243 résultats
1914CA0023xxiv843 pages with plates and index. Quarto 10 3/4" x 7 3/4" rebound in half red leather with gilt lettering to spine with original wrappers bound in. From the library of Zelia Nuttal and George M Foster. Limited to 500 copies. First edition. <br /><br />Cervantes de Salazar was one of the principal chroniclers who gathered data on the history and ethnography of Mexico. His most important book <i>Cronica de la Nueva Espana</i> <i>Chronicle of New Spain</i> written at the command of City Council. The manuscript of this work was sent by the author to Spain in 1567 with a request for the post of royal chronicler. This manuscript was uncovered in the early 1900s uncatalogued in the National Library of Madrid as an anonymous manuscript. the first volume was published in 1914 and the second and third in 1936. The <i>Chronicle</i> is fragmentary since the first part which was to include the period up to the conquest of Yucatan either was never written or was lost; and the second part which was to be a history of the conquest breaks off with Columbus sending Villafuerte and Sandoval to the Pacific Ocean. Cervantes de Salazar's sources were the <i>Letters</i> of Cortes; the memoirs of Alonso de Ojeda and Andres de Tapia captains in Cortes' army; the <i>Memoranda</i> of Motilinia; the work of Lopez de Gomara; and the information gathered from others who had taken part in the conquest who were sill living in Mexico City twenty-five years later from whom he received useful information. The <i>Chronicle</i> is valued for its understanding and evaluation of the events it describes.<br /><br /><b>Condition:</b><br /><br />"With compliments of the Hispanic Society" slip tipped in and slip from the Congresso de los Diputados tipped in to copyright page with Nuttall's name as receiving copy number three which is such labeled of 500 copies. Foster's date of acquiry 10/4/44 on title. Original wrappers bound in and soiled some wear to edges of title inner hinge cracked else about very good. Hispanic Society hardcover books
192655114México: Editorial Avante 1926. 4in. tears pp. 213-218 with pages intact; slight stain at bottom margin corners of last 6 pages. b/w plates 2 fldg. ports. pict. wrps. Interesting association INSCRIBED copy from Salazar to R.E. Montes i Bradley in a paragraph of appreciation and friendship while working as journalists for "el Nacional" and the "gran movimiento revolutionario". Dated 1960. Scarce work by Salazar who at the time was a member of the "Liga de Escritores de América" with illustrations from murals by Rivera Orozco and Dr. Atl. Cover illustration by Rivera is a classic. Editorial Avante unknown
1914CA0023<p>xxiv843 pages with plates and index. Quarto 10 3/4" x 7 3/4" rebound in half red leather with gilt lettering to spine with original wrappers bound in. From the library of Zelia Nuttal and George M Foster. Limited to 500 copies. First edition. <br /><br />Cervantes de Salazar was one of the principal chroniclers who gathered data on the history and ethnography of Mexico. His most important book <em>Cronica de la Nueva Espana</em> <em>Chronicle of New Spain</em> written at the command of City Council. The manuscript of this work was sent by the author to Spain in 1567 with a request for the post of royal chronicler. This manuscript was uncovered in the early 1900s uncatalogued in the National Library of Madrid as an anonymous manuscript. the first volume was published in 1914 and the second and third in 1936. The <em>Chronicle</em> is fragmentary since the first part which was to include the period up to the conquest of Yucatan either was never written or was lost; and the second part which was to be a history of the conquest breaks off with Columbus sending Villafuerte and Sandoval to the Pacific Ocean. Cervantes de Salazar's sources were the <em>Letters</em> of Cortes; the memoirs of Alonso de Ojeda and Andres de Tapia captains in Cortes' army; the <em>Memoranda</em> of Motilinia; the work of Lopez de Gomara; and the information gathered from others who had taken part in the conquest who were sill living in Mexico City twenty-five years later from whom he received useful information. The <em>Chronicle</em> is valued for its understanding and evaluation of the events it describes.