3 220 résultats
13594Paris, De l'Imprimerie de la République, Régent et Bernard, Bachelier, Mallet-Bachelier, Gauthier-Villars, An III (1794) - 1881. 48 tomes (1 à 8 et 10 à 49) in-4 reliés en 27 volumes, 160 planches hors-texte, quelques figures dans le texte, reliure demi-basane ou veau à coins (reliure frottée, manques à quelques coiffes, quelques mors fendillés, manque la moitié du dos au tome 11, dos du tome 20 tabîmé, mors supérieur du tome 1 fendu, rousseurs éparses). Tampons humides ("Bibliothèque de l'Université de France", "Echange autorisé", "Dons n° 12961", "Ecole Polytechnique") et ex-libris : Citoyen Messier (manuscrit), Lefebure de Fourcy 1869 (impr.) et "Monsieur Lefebvre" (manuscrit), Paul Serret (d'après un certificat de la Librairie scientifique A. Hermann, daté 1884 et signé par le libraire, qui confirme qu'il s'agit d'une collection ayant fait l'objet d'un échange autorisé avec la Bibliothèque de l'Université - cf. cachets, et par exemple l'ex-dono manuscrit suivant, répété : "à Mr. Lefebvre, Elève de l 'Ecole Polytechnique, De la part du Conseil de la dite Ecole").
67180A Paris, chez L. Reynier [et de l'Imprimerie du cercle social], an IV [1795], , 7 volumes in-8, 28 [+ 2] planches gravées en taille-douce, 6 volumes reliés veau havane de l'époque, dos à nerfs et fleuronnés, pièces de titre et de tomaison fauve ; et 1 volume broché sous couverture d'attente bleue, TRÈS RARE COLLECTION COMPLÈTE, EN ÉDITION ORIGINALE, DES COURS DONNÉS DANS LES ÉPHÉMÈRES ÉCOLES NORMALES ; bien complète du 7e volume de Débats, et des 28 planches gravées sur cuivre, dont 2 (planches 1 et 2 de l'histoire naturelle) sont répétées et reliées à la fin du volume 6. L'ensemble comprend donc : 24 planches de Géométrie descriptive, 2 planches de mathématiques et 2 planches d'histoire naturelle. Créées le 9 brumaire an III par décret de la Convention Nationale afin de former les instituteurs de langue française, les Écoles normales ont eu une durée de vie très courte ; 4 mois, du 1er pluviôse au 30 floréal de l'an III (20 janvier - 19 mai 1795). MONGE Y EXPOSA SA GÉOMÉTRIE DESCRIPTIVE ET LAPLACE SON HYPOTHÈSE COSMOGONIQUE. Les leçons qui étaient professées, par les savants les plus illustres, devaient être toutes improvisées, recueillies par la sténographie et publiées dans le journal de l'école créé à cet effet, de même que les débats ayant lieu une fois par décade, à l'occasion desquels les élèves discutaient avec les professeurs. Plus de 180 cours furent ainsi donnés, par 14 professeurs nommés par décrets : Lagrange et Laplace pour les mathématiques, Monge pour la géométrie descriptive, Haüy pour la physique, Daubenton pour l'histoire naturelle, Berthollet pour la chimie, Buache et Mentelle pour la géographie, Volney pour l'histoire, Bernardin de Saint-Pierre à la morale, Sicard à la grammaire, Garat à l'analyse de l'entendement, La Harpe pour la littérature et Vandermonde pour l'économie politique (Thouin, nommé pour l'agriculture, ne put jamais donner de cours). Ex-libris manuscrit de l'époque aux titres des 6 premiers tomes. Très bon exemplaire en reliure uniforme, sauf pour le tome 7, non rogné, sous couverture d'attente de l'époque (usagée). Petits accrocs au plat supérieur du tome 6 et à la coiffe inférieure du tome 5. Une lacune de 2 cm environ à un feuillet du tome II, avec perte de texte. Quelques annotations anciennes. Rares rousseurs. Ferdinand Buisson, Nouveau Dictionnaire de Pédagogie et d'Instruction primaire. Couverture rigide
