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Features: Commemorating 100 issues of Ikebana International; Curious Collectibles - Craft Museums off the Beaten Path; On Exhibition - Norman J. Sparnon's Retrospective Exhibition, June 20 - July 10, 1994, David Jones Department Store, Sydney, Australia; On Exhibition - From Red - Exhibition by Ryusaku Matsuda, June 13-19, 1994, Gallery Maki & Tamura, Tokyo; Floral Focus - the Palm; Ikebana Portfolio; Japan's Fantastic Flower Holders, part 2 - Modern Alternati[ves; A Seto Potter (Minoru Terada) Fashions - New Ceramic Traditions; Dateline Japan; Hana Kagami - Master's Workshop - Ikenobo School. Unmarked with light wear. A quality copy. Book
324pp VG/G sovraccopertina in plastica trasparente, copertina cartone editoriale illustrato, lievi bruniture alla sguardia e margini, nel complesso un esemplare piu' che buono. Descrizione del museo civico e delle gallerie d'arte di Udine e delle opere ivi custodite con foto in b/n e bibliografia alla fine.
PALAIS DES BEAUX ARTS DE BRUXELLES. 1962. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 190 pages + CXV planches en noir et blanc.
200 pages. Bibliography. Signature of each author upon title page. "Packed with interviews, news clippings and over 150 black and white photographs, the unforgettable stories of life on the east coast of Vancouver Island, British Columbia in the early to mid-1900's, come to life." - from back cover. Clean, bright and unmarked with virtually zero wear. Beautiful copy. Book
cm. 17 x 23,5, 152 pp. con 142 tavv. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 500 gr. 152 p.
New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 319 p., color ills. IMOGA: Istanbul Museum of Graphic Arts.= Istanbul Grafik Sanatlari Müzesi. Prep. by Ali Konyali. "IMOGA, owns one of the world's rare collection of prints, with more than 5000 prints made by owner 100 Turkish and foreign artists and with another 200 prints which were either donated or bought and included in the collection. By means of its vast collection and its impressive system, IMOGA has proven to be one of Turkey's leading art foundations and has acquired an important place in the art world. Süleyman Saim Tekcan started off as a young and idealist educator, fascinated with the potentials of printmaking. From the 1960s on, printmaking played a major part throughout his expedition in art. Tekcan's innovative and inquisitive character reflected on to his prints. As he mastered in the technique, he spread his excitement and enthusiasm not only by forcing the limits of printmaking but also by continuing his mission as an educator throughout the country. Süleyman Saim Tekcan believed that in order for Turkey to reach a civilized and modern standard, education could not be limited to schools and had to be given socially in an extensive manner. The most important criterion for a civilized community is the level attained in arts and culture. In order for art to reach a wide spectrum of people, accessibility in every sense is a must. With this in mind, Tekcan generously shared his facilities and accorded priority to printmaking since it enabled reproduction of a more affordable artwork, allowing it to reach a wider span of people. Tekcan not only played a role in the establishment of printmaking studios in universities but also founded the first professional private printmaking studio in 1974. He provided an important example for printmaking in Turkey, by building his own print machines with the help of the drawings he brought back from Germany. The studio which he initially intended for his own use soon became a center for many other artists. This not only enabled varied ranges and sizes of artworks to open up to the demand of a broader audience, but also made possible for other artists to learn and execute printmaking. In 1984, the studio was relocated to Çamlica with increased facilities, gaining its internationally recognized name: Artess Printmaking Studio... The artists, instead of paying a fee in return for using the facilities of the studio, left a portion of their prints to the studio, a system common in print foundations in the U.S. Tekcan's devotion to printmaking was based not only on the joy he had from the process, but also on his commitment to help develop his country economically, politically and practically. His studio soon evolved into a center in which artists came to exchange and discuss ideas, as well as to produce. Since 2004, Artess Printmaking Studio now has a new home.". (Source: IMOGA, History).
32 pages, illustrated. eng
Drouot Richelieu. 1999. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 47 pages. Illustré de nombreuses photos en couleur hors texte. Quelques annotations dans le texte. Mes Laurin, Guilloux, Buffetaud. vente le 22 nov. 1999, salle 7. De Ambroise Baudry et Paul Baudry à Portraits de Parsans attribués à Mo'in Mosavvir (1676).