</p><p><br />Zelia Maria Magdalena Nuttall 1857-1933 was an American archaeologist and anthropologist who specialized in pre-Aztec Mexican cultures and pre-Columbian manuscripts. She discovered two forgotten manuscripts of this type in private collections one of them being the Codex Zouche-Nuttall. She decoded the Aztec calendar stone and was one of the first to identify and recognize artefacts dating back to the pre-Aztec period. Nuttall can also be credited for being first to ever challenge the prevailing theory of a California landing for Francis Drake's circumnavigation in spite of much adversity. She boldly proposed that Drake had sailed further North into the Pacific Northwest. Numerous northern coast researchers reexamined the few available records as a result.</p><p>George McClelland Foster Jr born in Sioux Falls South Dakota on October 9 1913 died on May 18 2006 at his home in the hills above the campus of the University of California Berkeley where he served as a professor from 1953 to his retirement in 1979 when he became professor emeritus. His contributions to anthropological theory and practice still challenge us; in more than 300 publications his writings encompass a wide diversity of topics including acculturation long-term fieldwork peasant economies pottery making public health social structure symbolic systems technological change theories of illness and wellness humoral medicine in Latin America and worldview. The quantity quality and long-term value of his scholarly work led to his election to the National Academy of Sciences in 1976. Virtually all of his major publications have been reprinted and/or translated. Provenance from the executor of Foster's library laid in.<br /><br /><strong>Condition:</strong><br /><br />"With compliments of the Hispanic Society" slip tipped in and slip from the Congresso de los Diputados tipped in to copyright page with Nuttall's name as receiving copy number three which is such labeled of 500 copies. Foster's date of acquiry 10/4/44 on title. Original wrappers bound in and soiled some wear to edges of title inner hinge cracked else about very good.</p> Hispanic Society hardcover
19266192México: Editorial Avante 1926. b/w plates 2 fldg. ports. color pict. wrps. Early compilation of murals and social message art. Scarce work by Salazar who at the time was a member of the "Liga de Escritores de América" with illustrations from murals by Rivera Orozco and Dr. Atl. Cover illustration by Rivera is a classic. RARE. Editorial Avante unknown
19882861223Bilbao.: Wilsen. 1988. Hardcover. Good. 35 cm. 6 v. il. Encuadernación en tapa dura de editorial ilustrada. Salazar y Castro Luis de 1658-1734. Historia genealógica de la Casa de Lara. Por Luis de Salazar y Castro. "Genealogía y heráldica". Reprod. facs. de la ed. de:. En Madrid : en la Imprenta Real por Mateo de Llanos y Guzmán 1696. Lara Familia . ISBN: 8485918282 Genealogía especial. Historia familiar. Lara 929.52 Lara 929.52 Wilsen. hardcover
19882747552Bilbao.: Wilsen. 1988. Hardcover. Good. 35 cm. 6 v. il. Encuadernación en tapa dura de editorial ilustrada. Salazar y Castro Luis de 1658-1734. Historia genealógica de la Casa de Lara. Por Luis de Salazar y Castro. "Genealogía y heráldica". Reprod. facs. de la ed. de:. En Madrid : en la Imprenta Real por Mateo de Llanos y Guzmán 1696. Lara Familia . ISBN: 8485918282 Genealogía especial. Historia familiar. Lara 929.52 Lara 929.52 Wilsen. hardcover
19274683El Paso 1927. Very good. iv742v-viii pp. Original photographic wrappers with cloth tape spine. Light wear and soiling internally clean. The purported autobiography of Cuauhtemoc the last Aztec emperor as received by a medium. Cuauhtemoc surrendered to Hernan Cortes and was later tortured in an attempt to extort further riches from the Aztec. Interestingly the work seems to be channeling Cortes' perspective as he is the credited party at the end signing off "Adios y que al volver sea para cumplir nuestros ofrecimientos llenos del amor con que os distingue vuestro hermano." The final few pages are dedicated to the methods and talents of the medium Benjamin Salazar. Two copies in OCLC at the University of Texas El Paso and the Instituto Tecnologico in Mexico. unknown
