16 407 résultats
2002PMV407003EParis: Réunion des musées nationaux 2002. Trade paperback. Good/Not issued. 225 x 282 x 26 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Réunion des musées nationaux paperback
2002PM300301MParis: Réunion des musées nationaux 2002. Hardcover. Good/Not issued. 236 x 312 x 37 cm. Hardcover • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Réunion des musées nationaux hardcover
2014PM404005MParis: Réunion des Musées Nationaux 2014. Trade paperback. Good/Not issued. 221 x 280 x 12 cm. Paperback • Illustrations en couleurs • <b><i>French text original</i></b>. Réunion des Musées Nationaux paperback
1995AARan[PA21np: Actes Sud 1995. 1995. 4to. pp. 206 1 leaf. profusely illus. mostly colour. wrs. Exhib. Cat. np: Actes Sud, [1995]. unknown
1990LFA-126719399Une brochure de 35 pages, format 140 x 210 mm, illustrée, brochée, publiée en 1990, Patrimoine Rhônalpin, bon état
1904EEZZ6280aLeipzig, Seemann 1904. 34x28 cm. 4 nn. Bll., 50 montierte farbige Abb. mit jeweils einem Textblatt, OLn. mit Einbandgoldpräg. u. montierter farbiger Deckelillustration, gut erhalten. Titelbl. mit altem Namenszug
3279Paris, Réunion des Musées Nationaux, ministère de la Culture, Galeries Nationales du Grand Palais, 15 Novembre 1983 - 13 Février 1984. Petit in-4, broché, couverture couleurs illustrée, 476 pp.
Paris, Réunion des Musées Nationaux, ministère de la Culture, Galeries Nationales du Grand Palais, 15 Novembre 1983 - 13 Février 1984. Petit in-4, broché, couverture couleurs illustrée, 476 pp. Importante iconographie en noir et en couleurs, dans et hors-texte. Bel exemplaire.
2009PMV427705MArles: Actes Sud 2009. Hardcover. Good/Not issued. 228 x 289 x 41 cm. Hardcover • Illustrations en noir et en couleurs couverture illustrée • <b><i>French text original</i></b> • Printed 2009. Actes Sud hardcover
1372404Bruxelles: Musées royaux d'art et d'histoire de Belgique, 1962 in-8, 114 pages, illustrations. broché, couv. lég. défraichie. Sommaire: Colloque international concernant la protection des sites et monuments archéologiques (plusieurs contributions) - M. Calberg, Episodes de l'histoire des saints Pierre et Paul (tapisseries de Bruxelles tissées au XVIè siècle pour l'Abbaye Saint-Pierre à Gand).
1932<p><strong>An extremely rare Geneva publication featuring selected highlights from one of the richest Russian museums and one of the most famous.</strong></p><p><strong>A fine production here in a complete set with fresh plates in original wrappers.</strong></p><p>The history of the Tretyakov Gallery started in 1856 when the Moscow merchant Pavel Tretyakov also Tretiakov; 1832-98 acquired important works by Russian artists of his day. As the collection rapidly expanded Tretyakov built a house to display the works making it equal in importance with the largest museums in Russia. In 1892 he presented his collection to the nation approximately 2000 works along with his private residence.</p><p>Pavel Tretyakov remained a trustee of the gallery and from 1893 onwards he started publishing annual catalogues of the collection under the title 'Opis khudozhestvennykh proizvedenii gorodskoi galerei P. i S. Tretiakovykh' Description of the art works from the P. and S. Tretyakov city gallery. Since then a number of more or less common publications featuring works from the collection was issued including one by Knebel in 36 issues 1901-03.<br />This Geneva edition however seems to be <strong>of utmost rarity.</strong> We could not trace it in the Russian State and National libraries neither in WorldCat KvK Copac; we couldn't find any example at auction in recent decades in the West like in Russia.<br />We couldn't find either any other publications by this publisher.<br />The title suggests that it might have been published before 1893 when the gallery was renamed into the 'Moskovskaia gorodskaia galereia Pavla i Sergeia Tretiakovykh' The Moscow City Gallery of Pavel and Sergey Tretyakov.</p><p><br />Description<br />Five folio issues with 6 photogravures in each.<br />Binding<br />Each issue in original printed colour wrappers.<br />Condition<br />Wrappers with multiple tears to flaps and spines some traces of old repairs with tape to spines; but plates bright and clean.</p> Tov. ‘Kooperativniy izdatel’, Geneve, [early 1890s]
198556537Leningrad, Aurora, 1985 1985 In-plano relié. 113 pages. Très bon état d’occasion.
