1 173 résultats
Gutes Exemplar; Umschlag mit sehr kleinen Läsuren. - EA. - In Frakturschrift. - Mit Orig.-Verlagsbeilage. - INHALT / Kapitel: Starsuche im Lunapark; Ferien auf See und in der Luft; Von Helsingfors zu Mussolini; Wenn Greisinnen tanzen; Lache, Bajazzo!; Familie Gambino; Das Bedürfnis nach Helden; Der Napoleon-Film; Wer spricht noch von Könnecke?; Kreneks neue Oper; Ministersöhne im Examen; Referendar Greulich; Die Blues-Stunde; Im großen Modehaus; Die Dorsch und die Porten beim Anprobieren; Der Beruf der Mannequins; Die moderne Ministerfrau; Bilder aus der Wohnungsnot; Grock; Unsere Chinesenkolonie; Deutsche Ware ist die beste; Das Manoli-Tütchen; Ausstellung Vollbehr; Die Mode des Trench Coat; Klemperers Fidelio; Der Tanzmädchen-Beruf; Eispalast; Nach der Sitzung im Europa-Pavillon; Die kleine Charlotte; Borchardt einst und jetzt; Hauptmanns Eulenspiegel; Rote Kinderverse; Harry in Sowjetrußland; Versteigerung Oskar Straus; Am Neujahrstage im Rheingold; Die Kabarett-Verwilderung; Steinach und Woronow; Filmkonkurrenz; Otto Gebühr als Alter Fritz; Republikanischer Eifer; Vom Staatsgestüt; Beberbeck; Die drei Renommisten / u.v.v.a. --- Adolf Stein (* 16. August 1871 in Moskau; † im März oder April 1945 in Swinemünde oder Dievenow ... ) war ein konservativer Journalist und Schriftsteller in Berlin der Weimarer Zeit. Er schrieb in den 1910er Jahren vorzugsweise unter den Pseudonymen Gerd Fritz Leberecht und Lookout, ab 1920 unter Rumpelstilzchen und A. … Während seines Militärdienstes war er Mitarbeiter der "Kreuzzeitung", danach Redakteur bei verschiedenen Lokalzeitungen. Er unternahm Reisen nach Afrika und Zentralasien. 1904 gründete er in Berlin das Wochenblatt "Der Deutsche" im "Verlag des Deutschen". Im Ersten Weltkrieg wurde er Flieger-Major. 1920 wurde Stein von Alfred Hugenberg angeworben, der seine politischen Ansichten teilte. Ihm wurde in dessen Medienkonzern die Redaktionsleitung des Materndienstes Deutscher Pressedienst übertragen. An dieser wichtigsten Schaltstelle in der Berliner Konzernzentrale hatte Stein direkten Einfluss auf die tägliche Themenauswahl und politische Meinung der über 350 Provinzzeitungen des DNVP-orientierten Konzerns im gesamten Reich. Stein avancierte damit zu dem "Agitator der Hugenberg-Presse" und zum "Wortführer des rechten Lagers" (Albrecht). Stein gab außerdem diverse politische Schriften heraus, in denen er einerseits Paul von Hindenburg glorifizierte als Retter des Vaterlandes, alle Cäsare und Napoleone überragende(n) Feldherr usw., andererseits gezielt die Weimarer Republik und ihre Politiker diffamierte, ausdrücklich mit dem Ziel, diese unmöglich zu machen. So titulierte er den sozialdemokratischen Reichspräsidenten Friedrich Ebert nur als Friedrich den Vorläufigen und verfasste Schmähschriften mit Titeln wie "Zwischen Staatsmännern, Reichstagsabgeordneten und Vorbestraften". Den Zentrumspolitiker Matthias Erzberger bezeichnete er in einem anderen Werk noch polemischer als Reichsschädling und Riesenpolyp. Er unterstützte die Dolchstoßlegende der politischen Rechten und schreckte zunehmend auch vor offenen Gewaltandrohungen gegen missliebige Politiker nicht zurück. Durch diese Art der Presseagitation aufgewiegelte Attentäter setzten die Drohungen an Erzberger und Philipp Scheidemann bald danach in die Tat um. … (wiki) //
Brossura in buone condizioni interno buono edizione originale stampata a Berlino durante la seconda guerra mondiale, non comune.
León, 2009. 4to. alargado; 168 pp. Cubiertas originales.
In oblungo (21,9x11,2 cm); 37, (1) pp. Brossura editoriale. Ottimo stato di conservazione. Prima edizione di questo importante scritto propagandistico legato al genocidio armeno. Twerdo Khlebof, un tenente colonnello del secondo reggimento di artiglieria russo di stanza a Erzurum, tenne un diario almeno dalla fine del 1917 a pochi mesi nel 1918. L'esercito generale si era ritirato e la provincia era sotto il controllo di questo piccolo reggimento russo, arroccato nella fortezza di Erzurum e di qualche un'unità militare armena. Nel suo diario, il militare descrisse le presunte atrocità delle quali fu testimone, perpetrate dagli armeni verso la popolazione civile mussulmana. Khlebof che dovette poi abbandonare la fortezza non fu poi testimone delle terribili ritorsioni turche. Raro. Rare.