193089155Guatemala: Tipografia Nacional 1930-1973. Six Issues two without edition statements and four First Editions of the Original Manuscript all softcovers. Two Quartos 27cm; green paper wrappers; edges untrimmed. Four Quartos 27cm; white paper wrappers; illus. Some pages of text unopened. Text in Spanish. Vol. 28 Books 12 has white-out on front wrapper presumably printed Books I II III. All six issues are lightly tanned with shelf-wear -soil and foxing; overall Good. <br /> <br /> Collection on social history of the Province of San Vicente de Chiapa and Guatemala composed by Reverend Father Preacher Ximenez of the same province with contributions by Agustin Mencos F. Carmelo Sáenz de Santa María and Francis Gall. 89155. Tipografia Nacional unknown
1957265711957. Original artwork on paper dated 2- 57 in the lower right corner signed by Salazar in ink. Not framed approx.10 1/2" x 14 1/2" size. Accomplished with vivid colors and black ink on very good quality J. Perrigot Arches watermark paper. Slight darkening to paper; composed and executed with dynamic dancing energy; in very good condition. Art. Not Bound. Very Good. paperback books
1930313152Mexico: Editorial "Avante 1930. First edition. 233 5pp. 12mo. Spanish calf. gilt spine. First edition. 233 5pp. 12mo. Proletariat Poems. Inscribed to Famous Collector. Inscribed "A Salo Hale de Alma de artista con grande ---R. Salazar Mex. 1930" Salomón Hale was a Polish Jewish art collector based in Mexico City.<br/><br/>Protest poems from left wing Mexican poets including Fernando Celada German List Arzubide Carlos Gutierrez Cruz Rafael Diaz de Leon Salazar AgustÃn Haro y Tamariz etc. Editorial "Avante unknown books
1930313152Mexico: Editorial "Avante 1930. First edition. 233 5pp. 12mo. Spanish calf. gilt spine. First edition. 233 5pp. 12mo. Inscribed "A Salo Hale de Alma de artista con grande ---R. Salazar Mex. 1930" Salomón Hale was a Polish Jewish art collector based in Mexico City.<br /> <br /> Protest poems from left wing Mexican poets including Fernando Celada German List Arzubide Carlos Gutierrez Cruz Rafael Diaz de Leon Salazar Agustín Haro y Tamariz etc. Editorial "Avante unknown
2000421530Boston : Brill 2000. First Edition. Hardcover. Near fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical Description: xxvii 299 pages : illustrations ; 25 cm. Subjects: Ancient; War wounds Treatment History. Greece; War wounds Treatment History. Rome; Surgery Military Greece History; Surgery Military Rome History; Medical technology Greece History; Medical technology Rome History; Medicine Greek and Roman History; Medicine Military History; Medical technology. Boston : Brill hardcover
1996BN115608International Potato Center 1996. 1996. Softcover. Potato Viruses and Their Control <br/><br/>Potato Viruses and Their Control International Potato Center paperback
1953545015Buenos Aires: Espasa-Calpe Argentina 1953. Hardcover. Near Fine. First edition. Octavo. 310pp. Text in Spanish. Illustrated with several plates. Modest wear and spine trifle toned just about near fine. Inscribed to noted American composer Virgil Thomson on the front blank with Thomson's private library blindstamp on the title page. With an errata slip laid in. A nice association. Espasa-Calpe Argentina hardcover
19399320México: AlcancÃa 1939. Hardcover — Tapa dura. México AlcancÃa 1939. En 4º. xvi pp. 32 h. 2 bl. Encuadernación en piel vuelta de época. Narra las honras fúnebres que las autoridades de la Nueva España tributaron en el año de 1559 al recién fallecido Emperador Carlos V. Publicado por Justino Fernández y Edmundo O'Gorman precedido de un prólogo por Federico Gómez de Orozco. Edición facsimilar del ejemplar que se conserva en la Henry E. Huntington Library and Art Gallery. Homenaje a la imprenta en América con motivo del IV centenario de su establecimiento. Muy raro edición limitada a sólo 100 ejemplares numerados el nuestro con el número 17. Alcancía hardcover
