Atwood, MargaretMareMagnum
32 résultats
A clean, unmarked book with a tight binding. Very slight bump to corner of rear cover and slight wear to top page ends. Slightest discoloration to dust jacket. First Edition with the number "1" present in the number line. Inscribed by Margaret Atwood on the title page. Includes Houghton Mifflin Bookcard.
56 pages. Cover photo of sport fisherman using an outboard motor which 'has replaced oars for fishermen'. Features: The Golden Key, by Lee Russell; When the Risk Overshadows the Skill - Roger Bannister blames the 'criminal negligence' of braggarts for tragedies which mar sport; Classy colour ad for Chef Boy-Ar-Dee canned Ravioli; Canada's Busiest Party Givers - Mr. and Mrs. F. Ronald Graham of Marine Drive in Vancouver - with enough dishes for 700 people - nice photos; Dictatorship due for France? - article by George Langelaan with photos; The Low-Down on Hi-Fi - how to tell what you get for your money; My Love Affair with Canada, by Bing Crosby - with photos; I Always Love to Scrap - boxer Yvon Durelle - with photo; The Sinclair Luck, by Gordon Sinclair; Boats are Bustin' Out All Over - an examination of the quarter-billion-dollar canadian recreational boating industry; Predictions for the Oscar Awards; Colour ad for Goodyear tires features colour illustrations of vehicles for each year, 1915 through 1957; Sean O'Malley's Daughter, by Brian Cleeve; Young Man in a Hurry, by Margaret E. Barnard. Average wear. Unmarked. Binding sound. Book
A new, unread book in excellent condition in an excellent slipcase. No dust jacket, as issued. With a new introduction by Margaret Atwood. Illustrations by Anna and Elena Balbusso.
Clean, unmarked text with a tight binding. Blue cloth spine and gray paper-covered boards. Second printing. Slight edge wear.
in-8°, 438 pages, notes, index, broche, couverture illustree plast. Bel exemplaire. [HI-5/2]
in-8°, 526 pages, couverture catron souple illustrée. Bel exemplaire. [TX-15]
in-8°, 327 pages, illustrations, broche, couverture illustree. Bel exemplaire. [FRA-2]
in-8°, 188 pages, broche, couverture rempliee.— 1 des 200 exemplaires sur velin numerote. Tres bel exemplaire NUMEROTE [HA-4]
Un volume broché de format in 8° de 128 pp.; couverture à rabats. Quelques partitions sont notées. Bon état. Voir photo. Peu fréquent.
Editions hispaniques, 2016, ENVOI autographe de l'auteur, 307 pp., broché, bon état
in-8, 294 pp., broché, couverture illustrée. Bon exemplaire. [CA33-5] D'Afrique noire en Amérique latine et en Asie, un périple mouvementé
in-8, 257 pages, broche, couv. illustree. Bel exemplaire. [SO-4]
petit in-8°,, 188 pages, ill. noir et blanc, broche, couv. Exemplaire non coupe [CA32-5]
in-12, 316 pages, -, broche, couverture plast. Bel exemplaire [CA30-1] Une topographie bouleversante de l’univers totalitaire tel qu’il était pratiqué à l’Est de l’Europe.
pp. xviii, 408. Map endpapers. 8vo. Original full cloth binding. Original dust jacket. Very nice copy. First Edition. WWIIA/1
in-8, 506 pp., ill. h.t. n., index, broché, couv. ill. Bon état. [BL-1]
in-8°, 518 pages, ill. hors texte N&B, biblio, index, broche, couv. cartonnage sple ill. plast. Tres bel exemplaire. [CA29-4]
A clean, unmarked book with a tight binding. 335 pages. 5 1/4"w x 8"h. Full dark green cloth boards. Open tear and edge wear to dust jacket.
Préface de Dominique Grandmont, Ypsilon, Contre-attaque, 2013, 342 pp., couverture légèrement défraîchie, bon état.
in-8°, 476 pages, broche, couverture sous jaquette illustrée. Jaquette défraichie, papier jauni sinon bon état. [CA27/1]
Trevise, Le dessous des cartes, 1967, 733, borché, traces d'usage, plis de lecture sur le dos, état correct.
in-8°, 287 pages, cartes, broche, couv. illustree. Bel exemplaire. [HI-5]
in-8°, 349 pages, doc. en annexe, broche, couverture illustree plastifiee. Tres bel ex. [CA29-30]
in-12°, 264 pages, broche, couverture. Dos bruni et restauré (adhésif) sinon bon exemplaire. [CAT27/7]
in-8°, 313 pages, index, broche, couverture illustree à rabats. Couverture légèrement usée, intérieur en parfait état. [DV-2] Le nom de Julio Alvarez del Vayo symbolise pour le monde entier la résistance du peuple espagnol de 1936 à 1939.
