121 résultats
15681259400Ingolstadt, A. Weissenhorn, 1568. Kl.-4to. 6 Bl. Rücken-Broschur (angestaubt, geringf. braunfleckig, Stempel auf Titel).
1551623374Lyon, J. Frellon, 1551. 20 Bl., 613 S. Mit Holzschnitt-Druckermarke auf dem Titel. Moderner Halbleder mit Rückenschild.
1535SAV123Venice: Nicolo de Aristotele detto Zoppino 1535. Hardcover. Very Good. Folio 295 x 190mm. 12 I-CX 110ff. Signatures: AA6-BB6; A8-N8; O6. Title printed in red and black with woodcut block border depicting strewn armor and dueling knights with wreathed portrait of Cicero at top and plaques with monogram initials of Roman Emperors Fabius Maximus Julius Caesar and Alexander Magnus. 136 woodcut in-text illustrations depicting lives of primitive humans the famous Vitruvian Man on p. XXII constellations rules for perspective and other mathematical figures and diagrams of architecture. Woodcut historiated chapter initials throughout of repeating portraits. Translated by Benedetto Giovio 1471-1545. Edited by Francesco Lutio Durantino. 19th-century calf with decorative stamps spine stamped in gilt TRAT DE ARCH endpapers renewed; loose in binding some margins trimmed close some light worming at least six early cancelled inscriptions on title leaf CX with significant excision otherwise an crisp and clean text block with wonderful woodcut impressions. 19th-century inscription on fly-leaf Famoza Archi-tectura. Another 19th-century inscription on front flyleaf Presented to the Mercantile Library Association of New York by Philip A Reach .Consul/ Lisbon Jan. 7 1848. Sold in 1958 on removal of Architecture Books from the Library pencil note. Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice Tacuino. This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar Julius Caesar and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life nature and architecture and are characteristic of Vitruvian ideals in regards to proportion ornament language space place and beauty. The famous figure of Symmetria Vitruvian Man is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists thinkers and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture. <br/><br/>Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice Tacuino. This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar Julius Caesar and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life nature and architecture and are characteristic of Vitruvian ideals in regards to proportion ornament language space place and beauty. The famous figure of Symmetria Vitruvian Man is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists thinkers and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture. Nicolo de Aristotele detto Zoppino hardcover
1535SAV123Venice: Nicolo de Aristotele detto Zoppino 1535. Hardcover. Very Good. Folio 295 x 190mm. 12 I-CX 110ff. Signatures: AA6-BB6; A8-N8; O6. Title printed in red and black with woodcut block border depicting strewn armor and dueling knights with wreathed portrait of Cicero at top and plaques with monogram initials of Roman Emperors Fabius Maximus Julius Caesar and Alexander Magnus. 136 woodcut in-text illustrations depicting lives of primitive humans the famous Vitruvian Man on p. XXII constellations rules for perspective and other mathematical figures and diagrams of architecture. Woodcut historiated chapter initials throughout of repeating portraits. Translated by Benedetto Giovio 1471-1545. Edited by Francesco Lutio Durantino. 19th-century calf with decorative stamps spine stamped in gilt TRAT DE ARCH endpapers renewed; loose in binding some margins trimmed close some light worming at least six early cancelled inscriptions on title leaf CX with significant excision otherwise an crisp and clean text block with wonderful woodcut impressions. 