5 793 résultats
1938590623Paris: Payot 1938. Softcover. Very Good. First French edition. Translated and with a preface by J. G. Auriol. Octavo. 289 4 ads pp. Illustrated with a couple of black and white plates. Printed wrappers tanned at the spine and edges a bit of wear and soil neatly strengthened tiny split at the spine base and a tiny cosmetic tear at the spine one leaf with a small marginal chip a sound and nice very good copy. Seemingly the French edition of Naumburg's 1937 book We Make the Movies with pieces on Walt Disney Paul Muni Bette Davis John Cromwell Jesse L. Lasky Sidney Howard Samuel Marx John Arnold Clem Beauchamp Robert E. Lee Hans Dreier Phil Friedman Natan Levinson Max Steiner Anne Bauchens and Lansing Holden. Payot unknown
201852543London: Lund Humphries 2018. First edition 4to 176 pp. Numerous illustrations. Cloth d.w. an excellent copy. (London): Lund Humphries unknown
19537079Berlin: Dietz Verlag 1953. 1953. Good. - Quarto gray cloth titled in red. Spine & extremities darkened; covers bumped soiled & stained. 147 pp. plus colophon. Sepia-toned portrait frontispiece & full-page & textual illustrations including folding facsimiles of newspaper pages. The rear hinge is cracked; the margins of some illustrations are darkened. Good. <p>A useful collection of facsimiles documents and portraits. Berlin: Dietz Verlag, 1953. hardcover
B170918-1Paris 1914. 102pp. 47 plates with numerous illus. Lrg. 4to. Wraps. Glassine d.j. Paris, 1914. paperback
192922297NY: THEATRE MAGAZINE COMPANY. Near Fine. 1929. First Edition. Stapled Wrappers. Near fine in stapled oversize pictorial printed wrappers. Features a one-page interview with the Marx Bros. accompanied by a photograph of the boys. Harpo's portion of the interview was "Taken under silent oath." . THEATRE MAGAZINE COMPANY. unknown
1985__3050033630Dietz Berlin 1985. Hardcover. New. 1183 pages. German language. 9.45x6.30x2.91 inches. Dietz, Berlin hardcover
117264327X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SONG1376217740Andesite Press 2017-08-24. paperback. Used: Good. 6.14x0.25x9.21. Buy with confidence. Excellent Customer Service & Return policy. Andesite Press paperback
1246743264.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011mon0000107999Nabu Press 2011-09-26. Paperback. Very Good. 0.6900 in x 9.6900 in x 7.4400 in. very clean 1975 laffitte hardcover reprint. no marks very nice eiditoin Nabu Press paperback
1019314567.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011SONG1246743264Nabu Press 2011-09-26. paperback. Used: Good. 7.44x0.69x9.69. Buy with confidence. Excellent Customer Service & Return policy. Nabu Press paperback
190688451Chicago Ill: Charles H. Kerr & Co. London: Swan Sonnenschein & Co. 1906 1907 1909. First Editions First Printings. Three Volumes. Octavo. 22.5cm. Publisher's deep maroon ribbed cloth titled in gilt to spines and ruled in blind to boards. 869pp.; 618pp.; 1048pp. Generally strong and tight; mild scuffing and to spine ends and corners and a few minor exterior stains. Spine gilt is significantly oxidized to Vol II as is usually seen on the first printing; internally clean and fresh some very light spotting in places mainly confined to the page edges. A very good handsome set of first printings. <br /> <br /> A full set of first printings of this bibliographically complex edition issued over the course of three years. Marx published the first volume of his epic analysis of capitalism in German in 1867. The first translation into English was of Volume 1 only and was accomplished by Edward Aveling and Samuel Moore in 1887 based on the revised 4th German edition as edited by Engels. The 1906 first American printing under the Charles Kerr impint as here largely follows this translation with the subsequent translation work for Volumes II and III being performed by Ernest Untermann. Thus the earliest printings of the Kerr edition comprise the first complete edition of Capital in the English language. The printing was done in Chicago by James Higgins Kerr's printer of choice making this also the first complete edition of Capital to be printed entirely by a union-run print shop. Untermann did most of his translation work from remote Florida beginning the effort in 1905 discovering in the process a number of indices footnotes and at least ten pages of text that Aveling and Moore had not included in their London edition - making the Kerr edition the most complete up to its time. <br /> <br /> Kerr burned through the first two-thousand