferguson unknown
1971018236Cambridge MA: Halty Ferguson 1971. Book. NF. Hardcover. Signed by Authors. First Edition. First printing. Limited to 1000 copies. A clean and bright NF copy not issued with dust jacket. Inscribed and signed by the author on the half-title page. Scarce signed. Halty Ferguson Hardcover
197169048Cambridge: Halty Ferguson 1971. First edition. 29 pp. Fine in full cloth with gilt stamping to front cover. No dust jacket as issued. INSCRIBED by Strand on the front free endpaper to Peter Everwine “for Pete / whose work I / admire / from / Mark Strand.†Cambridge: Halty Ferguson, hardcover
1971023732Cambridge: Halty Ferguson 1971. Hardcover. Very Good. Edition ltd to 1000 copies but this one is inscribed and signed by author on front flyleaf. <br/> <br/> Halty Ferguson hardcover
197142907Cambridge: Halty Ferguson 1971. First edition. 29 pp. Near fine in full cloth with gilt stamping to front cover. No dust jacket as issued. INSCRIBED by Strand on the half-title page “for Douglas Blazek /â€A California Quechua†/ from Mark Strand.†Cambridge: Halty Ferguson, hardcover
197124224Cambridge Massachusetts: Halty Ferguson 1971. 29 pages; Limited edition of 1000; binding by the New Hampshire Bindery in Concord set by hand and printed at the Ferguson Press in Cambridge Mass.; "First Edition" stated on the copyright page; previous owner presentation on the half-title page; approx. 5 1/4" x 7 3/4" size; bound in ivory cloth gilt cover titles; some soiling spotting to binding; contents in very condition. First Edition. Hard Cover. Very Good. Halty Ferguson Hardcover books
197169048Cambridge: Halty Ferguson 1971. First edition. 29 pp. Fine in full cloth with gilt stamping to front cover. No dust jacket as issued. INSCRIBED by Strand on the front free endpaper to Peter Everwine “for Pete / whose work I / admire / from / Mark Strand.†Cambridge: Halty Ferguson, hardcover books
197142907Cambridge: Halty Ferguson 1971. First edition. 29 pp. Near fine in full cloth with gilt stamping to front cover. No dust jacket as issued. INSCRIBED by Strand on the half-title page “for Douglas Blazek /â€A California Quechua†/ from Mark Strand.†Cambridge: Halty Ferguson, hardcover books
194523855U.S.A.: International News Photos 1945. Black and white photograph; depicting about 8 casually dressed men playing a hand of cards using a strike sign as a 'table'; another sign states that '50c an hour aint Patriotic.'; photo approx. 6 1/2" x 8" size; trimmed at bottom edge with old crop-marks at borders; top corner edge-clipped in the margin does not affect image; reverse has the International News Photos back-stamp and also Liberty Art Dept. giving subject date of Sep. 15 1945 and a few other markings; some edge-wear and crinkling; in good condition; interesting union workers wage demand & strike visual ephemera from the immediate post World War II period. " The sharp increase in employment during the war caused a dramatic growth in union membership. By 1945 more than fourteen million American workers were enrolled By the end of the war the trade-union movement was big and had established firm collective bargaining bases in most of the important industries of the United States . Wartime controls inevitably built up tensions within the rank and file. With the war's end a wave of nationwide strikes battered the maritime railroad coal oil auto electrical telephone and steel industries; four and a half million workers were on the picket lines " Americans in Depression and War by Irving Bernstein US Dept. of Labor site. Photograph. Not Bound. Good. International News Photos Paperback books
194925006France: Not Published 1949. These very personal letters & ephemeral items were written to friends of the Strands William Golden & Cipe Pineles and after Golden's death to Cipe & her son Tom. The friendship extended back to their mutual participation in the Group Theater in New York in the 1930s. After WWII Strand and his wife Hazel Kingsbury took up residence in Orgeval France and traveled extensively often in relation to their photographic projects. Background: Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Paul Strand 1890 -1976 American photo-artist; Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America" John B. Rohrbach in the ANB Group includes: Aug. 29 1949 autograph letter signed 1 ½ pages condolences addressed to Cipe on hearing the news of the death of her mother: "sad news reached me yesterday evening upon my return to Paris from Switzerland. My heart felt sympathy and understanding of what this loss means to youI remember your mother so well just the few times we met at your house - the kind of wholeness she had of one who quietly does things and always does them beautifully and wellsigned Paul" Approx. 