1 135 résultats
197342792n.p. 1973. Small 8vo approx. 8½ x 6 inches in black Flair pen and apparently torn from a notebook; 3 small holes not significantly affecting any legibility otherwise very good. A typically enigmatic inscription: "Proud of you" in a hand-drawn box at the top to the right of which is a small drawing of a face / "You never sniffed drainpipes but you two words crossed out have a good one word crossed out grasp of the alphabet - Highway 51 one word crossed out is not your road!" Signed boldly at the bottom "Bob Dylan / 1973" to the left of which signature is another drawing by Dylan of the rear end of an automobile depicting smoke coming from the tailpipe. Partly drawn from the lyrics of one of his masterpieces Desolation Row: "Einstein disguised as Robin Hood / With his memories in a trunk / Passed this way an hour ago / With his friend a jealous monk / He looked so immaculately frightful / As he bummed a cigarette / Then he went off sniffing drainpipes / And reciting the alphabet." <br/><br/> unknown books
194348523n.p. Minneapolis 1943. Original corrected 229-page typescript of Manfred's first novel likely used as the setting copy by the publishers Webb Publishing Company of Saint Paul with numerous typographical notes as to typesize fonts picas etc. and also containing many what we assume to be last minute corrections to the text proper by Manfred himself - a couple of hundred instances where the typescript differs from the work as published. Also a 6-page corrected typescript of the copy used for the dust jacket also a setting copy but with no corrections by Manfred. Also page proofs for the same tall 8vo 129 leaves printed on rectos only with extensive annotations throughout by the editior and printer including the amending of a number of words and phrases in the text. Also a first edition of the book 8vo pp. 8 226; fine copy in a near fine dust jacket. This copy inscribed "For Paul C. Hillestad 'our' first book together. Frederick Feikema Manfred." Hillestad was Manfred's editor at Webb. <br/><br/> unknown books
191244902New York: Frederick A. Stokes Co 1912. First edition of the author's first book 8vo pp. 12 275; 4 duotone plates by Arthur Hutchins; small piece of the corner missing on the last page of text 1912 Xmas inscription in ink on front free endpaper very light scratch on the front cover illustration otherwise fine and bright and unusual thus. Sinclair Lewis's pseudonymous debut novel. In a new quarter morocco clamshell box green morocco label lettered in gilt on spine. <br/><br/> Frederick A. Stokes Co unknown books
195530198Stockholm: Albert Bonniers 1955. First Swedish edition printed in a limited but unspecified number this is copy no. 155 signed by Lindbergh 8vo pp. 8 483 1 10; photographic portrait frontispiece 11 illustrations on rectos and versos of 3 plates 7 pages of maps and graphs at the back; fine copy in original full blue morocco by Nylén & Co. gilt-stamped upper cover and spine publisher's slipcase. This copy additionally inscribed to "Lucile Wright from the Royal Swedish Aero Club in appreciation of her contribution to aviation. Stockholm 6.9.1957 Nils Stirnberg." Lucile M. Wright was a famous American woman aviator one of the original Ninety-Nines pioneer women aviatrixes as assembled by Amelia Earhart in 1929 and the Lucile M. Wright Air Museum in Jamestown New York is named after her. This book an account of the first solo nonstop flight between the United States and Europe in 1927 won for Lindbergh the 1954 Pulitzer Prize for Autobiography. This is the only limited signed edition published outside the United States. <br/><br/> Albert Bonniers unknown books
