Gamy Montaut Ernest e MargueriteMareMagnum
TIETZE, HMareMagnum
Albrecht Altdorfer
Leipzig, Insel Verlag, 1923. 4to. 226 pp. with 127 ills. Orig. cloth. FINE
Bookshop Erik Tonen Books · Antwerpen, BE15,00 €
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cm 45x89. colored pochoir print. Litografia colorata con la tecnica del pochoir. Santos Dumont (1873-1932), brasiliano, fu un pioniere dell’aviazione; disegnò e costruì alcuni dei primi dirigibili, compì il famoso volo attorno alla torre Eiffel. La Demoiselle, monoplano costruibile in soli 15 giorni, fu l’ultima creazione di Santos Dumont. ottime condizioni.
Leipzig, Insel Verlag, 1923. 4to. 226 pp. with 127 ills. Orig. cloth. FINE
trad. di Rodolfo Wilcock n. 17 bross. edit. ill. con bandelle, lieve brunitura in cop., minime tracce d'uso
cartone edit. con titoli al dorso e sovrac. ill., disegno floreale a pastello all'occhietto, lievi tracce d'uso alla sovrac. - illustrazioni a colori fuori testo
bross. edit. ill. con bandelle - prima edizione - illustrazioni a colori fuori testo
trad. di Cesare Giardini n. 41 bross. edit., minime rotture al dorso
tela edit. con titoli al dorso e sovrac. ill., piccola rottura alla sovrac., lievi fioriture - prima edizione it. - trad. di Cesare Scarton - cartine nel testo
New New English Original bdg. Dust wrapper. Folio. (31 x 25 cm). In English and Turkish, 239, [1] p., color ills. Alev. Edited by Haldun Dostoglu, Alexandra de Cramer. Texts by Garth Clark, Nermin Kura. Prep. by Serra Karapinar Yentürk, Megi Dostoglu, Lesli Jebahar.
trad. di Cristiana Maria Carbone bross. edit. ill., abrasioni da scotch all'interno della cop.
similpelle edit. con titoli oro e sovrac. ill.
IN 8. BR [BE]. 312 PP. 43 HT EN NOIR. [BE]
IN 4. BR AVEC COUV REMPLIEE [BE]. 120 PP. ENV 100 ILL EN NOIR. [BE]
PETIT IN 4. BR [BE]. 48 PP. 70 ILL EN NOIR. [BE]
IN 8. CART [BE]. 60 PP. 60 PPL EN NOIR. [BE]
298p. Sm. 4to. Original cloth spine over paper boards. Original dust jacket, slightly soiled. Hardbound. First Edition. Very good copy. "Algeny will radically transform our conception of life and will sweep Darwinism aside and be used to legitimize the coming biological revolution". SCIENCE BOX 2
This is a very good hardcover copy in dark black cloth covers with the title and front cover vignette in bright gilt. Title to spine dulled, spine sunned and a scrap of an old paper label remains at the foot of the spine. This copy was de-accessioned from a small state historical society and so bears their plate and withdrawal stamp to the inside front cover. Also a few very small hand-stamped numbers and a short inscription to the front endpaper in the year of publication, but other than that, very clean throughout. illustrated in black & white with photographs and half-tones, and a fold-out map. 10" high X 7" wide, 476 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
tela edit. con titoli al dorso e sovrac. ill., tracce d'uso alla sovrac. - prima edizione it. - trad. di Amedeo De Vincentiis
Broch?. 255 pages.
Cloth bound with dusjacket, 4to., 312 pp. text and 467 plates and illustrations (14 in color). fine! ISBN 9070288273. A Monograph, with a Catalogue Raisonne of Paintings.The catalogue raisonne of Everdingen's paintings is a collaborative effort by Alice I. Davies and Frederic J. Duparc. Like the chapters treating the painter's career in the monograph, the catalogue of the 179 authentic works is organized by subject - 22 marines, 146 Scandinavian landscapes, and 11 Netherlandish landscapes - with the dated pictures listed first and the remainder presented in chronological order. The other three sections comprise 22 "attributed paintings" not yet examined at firsthand by the authors, 35 "rejected paintings" in public collections, and 5 paintings lost from public collections, for which no reproduction exists. All of the catalogue entries, save the five in the last section, are reproduced in black and white plates (14 also in color). In addition, many of the artist's drawings and etchings appear among the 231 comparative illustrations that accompany the monograph text. The 1709 sale catalogue of Everdingen's painting collection is duplicated in an appendix. Complete bibliographies and indexes also make this a definitive reference book. Aetas Aurea XV.
