16 407 résultats
1979R320142778Guy Le Prat. 1979. In-8. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 174 pages.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1970R200140111Guy Le Prat. 1970. In-8. Relié toilé. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 174 pages, rhodoïde et signet conservés, nombreuses illustrations en noir et blanc hors texte, nombreuses planches de photos en noir et blanc.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1981RO30351608Chez l'auteur. 1981. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 58 pages augmentées de nombreuses photos en noir et blanc dans texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
2008553822Bremen: Hachmanned. 2008. 79 S. : zahlr. Ill. 26 cm. Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; Broschiert
17923602Rome:: Presso Lazzarini 1792. FIRST EDITION. Octavo:. 15.5 x 10.8 cm. 4 216 pp. Collation: 2 a-m8 n12 the first leaf 1 is a blank and is present Printed on blue paper. In contemporary mottled calf the spine and boards tooled in gold. A very fine copy of the very rare first catalogue of the Museo Pio-Clementino - founded by Pope Clement XIV in 1771 and greatly expanded his successor by Pius VI- written for the use of visitors by the keeper of the museum Pasquale Massi of Cesena. Rare. The Museo Pio-Clementino was the first major curatorial museum within what are known today collectively as the Vatican Museums. In 1771 Pope Clement XIV had Michelangelo Simonetti adapt the Belvedere Pavilion to accommodate the papal collection of ancient art. When Clement’s successor the avid art collector Pius VI was elevated to the pontificate in 1775 the pace of acquisition increased dramatically and very soon the collections outgrew the rooms arranged for them by Simonetti. In 1776 Pius VI called for a radical restructuring of the existing museum and the construction of new grand spaces to house the ever-expanding collection. Massi’s catalogue a room-by-room guide of the museum with descriptions of all of the artifacts and artworks housed therein is an invaluable record of how the greatly expanded museum of antiquities looked in the late 18th century with its newly constructed series of rooms and the recently installed masterpieces of ancient sculpture -the fruits of some of the most important excavations in Italy including the excavation of Hadrian’s villa at Tivoli. In addition to providing a record of the arrangement of the exhibits Massi’s catalogue in which he provides details of provenance acquisition and attribution of each artwork described serves as a history of the museum’s formation and preserves valuable information about the art trade and the function of archaeology in the late 18th century. Massi has used a system of numbers and letters to indicate which works were added to the museums by Julius II and his various successors above all Clement XIV and the then-current pope Pius VI. In his introduction Massi tells us that he has designed his guide for portability and easy reference by tourists by arranging the descriptions of the objects in each room in the form of a walking itinerary. Since it is necessary at two points to retrace one’s steps Massi’s guide leads us along one side of each room as we proceed through the galleries. When it is time to reverse our course he leads us along the opposite side of the rooms already traversed thus keeping us engaged and entertained as we retrace our steps through the vast complex. Our tour begins at the new entrance to the museum in the corridor of Cleopatra also known as the corridor of the inscriptions just within the new entrance to the museum. We then pass through two vestibules. The first one is square with frescoes by Giovanni da Udine in the vault. In it we encounter the tomb of the Scipios and the Belvedere Torso. The second vestibule is round and in its center is a large bowl made of pavonazzetto. From here we proceed through a corridor into the porticoed octagonal courtyard of the Belvedere the site of Julius II’s first installation of ancient sculpture transformed by Simonetti in the 1770’s. Massi then leads us through the hall of the animals the gallery of statues the gallery of busts and the “loggia scoperta†the room of masks. We make our way back through these galleries to arrive at the series of rooms created by Simonetti in the 1780’s. The first of these is the hall of the muses. We then enter the breathtaking Sala Rotonda with its immense newly installed ancient porphyry basin from the Domus Aurea through which we make our way to the Sala of the Greek Cross where we find the newly installed ancient porphyry sarcophagus of Constantine’s daughter Constantia. From here Massi takes us via Simonetti’s new staircase up past the unfinished hall of the biga to Bramante’s vast gallery of the candelabra which is itself divided into numerous rooms with vases statuary and jewelry. Exiting by the stairs we visit the library and trace our way back through the new wing and via the Belvedere courtyard where we marvel at the Laocoön and the Belvedere Apollo to the cortile the great open court of he complex where our tour ends. Cicognara 3408. I have located 6 copies in the U.S.: Getty UC Riverside USC Cleveland NW Chicago Presso Lazzarini, unknown books
1391882946.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
199929080New York: Rizzoli 1999. Hardcovers in Slipcase. As New with no dust jacket. Maroon cloth gilt lettering plates on front and rear of slipcase with pull-ribbon; a large heavy set. Vol. I The Restoration 359 pages shows and describes historical and technical considerations of the restoration of Michelangelo's "Last Judgement"; Vol. II The Plates shows by section and zone the figures themselves.; 2 Volume Set; 10 x 12 1/2 Rizzoli hardcover
199942082New York: Rizzoli 1999. First edition. Two volumes. 4to. viii 358 2 pp. Publisher's plum cloth gilt lettered to the spines and upper boards matching slipcase with colour illustrations to the sides. Numerous illustrations and diagrams to the first volume full page colour plates throughout the second. An excellent set. New York: Rizzoli unknown