198750894Minneapolis: Vermillion Editions 1987. Edition limited to 40 copies consisting of 5 printer's proofs and 35 in the edition this copy no. 11; 4to 10 unbound sheets printed on rectos only and contained in a black cloth-covered portfolio with printed paper label on spine and pictorial pastedown on upper cover. Rathman's first book printed at Vermillion Editions under the guidance of Steve Anderson. Gerald Lange of the Bieler Press and Norman Fritzberg of the Hansestadt Letterfoundry were responsible for the typographic design and composition. The portfolios were constructed by the Campbell-Logan Bindery. "Mythological in conception and Nigerian in origin.the linocut illumination that accompanies the text exhibits such regimented verve that it almost seems as if a scourge has been placed upon each page. The jags curves and swirls of the elemental naturalistic borders take on pantheistic qualities as they move organically into the inner sanctum . harbors dangerous disorderly creatures alongside humans with their primitive and fantastic accoutrements. Gesture posture and facial expressions of beasts trees and humans.exhibit a stunning force of feeling and an atavistic quality that illuminates meaning and emotion." Pamela Sund in Artscape Volume 2 no. 4. <br/><br/> Vermillion Editions hardcover books
191050307n.p. n.d. Saint Paul 1910. Oblong folio containing 100 silver print photographic postcards each with Bromley's stamp in the right margin; printed index of the photographs "from negatives made by Whitney Tuttle Illingworth Zimmerman and others" is mounted inside the upper cover; original black cloth with one of the images mounted on the front cover; spine spotted the whole lightly rubbed; very good sound and complete. Images run the gamut from city scenes architecture Native Americans steamboats views of Fort Snelling the Mississippi River etc. Not found in OCLC but there is a set of these photographs at Minnesota Historical. A similar album exists for Minneapolis. <br/><br/> hardcover books
196556708New York: Newport Folk Art Foundation 1965. 4to pp. 63 1; illustrated throughout; original pictorial wrappers a bit soiled else very good. Joan Baez Donovan Maybelle Carter Peter Paul & Mary Mississippi John Hurt but who cares. That Sunday night July 25 Dylan took the stage with guitarist Mike Bloomfield and Barry Goldberg of the Paul Butterfield Blues Band Dylan with a Fender Stratocaster - a scene familiar to all from Martin Scorsese's documentary No Direction Home - thereby changing the course of pop music forever. That night at Newport in an abbreviated performance he opened with "Maggie's Farm" and followed that with "Like a Rolling Stone" which had only been released five days earlier and "It Takes a Lot to Laugh It Takes a Train to Cry." He finished his performance that night with two acoustic songs "Mr. Tambourine Man" and "It's All Over Now Baby Blue." He never played at Newport again. This issue of the program also prints a short story of sorts by Bob Dylan "Off the Top of My Head" featuring off-the-top-of-his-head characters Horseman Photochick Miss Flunk and the Prez. <br/><br/> Newport Folk Art Foundation unknown books
194548525St. Paul: Webb Publishing Co 1945. Long galley proofs measuring approx. 24" x 6" bound in paper wrappers with cloth top-strip printed paper label on upper cover; with numerous editorial corrections throughout by Manfred's editor at Webb Paul C. Hillestad but also with several longer ones in Manfred's hand both often changing text resulting in many different readings from the published version. Together with a review copy of the published book warmly inscribed by the author to Hillestad noting that "this book and the life it reflects really was the turning point in my life . You were very patient to have sweated it out with me as editor and friend." <br/><br/> Webb Publishing Co hardcover books
192038179St. Paul & Philadelphia 1860-1920 1920. Volume I 1902 being a republication of the original "Annals" all scarce in original editions 1850-56; Vol. II 1889 a republication of Major Stephen H. Long's Voyage in a Six-Oared Skiff to the Falls of St. Anthony in 1817 with Introductory Note by Edward D. Neill Phila. 