Pierre RosanvallonMareMagnum
5 533 résultats
bross. edit. ill., diffuse fioriture - prima edizione it. - trad. di Andrea Michler
bross. edit. ill., minime tracce d'uso in cop. - volume in lingua francese
BUONE CONDIZIONI
in sovrac.: Un cardinale al potere nella Francia del Seicento - cartone edit. con titoli al dorso e sovrac. ill., dedica d'appartenenza - prima edizione it. - trad. di Bettino Betti
bross. edit. ill., lievi tracce d'uso in cop. - prima edizione it. - trad. di Tonino Tornitore
tela edit. con titoli al dorso e sovrac. ill., piccola rottura alla sovrac., lievi fioriture ai tagli - prima edizione it. - trad. di Cesare Scarton - illustrazioni in b.n. fuori testo
in 16°, bross. edit. ill. con sovrac. ill., lievi tracce d'uso alla sovrac., parzialmente a fogli chiusi - prima edizione - illustrazioni in b.n. fuori testo
bross. edit. ill. - prima edizione
bross. edit. ill.
tela edit. con titoli oro al dorso e sovrac. ill. - prima edizione
bross. edit. ill. con bandelle, tracce d'uso in cop., lievi fioriture, disegno a penna all'ultima bianca - prima edizione - illustrazioni in b.n. fuori testo
A clean, unmarked book with a tight binding. 160 pages. Very slight wear to cover. Stated First Printing.
Acquaforte, 1878, firmata e datata in lastra in basso a destra. "A. Piccinni / Roma 1878" seguita dal titolo sotto "L'Avaro". Magnifica prova, impressa su carta cina applicata, con margini, in perfetto stato di conservazione. Un vecchio avaro che indossa un lungo cappotto appoggiato su uno scrittoio aperto, con la mano appoggiata su un mucchio di monete. Pittore e incisore italiano soprannominato “il re dei disegnatori”. La più grande vocazione dell’artista è, infatti, la grafica. Dal 1860 studia a Napoli all’Istituto di Belle Arti sotto la guida di maestri come Domenico Morelli (Napoli 1826 – 1901), Filippo Palizzi (Vasto 1818 – Napoli 1889), Tommaso Aloysio Juvara (Messina 1809 – Roma 1875) e Francesco Pisante (Napoli 1830 – 1889). Qui egli studia la tecnica dell’acquaforte d’invenzione e aderisce al verismo di matrice palizziana. Agli inizi del 1873 si trasferisce a Roma e frequenta i corsi di incisione alla Calcografia Nazionale. Tra il 1878 e il 1880 è a Parigi presso l’editore Cadart e proprio questa parentesi parigina colloca il Piccinni tra gli artisti europei fautori della rinascita dell’acquaforte originale. Sperimentatore delle nuove possibilità legate al mezzo fotografico è tra i primi in Italia a impiegare la fotoincisione tra il 1874 ed il 1886. I temi affrontati da Piccinni dimostrano l’attenzione costante verso i gesti più semplici della quotidianità della vita, gli individui vengono rappresentati come modelli di categorie sociali. Etching, 1878, signed and dated in plate at lower right "A. Piccinni / Rome 1878" followed by title below "The Miser". Magnificent proof, impressed on applied China paper, with margins, in perfect condition. An old miser wearing a long coat leaning on an open desk, his hand resting on a pile of coins. Piccinni was one of the European artists who were responsible for the rebirth of the original etching. Experimenter of the new possibilities related to the photographic medium, he is among the first in Italy to use the photoengraving between 1874 and 1886. The themes addressed by Piccinni show the constant attention to the simplest gestures of everyday life, individuals are represented as models of social categories. A. Petrucci, “A. Piccinni incisore”, 1931, p, 220, f. 126