1953819991953-54. From the collection of Jazz Hall-of-Famer Junior Mance from his time as house pianist at the Bee Hive in Chicago. None of the leaves are personalized apart from that of Coltrane who has inscribed "Best to Junior John Coltrane." The Coltrane leaf is mounted with a studio printed photograph by Francis Wolff a portrait of 'Trane taken in 1956 at bassist Paul Chambers's Blue Note recording sessions for Whims Of Chambers; Pres with an image by the Dutch jazz photographer Gerrit Schilp; Monk the leaf inscribed "Good luck always" with an original photograph of Monk by Duncan Schiedt; and Bird mounted with a high quality reproduction of the famous James Kriegsmann studio portrait of the young Bird. Junior Mance began playing the piano at the age of five not receiving formal training until the age of eight and starting to play professionally during his early teens. He attended Roosevelt College in Chicago as a music major. In 1947 Mance left Roosevelt College to join Gene Ammons' band and began his recording career with Gene. He joined Lester Young in 1949 for almost two years and rejoined Ammons several months in 1951 before being drafted into the U. S. Army serving in the 36th Army Band at Fort Knox Kentucky along with Julian "Cannonball" Adderley. After his discharge from the Army in 1953 he became part of the house rhythm section at the Bee Hive Jazz Club in Chicago for a year accompanying musicians such as Charlie Parker Coleman Hawkins Eddie "Lockjaw" Davis and Sonny Stitt. In 1954 Mance joined and toured with Dinah Washington later working with Dizzy Gillespie before forming his own trio. Junior Mance was inducted into the International Jazz Hall of Fame in 1997 he continues to work in NYC and Japan. A really lovely group of important and uncommon signatures with a most excellent provenance. Four individual autograph album leaves from an album kept by pianist Junior Mance each archivally mounted framed and glazed together with a photographic portrait of subject accompanied by a similarly presented image of Mance himself with signature. Very good condition. unknown
1930168557N.p.: N.p. 1930. Large personal archive of nearly 150 photographs of various jazz blues and popular music performers nearly 50 of which are inscribed as well as a handful of personal and family photographs all belonging to jazz drummer and bandleader Nathaniel Jack Nat "Monk" McFay with the majority of photographs dating from the 1930s to the 1950s in jazz clubs in Texas Oklahoma Los Angeles San Francisco St. Louis and Hawaii.<br /> <br /> An impressive archive that is a literal survey of African-American jazz blues and popular music in the first half of the twentieth century all associated with and many inscribed to a notably loved and respected musician and bandleader<br /> <br /> Included among the nearly 150 photographs in the archive are press photographs of African-American jazz blues and popular music performers including: Louis Armstrong Louis Armstrong with Roy Eldridge and Art Tatum at Stuff's Back Stage Club Warren Bracken Buddy Banks Earl Bostic Kirtland Kirk Bradford "Stuffy" Bryant "Sister" Wynona Carr performing with McFay and Art Foxall Sidney "Big Sid" Catlett "Little" Harry Caesar The Eddie Christian Band Marie Dickerson Coker Gene Coy Tina Tixon Dorothy Donegan The Dorsey Brothers Orchestra Lorenzo Flennoy aka Flournox Troy Flloyd Viviane Greene George Jenkins Betty Hall Jones Luke Jones Lorenzo "The Hat" Manley Oscar McLollie wrestler Jim "Black Panther" Mitchell James Moody Esvan Mosby Gladys Palmer Cleo Pierce William "Frosty" Pyles Nina Russell Leslie Sheffield Fred Skinner Effie Smith Fletcher Smith C.B. Stroud Rabon Tarrant and Aaron Thibeaux "T-Bone" Walker among many others.<br /> <br /> As well as the aforementioned musicians and performers the archive also includes various photographs of McFay performing and socializing with various musicians bands and orchestras throughout his career. Also present are: a circa 1915 group schoolhouse photograph presumably including McFay or family members a 1931 photograph of the Salem Baptist Church congregation a 1949 Certificate of Award to McFay from the Bay Area Negro Business Men a "Clef Club" by-laws booklet dated 1957 and a 1986 pencil portrait of McFay artist unknown.