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West Virginia Bureau of Negro Welfare and StatisticsBiblio.com

Negro Housing Survey of Wheeling Williamson Kimball and Keystone October 1935

The Journal of Negro HistoryBiblio.com

Nine Original Quarterly Issues of The Journal of Negro History with Articles on Colonial Race Thought Voting Rights African Origins and Affirmative Action

1967235281967. The Journal of Negro History traces Black historical scholarship from the civil rights movement of the late 1960s to the constitutional battles over affirmative action in the early 1980s. Kenneth B. Clark a psychologist whose work with Mamie Phipps Clark on children and racial segregation was cited in Brown v. Board of Education opens the January 1968 issue with "The Present Dilemma of the Negro" while other issues examine racial thought in colonial America Black sailors in the Navy and merchant service discipline under industrial slavery in the Old South antislavery agents working with free Black communities from 1833 to 1838 and the Bakke Weber and Fullilove affirmative-action cases. William M. Brewer and Alton Hornsby Jr. eds. The Journal of Negro History. Washington D.C.: The Association for the Study of Negro Life and History Inc. 1967-1982. Nine quarterly issues. Vol. LIII Nos. 3 and 4 July and October 1967; Vol. LIII Nos. 1 and 2 January and April 1968; Vol. LIV Nos. 1 2 3 and 4 January April July and October 1969; Vol. LV No. 1 January 1970; and Vol. LXVII No. 3 Fall 1982. Including writings "The Emergence of DuBois As An African Nationalist"; Max Welborn "Racial Massacre In Atlanta September 22 1906"; Valeria W. Weaver "The Failure Of Civil Rights 1875-1883 And Its Repercussions"; and "The Ethel Johns Report: Black Women In The Nursing Profession 1925." These issues show Woodson's program in the decades after civil rights activism brought Black historical scholarship into debates over school desegregation voting rights enforcement affirmative action and the recovery of African origins in Atlantic slavery. January 1969 number includes the annual report "The Mis-Education of The Negro" tying the Association's current work to Woodson's critique of American schooling while the 1982 number places King's memory Central African slavery Black women's nursing labor affirmative action and Civil War freedom claims in the same scholarly forum. A compact run of The Journal of Negro History that connects ASALH's Woodson-era mission to late twentieth-century scholarship on enslavement civil rights enforcement African Diaspora origins Black labor and affirmative action law. Wrappers show toning some scattered stains with some issues showing binding weakness; interiors remain readable. Overall very good condition. unknown

Max Rambod Inc. · États-Unis550,00 $US≈ 465,35 €

Plays and Pageants from the Life of the NegroBiblio.com

Plays and Pageants from the Life of the Negro First Edition 1930

1930216541930. Richardson Willis. Plays and Pageants from the Life of the Negro. Washington D.C.: The Associated Publishers Inc. First Edition. 1930. Brown boards with black illustrations. Illustrated by James Lesesne Wells. 373 pages. 8vo. This anthology of plays written by African American playwrights from the late 1800s onward is a landmark anthology of African American drama compiled and edited by Harlem Renaissance playwright Willis Richardson. As one of the first dramatists to write plays specifically for Black actors and audiences Richardson sought to move beyond the stereotypical portrayals of African Americans that dominated mainstream theater. His works emphasized racial pride dignity and the richness of Black history helping to lay the foundation for later generations of Black playwrights. In the introduction Richardson gives credit for historical correctness of the facts to Dr. Carter G. Woodson. This compilation was created in order to praise the history and works of African American writers and inspire other African Americans to learn about their heritage and celebrate their culture. It features a selection of plays and pageants written by Richardson and other notable Black playwrights including Thelma Myrtle Duncan Maud Cuney-Hare and John Matheus May Miller Willis Richardson Inez M. Burke Dorothy C. Guinn Frances Gunn and Edward J. McCoo. These works explore themes of racial identity historical struggle and the resilience of African American communities. The book's striking cover is illustrated by James Lesesne Wells a renowned Harlem Renaissance printmaker known for his bold modernist style that captured African American life and heritage. Wells' design reflects the spirit of the era aligning with the movement's goal of celebrating Black artistry and cultural expression. The plates are also signed with Wells printed initials. This collection remains an important artifact in African American literary and theatrical history offering a glimpse into early 20th-century Black performance and storytelling. Ex library stamps on front and back pastedown back flyleaf bottom of spine and top and bottom fore edge. Some minor wear to covers and some penciled writing on title page. Binding is tight pages are crisp and clean. Overall very good condition. unknown