Acquaforte, firmata e datata in lastra in alto a sinistra all’interno del soggetto. Oltre l’immagine in alto a destra numero 470, in basso “A. Piccinni pinx. et sc,” titolo e “V.ve A. Cadart Edit. Imp. 56 B.ard Haussmann. Paris”. Questa lastra fu pubblicata su L’Illustration Nouvelle, album edito dalla Maison Cadart nel marzo del 1879. Impressione eccellente con leggero effetto di tono, carta vergata. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Il soggetto è riconducibile ad un gruppo di lavori appartenenti alle prime acqueforti di invenzione realizzate dall’artista, tutte hanno per soggetti personaggi e situazioni colti durante il soggiorno romano. In questa stampa vediamo rappresentati dodici spettatori a teatro che si sporgono dalla balconata per osservare meglio la rappresentazione. Grazie a potenti giochi chiaroscurali emergono dallo sfondo scuro e i loro volti indagati minuziosamente sono illuminati dalle luci teatrali della ribalta. Le luci imbiancano anche i due pilastri con capitelli che spezzano l’andamento lineare e prospettico volto a sinistra della superficie della balconata. Proprio l’effetto di luce e il punto di osservazione da sotto in su trasforma i volti in una serie di maschere il che suggerisce un’analisi psicologica dei “tipi da teatro”. Il Piccinni tra gli artisti europei fautori della rinascita dell’acquaforte originale. Sperimentatore delle nuove possibilità legate al mezzo fotografico è tra i primi in Italia a impiegare la fotoincisione tra il 1874 ed il 1886. I temi affrontati da Piccinni dimostrano l’attenzione costante verso i gesti più semplici della quotidianità della vita, gli individui vengono rappresentati come modelli di categorie sociali. Etching, signed and dated in plate at upper left in the image. Beyond image in upper right corner number 470, below lettered "A. Piccinni pinx. et sc," the title and "V.ve A. Cadart Edit. Imp. 56 B.ard Haussmann. Paris." This plate was published in L'Illustration Nouvelle, an album edited by Maison Cadart in March 1879. Excellent impression with slight toning effect, printed on laid paper. Very good condition. Wide margins beyond the platemark. The subject can be traced back to a group of works belonging to the first etchings of invention made by the artist, all have for subjects characters and situations captured during his stay in Rome. In this print we see twelve spectators at the theater who lean out from the balcony to better observe the representation. Thanks to powerful chiaroscuro effects they emerge from the dark background and their meticulously studied faces are illuminated by the theatrical lights of the limelight. The lights also whitewash the two pillars with capitals that break the linear and perspective trend facing left of the surface of the balcony. Just the effect of light and the point of observation from below up turns the faces into a series of masks suggesting a psychological analysis of the "theater types". Piccinni was one of the European artists who were responsible for the rebirth of the original etching. Experimenter of the new possibilities related to the photographic medium, he is among the first in Italy to use the photoengraving between 1874 and 1886. The themes addressed by Piccinni show the constant attention to the simplest gestures of everyday life, individuals are represented as models of social categories. A. Petrucci, “A. Piccinni incisore”, 1931; G. Bassi “Antonio Piccinni”, Fasano di Puglia 1978; F. Fiorani G. Scaloni, “Antonio Piccinni incisore”, Roma 2005, 1.13.a, pag.75
250 p. Profusely illustrated with photographs, some in color. Numerous advertisements. 4to. Softcover. Original pictorial wraps, slightly worn. "A selection of the World's greatest photographs by the Editors of Photography magazine. Very good. W104 LeftStk
pp. 4 [Advertisements], 597-612, xxiv [Advertisements]. Many advertisements illustrated. Double column. XLib embossed stamp of Essex Institute. 4to. Softcover. Original pictorial wraps, spine worn with loss. Wraps lightly damp stained. Good. "A Journal devoted to the science, practical working and advancement of photography". W103 RtStk