329 pages. Index. Referrences. List of primary sources. Reproductions of black and white photos. "John Grierson, documentary film pioneer and founder of the National Film Board of Canada was a self-proclaimed propagandist who offered himself to Canada in the Second World War and won a place as director of Canada's official propaganda machine... But after the crisis had passed, Grierson and his idealistic associates ran up against the emerging pragmatic and functional policy approach of Mackenzie King's government." - from dust jacket. Moderate wear. Binding intact. Usual library markings. A sound copy. Book
Fine Fine English Original brown imitation leather bdg. Dust wrapper. In publisher's special slip-case. Folio. (31 x 26,5 cm). Texts in entirely English, bilingual title on the slipcase in English and Arabic. 143, [1] p., fully color and b/w photos. Signed and inscribed in Turkish by Cidde emini [i.e. The Lord Mayor of Jeddah] Mohamed Said Farsi, dated 8.5.1984 to Turkish architect Selim Sabuncuoglu as 'Sayin Selim Sabuncuoglu, en güzel temennilerimle Jedda'dan bir hatira. Jeddah emini, Sait Farisi'. Sealed "YÜTAS: Construction Production Industry and Trade Co.". Dr. Mohammed Said Farsi, (1937-2019), was a former Lord Mayor of Jeddah, and a man of such aesthetic integrity that he traveled the world to meet with sculptors, painters, and musicians before replanning the city according to his own meticulously constructed vision. (Source: The Rake). Dr. Farsi was a visionary civic leader and philanthropist who is widely considered to be the father of modern Jeddah. He presided over a five-fold increase in the city's population, led its transformation, including creating the famous Jeddah corniche - a unique public space and an open-air gallery. Dr. Farsi, a noted art lover, was also the first mayor to introduce Western art and sculpture to an Arab city. He is survived by his son Hani Farsi and former wife Naglaa Asaad. Born in Makkah in 1937, Dr. M S Farsi qualified as an architect in Alexandria and returned to Saudi Arabia in the early 1960s. He entered government service in 1963 and rose rapidly. Just two years later he was appointed to the post of Planning Officer for the Western Region of Saudi Arabia. Covering an area larger than the United Kingdom and having within its boundaries the port city of Jeddah and the Holy Cities of Makkah and Medinah, this territory was in effect Saudi Arabia's window to the world and it was under Dr. Farsi's aegis that plans for these three cities were drawn up; given the immense significance of this work, Dr. Farsi liaised with the very highest levels of government. In 1972, Dr. Farsi became Mayor of Jeddah, a city that had grown from the historic walled city of his childhood to a large modern conurbation of more than 300,000 people. Until the middle of the following decade, Dr. Farsi presided over a period of spectacular and unprecedented growth for the city, which saw its population increase five-fold. That chaos was averted in the face of such a population explosion was due in no small part to Dr. Farsi's enlightened leadership. It is remarkable that in the midst of creating much-needed infrastructure, Dr. Farsi found time to create a city that was as beautiful as it was functional; with a carefully preserved historic center, gracious boulevards, and charming parks. A collector of Islamic and Western art, Dr. Farsi's vision as a city planner was to integrate important contemporary art into public spaces, thus enriching the lives of the inhabitants and reflecting the on-going cultural significance of the city, and his mayoralty is today remembered for its artistic flowering and for being at the forefront of design. Dr. Farsi made use of local artists and materials as well as commissioning works from many great Western masters, including Henry Moore, Victor Vasarely, Alexander Calder, Arnaldo Pomodoro, Joan Miró, Cesar Baldaccini, Sylvestre Monnier, Jean Arp, and Jacques Lipchitz, among many other stellar names in the international art world. He was the first mayor to introduce Western art and sculpture to an Arab city, as well as the first to display art that depicted the physical human form. At the time he stepped down, in 1986, Jeddah boasted over 400 pieces of public art. When he retired in 1986, Dr. Farsi returned to one of his primary passions - education. Within just one year he successfully qualified for his doctorate, attaining a Ph.D. from the University of Alexandria. (Source: Pressat). Jeddah: 'Bride of the Red Sea'. This is a cosmopolitan city, ancient and modern hub, the unique seat of civilis[.]. R
192 pages including index and an appendix listing contemporary personalities in Japan and Japanese-Occupied Asia. "The present study falls into two sections which are complementary. The first deals with machinery and methods and endeavours to give as full and detailed a survey as is possible of the various government organs directing and controlling political warfare, the structure of the Japanese press, the organisation of Japanese broadcasting, the functioning of censorship, and the extent to which education, science, literature, the arts and the cinema are being employed for purposes of propaganda, both in the Japanese homeland and in the wider area of the conquered empire... The second part deals... with the aims and policies of Japanese propaganda, and attempts to give an outline of the way in which the machinery, sketched in the first part, is being operated." - from introduction. Prior owner's name and pencil erasure atop front endpaper else unmarked. Minor adhesive residue upon back endpaper, possibly from bookplate or pocket removal. Evidence of small sticker removal at base of front board. No library markings per se. Above average wear and soiling to red cloth boards. Spine sunned but its gilt lettering remains legible. Bit of foxing to endpapers. Binding intact. Good working copy. Book
62p. Illustrated with portraits and architecture. Tall 8vo. Original full printed wraps. Very scarce. **PRICE JUST REDUCED! WWI 10
"Nell'esaminare le condizioni che l'Asse d'acciaio ha imposto alla Francia, non lacrimate, cari amici, sulla sorte di quel Paese." Volantino cm. 32x21 emesso durante l'occupazione della Francia e successivamente al trattato di Berlino (patto d'acciaio) dove venne stipulata l'alleanza politico-militare con la Germania.
