FRANÇOIS FENELON, (1567-1715).MareMagnum
35 résultats
Very Good Turkish, Ottoman (1500-1928) Original cloth bdg. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic letters). [16], 318 p. Lithographed Edition. Early edition of this first translation of Fenelon's "Telemaque"; made by Yusuf Kamil Pasha (1808-1876), under the influence of the leading French writers and thinkers like La Fontaine, Racine, Voltaire, Montesquieu, Rousseau; which introduced early Ottoman / Turkish literature to the utopian city called "Salante" for the first time. Özege 20335.; This edition cannot be found in OCLC. (Utopias from the Middle East 2).
Very Good Turkish Original wrappers. 12mo. (16 x 12 cm). In Turkish. 16 p. First and only edition of this extremely rare pamphlet written by Turkish Islamist-Nationalist journalist Eygi, who criticizes the understanding of Islam in the 1960s, through the symbol of the first fictional utopian land and vision in Turkish literature called "Darürrahat" [i.e. The Door of Peace] in Ismail Gaspirinskiy (1851-1914)'s book "Darürrahat Müslümanlari" [i.e. The Muslims of Darrürrahat] published in 1887, in Kazan. Mehmed Sevket Eygi was a Turkish journalist, writer, columnist, and Holocaust denier. He had Islamist-nationalist views. After graduating from university in 1956, he worked as a translator at the Directorate of Religious Affairs for two years. Eygi began publishing the daily Bugün newspaper and its publishing house in 1966, where this book will also be published as the third book of the publishing house. While making this criticism, he used the first utopia text of Turkish literature called "Darürrahat Muslims" by Gaspirinskiy as a symbol. Ismail Gaspirinskiy (or Gaspirali) was an ideologist, author, journalist, publisher, educator, and major. Gaspirali's work called Muslims of Darurrahat (Comfortable Country) was published in 1891 after the first issuance in Tercuman Newspaper as the continuation of Letters of Frengistan. Cannot be found in any data as well as OCLC. (Utopias from the Middle East 1).
Volume in 8°, legato in pelle, dorso a cinque nervi, impresso e decorato in oro, a scomparti, sguardie, bianca, frontespizio con bella marca incisa, 430 pp., bianca finale. Un edizione "povera" del piacevolissimo e famoso poema epico, nessun incisione, a parte due capilettera istoriati e un grande bel finalino, ne' commenti ne' note ad illustrare il testo, è molto attenta però la traduzione di Moretti, ed evidenzia, cambiando il carattere di stampa, correzioni od interpretazioni, accompagnandoci al fianco di Telemaco in questo viaggio meraviglioso. Presentiamo qui la seconda edizione stampata a "Giena", peraltro molto rara, in ottime condizioni, carta ancora secentesca ma molto ben conservata e chiara. Ricca e ridondante la decorazione al dorso. Edizione particolare e rara.
Very Good Turkish, Ottoman (1500-1928) Original 1/3 leather bdg. in a traditional Ottoman style. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic letters). 276 p. Third Edition. Very early edition of this first translation of Fenelon's "Telemaque"; made by Yusuf Kamil Pasha (1808-1876), under the influence of the leading French writers and thinkers like La Fontaine, Racine, Voltaire, Montesquieu, Rousseau; which introduced early Ottoman / Turkish literature to the utopian city called "Salante" for the first time. Özege 20335.; TBTK 10653.; This third edition cannot be found in OCLC. (Utopias from the Middle East 15).