cm. 15,5 x 22,5, 88 pp. con 83 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 280 gr. 88 p.
cm. 17 x 24, viii-212 pp. Toscana Musei Una raccolta di brevi saggi e testimonianze su esperienze concrete intorno a un tema cruciale per il futuro dei musei europei. I materiali sono stati prodotti in occasione del Workshop annuale di European Museum Forum, tenutosi a Monsummano nel 2001 con circa 50 partecipanti da oltre dieci paesi. Completano il volume un articolo inedito di Kenneth Hudson (fondatore del Premio Europeo Museo dell?Anno da cui ? nato EMF) e le Conclusioni dei Workshop EMF del 2000 e del 2001. A collection of short essays and proof of tangible experiences on a theme of vital importance for the future of European museums in occasion of the 2001 annual workshop European Museum Forum held in Monsummano to which approximately 50 people from more than ten countries took part. Concluding the volume is a previously unpublished article by Kenneth Hudson (promoter of the European Museum of the Year award that gave birth to the EMF) and the conclusions of the 2000 and 2001 EMF workshops. Ita / Ing 421 gr. viii-212 p.
cm. 17 x 23,5, 148 pp. con 166 tavv. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 520 gr. 148 p.
cm. 17 x 24, 222 pp. con 161 ill. n.t. e 3 tavv. f.t. a col. Gabinetto disegni e stampe degli Uffizi - Cataloghi 99 disegni, organizzati cronologicamente per sezioni tematiche, destinati a progetti fiorentini. Emerge la figura di uno straordinario disegnatore, il quale opera una delle trasformazioni pi? consistenti del disegno d?architettura in et? moderna, impiegando le tecniche pi? varie, dalle caratteristiche inchiostrazioni alla piegatura e traforatura del foglio, in funzione dell?elaborazione progettuale. 99 drawings, arranged in chronological order in thematic sections, destined for Florentine projects. Here the talent of this extraordinary artist emerges, creating one of the most consistent transformations of architectural design in Modern times, using a wide variety of techniques, from the characteristics of particular ink distribution to the folds and perforations in the paper itself, to elaborate the projects. 575 gr. 222 p.
cm. 17 x 24, 124 pp. con 114 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 364 gr. 124 p.
cm. 17 x 24, 184 pp. con 247 ill. n.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi La generosa donazione degli eredi di Moses Levy consente di percorrere ? attraverso la mostra e questo catalogo che contiene il corpus della sua produzione incisoria ? l?intricata vicenda di un artista che aveva interpretato la pratica dell?incisione come luogo ideale per accogliere le proprie riflessioni in forma di immagine. The generous donation of Moses Levy?s heirs ? through the exhibition and this catalogue containing the corpus of his engravings ? allows us to follow the complicated course of an artist who interpreted the practice of engraving as an ideal place to receive ones reflections in the form of images. 485 gr. 184 p.
cm. 17 x 24, 72 pp. e 97 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 285 gr. 72 p.
cm. 17 x 24, 76 pp. con 124 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 320 gr. 76 p.
cm. 16 x 23, 126 pp. con 104 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 380 gr. 126 p.
cm. 17 x 24, 198 pp. con 105 ill. n.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi Pressoch? coetanei, Bartolini e Timpanaro furono accomunati dalla passione per l?incisione. Ambedue ammiratori e collezionisti di Fattori, Signorini, Goya, le cui stampe si scambiavano con disinteressato entusiasmo, individuarono nell?esercizio grafico un momento privilegiato dell?attivit? artistica. Il loro rapporto, ricostruito per l?occasione grazie alle lettere inviate dallo studioso all?artista, iniziava alla fine del 1936 per protrarsi fino al 1949, anno della scomparsa di Timpanaro. Almost contemporanies Bartolini and Timpanaro were united by a passion for engraving. Admirers and collectors of Fattori, Signorini, Goya, whose prints they exchanged with enthusiasm, they discovered a fulfilling moment of artistic activity in graphics. Their relationship, reconstructed for the occasion thanks to the letters the scholar sent to the artist, began at the end of 1936 and lasted until 1949 when Timpanaro passed away. 480 gr. 198 p.
cm. 15,5 x 22,5, 112 pp. con 55 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 280 gr. 112 p.
cm. 15,5 x 22,5, 72 pp. con 55 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 235 gr. 72 p.
cm. 15,5 x 23, 96 pp. con 72 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 275 gr. 96 p.
