321 résultats
1951292575Geneva: Cailler 1951. Limited. paperback. near fine/very good. Dunoyer de Segonzac. 15 mounted color plates 161 black & white illustrations. 119 pages of text in French. 4to printed flexible boards d.w spine sunned and with tears at ends; board slipcase. Geneva 1951. Limited editon - number 45 of 120 copies. A near fine copy in a very good dust wrapper.<br/><br/> From the series "Peintres et Sculpteurs d'hier et d'aujourd'hui."<br/><br/> Cailler unknown books
1988184193Chicago: University of Chicago Press 1988. Hardcover. VG-/VG- ex-library with stamps and labels on spine block front and rear end pages and title page verso. Book is otherwise clear and clean binding tight. Black cloth boards with gilt spine lettering; xi 239 pp. English translation of: Marx et la Révolution française published Flammarion 1986. Includes selections from Karl Marx edited and introduced by Lucien Calvie. University of Chicago Press hardcover books
195426468New York: Simon and Schuster 1954. FIRST EDITION. Fine book in a fine bright dust jacket with a few closed tears. Biography of Groucho by his only son he had two daughters by different wives. <br/><br/> Simon and Schuster unknown books
1905110279Paris: M. Tempelaere 1905. Softcover. Good-; binder has ex-lib. markings on spine; and pamphlet covers have some sunning; one page has a slight tear. Grey paper wraps with black lettering mounted in a grey photo mount pamphlet binder with green spine; 10 pp. with no illustrations. With an introduction by Marx and a catalogue of 95 works by artists including Delacroix Rubens Rembrandt Titian Watteau and more. M. Tempelaere paperback books
1961278719Greenwich: New York Graphic Society 1961. First. hardcover. near fine/near fine. Vertes. 128 illustrations some in color or on tinted sheets. 150 pages. 4to white cloth with pink-stamped image boards just a bit sunned at edges d.w. Greenwich: New York Graphic Society 1961. First edition. A near fine copy in a near fine dust wrapper<br/><br/> One of 1000 numbered copies.<br/><br/> New York Graphic Society unknown books
1931149659Paris: Henry Babou 1931. Softcover. G Average aging and substantial edge wear to outer tissue; average edge wear to loose pages; moderate wear and light aging to covers; all pages and plates are present; most pages are clean and some pages remain uncut. Orange paper wraps as portfolio for signatures tissue cover 30 pp. with BW illus. plus 20 leaves of BW and duotone plates. Text is in French. One issue in a series presenting the lives and works of book illustrators. This one focuses on French painter and printmaker Pierre Bonnard 1867-1947. Includes as a preface the text of a letter by Tristan Bernard as well as a portrait of Bonnard drawn by Odilon Redon. Ends with a bibliography. #163 of 750 copies. Henry Babou paperback books
1966226741New York: Shorewood 1966. First. hardcover. very good/poor. Moskowitz Ira. Introduction by John Davis Hatch. 63 facsimile plates including 18 color and 45 duotones. Large 4to brown cloth tattered d.w. New York: Shorewood Press 1966. A very good copy in a poor dust wrapper.<br/><br/> Special edition with a b/w lithograph "Nude" printed by Mourlot and signed in pencil. Additional inscription on the title page.<br/><br/> Shorewood unknown books
33532Cambridge: D. S. Brewer 1995. Hardcover. Blue cloth no dust jacket. Ownership signature on ffep and blindstamp on title page. Otherwise clean and unmarked. Like New. ISBN: 0859914550. . LikeNew. Hardcover . D. S. Brewer 1995 hardcover books
608464not signed on a full length scene shot of Groucho Marx standing at a train station in the pouring rain soaking wet with Chico Marx looking on wearing full rain gear from the 1939 MGM classic Marx Brothers film "A Day at the Circus". Photograph is on heavy weight stock; 8" x 10"; very good minor signs of handling else fine. A scarce still. Information printed on the back reads: "YOU'LL GET WET IF YOU STAND OUT HERE. . .Chico Marx cautions Groucho in this scene for Metro-Goldwyn-Mayer's 'A Day at the Circus' produced by Mervyn LeRoy directed by Edward Buzzell and starring the Marx Brothers. With green rubberstamp on back that reads: "Approved Jun 7 1939 Advertising Code Administration Hollywood.". No Binding. Fine. unknown books