Good Armenian Full modern leather binding. An ex-library stamp on the colophon. Small 4to. (27 x 18 cm). In Armenian. 512, [8] p., engraved plates. Richly illustrated. Stains on pages and edges. Otherwise a good copy. Extremely rare first Armenian edition of Fenelon's "Telemaque". According to Abdolonyme Ubicini's account in his La Turquie actuelle (Paris 1855), Les Aventures de Télémaque was the most popular classic among Levantines in Istanbul in the first half of the 19th century, and it was translated into many languages besides Turkish and Arabic in the Ottoman Empire. The first printed version of a Greek translation dates from the 18th century, while an Armenian version by Ambroise Calfa was published in Paris in 1860. (The Ottoman Reception of Fénelon's Télémaque.; Meral, Arzu). The translator, Ambroise Calfa Nar Bey, Guy de Lusignan, (1831-1906), was a Franco-Armenian historian and linguist from the second half of the 19th century and the beginning of the 20th century. Ambroise Calfa is one of the three sons of Kévork (Georges) -Youssouf Calfa, an Armenian trader living in Constantinople, and Sophie Cantar (or Kantaroglou), daughter of an Armenian merchant or banker from the Ottoman capital. Member of several learned societies, including the Asian Society, Ambroise Calfa published several historical or linguistic works, including an Armenian Calligraphy (Paris, 1853), a work awarded at the Universal Exhibition of 1855, and, above all, an Armenian-French Dictionary ( Paris, Hachette, 1861) dedicated to Emperor Alexander II. (Wikipedia). Les Aventures de Télémaque, fils d'Ulysse (The adventures of Telemachus, son of Ulisses) with the original title is a didactic French novel by Fénelon, Archbishop of Cambrai, who in 1689 became tutor to the seven-year-old Duc de Bourgogne (grandson of Louis XIV and second in line to the throne). It was published anonymously in 1699 and reissued in 1717 by his family. The slender plot fills out a gap in Homer's Odyssey, recounting the educational travels of Telemachus, son of Ulysses, accompanied by his tutor, Mentor, who is revealed at the end of the story to be Minerva, goddess of wisdom, in disguise. OCLC 953068302 (One institutional copy in BnF). (Utopias from the Middle East 3).
Bellissima inc. su rame stampata su carta di Cina e applicata su carta. Nella lastra in basso a sin. '"T.Signorini inc." a destra "C. Lovera Imp." Parte incisa mm.160x60 + ampi margini bianchi (complessivamente mm.370x280). Acquaforte che raffigura un vicolo senese. Bellissima la resa del chiaroscuro. Buona conservaz.
Acquaforte mm.100x165 alla battuta + marg. bianchi (compless. 160x240). Iniziali inc. nella lastra in basso a sin. Tit. sotto la parte incisa. Iscrizioni: in basso a si. 'T. Signorini dis. e inc.' a destra 'L. Patrizio imp.' Bella, fine veduta panoramica della città. Acquaforte edita nel vol. di Gustavo Uzielli "Ricerche intorno a Leonardo da Vinci", Torino Loescher 1896 (seconda ediz.). [Si ricorda che una prima ediz. del vol. pubblicata nel 1872 completa dell'acquaforte che riportava il titolo "Veduta di Vinci"]. Nella lettera informativa al Presidente dell'Accademia di Belle Arti di Firenze Signorini ricordava di essersi recato a Vinci attorno al 1872-1876 e "in compagnia del Prof. Uzielli" di aver "illustrato con acqueforti il libro scientifico su Leonardo". Perfetta conservazione.
Incisione su rame stampata su carta Cina, dimensioni alla battuta mm.195x120, ampi marg. bianchi. Tratta da "L'arte in Italia", 1872. Bellissima veduta di un scorcio di Piazza Duomo, con porzione del campanile e del vano aereo che unisce il palazzo comunale alla Cattedrale di San Zeno. Bella conseravaz.
Acquaforte, mm. 127x181 stampata su velina e applicata su carta (mm. 280x370). In basso a sin. 'T. Signorini inc.', in basso a destra 'C. Lovera imp.'. Al centro il titolo "Primavera". Bellissima, perfettamente conservata.
[700 Figurato di pregio - Legatura] (cm. 34) 2 voll. Magnifica legatura originale in tutta pelle verde, nervi, doppio tassello, ricchi fregi floreali al dorso e larga bordura ai piatti. Sguardie in seta, labbri e dentelle anch'essi decorati. Tagli dorati. -cc.5 nn., + ritratto a colori, pp. 309; -cc. 3 nn., pp. 297 + 1 carta con il privilegio del re. Con 72 tavole da Monnet e 24 tavole con sommari. Opera magnifica su carta speciale è uno dei massimi capolavori della tipografia francese del '700, considerato uno dei 100 migliori libri francesi illustrati. Esemplare eccezionale completo del ritratto del Fenelon, all'inizio del primo volume, finemente colorato di vivien e alix. Molti degli esemplari passati in vendita in atiquariato ed in aste sono privi di questo ritratto. Alcune carte lievemente ombreggiate ma bellissimo esemplare con legatura in perfetto stato e tavole incise protette da veline. Provenienza: Asta Sotheby's Milano 13 Novembre 1996, lotto n° 915. Per particolarità e varianti vedi: * Cohen-Ricci 384; * Ray 37; * Sander 664; * Ramsden 80; * Boissais 76. [F. 81] Libro