pp. 4 [Advertisements], 625-636, xxiv [Advertisements]. Many advertisements illustrated. Double column. XLib embossed stamp of Essex Institute. 4to. Softcover. Original pictorial wraps. Rear wrap detached. Wraps lightly damp stained. Good. "A Journal devoted to the science, practical working and advancement of photography". W103RtStk
pp. x [Advertisements and Index], 664-674, xxii [Advertisements]. Many advertisements illustrated. Double column. XLib embossed stamp of Essex Institute. 4to. Softcover. Original pictorial wraps, worn with loss at bottom corners. Wraps lightly damp stained. Good. "A Journal devoted to the science, practical working and advancement of photography". W103RtStk
122 pages. Profusely illustrated in black and white with occasional colour. Printed upon glossy stock. Features: Cover illustration 'A Young Woman Playing a Harpsichord', by Jan Steen; Furniture of the Netherlands; Paintings from the Dutch 17th Century; Beast of the Nine Resemblances - The Dragon in Oriental Art; Auctions - Claret Jug in High Victorian Style; North-American Indian Art at the Hayward; On View - Images of an Era; The Splendour of Venetian Glass; Incquiring Collector; October Antiques Fairs; Highlilghts; Coming Up for Auction; Round the Sales; Collectors Scrapbook; and many nice illustrated ads. Unmarked with average wear. A sound vintage copy. Book
64 pages. Features: Chair Design 1700-1770 (part 1 of 2); Golden Age of Meissen - 18th century Meissen figures modelled by Johann Kandler; Heroic Staffordshire - on the trail of Victorian Staffordshire figures commenorating the Italian folk hero Garibaldi; Alfred Nizzey Newton, RWS, - Landscape with Whisky; Tapestries in two German palaces depict the Italian Comedy; Market Report - Golfing Antiques; many attractive ads; and much more. Lavishly produced upon glossy stock. Clean and unmarked with light wear. Creases to last few pages. A quality copy. Book
64 pages. Features: Who Killed Cardinal Bellarmine? - these bottles were standard vessels for the serving of liquor until the late 17th century and were rumoured to have connections with witchcraft; Oak that Travelled - sale of English oak collection formed by Stuart and Sandy Moss; The Story of Doulton; William Mein Smith - talented painter and watercolourist of the 19th century; A Sleeper From Shrewsbury - untouched early clocks are very desirable for the collector; Market Report - English Glass; and much more. Lavishly produced upon glossy stock. Clean and unmarked with light wear. A quality copy. Book
64 pages. Features: Increasing popularity of early oak and later country furniture - Beware of altered, embellished and otherwise dubious pieces; Collecting Kitchen Silver - highly collectible; Cotswold Collecting - a preview of 18 upcoming selling exhibitions; 18th Century Blue and White Porcelain is highly sought; Ceramic Comparisons - examining teawares from Saint Cloud, Meissen and Bow; Master of Genre - Edward John Gregory RA, RI (1850-1909) was a consistently fine painter; Tavern Clocks; Open for business at Woburn Abbey Antiques Centre; Market Report - Jewellery; and much more. Lavishly produced upon glossy stock. Clean and unmarked with light wear. A quality copy. Book
64 pages. Features: Artist James Paterson (1854-1932) is commemorated near Dumfries; Woven Masterpieces - Somerset firm, John Boyd Textiles has been producing horsehair fabrics since 1837 in the same manner as those used by Chippendale and other great furniture makers; Foreign Fields - furniture opportunities for the more modest collector; Warts and All - Toby Jugs; The Pocket Aneroid Barometer; Quirky Derby Satyr Mugs - not all Derby porcelain is elegant and sophisticated; Hooded Wall Clocks - comparatively rare today; The Bourbon-Hanby Antiques Centre; Langfords Marine Antiques - an accidental success; Market Report - Anglo-Indian furniture; Boom for Illustrations - strength in demand for 20th century illustrations; and much more. Lavishly produced upon glossy stock. Clean and unmarked with light wear. A quality copy. Book