<br /> <br /> Nathaniel Jack Nat "Monk" McFay born in Wichita Falls Texas in 1908 began his storied musical career in the early 1930s playing drums for Roderick Thomas' territory band Red Williams and Joe Brantley's Spotlight Entertainer Orchestra in Texas and Oklahoma before moving to Los Angeles in 1935. It was in Los Angeles that McFay joined Bernard Banks' ensembles Bernard Banks and His 5 Clouds of Rhythm and the Bernard Banks Sextet and with whom he made his first of many tours of Hawaii playing the Casino Ballroom in Honolulu. In 1936 McFay lead his own band at the Casa Loma Ballroom in St. Louis with which he toured Honolulu again in 1937. From 1938 to 1944 McFay played along side with among many others Leslie Sheffield Henry Coker and Harlan Leonard before rejoining Buddy Banks again in 1945. It was in 1945 that McFay made his first recordings with the Buddy Banks Sextet Marion "The Blues Woman" Abernathy and Howard McGhee and His Combo which included Charles Mingus. McFay's career continued through the 1950s and into the 1960s playing in and leading various ensembles largely in Los Angeles and Honolulu.<br /> <br /> Photographs: 11 x 14 inches 1 8 x 10 inches 97 5 x 7 to 10 x 7 inches 20 1.5 x 2 inches to 4 x 5 inches 31. Very Good to Very Good plus overall many with creasing and chipping. Eight of the above photographs mounted onto cardboard as maintained by McFay.<br /> <br /> Other materials: Very Good plus overall. N.p. unknown
16924Paris, Impr. du Comité de Salut public, 1794 - An 2.
169-Eo.J. Feder und Pinsel in Grau, Aquarell, mit einigen Deckweißlichtern, auf Velin, auf graues Bütten aufgezogen. 19,5:18 cm. Gutachten: O.R. von Lutterotti, Innsbruck, vom 20.02.1977 (in Fotokopie). Lutterotti hat das Aquarell in die Jahre 1785/91 datiert und als Vergleich auf die Abb. 91-94 in seiner Monographie über Koch, hingewiesen. Vergleichsliteratur: O.R. von Lutterotti, Joseph Anton Koch, 1768 - 1839. Mit Werkverzeichnis und Briefen des Künstlers. Berlin, 1940, Abb. 91 - 94.
20871Amsterdam: Pierre Brunel 1710. 18th-century half vellum sewn on 3 vellum tapes marbled endpapers Dutch pattern in red blue yellow and white swirled manuscript title at head of spine edges sprinkled red & blue. 4to. With 2 title pages the general one in red and black each with Brunels woodcut PB cypher monogram 2 woodcut decorated initials and decorations built up from typographic ornaments. 2 parts in 1 volume. Rare second and greatly expanded French edition of an important treatise on the trade and commerce of the city of Amsterdam by the art dealer Jacques Le Moine de l'Espine d. 1696 first published in both Dutch and French in 1694. It gives detailed information on the Amsterdam banking and exchange systems and on the structure and trade of the VOC and WIC Dutch East and West India Companies and gives accounts of the whaling industry trade in Russia Scandinavia the whole of Europe and the Levant. It compares the volume and value of goods going in and out of Amsterdam with those of other cities. It also reports standard weights measures and monies as well as exchange rates. The second Dutch edition appeared in 1704 with some additions but the present French edition has further additions including for the first time the entire second part pp. 243-388 on arbitrage the trade in bills of exchange and stocks and exchange rates between the principal cities of Europe and Amsterdam by the French-Basque architect and merchant Jacques Mondoteguy ca. 1672/73-1739. The book gives valuable and detailed information about the trade with the Spanish Portuguese and other colonies in a period when the Netherlands financed and operated a fleet of over 8000 ships.With water stains in the first few and last few leaves the latter with a few marginal restorations and a couple worm holes in the gutter margin but still in good condition. The binding is slightly rubbed and somewhat loose in the hinges but still good. A rare and important practical handbook for merchants trading in or with Amsterdam.l Goldsmiths 4601; J. Hoock & P. Jeannin Ars mercatoria II 1991 L26.6 3 copies; NCC 2 copies; cf. Kress 1849 1694 Dutch ed.; this ed. not in STCN. Pierre Brunel, hardcover