copy print run of Volume I almost immediately and rushed to get Volume II out by July 1907. It's very possible that financial constraints were already making themselves known by Volume II as Kerr was selling the books at a loss to encourage sales; the almost ubiquitous oxidation of the gilt on Vol II is likely a result of experimental economy that swiftly failed. Vol III returns to the higher standards of the first volume. The bindings on the first printings also feature a triple blind rule to the ribbed cloth boards with subsequent printings having double rules. Kerr's reprint system seems to have incorporated dates on the title pages for some length of time with the dates on the copyright pages remaining unchanged; after a certain point around the early 1920's reprints were issued without dates to the title pages and any volume without a date can safely be deemed a post-1920s reprint. Issues of Kerr's International Socialist Review from the period of printing recount in detail some of his problems and concerns publishing and selling the work with detailed data on dates numbers of copies and the firm's hopes for the completed book. <br /> <br /> Genuine first printing sets of this important edition are tremendously scarce in commerce. The lack of any real bibliographical authority for the American edition combined with Kerr's generally lax approach to differentiating printings has over the years led to frequent errors and misjudgments on the part of cataloguers including in full disclosure ourselves. After a good deal of research most in the advertising pages of the International Socialist Review we're confident we've finally got it right. Charles H. Kerr & Co. [London: Swan Sonnenschein & Co.] unknown
187247305Paris: Maurice Lachatre et Cie 1872-1875. First French Edition. Large octavo 28.5cm.; original parts bound in early 20th century blue cloth gilt-lettered spine; 351pp.; pictorial half title and title pages full-paged steel-engraved portrait and facsimile additional vignettes throughout; text printed in double column. Boards a bit rubbed and corners bumped foxing and toning to preliminaries as well as minor dampstaining to last few leaves of text light foxing to rear cover; overall Very Good and sound. First appearance in French of Marx's "Das Kapital" the translation the only such to have been executed with the collaboration of the author whose letter to Lachatre appears in facsimile on p. 7: "J'applaudis à votre idée de publier la traduction de 'Das Kapital' en livraisons périodiques. Sous cette forme l'ouvrage sera plus accessible à la classe ouvrière et pour moi cette considération l'emporte sur toute autre" "I congratulate you on your idea to publish the translation of 'Das Kapital' as a periodical. In this format the work should be more accessible to the working class and to me this is more important than all else" our translation. Maurice Lachatre 1814-1900 was a Parisian radical bookseller publisher and collaborator of Félix Pyat's with whom Marx butted heads over the growth of the International Working Men's Association in France. Lachatre's projected publication of the anarchist newspaper "La Commune" nearly cost him his life after the fall of the Paris Commune when his bookshop was attacked with murderous intent by the Versaillaise army see "The Publisher's Weekly" Vol. 19 1881 pp. 50-1. It was while exiled first in Belgium and then Switzerland that Lachatre began work on publishing the present edition though he was not free to return to Paris until 1879. Maurice Lachatre et Cie unknown
196522147AB1965. New York Humanities Press 1965. 8°. 475 pages. Original Hardcover with dustjacket. Spine sunned with slight discoloration otherwise a near fine copy. Includes: Herbert Marcuse - On Science and Phenomenology - with comments by Arin Gurwitsch / Abner Shimony - Quantum Physics and the Philosophy of Whitehead - Comments by J.M.Burger / G.Schlesinger - Instantiation and Confirmation - Comments by C.G.Hempel / etc. etc. hardcover
193382061White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Some trivial wear and a few faint creases to extremities else a very Near Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of an elderly John D. Rockefeller his hands together in prayer while being strangled by a stock ticker tape machine with text from "Primary Accumulation" Origin of the Industrial Capitalist on the opposite page. 82061. Hugo Gellert unknown