Bound in cloth with dust jacket,. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour.fine condition Aetas Aurea, Vol. XXI ISBN 9070288974. Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive.
bross. edit. ill. con bandelle
Copia, nello stesso verso, da un niello appartenuto alla collezione Durazzo oggi conservato a Parigi, Louvre, collection Rothschild. Nel nastro svolazzante l’iscrizione “SOL IN DEO SPERO”.L’iscrizione consente di identificare il soggetto come un’allegoria della Speranza. La rappresentazione della figura femminile e lo stile molto delicato possono confrontarsi con altri nielli comunemente attribuiti a a Francesco Francia (Hind, Nielli, n. 242 e n. 247). I nielli della collezione Durazzo vennero fatti riprodurre in incisioni proprio dal proprietario, tra fine XVIII e inizio XIX secolo, costituendo una serie che venne diffusa e collezionata dagli amatori. Bartsch descrive queste copie nel suo volume edito nel 1811, data che quindi costituisce il terminus ante quem per l'esecuzione. Copy, on the same verso, from a niello that belonged to the Durazzo collection, now in Paris, Louvre, Rothschild collection. Inscribed in the flattering banner “SOL IN DEO SPERO”.The inscription (Only in God I Hope) identifies the woman as an allegory of Hope. The feautures of the woman and the very delicate, but regular technique compare well with nielli usually attribued to Francesco Francia as: Hind, Nielli, n. 242 and n. 247. The nielli of the Durazzo collection were reproduced in prints by owner’s will, between the end of the 18th and the beginning of the 19th century, in Venice - as also specified by Malaspina in his catalog of 1824 - constituting a series that was circulated and collected by the amateurs. Bartsch describes these niello prints in his volume published in 1811, a date that therefore constitutes the terminus ante quem for the execution.
Acquaforte e bulino, circa 1749, firmata in lastra in basso a destra. Da un dipinto di Tiziano Vecellio.Intorno al 1749 fu deciso di ripubblicare le tavole eseguite da Lefevre per il famoso set "Opera Selectiora". A causa di un cambiamento nel gusto e perché si erano consumati, le lastre vennero ritoccate con lavori di rifinitura di artisti come Giuseppe Waggner e Johann Gottfried Saiter o completamente rifatti. La raccolta venne pubblicata come "Le opere scelte dipinte da Tiziano Vecellio di Cadore, e da Paolo Cagliari di Verona" (Venezia, 1749). Una seconda edizione, con l'aggiunta di opere della collezione di Lovisa, fu pubblicata da Teodoro Viero (Venezia, 1786) con un titolo diverso: "Raccolta di Opere Scelte Dipinte da Tiziano Vecellio, Antonio Regillo detto il Pordenone, Giacomo Robusti detto il Tintoretto, Paolo Calliari Veronese, Dario Varotari detto il Padoanino, Li Bassani, Giacomo Palma, Giuseppe Salviati, e vari altri celebri Maestri della Scola Veneziana, che fiorirono ne 'tempi posteriori. Disegnate, ed Incise in parte Da Valentino Le Febre Di Bruxelles, ed in parte Da Silvestro Manaigo, e da Andrea Zucchi Veneti ".Bellissima prova, con margini, in perfetto stato di conservazione. Allegory on the three ages of man, after Titian; landscape with in the right foreground, seated on the ground, a naked young man and a woman playing pipe, on the left a winged putto stepping over two sleeping children, and beyond an old man contemplating a skull. The painting is now in the National Gallery of Scotland, Edinburgh.From 'Raccolta Di Opere Scelte'.Around 1749 it was decided that the plates executed by Lefevre for the famous "Opera Selectiora" set were to be republished. Because of a change in taste, and because they had worn off, the plates were either retouched with burin work by artists such as Giuseppe Waggner and Johann Gottfried Saiter, or completely remade. The set was published as "Le opere scelte dipinte da Tiziano Vecellio di Cadore, e da Paolo Cagliari di Verona" (Venice, 1749). A second edition, with added plates from the collection of Lovisa, was published by Teodoro Viero (Venice, 1786) under a different title: "Raccolta Di Opere Scelte Dipinte da Tiziano Vecellio, Antonio Regillo detto il Pordenone, Giacomo Robusti detto il Tintoretto, Paolo Calliari Veronese, Dario Varotari detto il Padoanino, Li Bassani, Giacomo Palma, Giuseppe Salviati, e varj altri celebri Maestri della Scola Veneziana, che fiorirono ne' tempi posteriori. Disegnate, ed Incise in parte Da Valentino Le Febre Di Bruxelles, ed in parte Da Silvestro Manaigo, e da Andrea Zucchi Veneti". [See "Jacopo Tintoretto e suoi incisori", Milan 1994, cat. 95, page 96].