1860 see Howes L-445; Vol. III 1880 containing the Relation of M. Penicault Levenworth's Expedition to Fort Snelling in 1819 A Reminiscence of Fort Snelling by Charlotte Ouisconsin Van Cleve and numerous other titles; Vol. IV 1876 Fletcher Williams' History of St. Paul; Vol. V 1885 Edward D. Neill's excellent History of the Ojibways; Vol. VI 1887 containing Baker's The Sources of the Mississippi; Williams' The Protestant Missions in the Northwest and Hill's Indian Mounds in Dakota Minnesota and Wisconsin etc.; Vol. VII 1893 J.V. Brower's The Mississippi River and its Source with a large and detailed folding map of the headwaters ton but no loss; presentation copy from the author; Vol. VIII 1898 Upham's Settlement and Development of the Red River Valley Grant's The International Boundary between Lake Superior and The Lake of the Woods Winchell's Minnesota's Northern Boundary etc.; Vol. IX 1901 Baker's History of Transportation of Minnesota Gilfillan's The Ojibways Flandreau's Reminiscences of Minnesota during the Territorial Days etc.; Vol. X parts 1 and 2 1905 Lamphere's History of Wheat in the Red River Valley Rogers' History of Flour Manufacture in Minnesota Hughes' History of Steamboating on the Minnesota River Upham's Groseilliers and Radisson the First White Men in Minnesota etc. ; Vol. XI 1904 Brower's Itasca State Park an Illustrated History; Vol. XII 1908 Gilfillan's History of the University of Minnesota Murray's Recollections of Early Territorial Days Johnson's Minnesota Journalism etc; vol. XIII 1908 James H. Baker's Lives of the Governors of Minnesota; Vol. XIV 1912 Warren Upham & Rose Dunlap's excellent Minnesota Biographies 1655-1912; vol. XV 1915 Saby's Railroad Legislation in Minnesota Randall's The Beginnings of Railroad Building in Minnesota Daniels' Reminiscences of the Little Crow Uprising etc.; Vol. XVI part 1 1913 all published - Winchell's The Weathering of Aboriginal Stone Artifacts and A Consideration of the Paleoliths of Kansas; and vol. XVII 1920 Upham's Minnesota Geographic Names. Includes scores of historical essays by other known historians including Sibley Ramsey Langford Flandreau Mayo and others. Orig. brown green or terracotta cloth; some chipping and fading some pages browning but generally very good or better with a number of plates and maps throughout some folding. <br/><br/> hardcover books
200050662Stockholm: Midnight Paper Sales 2000. First edition limited to 166 copies this one of 26 lettered copies signed by Schanilec on the limitation page letter C and specially bound in quarter leather spine gilt in a clamshell box along with a portfolio containing 45 additional ephemeral pieces printed by Mr. Wulling; folio pp. 71 4; illustrated throughout with 24 facsimiles woodcuts ink-jet reproductions ephemera and 7 color wood-engravings by the artist-printer Gaylord Schanilec. Introduction by Rob Rulon-Miller and with a check-list by him of better than 270 books chapbooks broadsides etc. printed by Emerson Wulling at his Sumac Press in both Minneapolis and La Crosse Wisconsin. The text proper consists of a 2-part interview conducted by Schanilec and Rulon-Miller with Emerson Wulling in 1995 and 1999. Wulling who began printing in 1916 and continued to print into the 21st century printed longer than any printer before him - 87 years in all - a record of sorts which quite probably will never be broken. Quarter to Midnight A.199.a. <br/><br/> Midnight Paper Sales hardcover books
200019780Stockholm Wisconsin: Midnight Paper Sales 2000. First edition limited to 166 copies this one of 26 lettered copies signed by Schanilec on the limitation page and specially bound in quarter leather spine gilt in a clamshell box along with a portfolio containing 45 additional ephemeral pieces printed by Mr. Wulling; folio pp. 71 4; illustrated throughout with 24 facsimiles woodcuts ink-jet reproductions ephemera and 7 color wood-engravings by the artist-printer Gaylord Schanilec. Prospectus laid in. Introduction by Rob Rulon-Miller and with a check-list by him of better than 270 books chapbooks broadsides etc. printed by Emerson Wulling at his Sumac Press in both Minneapolis and La Crosse Wisconsin. The text proper consists of an interview conducted by Gaylord Schanilec and Rob Rulon-Miller with Emerson Wulling in 1995 and 1999. Wulling who began printing in 1916 and continued to print into the 21st century printed longer than any printer before him - 87 years in all - a record of sorts which will quite probably never be broken. Quarter to Midnight A.199.a. <br/><br/> Midnight Paper Sales hardcover books