1795024317Paris chez L. Reynier, sans date [An III], [1795] 1795 Cinq volumes in-8°, VIII 9-289 puis 277-458 pp. (1) pp. (table), 489 pp. (1) pp. (table), 471 pp. (1) pp. (table), 351 pp. (1) pp. (table) et 545 pp. (1) pp. (table) 7 pp. (arrêté des représentants du peuple près les écoles normales). Reliure en demi-basane racinée, dos lisses ornés de pièces de titre et de tomaison en maroquin rouge et vert, filets et pointillés dorés, tranches jaunes, signet (reliures du début du xixe siècle). (présence de quelques trous sur les dos des volumes et de petites galeries de ver en bordure des dos des tomes I-III et de celui des débats, quelques feuillets maladroitement rognés au tome I, présence de rousseurs pâles, mouillures à de nombreuses pages au tome V avec parfois atteinte au texte, sont manquantes les tomes II et VI ainsi que 11 planches, quelques erreurs de paginations notamment au tome III). Créées par décret de la Convention Nationale afin de former les instituteurs de langue française, les Écoles normales ont eu une durée de vie très courte : 4 mois, du 1er pluviôse au 30 floréal de l'an III ( 20 janvier - 19 mai 1795 ). Les leçons qui étaient professées, par les savants les plus illustres, devaient être toutes improvisées, recueillies par la sténographie et publiées dans le journal de l'école créé à cet effet, de même que les débats ayant lieu une fois par décade, à l'occasion desquels les élèves discutaient avec les professeurs. Notre série ne contient que 17 planches ( sur 28, gravées sur cuivre ), ces planches ont été placées à la fin du tome V; elles concernent les cours de géométrie descriptive. Ensemble en reliures uniformes, ce qui est rare, car ces cours étaient distribués feuille par feuille. SONT MANQUANTS 2 TOMES ( II - VI ) et 11 planches. RARE.
1963123055Los Angeles: Columbia Records 1963. Inscribed by Monk to "the lady who ran the store and dance hall" Boldly signed in full on the upper part of the front cover "Good Luck always Mrs Tiejen sic Thelonious Monk." Monk's signature on an album cover is uncommon and this is a particularly fine example with a fittingly left-field provenance. We believe the recipient was Marian Tietjen 1920-2013 who "during her teenage years. worked as a waitress in La Grange Texas and in her spare time played piano in her father's jazz band. Many people who visited Swiss Alp Texas throughout the decades knew and loved Marian as 'Mrs. Tietjen' - she was the lady who ran the store and dance hall" The Schulenburg Sticker weekly newspaper online. This would have almost certainly been inscribed by Monk when he headlined at the Longhorn Jazz Festival in Austin Texas in late April 1967 alongside the Dizzy Gillespie Quartet and Nina Simone. This is the original Columbia Records release of Monk's second album for Columbia following Monk's Dream also 1963. The quartet included Charlie Rouse tenor John Ore bass and Frankie Dunlop drums and "features some of the finest work that Monk ever did in the studio with his '60s trio and quartet. This is prime Monk" AllMusic website. 12-inch LP Monaural-CL 2038. With album liner and pictorial sleeve. Sleeve with a few slight marks to front panel some surface loss along right edge. In excellent condition. unknown
1771CLL-218Paris, chez Vente, 1771 2 tomes en un volume in-12 de (3) ff., XLIV, 202, 261, (3) pp., maroquin olive, filets dorés en encadrement avec fleurs de lys aux angles, armes au centre avec écu central de maroquin rouge, dos à nerfs orné et doré, pièce de titre de maroquin rouge, coupes et bordures décorées, tranches dorées (reliure de l'époque).