192950446New York: Donald Flamm Inc 1929 . First edition. Hardcover. Near fine/No dust jacket. New York: Donald Flamm Inc 1929 . First edition. Illustrated with caricatures Alex Gard and others. 63 pp. Hardcover. 8vo. Black cloth with a large illustrated paper label on the front cover. A beautiful copy. Near fine/No dust jacket. Donald Flamm, Inc hardcover books
192815551ENew York: Harms Inc 1928. First Edition. Sheet music with words and music for the song “Who’s Been List’ning to My Heart†from the classic Marx Brothers musical play Animal Crackers. About fine copy with just a faint hint of use. The front cover is a photograph of the Marx Brothers in a scene from the musical set against a background of animal cracker shapes. Harms, Inc unknown books
195242385Monte Carlo: Andre Sauret 1952. Very good condition in wraps and slipcase as issued. Spine top chipped. 4to. 183 pp. Color plate repros. Andre Sauret paperback books
1937183579Paris: Ateliers Coulouma 1937. Hardcover. Good heavy wear to the blue dust jacket overall wear to the portfolio boards text pages and plates are very clean and clear. Missing 3 original etchings and only contains plates I-XVI. Green cardboard portfolio off-white title block on front with black lettering green silk ribbon tie closure; 9 pp 16 mounted bw plates. Porfolio has a blue dust jacket with a mounted off-white title block and black lettering. The engraved work of Andre Dunoyer de Segonzac. Text is in French. Printed in edition of 90 copies. This copy is unnumbered but is hand-written "on commerce Ateliers Coulouma hardcover books
1958194767NEW YORK HARPER 1958 1958. DUST JACKET PRICE CLIPPED; SIGNED BY MARX ON THE FRONT FREE PASTEDOWN; AUTHOR SON OF GROUCHO MARX AND AUTHOR OF THE WELL-KNOWN "LIFE WITH GROUCHO." FIRST EDITION VERY GOOD. Signed by Authors. F. Hardcover. NEW YORK, HARPER [1958] hardcover books
195280277Aldington: The Hand and Flower Press 1952. stiff paper wrappers. Hand and Flower Press. 12mo. stiff paper wrappers. xvi 383 pages. The complete set. Consists of twelve numbered parts and the editors notes. The influential Poems in Pamphlet series ran for two years 1951 and 1952. The set offered here comprises the complete set for 1952 together with the editors notes for this series. Poets include Jon Manchip White Hal Summers Frederic Vanson Ursula Wood R.L. Cook Thomas Fassam Michael Hamburger R.H. Ward Juanita Peirse F. Pratt Green A.J. Bull Alan Barnsley and Jocelyn Brooke. The Hand and Flower Press unknown books
19664388NY: Shorewood Publishers 1966. Hardcover. VG/VG- Light age toning to page edges and end pages light shelfwear to boards dust jacket has taped repairs and overall wear pages and illustrations are otherwise clean. Brown cloth boards with gilt lettering on front cover and spine white dust jacket with color illustration on front cover black lettering on spine mylar cover XXI pp followed by 63 plates 45 duotones 18 in color and 11 black and white. INSCRIBED BY ARTIST ON FLY LEAVES TO PREVIOUS OWNER. Text written by Raymond Charmet and Claude Roger Marx. Brief biographical data collections exhibitions and awards. Exhibition of lithographs etchings and drawings of Indian subjects in old and New Mexico by Ira Moskowitz. Inscribed/Signed to A. Lublin on fly leaf from Ira Moskowitz. Shorewood Publishers hardcover books
195243868Monte-Carlo: Andre Sauret 1952. First. paperback. very good. Bonnard. Illustrated with 98 handsomely printed plates mostly in color. 183pp. Large 4to pictorial wrappers as usual spine has a few creases and is lightly worn and sun-darkened at ends. Monte-Carlo: Andre Sauret 1952. Text in French. First Edition. A very good copy internally clean.<br/><br/> Catalogue Raisonne.<br/><br/> Andre Sauret unknown books