Max Rambod Inc. · États-Unis450,00 $US≈ 380,75 €

Pirondini, Massimo (and) Emilio NegroBiblio.com

La Scuola dei Carracci: Dall'Accademia Alla Bottega di Lodovico

1994201688Italy: Artoli Editore in Modena 1994. Hardcover. VG/VG: Ownership stamp on the back free end page. Inner front hinge is reenforced with clear tape; spine looks fine on the outside. A maroon hardback with gilted gold text on the spine and a glossy dust jacket. Both the front and back free end pages are illustrated. 6 7-352 pp. 442 mostly color images. Written in Italian. The first of of three volumes detailing the lives and works of over 65 painters. From the editor: "I concetti informatori che hanno presieduto alla realizzazione del primo volume dedicato alla scuola di Guido Reni ed espressi in quella presentazione non sono venuti meno anche nella facitura di questo lavoro. Il progetto che ci impegna assieme ai giovani e brillanti studiosi come sempre validamente coordinati da Emilio Negro e Massimo Pirondini coadiuvati dall'insostituibile Nicosetta Roio prevede di presentare il più ampio repertorio possibile d'immagini della pittura emiliana del Seicento questa seconda opera testimonia riteniamo con la dovixia di quanto raccolto e proposto la veridicità dell'assunto programmatico. Pubblicando "La scuola dei Carracci dall' Accademia alla bottega di Ludovico" si è provveduto a dividere in due ciò che probabilmente deve essere considerato un solo argomento ma ragioni di opportunità grafico-editoriali un libro di dimensioni sovrabbondanti data la vastità del materiale hanno fatto sì che si dovesse percorrere questa strada. Prima parte dedicata agli artisti legati alle vicende iniziali dell'Accademia: dai Desiderosi agli Incamminati quando i tre Carracci partecipavano congiuntamente alla conduzione dell' impresa e ai non pochi che rimasero a Bologna sotto la guida del solo Ludovico. Precisando che per quanto attiene al più celebrato degli artisti allievi dell'Accademia: Guido Reni si fa riferimento al solo periodo di alunnato. Stesso criterio verrà utilizzato per quei tanti famosi di cui esistono già importanti monografie da enumerarsi nella seconda parte dedicata al gruppo che al seguito di Annibale opererà e si evolverà principalmente a Roma: "La scuola dei Carracci: i seguaci di Annibale a Roma" volume questo di prossima pubblicazione. L'Editore" ""The guiding concepts that presided over the creation of the first volume dedicated to the school of Guido Reni and expressed in that presentation have not failed in the making of this work. The project that engages us together with the young and brilliant scholars as always validly coordinated by Emilio Negro and Massimo Pirondini assisted by the irreplaceable Nicosetta Roio plans to present the widest possible repertoire of images of Emilian painting of the seventeenth century this second work testifies we believe with the abundance of what has been collected and proposed the truthfulness of the programmatic assumption. By publishing "The school of the Carracci from the Academy to Ludovico's workshop" we have proceeded to divide into two what should probably be considered a single topic but for reasons of graphic-editorial opportunity a book of overabundant dimensions given the vastness of the material have meant that this path had to be taken. First part dedicated to the artists linked to the initial events of the Academy: from the Desiderosi to the Incamminati when the three Carraccis jointly participated in the management of the enterprise and to the many who remained in Bologna under the guidance of Ludovico alone. Specifying that as regards the most celebrated of the artists who were students of the Academy: Guido Reni reference is made only to the period of his apprenticeship. The same criterion will be used for those many famous ones of whom important monographs already exist to be listed in the second part dedicated to the group that following Annibale will operate and evolve mainly in Rome: "The school of the Carracci: the followers of Annibale in Rome" a volume this to be published soon. -Editor". Artoli Editore in Modena hardcover

Mullen Books, Inc. ABAA / ILAB · États-Unis100,00 $US≈ 84,61 €

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