1923007859Washington D.C.: The White House 1923. December 17 1923 The White House - to Lew Wallace Jr. son of Lew Wallace Union general in the American Civil War governor of the New Mexico Territory and author of "Ben Hur"- "Dear Mr. Wallace The growth of thrift and saving in this country promises well for our future. Only through sacrifice and hard work can we attain the cherished things in life. This means we must work and save. The progress of the United States Government Savings System in giving to all our people an opportunity to invest in safe securities is most worthy. By placing Treasury Savings Certyificates on sale in post offices banks and trust companies the Government has made available to everyone a security of unquestioned soundness. Their widespread sale makes for better citizenship as each purchaser holds a stake in his Government. I believe also that the enlargement of a national Thrift movement will eventually stamp out the false and unsound practices of the swindler." A 25 line roughly 225 word letter that in the last paragraph goes on to talk about the growth of this system that "will result in increased happiness for the individual and in increased prosperity in general." A Fine letter under glass in period original frame and acquired directly from descendants of the Wallace family never before offered for sale. A superb association and a letter that speaks directly to Coolidge's sense of personal responsibility and frugality. . One Page. Fine. 8 1/2 " x 11". The White House Paperback books
192620993Paris 1926. Edition limited to 100 numbered copies printed by Maurice Darantiere sm. 4to pp. 5-58 5; 20 small pouchoir illustrations by Bonfils; original stiff pictorial wrappers; fine copy in a nearly fine glassine sleeve and the printed copy designation slip laid in. Tessie was the talented daughter of the famed collector of rare Americana Herschel V. Jones of Minneapolis. <br/><br/> unknown books
197050252Madison Minn: The Seventies Press 1970. First edition wrapper issue; 8vo pp. 59 3; original plain tan wrappers with tan pictorial dust jacket without a price on the front flap and with the '2' in "20" on the front panel in a smaller font. This is the first state of the dust jacket see Gustafson for details. Also wrappered copies appear to be the ones first shipped from the printer. This copy inscribed to Mankato poet: "For Rezmerski John. Robert Bly and with a typical Bly drawing of what I take to be a moose and also from Tomas Transtromer." 2000 copies were printed 1000 each in boards and wrappers. Transtromer won the Nobel Prize for Literature in 2011. Gustafson B14. <br/><br/> The Seventies Press hardcover books
197322127New York: Harcourt Brace 1973. First edition 8vo pp. xix 1 363; 33 illus. on rectos and versos of 8 plates; shadow from newsprint on front flyleaf else fine in the jacket. Political biography of the aviator's father. Signed on the title-page by Lindbergh Jr. the aviator by the author and also by Eva Lindbergh Christo Spaeth Lindbergh's daughter. Accompanied by the program of events for the opening of the Lindbergh Interpretive Center: Minnesota Historical Society Welcomes You to Opening Ceremonies . Lindbergh State Park Little Falls Minnesota." a program which brought Lindbergh to his boyhood home for the last time which is also signed and dated Sept. 30 1973 by Lindbergh who died shortly after this visit. <br/><br/> Harcourt Brace unknown books
191648496Stillwater Minn: Easton & Masterman printers 1916. First edition 8vo pp. 1 508; frontispiece portrait of Gov. Alexander Ramsey 5 other portraits 1 plate showing 3 portraits including Christopher B. Heffelfinger - see below 4 plates of monuments 2 folding maps and 1 map in the text; original blue cloth gilt-lettered spine; cracking in the cloth in the top half of the upper joint; hinges cracked; all else very good and sound. This copy with an important inscription: "James Ford Bell Jr. from Grandmother Heffelfinger August 14 1916." James Ford Bell Jr. was the eldest son of the founder of General Mills and what is now the James Ford Bell Library at the University of Minnesota. James Jr. was known locally as the CEO of Red Owl Food Store chain and was also a noted conservationist. His "Grandmother Heffelfinger" was the wife of Christopher B. Heffelfinger one of the authors of this book who from 1861 through 1864 served in Company D of the famous First Minnesota Infantry Regiment rising in rank from sergeant to