1999BOOKS019726INew York: Rizzoli. Fine copies in slipcase. 1999. 1st Am. ed. hardcover. 4to ca. 700 pp. . Rizzoli hardcover
2002580029Moskau: Chudoshnik i Kniga. 2002. 215 Seiten. 29x24cm. Zustand: Sehr Gut; 2., verb. und erg. Ausg. Broschiert
209 pages. An intimate chronicle of the people and events that have shaped the university for some 150 years. Ten prominent Canadian writers, many of them graduates or teachers from McGill, capture the spirit of the university in delightful anecdote and insightful overview, recreating the exploits and accoumplishments of its historic figures and revealing its role in the modern world. More than one hundred beautiful colour photographs, commissioned from four noted Montreal photographers, portray the McGill campus, its students, and the treasures of its libraries and museums. Historic pictures from the McGill Archives, splendid Notman photographs from the original class negatives, and charming vignettes from Old McGill create a pictorial history of the university. Gift greetings upon title page else clean, bright and unmarked. Negligible wear overall. Lovely copy. Book
Traduction du russe d'un ouvrage collectif sur Petrus Paulus Rubens (1577-1640), catalogue de ses "41 tableaux et esquisses [...] conservés au Musée Pouchkine de Moscou et au Musée de l'Ermitage à Leningrad qui abrite un des meilleurs ensembles de Rubens au monde" (rabat de jaquette); introductions par les historiennes de l'art Mariâ Akovlevna VARSAVSKAA et Kseniâ Sergeevna EGOROVA sur l'artiste et la collection russe de ses oeuvres; notices sur les tableaux du Musée de l'Ermitage par Mariâ Akovlevna VARSAVSKAA, notices sur ceux du Musée Pouchkine par Kseniâ Sergeevna EGOROVA, notice sur l'esquisse du Musée de l'Art Occidental et Oriental d'Elena Nikolaevna ROSLAVETS; nombreuses reproductions dont 96 en couleurs; chronologie; index des oeuvres; expositions; bibliographie. Français
R300260321Paris, Société Française d'Editions d'Art May. Non daté. In-Folio. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. x, s.d. (vers 1900), album in 4 oblong réunissant les 10 livraisons,broché, 160 pp. environ et 200 reproductions d'estampes illustrant les procès, attentats, exécutions, bûchers, tortures et supplices d'autrefois, accrocs à la couverture sans gêne.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
19184Paris, Editions Cercle d'art, 1989 1 volume 26,1 x 33,7cm Reliure éditeur pleine toile sous jaquette illustrée couleurs; gardes illustrées couleurs. 206p., 1feuillet; très nombreuses illustrations in texte: vignettes en noir et 96 illustrations couleurs, vignettes, pleines et doubles pages. Très bon état.
48167Vancouver BC : Vancouver Museums and Planetarium Association and Rothmans of Pall Mall Canada Limited 1974. ""We gratefully acknowledge the co-operation of the Aboriginal Arts Board of the Australian Council for the Arts and the Peter Stuyvesant Trust for making this exhibition possible"" p.1. Quarto pictorial stiff wrappers edges rubbed 64 pp 130 exhibition items photographically illustrated in colour and black-and-white Hermannsburg watercolours Arnhem Land bark paintings Western Desert paintings Tiwi Islands sculptures Bathurst Island pukumani poles etc. map; numerous short contextual essays foreword by E.G. Whitlam Prime Minister of Australia and introduction by Dick Roughsey Goobalathaldin. Superb catalogue produced to accompany the major international touring exhibition which visited numerous Canadian centres between June 1974 and May 1976. unknown
1976585062Bruxelles: Galerie Isy Brachot. 1976. 7 Abb. 24x14,5cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Kleiner Schrifteintrag auf dem Titelblatt/Einleitung, hier SIGNATUR von Margrit Jaeggli; Einband (Außen) hat geringe Gebrauchsspuren; Heft mit Klammern
ISBN : 2782131118. KNORR & HIRTH GMBH. 1973. In-8 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 103 pages augmentées de nombreuses illustrations en couleur hors texte. Jaquette en bon etat -
MUSEE CLAUDE MONET. NON DATE. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 80 pages augmentées de nombreuses photos en couleurs dans et hors texte -
ISBN : 2854950127. EDITIONS D'ART LYS - VERSAILLES. VERS 1990. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 80 pages augmentées de nombreuses photos en couleur dans et hors texte - Frontispice en noir et blanc. MUSEE CLAUDE MONET
EDITIONS D'ART LYS - VERSAILLES. 1980. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 71 pages augmentées de nombreuses photos en couleur dans et hors texte - 1 plan en noir et blanc hors texte.
Catalogue du PMMK, musée d'Art Moderne de Flandre Occidentale, réalisé par Willy VAN DEN BUSSCHE, Conservateur des Musées Provinciaux de la Flandre Occidentale: 639 n°s avec petites notices, par ordre alphabétique des artistes; précédé d'un historique du musée et d'une histoire de l'art moderne en Belgique, avec notes et références, notices biographiques, bibliographie, photos (tous les textes étant quadrilingues: néerlandais traduit en français, anglais et allemand) et suivi de planches de 189 reproductions en noir et en couleurs; index des artistes. Quadrilingue néerlandais / français / anglais / allemand
89923Bruxelles, Meddens, 1979. 22 x 26, 225 pp., 12 illustrations en couleurs, 126 en N/B, reliure d'édition pleine toile + jaquette, très bon état.
1947RO30139283EDITIONS DE LA CONNAISSANCE. 1947. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 + environ 60 pages augmentées de nombreusesplanches en noir et blanc - sous pochette cartonnée à 3 rabats. . . . Classification Dewey : 708-Galeries, musées, collections d'art
R200133093Rijksmuseum Amsterdam. non daté. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Papier jauni. 100 pages, nombreuses reproductions en couleur dans le texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
19791001276441979 in8. 1979. Broché.