19th-century inscription on fly-leaf Famoza Archi-tectura. Another 19th-century inscription on front flyleaf Presented to the Mercantile Library Association of New York by Philip A Reach .Consul/ Lisbon Jan. 7 1848. Sold in 1958 on removal of Architecture Books from the Library pencil note. Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice Tacuino. This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar Julius Caesar and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life nature and architecture and are characteristic of Vitruvian ideals in regards to proportion ornament language space place and beauty. The famous figure of Symmetria Vitruvian Man is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists thinkers and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture. <br/><br/>Rare illustrated Durantino edition of Vitruvius printed in Venice by Zoppino in 1535. This Vitruvius work was first printed in 1521 for Como. As it gained notoriety another edition in the vernacular Italian was prepared by Giovanni Antonio and Pietro de Nicolino da Sabbio in 1524. It incorporated woodcuts from a 1511 Latin edition produced by Giovanni Giocondo in Venice Tacuino. This Zoppino printing had a newly redesigned title-leaf with an elaborate woodcut border of chivalric battle scenes between Augustus Caesar Julius Caesar and Alexander the Great. The 136 in-text woodcuts are an all too interesting miscellany of late-medieval life nature and architecture and are characteristic of Vitruvian ideals in regards to proportion ornament language space place and beauty. The famous figure of Symmetria Vitruvian Man is present on p. XXII. Both the 1524 and 1535 editions were widely read by an Italian public. Vitruvian principles deeply influenced early Renaissance artists thinkers and architects who believed they were rediscovering an ancient discipline which would be the foundation of their culture. Nicolo de Aristotele detto Zoppino hardcover books
15941216922(Ingolstadt, W. Eder), 1594. Kl.-4to. 1 Bl., 9 S. Neuere Br. (Titel angestaubt, die ersten 2 Bl. im Außenrand etwas sporfleckig u. mit hinterlegter Fehlstelle).
1528623590Tübingen, U. Morhard, März 1528. Kl.-Folio. 6 nn. Bl., 22 num. Bl. Moderner Pappband.
159067417(Venezia, Damiano Zenaro), wohl 1590. Blatt ca. 16 x 10 cm. 1 Blatt, verso italienischer Text.
15921258820Ingolstadt, W. Eder, 1592. Kl.-4to. 2 Bl., (1), 30 S. Mit Holzschnitt-Titelbordüre. Rücken-Broschur (anfangs mit kl. Nässespur in der unteren Ecke, Titel u. letztes Bl. angestaubt).
15465968Venice: Cornelio Adelkind for Daniel Bomberg 1546. First edition. Very Good/First printed edition editio princeps of the 11th century commentary on portions of the pentateuch by the Bulgarian poet and Talmudist Tobiah ben Eliezer. Published by the house of the seminal printer of Hebrew books Daniel Bomberg under the supervision of his scholar-in-residence extraordinaire Cornelio Adelkind. Venetian law at this time limited Hebrew publishing to Gentile printers. Bomberg a protestant from Antwerp entered this lucrative market and with Adelkind's help became its prime exponent until his death in 1549. . Folio 32 cm; 93 leaves. Text in Hebrew. Title within architectural border reproduced in Amram "Makers of Hebrew Books in Italy" p. 215 also in the Jewish Museum's 1989 exhibition catalogue "Gardens and Ghettos: the Art of Jewish Life in Italy" page 50. Some section headings within ornamental borders. Bound in c19 or c20 dark red crushed morocco ruled in gilt and decorated with arabesques on both boards; spine with raised bands and compartments tooled and titled in gilt; green polished leather doublures with red crushed morocco dentelles bordered in pointillé accented with arabesques; green moiré free endleaves. Edges gilt. Binding not signed. Joints and crown adroitly reinforced with Japanese paper; corners somewhat worn down. Occasional contemporary notes in manuscript in text; brief stain on leaf mem-tet and lightly along the bottom edge of leaves nun-bet and nun-gimmel. Text otherwise pristine. Title page light possibly washed. Old library ink stamps from an institution in Warsaw on title page. Red morocco ex-libris of mining magnate and philanthropist Adolph Lewisohn 1849-1938. References: Adams T-766; BM Italian 674; Steinschneider 7304 #1; Amram 215 illustration and 222. Cornelio Adelkind for Daniel Bomberg hardcover books