8 ¼" x 10 ½" size; light cream airmail paper old fold lines light wear; in very good condition; with the original post-cancelled mailing envelope return addressed Paul Strand c/o Kleinholz 25 Rue Mademoiselle Paris France; envelope opened roughly corner torn. ALS dated Oct. 28 1959 Orgeval 2 page. "On our return home we find here a telegram from Louise with the terrible news about BillYou know what dear friends Bill and you have been and for many yearssigned Paul" with and additional short note of condolence signed from Hazel these written on the sudden death of Bill Golden Cipe Pineles' husband Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the original postally cancelled mailing envelope return addressed Paul & Hazel Strand Orgeval. ALS dated Nov. 12 1959 Orgegal 1 ½ pages. "It was kind of Bernarda to have written to us and above all we were so glad to know that such good friends were with you as Bernarda and Ben ShahnYou know how close Bill and I always were - how long and splendid the friendship between us - unmarred by even the slightest misunderstanding over the many years. No one could have a more wonderful friend than he was - an artist in his work and in his human relationships - bothsigned Paul" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the cancelled mailing envelope return addressed Paul Strand Orgeval. ALS dated May 12 1962 Orgeval. 3 handwritten sides thanking Cipe for the book regarding Bill Golden a posthumous tribute to his work and discussing her participation in the Strand Scotland book and Morocco work: "I am happy to be part of it with the photograph made just before coming to France - which Bill used so beautifullyplus the remarkably clear statements he made about design and designers - These complimenting each other & reveal both the man and his workHazel and I are reasonably well. We spent two months in Morocco working almost every day - and driving over almost all of this remarkably beautiful country some 6000 klms. I am in the middle of developing the negativescan expect to receive a copy of Tir a'mhurain in the next months. It is a good job that however could have been better. I never had the opportunity of checking the cover at all which is printed on paper much too thin for a jacket and very much different in color from what we had discussed and chosen. If one is not right there to control every part anything can happen. In fact it does happen. Nevertheless your design stands up. Hope you will not feel badly about the inadequacy of its carrying outAffectionately signed Paul & Hazel" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. Miscellaneous: French Postes et Telecommunications printed 'Telegramme' form; not dated. Address: Hoffman Aperture New York. "Thanks Million Cipe Will and You All Suggestions received fully accepted stop footnote different titles Mexican Film necessary sure Cipe can solve Love Paul Paul Strand Orgeval Yvelines" approx. 5 ¼" x 8 ¼" size; old fold line; light wear very good condition. Postcard dated March 1966 Mexico. "Had sun & rain and all the diseases going - Better now - see you soon H. & P." Light wear post-cancelled; in very good condition. Postcard not dated postal cancellations obscure and circa 1959 Dakar Afrique Occidentale Francaise. To Cipe & son Tom probably just after Bill Golden's death "Sent you a painting from Caracas which we hope you like - a night watchman has been painting some pretty exciting things with crayons - We have two ourselves. The trip has been fineP. made some photos but he said 'not seriously.' Hope the heat and humidity have not ruined themlove H & P" Light wear in very good condition. Postcard May 5 1958 Orgeval. "Started my semi-annual postcard correspondence on a trip to the film festival and only managed to address the things! We visited with many friends Paul swam a few timessaw a couple of films and travelled a few different roadslove from us both Hazel & Paul" Light wear post-cancelled; in very good condition. Autograph note signed July 8 1975. A condolence letter to Cipe: "Paul is always so much better than I am at expressing himself but can't write at all. We both send our deepest lovesigned Hazel" Approx. 6" x 7 ½" size light gray notepaper; with the original postally cancelled mailing envelope return addressed Strand 244 E. 5th St. New York; light wear; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
195424812Orgeval France: Not Published 1954. The letters give much background to the creative process of Strand and were written to the designer-artist couple William Golden & Cipe Pineles here addressed as 'Bill & Cipe' who were friends and professional colleagues extending back to their collaborations as participants in the Group Theater in New York in the 1930s. Paul Strand 1890 -1976 American photo-artist Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America after publishing La France de Profil 1952 a portrait of postwar small-town French lifeStrand would spend the rest of his life assembling and completing similar book portraits celebrating primarily rural cultures" as Un Paese & others "Many established photographers from Walker Evans to Eliot Porter have admitted to having been strongly influenced by Strand's impeccably rich and detailed prints concern for formal relationships respect for his subjects and ability to distill the essence of his subjects. However through much of the 1950s and 1960s his reputation fell into eclipse. His dedication to view cameras and fine printing his largely frontal compositions and his devotion to creating politically motivated celebrations of traditional largely rural cultures did not fit an artistic world fascinated with the hand camera and the constant change of contemporary life. By the late 1960s however Strand received