1937165956Paris 1937. Boards. G/Fair. Handmade dj has much wear and many years. Visible wear fading and dampstaining to portfolio boards with cracks along spine. Ties are intact. 16 plates and introduction pages are intact with mild tanning and no foxing. Additional 3 original etchings are not present. Brown portfolio boards with pasted label black lettering and ribbon ties. Protected by a blue dj of some kind with handwritten label. 16 loose pages of tipped in plates. Portfolio of important works by Andre Dunoyer de Segonzac. One of 90 copies on 100% cotton parchment sur velin d'arches. NOTE: Does NOT contain three etchings that were initially part of the portfolio. hardcover books
195522359Paris: Editions Manuel Bruker. 1955. Softcover. #21 of 250. Unbound gathering fine in wraps that show a little rippling to front but are otherwise fine. There are 2 color plates as well as black and white prints throughout with the text. ; 4to 11" - 13" tall . Editions Manuel Bruker paperback books
1986184980Moscow: Progress Publishers 1986. Hardcover. VG/VG ex-lib copy. All volumes have associated library markings on spine bookblock endpages. 3 Volumes. Blue cloth boards with gilt lettering White dj clear mylar cover. V1. 767 pg V2. xii 551 V3. xi 947 p. First publ. 1954. Progress Publishers hardcover books
1973147491N.p.: N.p. 1973. Draft script for the 1973 play "There Was a Little Girl" here under both that title and the working title "Madhouse." With a holograph pencil notation of copy No. 18 on the title page. Laid in with the script is a four page copied budget proposal.<br/><br/>Nothing is known about whether the play was produced but it was apparently adapted to the screen in 1982 by Marx and Bob Fisher and directed by Chuck Connors under the pseudonym Martin Herbert. Like the play little information is available on the film and though it listed in IMDB as having been completed that may be incorrect.<br/><br/>Set on the Texas Panhandle shot on location in Savannah Georgia. <br/><br/>Orange untitled generic orange report wrappers. Title page present copyrighted 1973 with credits for screenwriter Arthur Marx. 141 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound internally with three silver brads. N.p. unknown books
2002161807New York: Mexican Cultural Institute of New York 2002. Inscribed by the artist. Paperback. NF. Color-illustrated wraps; white lettering on front cover; no lettering on white spine. Parchment end papers. 32 pages with color images throughout. Catalogue from the exhibition. Includes an opening essay by Hugo Hiriart in English and Spanish an essay by Robert Morgan in English and Spanish and a brief narrative by the artist about her work English only. An array of paintings and sculpture in various media. The catalogue is inscribed to a former NY city gallery owner and signed by Marcia. A very scarce catalogue. "Marcia Marx 1931-2005 was an American artist. Born in Newark New Jersey she attended Yale School of Art and Columbia University. After completing her studies Marcia Marx moved to Mexico City where she lived for more than ten years and received much of her inspiration. Marx frequently painted "Felliniesque characters and impressions" in her works often using modernist techniques. "Blue Figures In The Studio" is one such example. As a "visual satirist" Marcia Marx's works paintings and sculptures showed a sense of the ridiculous and an eye for the bizarre and comedic elements in the human experience. Marx's works clearly reflected her strong mastery of medium and message. As an artist Marcia Marx was versatile with an assortment of media ranging from paints to clay and left the "storytelling" and interpretation to the public - "No matter what I was thinking when I created it the viewer writes his or her own script making it a far more intriguing experience" the artist once stated. She was the first woman to have a one-person show at the Instituto Nacional