15465968Venice: Cornelio Adelkind for Daniel Bomberg 1546. First edition. Very Good. Folio 32 cm; 93 leaves. Text in Hebrew. Title within architectural border reproduced in Amram "Makers of Hebrew Books in Italy" p. 215 also in the Jewish Museum's 1989 exhibition catalogue "Gardens and Ghettos: the Art of Jewish Life in Italy" page 50. Some section headings within ornamental borders. Bound in c19 or c20 dark red crushed morocco ruled in gilt and decorated with arabesques on both boards; spine with raised bands and compartments tooled and titled in gilt; green polished leather doublures with red crushed morocco dentelles bordered in pointillé accented with arabesques; green moiré free endleaves. Edges gilt. Binding not signed. Joints and crown adroitly reinforced with Japanese paper; corners somewhat worn down. Occasional contemporary notes in manuscript in text; brief stain on leaf mem-tet and lightly along the bottom edge of leaves nun-bet and nun-gimmel. Text otherwise pristine. Title page light possibly washed. Old library ink stamps from an institution in Warsaw on title page. Red morocco ex-libris of mining magnate and philanthropist Adolph Lewisohn 1849-1938. References: Adams T-766; BM Italian 674; Steinschneider 7304 #1; Amram 215 illustration and 222. <br /><br />First printed edition editio princeps of the 11th century commentary on portions of the pentateuch by the Bulgarian poet and Talmudist Tobiah ben Eliezer. Published by the house of the seminal printer of Hebrew books Daniel Bomberg under the supervision of his scholar-in-residence extraordinaire Cornelio Adelkind. Venetian law at this time limited Hebrew publishing to Gentile printers. Bomberg a protestant from Antwerp entered this lucrative market and with Adelkind's help became its prime exponent until his death in 1549. Cornelio Adelkind for Daniel Bomberg hardcover
15901094825Mainz, C. Behem, (1590). Kl.-4to. 4 Bl., 138 S., 3 Bl. Neuer Ppbd (Titelbl. angeschmutzt u. mit kl. Fehlstelle).
1536621830Basel, J. Herwagen, 1536. Folio. 6 Bl., 178 (statt 179) S. Mit Holzschnitt-Druckermarke auf dem Titel. Moderner Pappband.
15641259832Ingolstadt, Weissenhorn, 1564. Kl.-4to. 8 Bl. Rücken-Broschur (angestaubt u. etwas knickspurig, 4 Seiten etwas unsauber mit Abklatsch der gegenüberliegenden Seite gedruckt).
15881259142Ingolstadt, D. Sartorius, 1588. Kl.-4to. 2 Bl., 47, (1) S. Neuer Ppbd (Ränder etwas braunfleckig, Titel angestaubt u. mit Quetschfalte).
15921259109Ingolstadt, W. Eder, 1592. Kl.-4to. 2 Bl., 12 S., Bl. 13 - 39, 1 Bl. Neuer Ppbd (etwas braunfleckig u. knickspurig, Stempel auf Titelrücks.).
15951510363Ingolstadt, D. Sartorius, 1595. Kl.-4to. 2 Bl., 43, (1) S., 2 Bl. Rücken-Broschur (angestaubt, durchgehend mit schwachen Nässespuren u. etwas braunfleckig, Ränder etwas eng beschnitten, Stempel auf Titelrücks.).
15861259124Ingolstadt, D. Sartorius, 1586. Kl.-4to. 2 Bl., 42 S., 1 Bl. Neuer Ppbd (Buchblock mit kl. Nässespur an d. oberen Ecke).
15971259145Ingolstadt, A. Sartorius, 1597. Kl.-4to. 1 Bl., 6 S. Rücken-Broschur (angestaubt, etwas braunfleckig).
15871265830Ingolstadt, W. Eder, 1587. Kl.-4to. 2 Bl., 46 S., 1 Bl. Mit 1 Holzschnitt auf d. Titelrücks. Neuer Ppbd (Titel etwas angestaubt, gestempelt, mit kl. Randfehlstelle u. im Bund hinterlegt).