Very Good English Paperback. Pbo. Very good++. Large Roy. 8vo. (24 x 18 cm). In Turkish and English. 2 volumes set: (x, 309 p., 1 portrait, 55 b/w plates; [4], 120, [1] p., 17 b/w plates). B/w ills. Collected articles for Halil Edhem [Eldem] (1861-1938). Articles in English, French, German, and Turkish. First Edition. In memoriam Halil Edhem.= Halil Edhem hâtira kitabi. 2 volumes set.
cm. 17 x 24, 184 pp. con 247 ill. n.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi La generosa donazione degli eredi di Moses Levy consente di percorrere ? attraverso la mostra e questo catalogo che contiene il corpus della sua produzione incisoria ? l?intricata vicenda di un artista che aveva interpretato la pratica dell?incisione come luogo ideale per accogliere le proprie riflessioni in forma di immagine. The generous donation of Moses Levy?s heirs ? through the exhibition and this catalogue containing the corpus of his engravings ? allows us to follow the complicated course of an artist who interpreted the practice of engraving as an ideal place to receive ones reflections in the form of images. 485 gr. 184 p.
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In Turkish. 236 p. Ills. A study on education of museology in England. Memoirs from London. Ingiltere'de müze egitimi: Londra'dan izlenimler.
ISBN : 2865450560. Institut du Monde Arabe - AFAA. 1988. In-4 Carré. Broché. Etat d'usage. Tâchée. Dos satisfaisant. Intérieur frais. Env. 150 pages. Illustré de nombreuses photos en couleur et en noir et blanc hors texte. Texte en français, en anglais et en arabe. Etiquette de code sur le dos. Tampon et annotations de bibliothèque en 2e page. Dos muet. Exposition. Marc Augé. Abdelkebir Khatibi, Eloge de l'exil. Abdelwahab Meddeb. Catalogue: Christine Buci Glucksmann, la sombre force de l'exil. Jean-Michel Alberola...
ISBN : 2702840566. PERRIN.. 2000. In-8 Carré. Broché. Très bon état. Couv. fraîche. Dos satisfaisant. Intérieur frais. 127 pages. Nombreuses illustrations en couleurs dans le texte et hors texte. Couverture rempliée.
24 pages, illustrated, family tree. eng
Fine English Original bdg. HC. Oblong 4to. (23 x 27 cm). In English and Turkish. 95, [7] p., color ills. Istanbul Toy Museum.= Istanbul Oyuncak Müzesi.
STORTI.. 1983. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 127 pages. Nombreuses illustrations en couleurs dans le texte et hors texte.
MUSEE D'ART MODERNE DE LA VILLE DE PARIS. 1964. In-8 Carré à l'italienne. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. environ 40/50 pages augmentées de nombreuses copies de reproductions en couleur contre-collées.
CAPC MUSEE D ART CONTEMPORAIN. 1996. In-4 Carré. Broché, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 46 pages augmentées de nombreuses photos en couleur et en noir et blanc dans et hors texte
Published after 1975, 16 pages, illustrated. eng
MUSEE DU PERIGORD - PERIGUEUX. NON DATE. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Environ 15 pages dactylographiées et agrafées.
Catalogue de l'exposition présentée en 1990 au Musée Marmottan (Paris): 100 n°s (peintures, pastels, dessins, gravures, meubles et objets) avec notices de Marianne DELAFOND; précédé de textes sur Jules Marmottan (1829-1883), collectionneur particulièrement de primitifs allemands, flamands et italiens, et dont l'hôtel particulier constitue, depuis 1934, le Musée Marmottan Monet (Paris), et son fils Paul Marmottan (1856-1932), écrivain, historien et historien d'art, mécène, et collectionneur de tout ce qui a trait au Paris du Consulat et du 1er Empire (livres, documents, peintures, gravures, dessins) qui légua ses collections à l'Institut de France: "Collectionneurs de père en fils" par Marianne DELAFOND, "Les très curieuses collections de M. Paul Marmottan" par Alfred KELLER et "Paul Marmottan et le Premier Empire" par Jean Nérée RONFORT et Jean Dominique AUGARDE: notices biographiques des artistes; photos et reproductions en noir et en couleurs; bibliographie; expositions. Français
MOET & CHANDON. 2000. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 67 pages augmentées de nombreuses illustrations couleurs et noir et blanc dans et hors texte.
VERLAG SCHNELL.. 1975. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur acceptable. 93 pages de texte + 123 illustrations en noir et blanc et en couleurs . Couverture rempliée.
SCHNELL.. 1970. In-8 Carré. Broché, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 115 pages. Nombreuses illustrations en noir et blanc hors texte. Bandeau éditeur.
EDITION CLIO. 1979. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 122 pages augmentées de nombreuses planches photos en couleur hors texte - Depliant en 4 volets en couleur de l Acropole et ses monuments - Couvertures contrepliées
