Hendy, PhilipMareMagnum
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Book is in excellent condition: 13" H x 11.5" W, with very heavy paper, tipped-in full page, full color plates throughout, all in excellent condition. Heavy beige and white weave covers with red spine, gilt lettering. Print is on R. page and description at L. one hundred reproductions. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows light shelf wear only, one tear top rear at fold. 195 pages with the following sections: Tuscan and Umbrian painters to about 1500, Venetian painters to about 1500, French and Netherlandish painters to about 1500, German painters to about 1540, Florentine Umbrian and Emilian painters in the 16th century, Venetian paintrs after about 1500, Flemish painters of the 16th and 17th centuries, Caravaggio and the Spanish painters, Dutch painters of the 17th century, French painters of the 17th, 18th and 19th centuries, British painters.
272 pages including index. A fascinating tour through twentieth-century art. Clean and unmarked with light wear. Foxing to top edge. Average wear to dust jacket. Solid copy. Book
This is a very good softcover copy with only light wear in pictorial wrappers. Very clean inside and out. Signed and inscribed by the author to a well known art dealer who operated art galleries in New York and Washington, D.C. specializing in Latin American modern art. Text in Spanish. Illustrated with 2 color plates and 18 monochromes. This is a limited numbered edition of 1000 copies. Over 30 artists covered in this survey. 11" high X 8" wide, 131 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
in 16°, bross. edit. ill., sottolineature a penna rossa, lievi fioriture in seconda e terza di cop.
in 16°, bross. edit. ill., minime rotture in cop., dedica di appartenenza
This is a very good softcover copy with almost no wear. Very clean inside and out. Spine not creased, binding firm. Text in English and Italian. This is a sale catalog for an auction held at Sotheby's Milan on Monday May 29, 1995. The sale featured the Famiglia Collection of Italian paintings. Eric and Salome Estorick began collecting in the 1940's. They were friends with Massimo Campigli and a number of expatriate artists in Paris in the 1920's. The collection featured works by Campigli, Mario Sironi, Afro, Zoran Music, among others. 111 lots in the sale. All illustrated in color. 10 1/2" high X 8" wide, 81 pages.
Hardcover IV+247 pages , 22 b/w ill. + 195 colour ill., 220 x 280 mm, Languages: English, Italian. ISBN 9781909400894. Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today?s scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia?s artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life. Sheila Barker, Ph.D. (Columbia University, 2002) is the founding director of the Jane Fortune Resarch Program on Women Artists, based at Medici Archive Project in Florence. Her previous publications include "Artiste nel chiostro" (Nerbini, 2016) and "Women Artists in Early Modern Italy: Careers, Fame, and Collectors" (Harvey Miller / Brepols, 2016). Table of Contents Acknowledgments Introduction Sheila Barker Identifying Artemisia: The Archive and the Eye Mary D. Garrard Mary Magdalene in Ecstasy and the Madonna of the Svezzamento: Two Masterpieces by Artemisia Gianni Papi Deciphering Artemisia: Three New Narratives and How They Expand our Understanding Judith W. Mann Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega* Riccardo Lattuada Artemisia Gentileschi?s Susanna and the Elders (1610) in the Context of Counter-Reformation Rome Patricia Simons Artemisia?s Money: A Woman Artist?s Financial Strategies in Seventeenth-Century Florence Sheila Barker Artemisia Gentileschi: The Literary Formation of an Unlearned Artist Jesse Locker Women Artists in Casa Barberini: Plautilla Bricci, Maddalena Corvini, Artemisia Gentileschi, Anna Maria Vaiani, and Virginia da Vezzo Consuelo Lollobrigida ?Il Pennello Virile?: Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters? Adelina Modesti Allegories of Inclination and Imitation at the Casa Buonarroti Laura Camille Agoston Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns, and Ina Vanden Berghe
This is a very good softcover copy with only light wear. Completely clean inside and out. This is a sale catalog for an auction held at Wannenes in Genoa, Italy on March 30, 2009. The sale consisted of all Italian design from early 20th century pieces to late. Lots of lighting and furniture. Some glass and ceramics, but mostly lighting and furniture. 488 lots in the sale. All illustrated in color. No prices realized sheets, just price estimates for each lot. 11" high X 8" wide, 205 pages.
IN 12. BR [MOY]. ENV 50 PP. ENV 25 PPL EN NOIR. [BE]
pp. 26, (4) [Full page advertisements for Philadelphia Exchange for Woman's Art Work; Ornamental Pottery and Amateur Art Emporium; Slate Tiles for Artist's Use; Mrs. Hoyt's Art Studio]. Very damp stained. Penciled ownership of J. R. Palmer, 1882 on inside front cover. Sm. 8vo. Original printed stiff wraps. Very worn and stained. Instruction includes: How to Paint; Manipulation of the Brush; Decorative Painting; Colors for Flowers; Landscape Painting; Mosaic Imitations; Limoges; Painting on Satin in Oil, etc. PA PAMPH 19_31 BX1
205 pages. "Prepared in conjuction with the exhibition Both Art and Life: Gemini G.E.L. at 25, at the Newport Harbor Art Museum, Newport Beach, California, September 22-November 29, 1992." - from copyright page. Printed in Japan on glossy stock. Wonderfully illustrated in color and black and white. Interviews, works and photographs of: John Baldessary, Jonathan Borofsky, Richard Diebenkorn, Mark de Suvero, Jasper John, Ellsworth Kelly, Edward Kienholz, Nancy Reddin Kienholz, Roy Lichtenstein, Malcolm Morley, Claes Oldenburg, Ken Price, Robert Rauschenberg, Richard Serra, Saul Steinberg. Book clean, bright and unmarked with very light wear. Moderate wear to dust jacket which is sunned at spine and top of front panel. A quality copy. Book
1st edition. Very good condition hardback in a near fine condition sleeved dust jacket. 218 pages, illustrated. ISBN 0852494807.50203. eng
This is a very good softcover copy with just light foxing. Generally clean inside, but some foxing. Text completely in Portuguese. This is a catalog of the Portuguese 17th century silver collection in the Machado de Castro Museum. 137 objects catalogued. NOT ILLUSTRATED. Pages are uncut, never opened. 9" high X 7" wide, 73 pages. This book will be securely packed and shipped with tracking.
trad. di Elena Spagnol Vaccari in 16°, bross. edit. ill.
59pp VG/none PB tiratura limitata a 500 copie, bross. editoriale leggermente brunita ai margini, nel complesso in condizioni piu' che buone. Con tavole ripiegate in b/n raffiguranti edifici e monumenti di Milano dell'epoca. Bella raccolta di notizie tratte dagli Avvisi degli anni 1762-1796 informando sulla vita privata a Milano in quel periodo.
No marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked red cloth boards and no bumping to corners. 185pp. Detailed study of the murder of British Prime Minister Spencer Perceval in the early 19th century and of his assassin John Bellingham.