1541184818N: N 1541. 1541-1577. 1 1541 E. Whitchurch London. The Byble in Englysh. S.T.C. 2074. 35.7 cm. x 25.5 cm. 2 1549 J. Daye and W. Seres. The Byble. S.T.C. 2077. 30 cm. x 20 cm. piece torn from lower right hand corner of leaf. This edition of the Matthew's Bible is also known as 'The Bug Bible' and 'The Wife-Beater's Bible'. 3 1561 J. Kyngston. Chaucer's Workes. S.T.C. 5075. 31 cm. x 21.5 cm. 4 1574 H. Bynneman Binneman for Humfrey Toye. John Whitgift. The Defense of the Aunswere to the Admonition. S.T.C. 25430. 27 cm. x 18.5 cm. 5 1577 Lucas Harison. Raphael Holinshed. The Chronicles of England Scotlande and Irelande. S.T.C. 13568. 28.3 cm. x 20 cm. 1541-1577. Together. N unknown
1576621701(Lyon, J. De Tournes für) J. du Puys in Paris, 1576. Folio. 10 Bl., 677 S., 18 Bl. Mit zahlreichen Criblé- Initialen u. 4 großen Holzschnitt-Initialen aus einem Figuren-Alphabet. Leder d. Zeit (berieben, Ecken bestoßen, Rücken u. Vorsätze erneuert). [2 Warenabbildungen]
15156404Leipzig: Valentin Schumann "in officina Valentini Dammandri" 1515. Fine. Octavo 21 cm; 32 leaves. Title and postscript set in large gothic type; text in roman. Woodcut title page within four-sided border includes human figures with stylized plants a putto birds etc. About 66 woodcut initials. In recent quarter leather over marbled boards. References: Durling 4189; BM/STC German 815; This edition not in Adams Wellcome Osler etc. Title page reproduced in J. Luther "Die Titeleinfassungen der Reformationszeit" pl. 89. <br /><br />From what modern scholarship can discern Serenus was a poet who had a keen interest in medical science and pharmaceuticals. He is famous for using the formula "abracadabra" in the treatment of illness and for amassing a personal library of 60000 scrolls. The 1107 hexameter lines that make up this essay were inspired by the "Medicina Plinii" a book of pharmacy by a pseudo-Pliny of the mid-4th-century as well as the real Pliny's Natural History and the Greek guide to materia medica by Dioscorides. The text consists of prescriptions and remedies for about 65 different diseases. The poem was extremely influential in the practice of Late-Antique and Medieval medicine. It was reprinted 21 times between the first edition of 1484 and 1731 apart from inclusion in many compilations of medical texts. As late as 1866 it was translated into German Prescriptions cover a range of ailments from headache itching elephantiasis bad breath gall stones pimples treatment of wounds and even money bites. The text is followed by Remmius Flavianus "Carmen de ponderibus et mensuris" a versified explanation of weights and measurees specifically for use by physicians. Valentin Schumann ("in officina Valentini Dammandri") hardcover
15661265913Leipzig, (E. Vögelin, 1566). 12 Bl., 421 S.; 1 Bl., S. 423 - 497, 8 Bl. Mit Holzschnittdruckermarke (wiederholt). Neuer Ppbd (durchgehend etwas braunfleckig, Titel alt ausgeschnitten, aufgezogen, mit altem Besitzvermerk u. rückseitig gestempelt, ohne das Errata-Bl. am Schluss, S. 157/58 mit alt ausgebesserter u. handschriftlich ergänzter kl. Fehlstelle im Text).
15671259153Ingolstadt, typogr. Weissenhorniana, 1567. Kl.-4to. 6 Bl. Rücken-Broschur (etwas braunfleckig, Stempel auf Titel).
160097208[Heidelberg], Commelinus [Hieronymus Commelinus Erben], 1600. [7] Bll., 274 S.; 1 Vakatbl., 291 S. Mit Druckermarke aT, einig. Holzschnitt-Vignetten u. -Initialen. 17 cm. Geflecktes Pergament d. Zt. m. eingeschlagenen Vorderkanten, und hs. Rückentitel.