SOCIO, Clio Convivius (pseud)Biblio.com
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182862446Baltimore: Published for the Purchaser 1828. Second Edition. Revised. 32mo 11cm. Contemporary full sprinkled sheep double gilt fillets to spine titled in gilt on black leather spine label; 224pp. Bookplate of Geo. P. Sparks. A tight copy rubbed with leather cracking over joints browned throughout old stain to extreme lower corner of final few leaves: Very Good. <br /> <br /> Amusing anecdotes and witty jokes in pocket format for the entertainment of travelers e.g.: "What most resembles a crow in a gutter Ans. A crow out of a gutter." AMERICAN IMPRINTS 35250. 62446. Published for the Purchaser unknown
1819s894.043GB: Thomas Clio Rickman 1819. No halftitle. Frontispiece. Title page. iii-xvi 1-280 4 catalogue Fully collated. Clean tight text with minor spotting mostly to first and last few leaves. Some heavier spotting and minor damp marking to first few leaves. Minor waving of text. Bound in likely contemporary dark green blind decorated cloth lettered in gold "LIFE OF PAINE on spine. Yellow shiny endpapers. Text has been reattached internally by a repair to the hinges. Covers and spine more or less entire but a bit worn. Book is in good double plus condition with noticeable signs of wear and/or age. . 1st Edition. Hardback. G/No DW. Thomas Clio Rickman Hardcover
180328096London: Printed for the Author and Sold by Mr. Symonds Mr. Fisher Mr. Lee et al. 1803 1803. First edition. Cloth a little worn; some scattered foxing; very good copy. 2 vols in 1 small 8vo 19th century blue-green pebbled cloth gilt lettering. Frontispieces. 26-page list of subscribers. The collected poetry of Thomas Clio Rickman 1761-1834 including a sonnet and poem to his friend Thomas Paine and poems to David Garrick Charles Churchill Lord Chesterfield William Cowper Philip Thicknesse and Edmund Burke among others. The poems previously appeared in self-published broadsides and periodicals. In 1810 Rickman published an Elegy to the Memory of Thomas Paine and in 1819 an important biography of Paine. <br/><br/> London: Printed for the Author, and Sold by Mr. Symonds, Mr. Fisher, Mr. Lee, et al., 1803 hardcover books
180328096London: Printed for the Author and Sold by Mr. Symonds Mr. Fisher Mr. Lee et al. 1803 1803. First edition. Cloth a little worn; some scattered foxing; very good copy. 2 vols in 1 small 8vo 19th century blue-green pebbled cloth gilt lettering. Frontispieces. 26-page list of subscribers. The collected poetry of Thomas Clio Rickman 1761-1834 including a sonnet and poem to his friend Thomas Paine and poems to David Garrick Charles Churchill Lord Chesterfield William Cowper Philip Thicknesse and Edmund Burke among others. The poems previously appeared in self-published broadsides and periodicals. In 1810 Rickman published an Elegy to the Memory of Thomas Paine and in 1819 an important biography of Paine. London: Printed for the Author, and Sold by Mr. Symonds, Mr. Fisher, Mr. Lee, et al., 1803 unknown
1900YRG-388In-8 demi cuir à coins verts, dos à cinq nerfs, titre doré, 188 pages. Intérieur frais. Édition originale publiée avec les aquarelles de Mucha et tiré sur vélin satiné exemplaire frais, marge extérieur légèrement jaunie. Reliure postérieure, dos non conservé. CALMANN LÉVY.Paris.
190062141900 Paris Calmann levy éditeur 1900 In8 relié demi maroquin havane à coins dos à 2 nerfs titre frappé couvertures conservées 188 pages couverture et cul de lampe illustrés par mucha
190012233Paris, Calmann-Lévy, 1900 ; petit in-8, demi-veau fauve à coins légèrement marbré, dos lisse décoré de fleurons "art nouveau" dans un triple encadrement de filet doré, tête dorée, plats illustrés en couleurs conservés (reliure de l'époque) ; (6), 188, (4) pp., 13 compositions en couleurs de Mucha, dont 7 hors-texte et une à la couverture, rehaussée à l'or.