193382065White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. A Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a charcoal pencil illustration of a worker leading a train of oxen pulling a load of lumber with text from "The Labor Process and the Process of Producing Surplus Value" on the opposite page. 82065. Hugo Gellert unknown
193382064White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. A Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a charcoal illustration of a fist clutching three individual stalks of wheat with text from "Commodities" The Two Factors of a Commodity: Use-Value and Value on the opposite page. 82064. Hugo Gellert unknown
193382073White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Some trivial creasing and a few tiny tears along the lower edge else very Near Fine. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of a worker's tools - hammer sickle pitchfork shovel and wrench - with text from "Division of Labor and Manufacture" Twofold Origin of Manufacture The Detail Worker and His Implement on the opposite page. 82073. Hugo Gellert unknown
193382075White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Faint crease along the upper edge else Fine. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of track wheel machinery with text from "Constant Capital and Variable Capital" on the opposite page. 82075. Hugo Gellert unknown
18891872Paryż Paris: Librairie Ghio 1889. First Polish edition. In contemporary half leather. Binding rubbed at extremities. Spine damaged at tail and head. With old private and institutional collection inscriptions and stamps. Paper yellowed due to aging. Rear panel restored by tape. First Polish edition. In contemporary half leather. 111 1 p. <p><br /> Pisma Pomniejsze the first Polish translation of the essay The Contribution to the Critique of Political Economy appeared in the series of “Biblioteka dzieł treści społeczno-ekonomicznej†an early series of social economical works initiated and organized by Maria Jankowska-Mendelson 1850–1909 a Polish emigré publicist and socialist activist in Paris correspondent and friend of Friedrich Engels.<br /> <p><p><br /> The book includes explanations by Léon Winiarski 1865–1915 a pioneer Marxist social economist.<br /> <p>. Librairie Ghio unknown
711Light wear to paint; lacks metal stand at rear; remnants of box torn with loss. Very good. HFP-711. <p>Marx "Ring The Bell" Target w/ Partial Box The Boy Hunter Target with Trap Doors. New York: Louis Marx & Co. No date circa 1940.</p> <br /> <p>Tin lithograph "Ring The Bell" target with movable trap doors. Measures approximately 11 x 17 inches. In original partial cardboard box. Illustrated characters include Polecat Pete Bad Bill Bruin and Sly Jim Crow.</p> . unknown
1940147971N.p.: N.p. 1940. Vintage sheet of 35 Empress Brand collectible color transfer stickers made in a philatelic style featuring illustrations of six scenes from the 1932 pre-Code Marx Brothers comedy film. Noted on the top right corner as "Made in Japan." <br /> <br /> Very Good lightly toned with two rust marks and associated small tears from having been previously stapled at the top edge. N.p. unknown
1938000012475n.p.: n.p. 1938. Photograph. Very Good. 61 cm x 48 cm. Glossy black and white photograph. The photograph depicts from left to right: Chico Harpo and Groucho Marx all gathered around a harp with cheeky expressions on their faces. The harp that is pictured is the one that was used in their 1939 film At the Circus. The Marx Brothers got their start in Vaudeville but would go on to make several motion pictures in the first days of the Silver Screen. Thirteen of their films have been rated in the AFI's top 100 comedic motion pictures: their impact on cinema cannot be overstated. The brothers were sons of German-Jewish immigrants and their mother Minnie acted as their manager until her passing in 1929. In this photograph going left to right the three oldest Marx brothers are shown Chico or Leonard Marx Adolph or Harpo and the youngest of the three Julius or Groucho Marx. A few pinholes and light wear to the corners of the photograph. n.p. unknown
63975Österreichische Staatsdruckerei. Wien. 1948. pp. 61 i. Portrait frontispiece. Original cloth spine faded and with a touch of wear to the ends inscription from Marx 1949 a very good copy. Joseph Marx - Honorary graduation and its resonance; Collected lectures on the occasion of Marx's appointment as honorary doctor at the philosophical faculty of Vienna University on 10 May 1947. Österreichische Staatsdruckerei. Wien. 1948. hardcover
