5 533 résultats
256 pages, illustrated. eng
tela edit. con titoli al dorso e sovrac. ill., timbro d'appartenenza - prima edizione - riccamente illustrato in b.n. nel testo, sguardie illustrate
Reliure demi tboile.
2 volumes. Reliure demi basane pour l'un et reliure demi toile pour l'autre.
Reliure demi-basane.
Reliure demi-chagrin, dos ? nerfs. Reliure r?par?e au 1er volume.
Reliure demi basane. Epidermures.
Reliure demi-chagrin, dos ? nerfs.
Reliure demi-chagrin, dos ? nerfs.
Reliure demi-chagrin ? coins m?talliques, dos ? nerfs.
Reliure demi-basane ? coins m?talliques, dos ? nerfs.
bross. edit. ill. - trad. di Giuseppe Pallavicini Caffarelli
IN 8. CART [MOY]. 148 PP. ENV 40 PPL EN NOIR. [BE]
IN 8. CART [BAD]. 140 PP. ENV 40 PPL EN NOIR [BE]. MANQUE LE DOS
IN 8. CART [BAD]. 140 PP. ENV 40 PPL EN NOIR [BE]. MANQUE QQS PAGES. CIRCA 1802
IN 8. CART [MOY]. 152 PP. ENV 40 PPL EN NOIR. [BE]
mezza pelle edit. con titoli e fregi argento al dorso e illustrazione al piatto, ant., cofanetto edit. figurato - illustrazioni in b.n. fuori testo, alcune cartine a colori ripiegate più volte
These are very good hardcover copies in the publisher's original dark red cloth bindings, decorated in gilt. These are the first three volumes, of 15 that were published between 1927 and 1949. Very clean inside and out. Volume 1: To 1798, published January 1927, xiii, 496 pages. Volume 2: 1798- 1821, published January 1927, viii, 643 pages. Volume 3: 1821- 1834, published October 1928, xii, 747 pages. All volumes illustrated sparsely in black & white. All volumes bear a small circular private New York art library stamp on the inside front covers, otherwise clean throughout. 11" high X 7" wide. Large heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
IN 8. DEMI BAZANE A COINS [BE].ENV 100 PP + 192 PPL EN NOIR. [BE]
63p. Statistics include name, race, gender, cause of death, age, residence and place of burial. Sm. 8vo. Original printed wraps. Lacks rear cover. Very mildly XLib. PA PAMPH 19_12 BX1
29p. XLib. Includes a 4 page insert "Report of the Committee on Tablets. Sons of the Revolution in the State of New York, February 9th, 1898". Tall 8vo. Original yellow printed wraps very soiled. PA PAMPH 19_5 BX1
IN 8. BR [MOY]. 17 PP. 128 PPL EN NOIR. [MOY]
This is a very good softcover copy in stiff printed card covers, with a scene of very sculptural, perhaps French, architecture with figures in black printed over the sepia background. Inside the text is in French and is illustrated with 8 photographs by Brassai of graffiti, accompanied by short works in prose and poetry. Edited by Camille Bryan & A.Gheerbrant. Cover illustration of fantasy architecture with victorian figures. 8vo, 8" high X 7" wide, 170 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
IN 4. BR [BE]. 158 PP. ENV 300 ILL EN NOIR. [BE]
Hardcover with dusjacket, in 4to. 141 pp., including 186 illustrations (91 in color) Cloth bound with dustjacket. English. ISBN 9789070288099. Anthonie van Borssom was a resident of Amsterdam his entire life, active primarily as a landscape artist, who is associated with Rembrandt at the onset of his career. Werner Sumowski catalogued many of Borssom's drawings and paintings in 1979 and in 1983, respectively, in the sixteen volumes he devoted to fifty-four members of Rembrandt's school. Hollstein (1951) lists eight Borssom etchings of domestic animals and birds in landscape settings. A comprehensive monograph has not been published, and some confusion remains concerning aspects of the artist's life, including the year of his birth. New information about Anthonie van Borssom's life is presented in the introductory essay for this updated catalogue of his watercolors and ink wash drawings. There is a growing consensus that Borssom's true talent and originality find their best expression in his drawings, and not in his largely derivative paintings. The new attention paid to his works on paper has brought a clearer understanding of his production. Besides elucidating the artist's biography and the complexities involving his name, the introductory text presents a discussion of his subjects (mostly Dutch landscapes, garden scenes, birds and animals, five church interiors, three allegorical series, and a few figures); the trips and excursions he made to depict identifiable sites in The Nether-lands and at Cleves, just over the German border; and the characteristics of his style which help secure attributions to his hand. New attributions are reported in the essay, involving both his contemporaries (mainly from Rembrandt's school) and also his dedicated followers in the 18th and 19th centuries. The catalogue of Borssom's drawings is limited to those accepted by the author as authentic, and for which an illustration is available. The independent sheets are grouped by medium (watercolor; brown ink with brown wash; brown ink with grey or grey and brown wash; grey ink and black chalk), organized by size (larger to smaller). The most important work is the artist's sketchbook preserved at the British Museum, which is fully illustrated here. Sumowski (1979) reproduced six pages from the sketchbook, and illustrated 78 independent drawings by Borssom, while mentioning twelve more as authentic works. This catalogue contains 122 independent sheets (not always in agreement with Sumowski's selection), some with sketches on their versos (likewise illustrated), in addition to the 94 complete sketches (sometimes several to a page) in the British Museum book. The independent drawings are supported by full entries: heading, inscriptions/marks, watermark, chain lines, provenance, literature, exhibitions, and notes. The volume is completed by a full bibliography (books and articles, exhibition catalogues, and sale catalogues) and two indexes (present collections and owners).