Milano, 1941, stralcio con copertina posticcia muta, pp. 19/30 con numerose illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
30 pages. 7.25" x 5.6". Text in English. Each page charmingly illustrated in colour. Ten-year-old Ah-wu, his dog Blackie, and friend Ah-hsiao live on Hainan Island which has been occupied by the Japanese Army in 1939. Tells the dramatic tale of how the trio captures a Japanese soldier, then delivers him and his rifle to the guerrillas. Unmarked with light wear and soiling. A quality copy of this charming vintage work. Book
Very Good English Paperback. Pbo. Small 4to. (26 x 19 cm). In Ottoman script. No bibliographic detail. 70 p., fully b/w ills. Extremely rare. Hegira; 1335 = Gregorian; 1919. Islâm ahalinin dûçar olduklari mezâlim hakkinda vesâika müstenid malûmât.
Madrid, 2006. 4to.; 566 pp. Cubiertas originales.
This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters to children's books and figurines Remarkable archival photographs set the disturbingly powerful graphic devices in historical context. The perceptive text analyses how these four regimes established the most effective modes of visual propaganda, which were later adopted and adapted by many other dictatorships. — Testi: Heller Steven. rileg. rigida. Editore: Phaidon Press, London, 2011.
in-8 etroit, 197 pages, broche, couverture illustree À letat de neuf. [STR]
8° br., pp.43
br. Per chi suonano il piffero gli intellettuali del piffero? Per se stessi, per avere un posto nella società dell'avanspettacolo politico. Offrono i loro servigi al mercato mediatico perché partiti e altre vecchie istituzioni non garantiscono più il ruolo e l'ingaggio di prima. Nell'ultimo ventennio in troppi hanno commesso la truffa di travestire da militanza il proprio tornaconto personale: c'è chi ha goduto di posizioni di rendita grazie a opposti finti estremismi, facendo affari col nemico, e chi ha speculato, mettendo "in pegno" non una qualche autorevolezza ma l'impegno stesso. Risultato? È ormai cronico quel bipolarismo che da sistema elettorale è diventato disturbo psichico: la sinistra è affetta dalla sindrome dei migliori, la destra ascolta gli istinti peggiori; il centro oscilla secondo convenienza, non coscienza, e i grillini hanno paura di sporcarsi le mani. Così i cattolici fanno i libertini e il moralismo è l'arma delle femministe. E ancora: se le vecchie trombette castrano i figli blaterando di rivoluzione, i giovani senza futuro fanno i tromboni. Per questo il parricidio intellettuale è un diritto naturale, una legittima difesa da praticare azzerando i pregiudizi pregressi e mettendo al servizio di tutti i torti e le ragioni di tutti. Come? Leggendo da adulti (traendone la morale) le favole che raccontano al pubblico gli intellettuali del piffero: furbi storytellers, cattivi maestri e arlecchini del pensiero.
Very Good English Original bdg. HC. Roy. 8vo. (23 x 17 cm). In Turkish. First Turkish Edition of 'English villages [1941]'. 47, [1] p. Color and b/w plates and ills. Minor splits on spine. Ingiliz köyleri. [=First and only Turkish Edition of Blunden's 'English villages'. Propaganda book series of England published during the WW II].
Very Good English Original bdg. HC. Roy. 8vo. (23 x 17 cm). In Turkish. First Turkish Edition of 'British scientists [1941]'. 47, [1] p. Color and b/w plates and ills. Minor splits at spine. Ingiliz ilim adamlari. [=First and only Turkish Edition of Gregory's British scientists'. Propaganda book series of England published during the WW II].
Very Good English Paperback. Pbo. Demy 8vo. (22 x 14 cm). In Turkish. 56 p., ills. Ingiliz basini. [= British press].
Zaragoza, 2009. 4to. menor; 157 pp. Con ilustraciones fotográficas en color y en negro entre el texto. Encuadernación original en cartoné.
Castelvecchi, I ed. 2016 - copertina morbida, formato cm 12 x 20, pag. 105 - pari a nuovo
In 16, pp. 28 + (2). Br. rifatta. Saggio di archeologia funeraria cristiana.
La Domenica del Corriere del 2/7/1944 con due tav, a colo.
8° br., pp.15, fot.