renewed acclaim first through European exhibitions and then by means of a retrospective exhibition sponsored by the Philadelphia Museum of Art 1971." John B. Rohrbach in the ANB Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director associated with Conde Nast Vogue & others; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Letter 1: Four handwritten pages with very good content throughout; dated May 10 1954 just prior to the publishing of "Un Paese" the Italian-produced photograph & text collaboration between photographer Paul Strand and neo-realist screenwriter Cesare Zavattini. Written in blue ink on airmail paper: "just back from Milan with very good news. The book is finished and accepted by Einaudi one of the best and biggest publishers in Italy. Zavattini has written a fine and moving text very direct very simplethis outcome after months of nothing happening made us both feel pretty good. Printing is going to be done by Pizzi in Milanone of the best around for gravure. We had one conference and find that the nephew of the boss speaks English and seems both intelligent and cooperative. Won't be any problem of putting my finger in the pie I think. We have to be back in Milan on the 20th with the negatives and Pizzi offered to make a few quick tests for us to see. Einaudi is being very flexible as to size and format cover etc. They seem to want to do a good job and one that doesn't look like the present rash of photo book. I mentioned that my good friend Golden might take a crack at the cover and they were only too pleased. We decided on a slightly larger page size than La France de Profil both to get away from the standard thinking and also to give more space for text. Size we chose was 23 x 29 cms. Naturally the cover will be a little larger. I would say add about 3mm for the cover size length & width. The title so far chosen is "Un Paese." In Italian this has the double meaning of a village and the whole country. This is Zavattini's title and we think it is good - Simple and excites curiosity by not being too explicit. As for other printing on the cover - Cesare Zavattini and Paul Strand. He is a big name in Italy and I have the feeling that both names can be larger and more effective than in "La France de Profil." Lastly this publisher usually puts his own name Einaudi on the cover not too conspicuously. Now as to the photographs for the cover. The publishers are favorable to one of people and there are two which attracts them. One you have. It is the photograph of a family the mother in the doorway and five sons. For me it is one of the most important photographs and one that many people respond to. That is a horizontal. The other is a vertical portrait of a little girl which I will print this week and mail to you before we go back to Milan. I have the feeling that the impact of the cover should not rely entirely on the photograph itself but rather on a total layout in which the whole page is eye compelling. In short not like the French book. What do you think Last of all we thought the photograph of the white wall with all the iron things- sides etc. might do well for the back cover - no type. The photograph you mentioned of the people in front of the café is good but perhaps too sad - for most of those folks are from the old people's home across the street. Einaudi are not interested in bleed pages. If I wanted some they would agree. If you were around maybe there would be some. On my own I think to have none at least at this stage. But that doesn't mean I guess that the cover photos can't be bled if you see it that way on one or more sides. Guess that about covers the news. I think we will go to Scotland in June at least to have a look around and perhaps work if it looks good. It's awfully damn kind of you think about the cover of the new book and to let us have your ideas.As always signed Paul." The cover photograph discussed was used as planned on the finished "Un Paese" photo-volume; the Scotland trip mentioned eventually led to the publication of Strand's "Tir a'mhurain Outer Hebrides." Letter 2: Dated June 13 1955; three pages handwritten and also sent to Cipe Bill and Tom their son Golden. Strand inquires as to Bill Golden's opinion on the final version of 'Un Paese': "for I just received the first letters from America from very enthusiastic people. Everyone comments on the beauty of the cover such words as 'superb.' We think it is swell and a real 'Golden' job. The general feeling is that although the Swiss printing is a bit better that as a whole this is a better book more warm and human. I think that is so because it was much more planned and concentratedhoping there may be an edition in French and one American publisher has expressed interest. If this develops I may have to call on you Bill again for we must keep the cover intact" Also about half the letter is concerned with the purchase redesign and descriptions of the property & gardens of their home in Orgeval France which was eventually a subject of another Strand photo-book and was the haven from which much work originated. The letter signed by Paul and Hazel. The letter-sheets approx. 8 1/4" x 10 1/4" size; old fold lines little bit of edge-wrinkling; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books