1999163032Santander: Fundacion Marcelino Botin 1999. Paperback. Contents VG clean bright and tight; covers have some light shelf wear; copy is art museum ex-lib. with a few marks but none to text. Color-illustrated chartreuse wraps with black lettering on spine. French flaps. 285 pp. with color and bw images throughout. Text in Spanish. Catalogue from the exhibition held July to September 1999. "This exhibition presents an overview of seven Spanish artists working in Paris in the early twentieth century and whose work contributes to the renewal and creation of new languages in Contemporary Art. Of the selected artists the first to move to Paris in 1899 is Julio González who was followed by Pablo Picasso in 1900 Pablo Gargallo in 1903 Juan Gris in 1906 and María Blanchard in 1909. After the First World War another wave of Spanish artists chose France as their home including Joan Miró in 1920 and Salvador Dalí in 1926. All works in this exhibition at the Marcelino Botín Foundation belong to the Museo Nacional Centro de Arte Reina Sofía funds. The selection is made from those pieces in the collection that are not currently exhibited in the museum but which are representative of such a prolific period in Spanish Art. By Julio González there are three paintings from his early works in this discipline: Mujer peinando a una joven 1914-1918 La recolección de manzanas 1920-1925 and Dos mujeres 1920-1928. In 1910 he produces the first of his embossed metal masks; this moment belongs to Máscara inquietante 1913-1914. A few years later he produces pieces in cut and wrought iron such as Masque aceré 1929-1930. His work evolves into abstraction without abandoning figurative references like in Petite maternité assise 1933-1934 and El pie 1934-1936. For Gonzalez drawings are an essential part of his creative process. Exhibited are: Mujer con niña en malva 1906 Personaje de pie amarillo y blanco 1937 Personaje con velo largo nº I 1941 and El grito 1939 which lay the foundations for the Montserrat which González presents in the Spanish Pavilion at the Universal Exhibition in Paris in 1937 to which the Reina Sofía Museum dedicates an exhibition in 1987. The contribution of Pablo Picasso is overwhelming. On this occasion eleven preparatory studies to the Guernica 1937 are exhibited a work that exemplifies the Reina Sofía Museum Collection. Following the bombing of Guernica Picasso works on this monumental piece specifically for the aforementioned Spanish Pavilion. The horse is one of the first figures he drafts along with Cabeza llorando an image of the suffering of a mother. These exhibited drawings and canvasses refer to these reasons in addition to Estudio de composición VI 1937. Pablo Gargallo received by Picasso on his arrival in Paris is along with Julio González the most important Spanish sculptor from the early twentieth century. By him the pieces Torse de gitan 1923 La dormeuse 1924 Porteuses d'eau 1925 and Tête de prophète 1926 are exhibited accompanied by three drawings which are the basis for his sculptures Arlequín a la guitarra 1927 and Bailarina. Teresina Boronat 1927 in two different versions. By Juan Gris creator of Synthetic Cubism the paintings El violón 1916 y Guitarra con incrustaciones 1925 were chosen as well as drawings Naturaleza muerta a la guitarra 1925 and Hombre a la guitarra 1925-1926. These last two are the original drawings and drafts for lithographs that Gris produces for Gertrude Stein's Book: A Book Concluding with As a Wife Has a Cow: A Love Story 1926. The Museo Reina Sofía has a large collection of works by María Blanchard partly acquired in 1932 from her sister Carmen. They include: Mujer con abanico 1915-1916 and Composición Cubista 1916 from her cubist period and Niña peinándose 1926-1927 La bordadora 1926 and Niños 1930-31 from her return to figuration. The second group is made up of those artists who return to Paris in the Twenties like Joan Miró and Salvador Dalí. The paintings by Miro include: Personnage oiseaux 1974 Paisaje 1974 Femme oiseau I 1977 Paysage 1976 and Personnages oiseaux constellations 1976 accompanied by sculptures such as Femme soleil 1966 Torse de femme 1967 Tête dans la nuit 1968 Tête de taureau 1970 Jeune fille rêvant de l'evasion 1971 and Femme et oiseau 1971. Dalí presents an untitled canvas from 1928 a study to Premonición de la Guerra Civil 1935 the unfinished painting of his muse and companion Busto de Gala 1939 the canvas: A propósito del "Discurso sobre la forma cúbica" de Juan de Herrera 1960 inspired by the renowned architect a painting that reveals his interest in science Árabes. Ácido desoxirribonucleico 1963 and the first version of El Camino del Enigma 1981 one of his final compositions." - from the museo reina sofia web site. Fundacion Marcelino Botin paperback books
