Paul Strand, Cesare ZavattiniBiblio.com
655 résultats
199720216<p>new oversize hc shrinkwrapped expedited & international shipping not available</p> Aperture hardcover
199723211<p>New York: Aperture 1997. 1st thus. hardbound. Very Good in Very Good dustwrapper/Dustwrapper. 4to. profusely illustrated 1st English-language edition first printing 10 9 8 7 6 5 4 3 2 1 of Paul Strand's photographic study of an Italian village Luzzara in the Po Valley produced along with Italian screenwriter Cesare Zavattini who provides the text; first published in Italian in 1955 and not published in English until the present edition; numerous text and full-page b&w plates throughout; green cloth boards with silver titling to spine; Very Good and clean throughout in Very Good dustwrapper.</p> Aperture hardcover
1997213757New York: Aperture 1997. Hardcover. New. In shrinkwrap. Quarto. Hardcover. Green cloth in gret jacket with white titles and b&w photo. 104 pages : illustrations ; 30 cm. In 1953 the renowned American photographer Paul Strand who was then living in France suggested to Italian screenwriter Cesare Zavattini that they do a book together about a small town in Italy a town that would reveal the spirit of a people. Strand asked Zavattini to choose a village with the elusive "special quality" he sought. Zavattini knew just such a village: his own birthplace of Luzzara in the Po Valley. The collaboration of these two remarkable artists resulted in the classic book Un Paese. Published in Italian in 1955 and now available for the first time in the English language Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits graceful landscapes and images of everyday objects. Paul Strand's photographs are carefully distilled deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image aligning with the new cinematic trend of the day a movement known as Italian neorealism. Their Luzzara is an ordinary village neither overly picturesque nor greatly unusual yet it is a town sustained by a grounded humanity and a profound love for the land by its people. Aperture hardcover
1997337089New York: Aperture 1997. hardcover. fine/near fine. Strand Paul. Exquisitely illustrated with photographs by Paul Strand. 106 pages. Thin 4to green cloth d.w. New York: Aperture 1997. A fine copy in a near fine dust wrapper.<br/> <br/> Reprint of the 1955 edition.<br/> <br/> Aperture unknown
1997353366New York: Aperture 1997. 1st US. Hardcover. Very Good/Very Good. 104 pages. Hardcover with dust jacket. Very clean unmarked copy with only minor edgewear. Published in Italian in 1955 and now available for the first time in the English language Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits graceful landscapes and images of everyday objects. Paul Strand's photographs are carefully distilled deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image aligning with the new cinematic trend of the day a movement known as Italian neorealism. Their Luzzara is an ordinary village neither overly picturesque nor greatly unusual yet it is a town sustained by a grounded humanity and a profound love for the land by its people. Record # 353366 Aperture hardcover
1983b1726<p>New York Graphic Society 1983. New Hardcover. Fine DJ. 9.75"x11.75". be6</p> New York Graphic Society / Little, Brown and Company hardcover
1983Q-0821215566Little Brown and Company 1983-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Little, Brown and Company hardcover
1983213913Boston MA: New York Graphic Society 1983. First edition and first printing. Hardcover. Features an introduction by acclaimed poet Mark Strand. A collection of 43 color photographs by Olivia Parker A clean and tight very near fine copy in cloth boards and in a close to near fine dust jacket with the usual fading to the spine and edges and some other very light wear. Signed and warmly inscribed by Parker on the title page in the year of publication and with a laid in card with a long handwritten note from Parker to the same recipients as well as with an early piece of ephemera. Despite the fading a nice copy of this underappreciated book. New York Graphic Society unknown
198328742Boston: Little Brown and Company / A New York Graphic Society Book. As New in Fine dust jacket. 1983. 1st Edition. First Printing. Hard Cover. 0821215566 . Signed by Olivia Parker on the title page. Publisher's full gray cloth blind-stamped lettering on spine blue-gray endpapers. Profusely illustrated with 40 full-page full-color photographs by Olivia Parker. "Olivia Parker's eye and spirit bring a rewarding clarity of statement to her color photographs. I consider them unrivaled in their sense of "key" and their energies of form and design" - Ansel Adams. Introduction by Mark Strand. The volume is in perfect pristine condition unmarked unread tight square bright and clean. The unclipped dust jacket shows on slight signs of shelf-wear. AS NEW/FINE. Color Photographs. 4to 11" - 13" tall. Unpaginated pp . Little, Brown and Company / A New York Graphic Society Book hardcover
198327360NYGS / Little Brown and Company. Very Good in Very Good dust jacket. 1983. First Edition; First Printing. Hard Cover. 0821215566 . SIGNED on the title page by Olivia Parker and by Mark Strand not on a bookplate but directly on the page without any inscriptions to anyone ; Tight and clean. Solid binding. A touch of light shelf wear to price clipped dustjacket with sunning along the spine and to top and foxing to top edge otherwise a gently read book In Very Good condition now protected in a new Mylar cover. No inscriptions. No remainder mark. Not ex-library. ; Introduction by Mark Strand. ; 11.60 X 9.70 X 0.60 inche; 82 pages; Signed by Author . NYGS / Little, Brown and Company hardcover