captain shortly after the Battle of Gettysburg. After serving the full term of his three-year enlistment Heffelfinger was mustered out at Fort Snelling in May 1864. After a brief appointment as a relief agent in the United States Sanitary Commission in 1864 he re-enlisted in April 1865 and was appointed a major in the First Minnesota Regiment of Heavy Artillery. Heffelfinger died in 1915 while this book was about to go to press although he did read through the manuscript and made suggestions "which have been adopted in the text as it now appears." Searles Taylor Heffelfinger and two others also deceased were the members of the "Coville Commission" who had charge of the preparation of this history. <br/><br/> Easton & Masterman, printers hardcover books
199450748Minneapolis: Pentagram Press 1994. Edition limited to 20 sets. Essentially a history of printing at Pentagram containing about 160 examples of their own printing over 20 years including chapbooks greeting cards invitations announcements letterheads bookmarks and broadsides. Contained in 3 cloth-covered clamshell boxes of different color and size all in cloth-covered box 9" x 11" x 14". The OCLC record showing 2 holdings at Brown and Yale notes "approximately" 185 examples are present but in our experience 160 seems to be the approximate number not including envelopes. <br/><br/> Pentagram Press hardcover books
19062222259<p>First edition first printing December 1906. Octavo. Illustrated by Carl Eytel with 337 pen and ink sketches from nature; 33 full page halftone photographs; maps one folding and plans. Original light blue cloth over grey stamped in gilt t.e.g. Dust jacket few chips; few nicks; few creases. Very good. 270 pages and 271 pages 2 page publisher's ads. 2 volumes.</p><p>Printed by The Griffith-Stillings Press Boston.</p><p>E. I. Edwards "Desert Voices" page 88-89. "The Classic and definitive account of the Colorado Desert." "Desert Harvest" pages 77-78. "The Enduring Desert" pages 130-131.</p> Little, Brown, and Company hardcover books
191241613Walden N.Y.: Citizen Herald Book Print 1912. Photolithographic reprint of the first edition Pawling 1887. Imprint from back wrapper. Illustrated by numerous engravings and pen sketches by the author in the text. viii 168 pp. 1 vols. 4to. Original green wrappers printed in gold. Slight marginal chipping else fine in custom folding cloth case. From the library of Edward S. Litchfield with his bookplate. Photolithographic reprint of the first edition Pawling 1887. Imprint from back wrapper. Illustrated by numerous engravings and pen sketches by the author in the text. viii 168 pp. 1 vols. 4to. Lively Doings in 18th Century Upper New York State. Early history and anecdotes of the Shawangunk Region in upstate New York including bear hunting panther hunting conflicts with Tories extensive encounters with Indians and a section on the discovery of perfectly-preserved specimens of the mastodon in peat bogs. Smith was a New England local historian producing such works as The Green Mountain Boys or Vermont and the New York Land Jobbers History of Duchess County and Acadia: A Lost Chapter in American History; his style is a lively one.<br/><br/>Only two other copies of this local reprint are recorded in OCLC.<br/><br/>With important Adirondack provenance from the library of Edward S. Litchfield whose family owns one of the great late-nineteenth-century camps. Litchfield p. 57 this copy; OCLC: 32176721 Rutgers Syracuse; Howes S649 for 1887 ed. Citizen Herald Book Print unknown books
1935008526Garden City: Doubleday Doran & Co. 1935. SIGNED AND INSCRIBED BY AUTHOR at front end page -" To Ethan D. Alyea Who helped with this volume as the acknowledgements show - With thanks & regards Harry T. Peters". With laid in one page TLS on author's stationery with New York City letterhead dated December 23 1935 to Mr. Alyea - "My dear Ethan I am enclosing you herewith a copy of 'California in Stone' together with your California Volume which you so kindly lent me. I am trying to return all the material I borrowed before Christmas to make the book. You will note that your book helped me in many places in the book. My notes only show that you loaned me this one volume however if you find