1930151357Los Angeles: First National Pictures 1930. Archive of 68 vernacular photographs housed in a contemporary photo album each photo with descriptions in silver manuscript ink just below it and distributed in three sections as follows: 1 34 photos taken on the set of "The Dawn Patrol" Howard Hawks 1930 an aviation drama set during World War I. Included are shots of planes in flight and several others of star Douglas Fairbanks Jr. With manuscript annotations to the album pages identifying most of the photographs; 2 16 vernacular photographs taken on the set of the pre-Code film "The Life of the Party" Roy Del Ruth 1930 and 18 vernacular photographs of the sinking of the RMS Tahiti off cost of Rarotonga in the Cook Islands on August 16-17 1930 taken from the nearby SS Ventura.<br /> <br /> The front cover of the photo album identifies the photographer as J.N. Boucher and he appears four times in the album twice dressed as a pilot in "The Dawn Patrol" section and twice in "The Life of the Party" section in one standing in front of a Vitaphone truck along with a man identified as Dolph Thomas who worked as an uncredited sound engineer on the film.<br /> <br /> Photographs variously sized generally between 3.5 x 2.5 and 5.25 x 3.25 inches Very Good plus. Photo album Good only with several pages detached a few loose photographs. First National Pictures unknown
1930151357Los Angeles: First National Pictures 1930. Archive of 68 vernacular photographs housed in a contemporary photo album each photo with descriptions in silver holograph ink just below it and distributed in three sections as follows: 1 34 photos taken on the set of "The Dawn Patrol" Howard Hawks 1930 an aviation drama set during World War I. Included are shots of planes in flight and several others of star Douglas Fairbanks Jr. With holograph annotations to the album pages identifying most of the photographs; 2 16 vernacular photographs taken on the set of the pre-Code film "The Life of the Party" Roy Del Ruth 1930 and 18 vernacular photographs of the sinking of the RMS Tahiti off cost of Rarotonga in the Cook Islands on August 16-17 1930 taken from the nearby SS Ventura.<br/><br/>The front cover of the photo album identifies the photographer as J.N. Boucher and he appears four times in the album twice dressed as a pilot in "The Dawn Patrol" section and twice in "The Life of the Party" section in one standing in front of a Vitaphone truck along with a man identified as Dolph Thomas who worked as an uncredited sound engineer on the film.<br/><br/>Photographs variously sized generally between 3.5 x 2.5 and 5.25 x 3.25 inches Very Good plus. Photo album Good only with several pages detached a few loose photographs. First National Pictures unknown books
2004BRG-40_5_683Viking 2020-04-21. hardcover. Good. 6x1x9. Good condition.No marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. Viking hardcover
1854M7535Baltimore: Jacob Monk 1854. Some minor discolourations and some marginal chipping and staining not affecting the map altogether a very good copy laid down on original canvas as a scroll on two wooden rods. . Notes: Inset map of the world sits beneath the title in the lower left corner. It is centred on the Americas and charts the course of Wilkes' circumnavigation of the globe in the 1840s. To its right sits an index of counties and towns. Above the title on the left side are a legend and scale. On the right by the mid margin is a table of distances. The oceans are decorated with tall ships and the whole map sits within a decorative floral border.<br><br>This map marks the dawn of the Manifest Destiny era of American history. Soon after the American victory of Mexico large new states and territories were carved out from the newly acquired land. Here we see the newly formed California and Texas along with the Oregon and Washington territories securing the country's claim to the Pacific coast. With California's gold rush getting into full swing the map accentuates many details of that state's gold region. North-South tensions are revealed in the ambiguity of the central states and territories: Northern interests sought to create a massive Nebraska territory which would have included present-day Kansas; however Southern lawmakers pressed Congress to make two separate territories. Size : 1405x1500 mm 55.31x59.06 Inches Coloring: Original Hand Coloring Reference: Wheat 794 earlier edition; Rumsey 603. Category: Maps Central America; Maps North America; Maps West Indies Whole; Maps Wall Maps; Jacob Monk unknown
179817204Paris, Baudouin, an VII (1798-1799) ; in-4 , demi-basane marbrée, dos lisse titre en long (rel. moderne) ; VIII, la dernière blanche, 132pp., 25 planches gravées dépliantes.
