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1885125381New York: Henry-Bonnard Bronze Co. c. 1885. Attractive bronze bust of of Ulysses S. Grant as General of the Army by famed American sculptor Henry Kirke Bush-Brown. The adopted nephew of sculptor Henry Kirke Brown Henry Kirke Bush-Brown was revered for his accurate realist sculptures illustrating American history. He produced three equestrian bronze sculptures erected at the Gettysburg battlefield depicting General George Mead the victor at Gettysburg General John F. Reynolds killed in action July 1 1863 and General John Sedgwick the senior most Union casualty of the American Civil War. In addition Bush-Brown made a bust of Abraham Lincoln dedicated in 1912 as part of the Lincoln Speech Memorial commemorating Lincoln's Gettysburg Address. Mounted on a bronze base the entire piece measures 7.75 inches in height. In fine condition. Following the close of the American Civil War Congress revisited the idea of a superior General rank initially intended for bestowal upon George Washington who held the rank of “General and Commander-in-Chief†which was a grade senior to all American major generals and brigadier generals from the American Revolutionary War but only entitled him to the three-star insignia of an Army lieutenant general. On July 25 1866 Congress enacted legislation authorizing the grade of General of the Army and on that same date the new grade was conferred on Lieutenant General Ulysses S. Grant as a reward for saving the Union in the American Civil War. The grade was recognized and continued in various acts until the Act of July 15 1870 which contained the requirement that “the offices of general and lieutenant general shall continue until a vacancy shall exist in the same and no longer and when such vacancy shall occur in either of said offices shall become inoperative and shall by virtue of this act from thence forward be held to be repealed.†Henry-Bonnard Bronze Co. unknown
1966202030New York: Penguin 1966. First Edition; First Printing. Softcover. Very Good in wraps. Penguin unknown
842635114X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
842634853X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8426349129.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20161-3319377396Springer Verlag 2016. Paperback. New. reprint edition. 444 pages. 9.25x6.10x1.00 inches. Springer Verlag paperback
20192-6200349746Editorial Académica Española 2019. Paperback. New. 176 pages. Spanish language. 8.66x5.91x0.40 inches. Editorial Académica Española paperback
2012DADAX3844349413Eae Editorial Academia Espanola 2012-12-01. paperback. New. 5.91x1.47x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
9786556164724-11-24230MATRIX. New. MATRIX unknown
33308Couverture rigide. Bon/1873. in-8. Paris Parent 1873 in-8 310pp broché Quelques défauts mineurs cachets de bibliothèque couverture fatiguée sinon bel exemplaire de ce rare ouvrage! unknown
1019552654.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020453079.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484999699.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781478016809Hardback. New. Drawing on memoir creative writing theoretical analysis and ethnography in Santo Domingo Havana and New Jersey Carlos Ulises Decena examines transnational black Caribbean immigrant queer life and spirit. hardcover
6071620554.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9780822349266Hardback. New. Based on ethnographic research with Dominicans in New York City a pioneering analysis of how gay immigrant men of color negotiate race sexuality and power in their daily lives. hardcover
20192-6139432960EAE 2019. Paperback. New. Spanish language. 8.66x5.87x0.47 inches. EAE paperback
1141115 leaves printed on rectos only. 12mo lime green printed semi-stiff covers stitched. Geneva: Boabooks May 2016.<br /> <br> <br> From the colophon: "a b c presents a linguistic exercise handwritten in green ink on fifteen pages by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown
10317Single sheet mounted on black craft paper printed in red & green perforated. Amsterdam: late 1970s.<br /> <br> <br> A compelling specimen of Ulises Carrión’s avid involvement with the Eternal Network: a complete sheet of his “Here & Now†stamps. In excellent condition. unknown
8888Amsterdam: ca. 1979.<br /> <br> <br> An original collage made by Ulises Carrión 1941-89 and gifted to Maurizio Nannucci b. 1939 in support of Zona’s non-profit mission following the Zona Parolo & Suono festival 11-19 June 1979. Near fine; faint foxing. <br /> <br> <br> ⧠See G. Schraenen ed. Dear reader. Don’t read. 2016 pp. 120-23 for similar works by Carrión employing graph paper. unknown
8889Amsterdam: ca. 1979.<br /> <br> <br> An original collage made by Ulises Carrión 1941-89 and gifted to Maurizio Nannucci b. 1939 in support of Zona’s non-profit mission following the Zona Parolo & Suono festival 11-19 June 1979. Near fine; very faint foxing and residue from the glue.<br /> <br> <br> ⧠See G. Schraenen ed. Dear reader. Don’t read. 2016 pp. 120-23 for similar collages by Carrión employing graph paper. unknown