in checking over that you lent me any others kindly call it to my attention as I want to be sure to return all I borrowed and my notes may not be complete in the confusion. I hope you will like the book and enjoy it as much as I did in making it. Sincerely yours Harry". #246 of 501 copies printed. Fine in Very Good Plus dust jacket chips at corners of flap folds spine sunned to grey In Very Good Plus slipcase lightly soiled. Uncommon with all three in such lovely condition. SIGNED copies of this title or any of this author's books for that matter are RARE especially so with a great Presentation and Association Inscription and TLS. Howes P-258. SIGNED AND INSCRIBED BY AUTHOR. Limited and Numbered Edition. Cloth. Fine/Very Good Plus. 4to - over 9¾" - 12" tall. Association Copy. Doubleday, Doran & Co. Hardcover books
19587182Iowa 1958. Collection of sixty two vintage black and white or color gelatin silver photographs individually approx. 9 x 12.5 cm. most mounted on eight loose photo pages with handwritten dates to rectos and some with captions on the versos. Age-toning to the color photographs with a few items with corner chips from mounts. Several loose photos and several spaces on the pages where photos appear to have been removed. Still overall very good as a collection. ~ A collection of photographs depicting hamburger stands and luncheonettes between the years 1952 and 1958 taken at the annual Iowa State Fair. Although the food served at each stand varies from hamburgers to fried chicken; each stand has a 7UP logo. These photos were likely taken by a representative of 7UP or someone from the State Fair committee as some of the handwritten captions mention how long the sign was in existence most are dated with the year of the State Fair. A photo caption of the sign for the stand of Christ Church Evangelical United Brethren reads "2nd year for sign"; another of a stand with signs on the front and sides reads "first year for both signs." The color photos have a Kodak stamp on the verso and are mostly taken between 1952 and 1954. While the intention may have been to document the 7UP advertising there is more recorded in the photos as well. The signs announce the offerings of each stand: "Hot Lunches" Fried Chicken" "Good Coffee!" and "Ice Cream Sandwiches" as well as the owner's who appear to be small family or single-owner operations such as Opie's Funroy and Wheeler Graham's CEC & PEG Don's Larsen's Turner's Jean & Shirley the aforementioned Christ Church Evangelical United Brethren and the White Front Café. Some that are not identified by name on the same have a short manuscript note indicating the proprietors. Styles of seating vary with stool low benches or no seating and just a walk up wooden counter. A more official looking business is the State Fair Store housed in a permanent wooden building and offering "Groceries Meats Picnic Supplies". The people of the fair appear in some images either working behind the counter sitting at the stools or benches or just milling about. An interesting collection of 1950s state fair food stands with a tie to the renowned fizzy beverage. unknown books
198732243Minneapolis: Milkweed Editions 1987. First edition limited to 150 copies signed by the author and artist oblong folio 40 leaves unbound as issued and contained in a blue linen-covered clamshell box gilt lettering on upper cover; with 2 full-p. and 25 smaller engravings throughout. A 'collaborative meditation' by the award-winning writer Patricia Hampl and artist Steven Sorman on Anton Dvorak's sojourn in Spillville Iowa in the summer of 1893. Printed on gray Rives BFK paper at the Hansestadt Letterfoundry in St. Paul by Norman Fritzberg who also die-cut the individual colled pages; the engravings were colled at Landmark Editions in Minneapolis. As new. <br/><br/> Milkweed Editions unknown books
