Strand, DavidBiblio.com
605 résultats
2011SONG0520267362University of California Press 2011-07-06. First Edition. hardcover. Used: Good. 6.00x1.30x9.00. Buy with confidence. Excellent Customer Service & Return policy. University of California Press hardcover
2011DADAX0520267362University of California Press 2011-07-06. First Edition. hardcover. New. 6.00x1.30x9.00. Buy with confidence. Excellent Customer Service & Return policy. University of California Press hardcover
20161-0789212676Abbeville Pr 2016. Hardcover. New. 104 pages. 11.50x11.50x1.00 inches. Abbeville Pr hardcover
2016121756Abbeville Press. New. 2016. Hardcover. 0789212676 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Abbeville Press hardcover
2003Q-073944381XEvergreen Press 2003-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Evergreen Press hardcover
2004Q-1581691149Evergreen Press 2004-07-30. Paperback. New. New. In shrink wrap. Looks like an interesting title! Evergreen Press paperback
2003230095Evergreen. Very Good/Very Good. 2003. Hard Cover. N485 . Evergreen hardcover
2019__1119368200John Wiley & Sons Inc 2019. Hardcover. New. 265 pages. 9.50x7.00x0.50 inches. John Wiley & Sons Inc hardcover
201510194Norway 2015. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
201510195Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 5 copies. hardcover
201610198Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
201610503Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. <br /> "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br /> The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br /> Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement <br /> Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
201610196Norway 2016. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 5 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
20132-0415642361Routledge 2013. Paperback. New. reprint edition. 163 pages. 9.75x7.00x0.50 inches. Routledge paperback
2020__178990370XEdward Elgar Pub 2020. Hardcover. New. 166 pages. 9.00x5.75x0.50 inches. Edward Elgar Pub hardcover
20131132336Göttingen : Wallstein, 2013. XXIX, 1128 S. Originalleinen.
2013108525Philadelphia:: Coachbuilt Press. Near Fine in Fine dust jacket. 2013 2014. Hardcover. Complete in two volumes. Color photographs throughout both volumes. First editions. Both volumes are SIGNED and dated by Michael Furman in 2017. A lightly bumped lower corner to the first volume else both volumes are fine in fine dust jackets. . Coachbuilt Press, hardcover
2013009854rosPhiladelphia: Coachbuilt Press. Fine with no dust jacket. 2013. First Edition. Hardcover. Black cloth boards with silver imprint. Extra shipping required due to the large size. A striking collection of color photographs of ornaments and emblems from the 1937 Cadillac V-16 Aero-Coupe to a 1955 Porsche 550 Spyder. ; Color Photographs; 12 1/4" x 9 3/4"; 287 pp . Coachbuilt Press hardcover books
2013019488Philadelphia PA: Coachbuilt Press. Fine. 2013. First Edition; First Printing. Hardcover. 0988273314 . Black boards with gilt embossing. Dust jacket with title on front and spine. In fine condition. This collection of photographs by various photographers showcases the details of automotive jewelry found in the front or rear of exquisite vehicles. ; B&W & Color Photographs; 4to 11" - 13" tall; 287 pp . Coachbuilt Press hardcover books
2025x-1640264205Creative Co 2025. LIB. New. 16 pages. 8.10x0.30x8.20 inches. Creative Co unknown
2025x-164026423XCreative Co 2025. LIB. New. 16 pages. 8.20x0.30x8.20 inches. Creative Co unknown
2002Q-0811832937Chronicle Books 2002-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chronicle Books paperback
2023__3747105955Stiftung Warentest 2023. Hardcover. New. German language. 10.00x7.99x0.75 inches. Stiftung Warentest hardcover
2005ABE-1640914383377DAP Iconoclast 2005 Red cloth 4to. As new in like dust jacket. Essays by Alex Baker Thom Collins Jeffrey Deitch Carlo McCormick Arty Nelson Aaron Rose Christian Strike James E. Walmesley and Jocko Weyland. Published on the occasion of the exibition organized by Aaron Rose & Christian Strike. Stellar catalogue not to be outdone by any other publication. 1st Edition. Hardcover. As New/As New. DAP Iconoclast hardcover
200451482New ork: Ironclast Productions 2004. First edition. Hardcover. Near fine condition. Large Quarto. 256 14pp. Original red cloth with gilt lettering on cover and spine in original color-illustrated dustjacket black lettering on spine. Decorative endpapers. 13 frontsipieces three of them double-page. Catalog for the traveling exhibition Beautiful Losers: Contemporary Art and Street Culture at the Contemporary Arts Center Cincinnati Yerba Buena Center for the Arts San Francisco and Orange County Museum of Art Newport Beach. Profusely illustrated with color and b/w reproductions of street art by Thomas Campbell Cynthia Connolly Brian Donnelly Cheryl Dunn Shepard Fairey Phil Frost and others. Comprehensive overview of the works in historical context with insights into methods and inspirations. Conatains biographical notes on artists and contributors at rear. Dustjacket with minor wear along edges. Ironclast Productions hardcover
