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18528889Santiago: Imp. y LitografÃa de J. Rey Romero 1852. Second edition. Hardcover — Tapa dura. 212x153mm. 8¼x6". Santiago de Compostela Imp. y LitografÃa de J. Rey Romero 1852. En 4º menor 212 x 153mm. Frontispicio xviii-101 pp. 1 h. 10 láminas 8 de ellas plegadas. Encuadernación en holandesa de época cubiertas originales ilustradas en papel amarillo. Segunda edición del viaje de Antonio MarÃa de Orleans y MarÃa Fernanda de Borbón a Galicia en 1852 comenzando en Ferrol pasando por La Coruña Santiago Pontevedra MarÃn y Vigo desde donde saldrÃan hacia Lisboa recorriendo el territorio y disfrutando de sus gentes sus paisajes y sus costumbres. Imp. y Litografía de J. Rey Romero hardcover
183546405917Paris, Roret, Thiery, L’auteur (Vergnaud, architecte...), 1835 ; in-folio, cartonnage papier gaufré rouge. 2 ff. (titre, dédicace), 106 pp., 24 planches dont 8 sur double page.ÉDITION ORIGINALE et PREMIER TIRAGE. Narcisse Vergnaud (Orléans 1794 - Paris 1848) était un remarquable architecte et créateur de jardins, bizarrement méconnu. “Profiter avec goût des beautés naturelles d’un site limité, ajouter à son étendue en s’emparant avec intelligence de toute la perspective du paysage environnant, pour composer l’un de ces ensembles dont la nature inépuisable nous offre partout des modèles d’une variété infinie, toujours d’un effet pittoresque et d’un aspect enchanteur, tel est l’art véritable de créer les jardins” dit l’auteur dans sa préface. Traité très complet, en 3 parties. 24 lithographies dont 8 sur double page. Vues et plans de jardins fameux : Blenheim Palace propriété du duc de Marlborough (plan et 2 vues), Mortefontaine (propriété du dernier prince de Condé) plan et 2 vues, Chatsworth, Ermenonville, Buckingham, Stowe, Château de Windsor, château et parc de St.-Leu, Beauregard, Longleate, Palais Pitti à Florence, Wilton (propriété de Lord Pembroke), Ferme d’Aubertin. Cette première édition semble très rare. Le Katalog der Ornamentstich Sammlung de Berlin II n°33136 ne possède que la réédition de 1839. Quérard X, 111. ENVOI AUTOGRAPHE de l’auteur sur la page de garde : à M. Jollois Ingénieur en chef. Il s’agit de Jean-Baptiste Prosper Jollois (1776 - 1842), un ingénieur et archéologue qui fut membre de l’expédition en Égypte en 1798. En 1830 il sera nommé ingénieur en chef des travaux de la Seine. Jollois est l’auteur de plusieurs ouvrages et mémoires sur les antiquités du Loiret, des Vosges, sur l’archéologie égyptienne et sur Jeanne d’Arc.
18393573Paris: La Librairie Encyclopédique de Roret on the back of the half-title: "Imprimerie et fonderie de Fain imprimeur de l'Université Royale de France" 1839. Modern black half morocco on 7 supports gold-tooled spine. Royal folio 49.5 x 32.5 cm. With 24 lithographed plates 6 double-page 4 with movable extra pieces showing plans designs and views of gardens in England France and Italy. Set in roman and italic type with incidental slab-serif script and out-line types. Beautifully illustrated and finely printed second edition of a manual on garden planning and design by the French garden architect Narcisse Vergnaud 1794-1848 first published also by Roret in 1835. The finely lithographed plates show plans and views of the gardens of Blenheim Buckingham Windsor Longleat Chatsworth Stowe Chiswick and Lord Pembrokes estate at Wilton in England; the Pitti Palace at Florence; and Morfontaine Malmaison St. Leu Beauregard at Villeneuve Marly-le-Roy and Bougival in France; as well as some model designs of public parks.At least the present copy is printed on very large Royal wove paper with no watermark giving generous margins for both the text leaves and the plates the latter on somewhat heavier paper. The third leaf with the dedication has been cut down and mounted on a large modern leaf. With a few mostly marginal tears repaired and occasional faint foxing still in very good condition.l Springer p. 81; Berlin Kat. 3313. La Librairie Encyclopédique de Roret (on the back of the half-title: "Imprimerie et fonderie de Fain, imprimeur de l'Università unknown
183942547Paris: Librairie Encyclopédique de Roret 1839. Folio. 19 x 12 ½ inches. 6 iv 5-106 pp. Illustrated with 24 hand-coloured lithographed plates illustrating the designs and plans of estate parks and gardens in France and England eight double-page or folding five with tipped overlay flaps. Contemporary calf-backed red cloth boards with richly gilt spine<br/> <br/> A beautifully hand-coloured copy of the 'Nouvelle édition' of Vergnaud's manual of landscape design combining garden theory with measured plans perspective views sections and elevations drawn from celebrated European parks.<br/> <br/> Vergnaud's L'Art de créer les jardins belongs to a distinct moment in nineteenth-century garden literature when the picturesque landscape garden was increasingly treated through the combined disciplines of architecture horticulture drawing and site analysis. First published by Roret in 1835 the work appeared again in this "Nouvelle édition" in 1839 with the same large format and an extensive suite of lithographed plates. Vergnaud presents the creation of gardens as an architectural art grounded in the study of terrain water planting views and circulation. The text moves from general principles to practical application addressing the selection and study of a site the nature of soils and water the use of plans and levels the organisation of walks and plantations and the pictorial handling of natural and built features. Vergnauds emphasis falls on composition in the full sense: the garden as a designed landscape whose effects depend on time growth perspective and the intelligent adjustment of architecture to nature. The plates include plans views and details drawn from major English landscapes such as Blenheim Chatsworth Stowe Windsor Richmond Longleat and Wilton together with French examples including Morfontaine Saint-Leu Beauregard Marly-le-Roi and Bougival. The suite also includes views from Ermenonville and the gardens of the Pitti Palace greenhouse details in France and England plans for public promenades and gardens and the plan of the farm at Aubetin. Several plates use folding or overlay elements to clarify changes of level layout or design sequence making the volume especially valuable as a practical visual manual. Narcisse Vergnaud was born in Orléans and trained in architecture at the École des Beaux-Arts in Paris under Antoine-Laurent-Thomas Vaudoyer. Active in Paris as an architect and designer of gardens Vergnaud is now often obscured in catalogues under the name Nicolas Vergnaud though contemporary and modern authority records identify him as Narcisse. His treatise places him within the French reception of English landscape gardening while retaining a strongly architectural understanding of design one in which plan elevation perspective horticulture and execution form part of a single discipline. Very rare. We can trace only one other coloured copy last offered in London in 1935.<br/> <br/> De Ganay 220; Berlin Katalog 3313. Librairie Encyclopédique de Roret unknown