1928P64651928. Leningrad: Izdanie Gosudarstvennogo Russkogo Muzeia 1928. Octavo 17.5 Ã 13.2 cm. Original decorative wrappers with a constructivist design by M. S. Brodsky; 72 pp. and 14 illustrations in the text some full-page. Very light soil to wrappers; overall a very good copy. First and only edition of this work about the hotly debated topic of "workers' art" and workers' IZO clubs comprised of amateur artists IZO being an abbreviation for Izobrazitel'noe iskusstvo or "Visual Art". The authors set out the history and basic principles of the "workers' art" movement and its connections to avant-garde art. The formation of such amateur groups was part of the push to democratize the Soviet visual arts in the service of mass propaganda and education throughout the 1920s. Under the direction of the artist Moisei Brodsky the disparate IZO clubs were unified under a more coherent program and proceeded to develop new forms for decorative and applied arts agitprop posters and design of new communist interiors "bringing art into life" and "making artists out of workers" two central conceits of the avant-garde. In an introductory essay the art historian Nikolai Punin argues for the regenerative quality of art made by workers with amateur training rather than by trained artists. The artist Vsevolod Voinov follows with a review of the 1925 exhibit of the IZO clubs at the Russian Museum where the works of the amateur artists were exhibited alongside those of the masters. Sergei Isakov traces the history of the movement to 1923 when the creation of such clubs was first proposed. In a longer essay Moisei Brodsky 1896-1944 the leader of the movement and the designer of the constructivist cover -- apparently inspired by Malevich's "Black square" -- discusses the search for "new realism" inherent in workers' art.<br/>Â <br/>The text is supplemented with photographs of the artworks exhibited at the "Iskusstvo rabochkh" Worker's art show at the Russian Museum in 1925 for which 67 IZO clubs listed by name at the end of the text provided over 1000 works. The various posters and design elements for communal cafeterias and worker's clubs are unattributed and the originals of most seem to have been lost making these photographs a rare surviving record of the contents of the show. These designs in their fragmentation of objects collaged quality and use of shadow to create volume show an unmistakable influence of Purism a movement in French painting championed by Le Corbusier among others which advocated for simplicity and precision of forms and a union of the avant-garde art with industry and technology. IZORAM an abbreviation for Izobrazitelnoe iskusstvo rabochei molodezhi or the "Visual Art of the working youth" a more focused group of worker artists was formed by Brodsky in 1928 with another exhibit of workers' art held at the Russian Museum Leningrad and later Tretiakov Gallery Moscow in 1928. The IZORAM exhibit at the Tretiakov Gallery was held at the same time and sold as part of the same ticket as a Malevich exhibit putting the abstract and "functional" avant-garde into conversation. In 1931 IZORAM was dissolved and incorporated into the newly-founded Russian Association of Proletarian Artists RAPKh. See "Avangard na sluzhbe dialektiki: Gennadi Gor Avangard i Purizm" Stanislav Savitsky 2013. One of 3000 copies. KVK OCLC show copies at the British Library Columbia Israel National Library Getty Harvard the MET NYPL Stanford and Tate. unknown books
198750217Saint Paul: Midnight Paper Sales Press 1987. Edition limited to 200 copies this being copy no. 145 of 174 numbered copies signed by Schanilec there was also an issue of 26 lettered copies containing an extra suite of the engravings; 8vo 2 p.l. 19 1 leaves and so paged; text in double column; 10 colored wood engravings 1 double-page; fine in original gray cloth printed paper labels on spine and upper cover. Schanilec's first attempt at colored wood engraving and the book which effectively launched his career. Out of print from the get-go the text was inspired by the demolition of the High Bridge which connected St. Paul with South St. Paul from 1889 to 1987. Quarter to Midnight A.77.b. <br/><br/> Midnight Paper Sales Press hardcover books
197150256Northwood Narrows N.H.: Lillabulero Press 1971. First edition 8vo pp. 10 4-44 1; original pictorial wrappers slightly rubbed. This copy inscribed by Robert Bly: "Written by:" and in Transtromer's hand: "Tomas Transtromer." And in Bly's hand again: "Translated by Robert Bly" with a typical Bly drawing of a one-eyed blob beneath. <br/><br/> Lillabulero Press unknown books