8086Card 150 x 106 mm. with text added by rubber stamp in red blue green and yellow ink. Amsterdam: 1976.<br/> <br/> One of the rarest pieces of ephemera created by Ulises Carrión’s bookstore and exhibition space Other Books and So. In 1975 the year of its founding the space had hosted shows for the Beau Geste Press Jiri Valoch Opal L. Nations and Eric van der Wal. For the present exhibition Carrión invited 200 artists who employed stamps in their work and displayed their pieces on the walls of Other Books and So when it was located at 227 Herengracht.<br/> <br/> In fine condition; nice impressions. From the collection of Guy Schraenen 1941-2018.<br/> <br/> ⧠Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 38-39 pictured on p. 38 with a photograph of the exhibition. unknown
1089086 1 p. 8vo 225 x 155 mm. orig. printed red semi-stiff wrappers title on spine. Cullompton Devon: Beau Geste Press 1973.<br /> <br> <br> First edition the deluxe version on vibrant multi-colored Strathmore Grandee paper of this scarce and early Carrión 1941-89 bookwork. Arguments was printed in a total edition of 400 copies 200 on Huntsman white cartridge and unsigned and 200 deluxe copies and signed on the verso of the title-page.<br /> <br> <br> Formed in 1970 by Felipe Ehrenberg Martha Hellion David Mayor Chris Welch and Madeleine Gallard the Beau Geste Press was instrumental in Carrión’s growing engagement with artists’ books. The scholar Zanna Gilbert recalls in the Beau Geste Press catalogue p. 405 that in 2017 Ehrenberg “commented that Carrión had never gotten his hands dirty with ink before visiting the Beau Geste Press.†In 1973 the Press published two of his books Arguments Autumn and Looking for Poetry/Tras la PoesÃa Winter.<br /> <br> <br> In the Getty Research Institute exhibition catalogue Artists and Their Books Books and Their Artists 2018 Gilbert describes the present bookwork: “Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants with no reference to the actual content of their disagreements. The distinctly Anglophone names are arranged in various configurations on each page of the book leaving the reader to wonder about the substance of the disputes. Indeed as the ‘arguments’ play out across the gridded field of the typeset page the book increasingly becomes about the materiality of the text itself with Carrión adding symbols such as the ampersand or violating the names themselves—as when for example ‘Marion’ becomes ‘Mar ion’—resulting in ever more complex exchanges†p. 72.<br /> <br> <br> The book was beautifully typeset by Terry Wright a skilled printer who joined the Press in 1972; laid out by Mayor; and offset-printed by Ehrenberg. Each “Argument†is numbered by hand there are 25 in total with several misnumbered and corrected in this copy nos. 5 22 23 24. Carrión’s book concludes with an unnumbered page on translucent paper with the entreaty: “My name is Ulises / What’s yours â€<br /> <br> <br> A fine copy; spine a trifle sunned.<br /> <br> <br> â§ Alice Motard ed. Beau Geste Press 2020 No. 48 pp. 186-91 illustrating both versions.<br /> <br> <br> J. J. Agius & R. Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 7. unknown
713896 unnumbered pages. Thick 8vo 210 x 150 mm. semi-stiff printed wrappers. Geneva: Editions Héros-Limite 2005.<br/> <br/> The scarce second edition of Ulises Carrión’s famous Arguments 1st ed.: 1973 published by the Beau Geste Press. In the Getty Research Institute exhibition catalogue Artists and Their Books Books and Their Artists 2018 Zanna Gilbert writes about the first edition: “Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants with no reference to the actual content of their disagreements. The distinctly Anglophone names are arranged in various configurations on each page of the book leaving the reader to wonder about the substance of the disputes.â€<br/> <br/> As new. From an edition of 750 copies.<br/> <br/> â§ U. Carrión Quant aux Livres 2008 p. 202. unknown
9234Black & white illus. 25 pp. & colophon. 4to black printed softcover title on spine. Amsterdam: Galerie Da Costa 1980.<br /> <br> <br> One of 500 copies a scarce exhibition catalogue with an introduction composed by Carrión 1941-89. The catalogue provides a survey of Galerie Da Costa a publisher of artists’ books and livres d’artistes managed by Juan J. Agius. Agius published two of Carrión’s bookworks: Verzamelde Werken 1980 and Sistemas 1983.<br /> <br> <br> Carrión writes: “This catalogue illustrates the publishing activity developed by Juan Agius from Da Costa Gallery during the last 4 years. Such an activity takes place in a cultural context that is already familiar with the production of books by visual artists but where it has not yet been decided what the defining characteristics of this type of work are.â€<br /> <br> <br> With pictures and bibliographical information on bookworks by François Righi Adriaan Nette Francesc Guitart Manuel Menán Agius Federico Sanguineti François Bouillon Lia Rondelli Ben Sleeuwenhoek Roberto Comini Alessandro Algardi and Jean Zuber.<br /> <br> <br> Near fine copy. Withdrawn stamp of the Stedelijk Museum Amsterdam Library on title-page. unknown