de Bellas Artes which Time magazine called a "smash hit". She was also one of six artists featured Cosmopolitan's article "Women Artists Today" which also included Georgia O'Keeffe and Louise Nevelson. Prior to her death on May 3 2005 in New York City after a two-year battle with cancer Marcia Marx participated in two major exhibitions. A highly successful retrospective of her art was held at the Mexican Cultural Institute of New York in 2002 which was documented by a well-written color catalog and her works were featured in a one-person show "An Interpretation of the Holocaust" at the Houston Holocaust Museum from October 2004-January 2005. When it was confirmed that Marcia Marx's works would be exhibited at the Houston Holocaust Museum the museum's executive director Susan Llanes-Myers exclaimed "We are so pleased to have Marcia Marx's art at out museum. Her work strikingly portrays a sense of remembrance a core of our mission." Art critic Donald Kuspit an art critic concurred stating that her works "have a disturbing poignancy not only because of their imagery but because of their intense physicality. Remembrance is Marx's theme. Her works are saturated in memory. unsettling as well as consoling." During her career Marcia Marx worked in Mexico City Israel Paris Rome and New York City. Her works have been exhibited around the world and are held in many private and public collections. Mexican Cultural Institute of New York paperback books
4701Marx signed the Feb. 22 check to "Coachella Valley S & L" for $375 and the May 30 check to "So. Calif. Edison" for $50.30. Both checks signed "Zeppo Marx" and both are yellow on the front and green on verso. Slight crimping to top of one check. Endorsement and cancellation markings show on verso of both checks. unknown books
194842749Monte Carlo: Andre Sauret 1948. Limited. paperback. very good. Vuillard. Illustrated with 67 tissue-protected lithographs printed by Mourlot 20 in color 5 of which are double-page. 172 pages. 4to color pictorial wrappers lightly edgeworn. Monte Carlo: Andre Sauret 1948. A very good copy internally clean.<br/><br/> One of 2500 copies on Grand Velin Renage reproducing many of the artist's lithographs and etchings.<br/><br/> Andre Sauret unknown books
1865PW1079London:: Longman Green Longman Roberts & Green 1865. 1865. Five parts in one volume. 8vo. xiv 2 406 22 10 pp. 4 plates 2 folding; a few pages roughly opened first few leaves nicked on outer margin archival repairs. Original half dark purple morocco marbled boards gilt-lined raised bands gilt spine title top edge gilt; upper corner dented. Occasional pencil marginalia. Library sticker/label removed from ffep. Very good. First editions in English. Johann Friedrich Blumenbach was a German naturalist and anthropologist whose work on comparative anatomy greatly impacted the development of anthropology as a science in the 19th century. He was invited to examine Egyptian mummies at the British Museum. He did six dissections. "Blumenbach. . believed he could deduce all manner of details – race sex and beauty – from the smooth calciferous plates of the human skull. What he bel`ieved he found in terms of racial types was decidedly intermediate. The maxillae bones of the upper jaw were 'prominent but by no means so much as a true Guinea face; and not more so than is often seen on handsome negroes and not seldom on European countenances.'" - Michael F. Robinson The Lost White Tribe: Explorers Scientists and the Theory that Changed a Continent. Oxford University Press 2016. Contents: Memoir of the author; On the Natural Variety of Mankind; Contributions to Natural history; Remarks on an Hippocratic Macrocephalus; An account of the Blumenbachan Museum;. . On the varieties of man 1775 by Hunter. The physician and lecturer Karl Friedrich Heinrich Marx here contributes a biography of Blumenbach. Professor Wagner gives an account of the Blumenbachan Museum. Longman, Green, Longman, Roberts & Green, 1865. hardcover books