1999163032Santander: Fundacion Marcelino Botin 1999. Paperback. Contents VG clean bright and tight; covers have some light shelf wear; copy is art museum ex-lib. with a few marks but none to text. Color-illustrated chartreuse wraps with black lettering on spine. French flaps. 285 pp. with color and bw images throughout. Text in Spanish. Catalogue from the exhibition held July to September 1999. "This exhibition presents an overview of seven Spanish artists working in Paris in the early twentieth century and whose work contributes to the renewal and creation of new languages in Contemporary Art. Of the selected artists the first to move to Paris in 1899 is Julio González who was followed by Pablo Picasso in 1900 Pablo Gargallo in 1903 Juan Gris in 1906 and MarÃa Blanchard in 1909. After the First World War another wave of Spanish artists chose France as their home including Joan Miró in 1920 and Salvador Dalà in 1926. All works in this exhibition at the Marcelino BotÃn Foundation belong to the Museo Nacional Centro de Arte Reina SofÃa funds. The selection is made from those pieces in the collection that are not currently exhibited in the museum but which are representative of such a prolific period in Spanish Art. By Julio González there are three paintings from his early works in this discipline: Mujer peinando a una joven 1914-1918 La recolección de manzanas 1920-1925 and Dos mujeres 1920-1928. In 1910 he produces the first of his embossed metal masks; this moment belongs to Máscara inquietante 1913-1914. A few years later he produces pieces in cut and wrought iron such as Masque aceré 1929-1930. His work evolves into abstraction without abandoning figurative references like in Petite maternité assise 1933-1934 and El pie 1934-1936. For Gonzalez drawings are an essential part of his creative process. Exhibited are: Mujer con niña en malva 1906 Personaje de pie amarillo y blanco 1937 Personaje con velo largo nº I 1941 and El grito 1939 which lay the foundations for the Montserrat which González presents in the Spanish Pavilion at the Universal Exhibition in Paris in 1937 to which the Reina SofÃa Museum dedicates an exhibition in 1987. The contribution of Pablo Picasso is overwhelming. On this occasion eleven preparatory studies to the Guernica 1937 are exhibited a work that exemplifies the Reina SofÃa Museum Collection. Following the bombing of Guernica Picasso works on this monumental piece specifically for the aforementioned Spanish Pavilion. The horse is one of the first figures he drafts along with Cabeza llorando an image of the suffering of a mother. These exhibited drawings and canvasses refer to these reasons in addition to Estudio de composición VI 1937. Pablo Gargallo received by Picasso on his arrival in Paris is along with Julio González the most important Spanish sculptor from the early twentieth century. By him the pieces Torse de gitan 1923 La dormeuse 1924 Porteuses d’eau 1925 and Tête de prophète 1926 are exhibited accompanied by three drawings which are the basis for his sculptures ArlequÃn a la guitarra 1927 and Bailarina. Teresina Boronat 1927 in two different versions. By Juan Gris creator of Synthetic Cubism the paintings El violón 1916 y Guitarra con incrustaciones 1925 were chosen as well as drawings Naturaleza muerta a la guitarra 1925 and Hombre a la guitarra 1925-1926. These last two are the original drawings and drafts for lithographs that Gris produces for Gertrude Stein’s Book: A Book Concluding with As a Wife Has a Cow: A Love Story 1926. The Museo Reina SofÃa has a large collection of works by