97022Paris, Baudouin, An VII [1799], in-4, VII-[1]-132-[2] pp, 25 pl, Basane marbrée de l'époque, dos à nerfs et fleuronné, pièce de prix en maroquin rouge sur le plat supérieur [École impériale gratuite de dessin], Première édition en librairie, après la parution en livraisons dans le Journal de l'École Normale en 1795. 25 planches de figures géométriques dépliantes gravées sur cuivre d'après Girard par Delettre. La géométrie descriptive de Gaspard Monge (1746-1818), prévue à l'origine pour le Génie Militaire, est à la base de tous les dessins de machines et des méthodes graphiques qui conduiront à la construction mécanique. Le mathématicien présenta cette méthode générale dès 1795, dans les cours donnés à l'éphémère École Centrale des Travaux publics - future École Polytechnique - et organisa son enseignement au sein des fugaces Écoles Normales de l'An III : cette nouvelle géométrie, apparue dans le contexte révolutionnaire, n'est pas à proprement parler de son "invention", puisqu'elle réunit un ensemble de méthodes déjà connues et mises en pratique. En revanche, il appartient à Monge de les avoir réunies, systématisées et décrites sous le terme de "géométrie descriptive" et d'en avoir été le promoteur (Sakarovitch). Cet exemplaire comporte l'Abrégé du catalogue des livres de fonds et d'assortiment de J.B.M. Duprat, libraire pour les mathématiques à Paris, quai des Augustins, Vendémiaire an VII. Exemplaire offert en prix par l'École impériale gratuite de dessin l'année 1811 pour le Second prix de géométrie, remporté par Jean-Louis Mathon. Étiquette ex-libris J[oseph] Laissus (1900-1969), directeur-fondateur de l'École technique supérieure du Laboratoire. Frottements, coins et coupes usés, coiffe inférieure arasée. Feuillets un peu brunis, quelques rousseurs. Joël Sakarovitch, "La géométrie descriptive et l'oeuvre de Gaspard Monge". In : Géométrie pratique, édité par Dominique Raynaud, Presses universitaires de Franche-Comté, 2015 [en ligne] DSB IX, 473. Couverture rigide
1964149332N.p.: N.p. 1964. Collection of five vintage oversize borderless photographs and two contact sheets with 59 images of the Thelonious Monk Quartet in performance at the La Maison de l'ORTF Office de Radiodiffusion-Television Francaise in Paris on February 23 1964. Photographs with the stamp of photographer Alain Dessalles on the verso.<br/><br/>The quartet here includes saxophonist Charlie Rouse bassist Butch Warren and drummer Ben Riley. They would also back Monk on his 1964 album It's Monk's Time the tracks for which were recorded at in January February and March one of five albums Monk would release that year. <br/><br/>According to Robin Kelly's Thelonious Monk: The Life and Times of an American Original the quartet was in the midst of a 17-stop tour through Europe when these photographs were taken. The images capture the legendary pianist at the height of his creative powers and three days later on February 28 1964 Monk became just the fourth jazz musician to be featured on the cover of Time magazine. <br/><br/>Photographs 8 x 12 inches contact sheets 9 x 12 inches. Very Good plus. N.p. unknown books
elala3713Quebec: Hunter Rose & Company 1865. First Edition. A total of seven series were published between 1863 and 1906. Sabin and TPL call for only 2 plates in this third series on Quebec country seats. "During his eight years as a professional photographer he died prematurely at the age of thirty-four Livernois characteristically maintained two and sometimes three studios in Quebec Upper Town and the more popular faubourg Saint-Roch.Within his profession he was remarkable as his contemporary Henri-Raymond Casgrain makes clear: "Photography would have been no more than a trade for him as for many others if he had not had the intelligence to enhance its practice by unselfish research.".His son Jules Ernest Livernois and his grandson Jules followed in his footsteps. The photographic firm he founded is one of the rare examples of a business enterprise that reached its centenary." Louis Hamel-Minh in DCB IX pp. 47-48. Dionne III 1103. Sabin 40005. TPL 6165. 8vo. pp. 1 p.l. iv 137 1 leaferrata & opinions of the press. 3 lithographed maps & plans 2 folding. 24 mounted photographs of Quebec manor houses by Jules IsaÔ BenoÓt dit Livernois 1830-1865. full gilt-paneled red morocco by T.Lemieux Quebec gilt inside dentelles gilt edges moirÈ silk endleaves possibly bound for presentation occasional light spotting. former owner's name in gilt on upper cover: L.K.Andrews Quebec: Hunter, Rose & Company, 1865 unknown
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