1938234231938. Labor Organizing United Auto Workers and CIO labor photograph archive documenting strike action union leadership and collective bargaining negotiations during the expansion of organized labor in the American automobile industry 1938-1949. The archive traces the period immediately following the 1935 Wagner Act when unions gained federal legal protection for collective bargaining but still faced violent resistance from corporations police departments and municipal governments. Several scenes connect directly to the years surrounding the 1937 Battle of the Overpass in Dearborn when Ford security men beat UAW organizers attempting to distribute union literature outside the River Rouge complex and to the broader wave of sit-down strikes and factory shutdowns that forced General Motors Chrysler and eventually Ford into formal negotiations with the UAW. The captions identify senior labor figures including Walter Reuther R. J. Thomas George Addes and Richard T. Leonard establishing the archive as documentation not merely of rank-and-file unrest but of the institutional consolidation of the UAW-CIO into one of the most powerful industrial unions in the United States. The material also records how labor disputes extended beyond factory gates into courts city halls state legislatures and police jurisdictions revealing the political dimensions of industrial unionism during the New Deal and early Cold War years.<br /> <br /> Photo archive of 12 Large silver gelatin press photographs one large panorama measuring 9.5 x 16.5 inches 11 press photos ranging from 6 x 8 inches to 8 x 10 inches primarily Detroit Dearborn South Gate and Atlantic City circa 1938-1949. A large-format scene dated 1939 records tear gas and street violence during a UAW strike at the Fisher Body plant with clouds of gas spreading across trolley tracks as helmeted police advance toward crowds of fleeing workers and spectators. Another image shows hundreds of demonstrators carrying a massive American flag through downtown Detroit toward City Hall during protests following clashes between union pickets and police at Federal Screw Works; the verso caption notes approximately forty injuries and references accusations of "police brutality" raised before city council. Additional photographs show UAW-CIO officials seated at conference tables negotiating contracts and appearing in municipal hearing rooms beneath desk microphones and courthouse lighting. Captions identify figures including Walter Reuther George Addes and R. J. Thomas while a 1940 Dearborn caption records the arrest of union leaders for distributing handbills asserting workers' rights under the National Labor Relations Act. South Gate strike scenes outside a General Motors facility show workers carrying placards demanding a thirty percent wage increase while Rev. Louis R. Loe conducts prayer services along the picket line. Convention and leadership photographs from Atlantic City and Washington document labor leaders gathered under the authority of Samuel Gompers and later CIO leadership structures linking local strike activity to national labor organization.<br /> <br /> The archive illustrates the transformation of the automobile industry from one of the nation's most violently anti-union industrial sectors into the center of postwar collective bargaining power. Ford Motor Company resisted union recognition longer than General Motors or Chrysler relying on private security forces local police cooperation labor espionage and anti-handbill ordinances to suppress organizing inside and outside its plants. Several captions directly reference these legal confrontations including arrests tied to leaflet distribution and disputes over municipal authority to restrict labor organizing in public space. By the late 1940s many of the same figures shown here were negotiating contracts that established wage standards pensions grievance procedures and health benefits that reshaped industrial employment across the United States. Creasing edge wear scattered minor losses adhesive residue and newsroom markings to versos; images remain clear and intact overall. Overall good condition. unknown
1989BRG-33_2_662University of New Mexico Press 1989-01-01. hardcover. UsedGood. 9x6x1. Good condition.May contain light marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. University of New Mexico Press hardcover
1989SONG0826311067University of New Mexico Press 1989-01-01. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. University of New Mexico Press hardcover
1990Q-0914697285North American Fishing Club 1990-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! North American Fishing Club hardcover
19999496914Palgrave Macmillan 1999. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:9780333775028 Palgrave Macmillan hardcover
1999DADAX0333775023MACMILLAN 1999-12-08. 1999. hardcover. New. 5.50x0.63x8.50. Buy with confidence. Excellent Customer Service & Return policy. MACMILLAN hardcover
2000890762000. Macmillan Pres Limited London. 2000. First edition. Hardback with DW. Wrapper slightly bumped but overall a lovely clean and fresh copy. hardcover
191522717CB1915. original Karte Berlin Preußische Verlagsanstalt 1915 72cm x 63cm farbig illustrierte Faltkarte alle vier Ecken der Karte mit winzigen Löchern und mit kleinen Fehlstellen Faltungen mit seitlichen Anrissen eine davon ca. 7cm eine andere ca. 13cm tief sonst altersgemäß gutes sauberes Exemplar. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1990325908Paris: Karsten Greve 1990. hardcover. very good. DE KOONING Willem. Text in French German and English. 135 pages. Frontispiece portrait color reproductions throughout. 4to matte pictorial boards. Paris: Galerie Karsten Greve 1990. Boards lightly sunned mostly on the rear cover otherwise a near fine copy.<br/> <br/> Karsten Greve unknown
199064321Paris: Galerie Karsten Greve 1990. Hardcover. Fine/No Jacket. Boards. Text in French English and German. Fine with slipcase. Galerie Karsten Greve hardcover
1987019514New York: Harry N. Abrams. 1st ed. VG/VG copy very slight sunning to spine exhibition flyer laid in . Very Good. Hardcover. 1st Edition. 1987. Harry N. Abrams hardcover
1987Q-0810907208Harry N Abrams 1987-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Harry N Abrams hardcover
1987511952New York: Harry N. Abrams 1987. Hardcover. Fine/Fine. First edition. Oblong quarto. 80pp. Illustrated. Fine in trifle worn about fine dust jacket with just a hint of sunning on the spine. "The first monograph on this major contemporary painter William Bailey is an important long awaited debut" from the jacket. Harry N. Abrams hardcover
1987100-17101Harry N Abrams 1987-12-01. Hardcover. New. In shrink wrap. Harry N Abrams hardcover
1987ABE-10121315069Abrams New York 1987 A superb look at this subtle realists work. Great reproductions. The paintings vary from still life to figure studies and portraits. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Soft cover. Near Fine. Abrams New York paperback