MarÃa Blanchard partly acquired in 1932 from her sister Carmen. They include: Mujer con abanico 1915-1916 and Composición Cubista 1916 from her cubist period and Niña peinándose 1926-1927 La bordadora 1926 and Niños 1930-31 from her return to figuration. The second group is made up of those artists who return to Paris in the Twenties like Joan Miró and Salvador DalÃ. The paintings by Miro include: Personnage oiseaux 1974 Paisaje 1974 Femme oiseau I 1977 Paysage 1976 and Personnages oiseaux constellations 1976 accompanied by sculptures such as Femme soleil 1966 Torse de femme 1967 Tête dans la nuit 1968 Tête de taureau 1970 Jeune fille rêvant de l’evasion 1971 and Femme et oiseau 1971. Dalà presents an untitled canvas from 1928 a study to Premonición de la Guerra Civil 1935 the unfinished painting of his muse and companion Busto de Gala 1939 the canvas: A propósito del “Discurso sobre la forma cúbica†de Juan de Herrera 1960 inspired by the renowned architect a painting that reveals his interest in science Ãrabes. Ãcido desoxirribonucleico 1963 and the first version of El Camino del Enigma 1981 one of his final compositions." - from the museo reina sofia web site. Fundacion Marcelino Botin paperback
1999x02499<p>Caracas: Freites-Revilla Gallery 1999. 4to. 60 pp. Book condition: Near Fine. Slightest shelfwear to wraps. Signed and dated with a drawing by Abigail Varela.</p> Freites-Revilla Gallery paperback
19453781<p>Revista patria boletin oficial de la asociacion de antiguos alumnos del seminario martianodesde ano I numero 1 la habana agosto 15 de 1945hasta ano IV la habana diciembre de 1948 numero 12en total 48 numerosdirector eradio garcia salazar encuadernacion original de la epoca48 numeros encuadernados en un tomocon interesantes articulos de Eradio garcia salazarfernando g campoamorgonzalo de quesada y mirandaluis german agostini godaoymariano blancorafael soto pazalberto de j calvorafael mohedanociana valdes roiglidia celia landarosa infante pyneiroarturo r de carricarteoctavio de la suareejulia rodriguez del rey y gabriel garcia galanentre otrosinteresante y rara revista publicada en la habana cuba entre 1945-48.</p> Habana cuba hardcover
1968L071828Editor Javier Pérez de Salazar 1968. First Edition. Hardcover. Near Fine/No Jacket. Folio - over 12" - 15" Tall large. Copy #33 of only 1000 copies issued of this huge monumental survey. Red linen spine and covers include 3 bronze or copper bosses. Slight fading and wear otherwise a superb copy of this scarce survey. xvi200 pages. Includes 100 color plates.Color Illustrations. Editor Javier Pérez de Salazar hardcover
1996x-1571818871Berghahn Books 1996. Hardcover. New. 178 pages. 8.75x6.00x0.75 inches. Berghahn Books hardcover
2000B40072Leiden: Brill 2000. First edition. Hardcover. Fine/Near fine. Presumed first edition 2000 hardcover with red cloth boards in dust jacket octavo 299pp. sparsely illustrated in b&w. Book fine with handsome boards and tight binding text clean bright and unmarked. DJ near fine with hint of shelfwear isbn sticker to rear panel now in archival mylar wrap. Brill hardcover
19493547142Madrid.: Patronato de la Biblioteca Nacional. 1949. Hardcover. Good. 25 cm. 2 v. XII 817 p. Encuadernación en tapa dura artesanal con lomo en piel. Salazar y Castro Luis de 1658-1734. Prólogo del señor Marqués de Ciadoncha. Ãndice. 1. Castilla -- 2. León. Orden de Santiago. Castilla y León . Nobleza 929.7 Nobleza 929.71 Santiago 460.18 Patronato de la Biblioteca Nacional. hardcover
198568118Amigos del Libro Vasco 1985. Tapa dura. 2ª Mano. Antiguos recuerdos de Vizcaya . Editorial Amigos del libro vasco Bilbao 1985. ISBN 8475780846. Col. Antiguos recuerdos de Vizcaya 4 tomos. Reproducción códice existente en la real academia de la historia 1884. ejemplar numerado nº 345. 2ª ed. Guaflex con adornos dorados 17x23cm. 410pp 430 pp 380pp 440pp. Historia. Pais Vasco. Euskadi. 23x16 cm. tapa dura Amigos del Libro Vasco hardcover
1942042879MEXICO: EL COLEGIO DE MEXICO. FOUR VOLUMES SPANISH TEXT. SOME CHIPS TO THE SPINE AREAS. CLEAN TEXT. OVERSEAS ORDERS WILL REQUIRE ADDITIONAL POSTAGE . Good. PAPERBACK. First Edition. 1942. EL COLEGIO DE MEXICO paperback