181927993London: Printed and Published by Thomas Clio Rickman 1819 1819. First edition. Sabin 71242; Gimbel page 136; Howes R278. Boards stained; prelims including frontis and title-page a little foxed; very good copy. 8vo recent drab paper spine and printed paper label original blue paper boards untrimmed. Frontis portrait engraved by William Sharp after the portrait by George Romney. Three-page checklist of Paine's published works followed by four pages of publisher's terminal advertisements. An important memoir of Thomas Paine by his lifelong friend and supporter Thomas Clio Rickman 1761-1834 the reform-minded bookseller and poet. "Rickman's name will be forever linked with Paine for he was to Paine what Boswell was to Johnson" - John Keane Tom Paine. Paine lived with the Rickmans while he finished the controversial second part of The Rights of Man in 1792 during which time Rickman arranged to have the famous portrait made of Paine by George Romney. After Paine fled to France that summer Rickman joined him there to avoid imprisonment for selling Paine's books. Rickman was something of a versifier and wrote several poems about Paine usually sonnets and an Elegy in 1810 reprinted here. Following the memoir are miscellaneous poems and writings by Paine. Prior to Rickman's biography Paine's life had been the subject of two unfriendly biographies by hack journalists which Rickman discusses in the preface. The publisher's terminal advertisements include probably the only checklist of the writings of Rickman. Early ownership notations on the front free endpaper; later bookseller's receipt pasted to the front paste-down listing this book with several others sold to Mr. James Morris of Albany New York by John Skinner Bookseller dated December 4 1901. <br/><br/> London: Printed and Published by Thomas Clio Rickman, 1819 hardcover books
1819192622London: Printed and published by Thomas Clio Rickman; and to be had of all booksellers 1819. First edition of this sympathetic memoir of Paine by his longtime friend and supporter Thomas Clio Rickman 1761-1834 a fellow radical reformer and poet. "Rickman's name will be forever linked with Paine for he was to Paine what Boswell was to Johnson" Keane p. xvi. Rickman became associated with Paine while the latter was an excise man in Lewes 1768-74 and remained close to him until Paine's death. In the early 1790s Rickman moved in radical circles wrote lyrics for republican broadsheet songs and became close to John Horne Tooke and Mary Wollstonecraft. Paine lodged with Rickman while completing the second part of the Rights of Man. To avoid prosecution in Britain for publishing Paine's works Rickman joined Paine in France in 1792-93. "His Life of Thomas Paine the work for which he is chiefly known was not a conventional biography but a series of anecdotes and general meditations on Paine written with the authority of intimate personal acquaintance. Important features include his refutation of claims that Paine was converted to Christianity on his deathbed and his attention to Paine's mode of writing. Rickman was one of the first commentators on Paine to understand that his direct and colloquial style was inseparable from his egalitarian arguments" ODNB. Appended is a bibliography of Paine's works and of books written and published by Rickman. Octavo pp. xvi 277 7. Portrait frontispiece of Paine engraved by William Sharp after the portrait by George Romney woodcut facsimile of Paine's handwriting to p. xvi. Uncut in original blue boards rebacked to style with printed paper label. Light staining to frontispiece and to early and final leaves repair at foot of title page not affecting text and leaf A5 into text without loss slight foxing: a good copy. Gimbel p. 136; Howes R278; Sabin 71242. John Keane Tom Paine 2007. hardcover
18961004259New York: M'lle New York Publishing Company 1896. Ten promotional posters for the first year of M'lle New York a fortnightly illustrated magazine that ran from August 1895 to January 1899. Edited by Vance Thompson and James Huneker and primarily illustrated by Thomas Fleming and Thomas Powers M'lle New York was inspired by the sophisticated satirical French weeklies of the day. More than any other American periodical it captured a bohemian sensibility its colorful pages crowded with literary translations risqué drawings and advertisements aimed at a cosmopolitan male readership. Paul Verlaine Knut Hamsun Maurice Maeterlinck and Henrik Ibsen all appeared in its pages. While "off the radar of broader culture" M'lle New York was nonetheless "an important instance of a coterie publication one with a strong avant-gardist and French influence and one that more clearly serves as a precursor to modernist little magazines than others of this period." See Kirsten MacLeod American Little Magazines of the Fin de Siècle: Art Protest and Cultural Transformation. The strong graphic identity of M'lle New York is reflected in these promotional posters which were eventually offered for sale by the editors as a fundraiser: "We've been besieged with requests for them." The posters assembled here date from August 1895 to January 1896. Eight are by Thomas Fleming seven signed in the image one unsigned one by Thomas Powers and one "The Journalistic Orchid" by editor James Huneker's wife the artist Clio Hinton Huneker. The posters feature depictions of nude or nearly nude women alongside grotesques of various kinds: a satyr a capitalist "pig" a mask ethnic caricatures. The one outlier is a straightforward announcement of a new short story by Edward W. Townsend in the inaugural issue. OCLC locates a single holding of M'lle New York posters at Hofstra. An uncommon and compelling group. Ten color-lithographed posters of varying sizes measuring between 12 and 19 inches high and between 8.5 and 20 inches wide printed on various paper stocks. Penciled dates to top corner of nine posters; pencil sketch to one verso. Light edgewear short closed tear to January 1896 poster. M'lle New York Publishing Company unknown
